[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"monuments-en":3,"recommended-monuments-en":4999},[4,48,130,199,267,336,404,476,544,608,673,737,801,869,939,1010,1073,1140,1212,1281,1355,1419,1491,1554,1622,1689,1761,1827,1895,1961,2031,2097,2166,2228,2291,2356,2429,2503,2575,2642,2709,2781,2856,2921,2987,3059,3127,3191,3253,3321,3386,3453,3485,3548,3611,3680,3742,3811,3874,3937,4011,4075,4138,4201,4264,4305,4373,4435,4476,4540,4603,4668,4734,4804,4870,4933],{"id":5,"documentId":6,"title":7,"slug":8,"shortTitle":9,"address":10,"type":11,"description":12,"latitude":13,"longitude":14,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":15,"updatedAt":16,"publishedAt":17,"locale":18,"content":19,"image":9,"carousel":9,"seo":20,"localizations":37},1842,"e2h8u4ic25yoi8kzifayottf","Jan Roháč from Dubá in Čechova street","jan-rohac-from-duba-in-cechova-street",null,"Čechova 5, Praha 7 - Dejvice, 170 00","Freska","On the tenement house U lipové ratolesti (At the Linden Branch) on Čechova Street in Bubeneč, visitors encounter an unusual choice of Hussite hero. While most Prague facades from the turn of the 19th and 20th centuries depict St. Wenceslas or Jan Žižka, the unknown builder here chose the less common Jan Roháč of Dubá. Perhaps the inspiration came from the street's name, honoring writer Svatopluk Čech, whose unfinished poetry collection Roháč at Sion was published posthumously in 1909. Two frescoes on the facade reference the Hussite movement. The left one is dedicated to Jan Roháč and the right one, titled Hussite at the Baltic, features a striking horse head that lends the scene dramatic intensity. The work from the first decade of the 20th century is possibly by Julius Fischer, a pupil of Mikoláš Aleš, known for his historical paintings of Hussite history. It is believed that Svatopluk Čech himself spent his final years in this very neighborhood.","50.100553","14.421205","2026-02-01T12:22:12.267Z","2026-03-16T21:30:33.336Z","2026-03-16T21:30:33.421Z","en","\u003Cp>On the tenement house U lipové ratolesti (At the Linden Branch) on Čechova Street in Bubeneč, visitors encounter an unusual choice of Hussite hero. While most Prague facades from the turn of the 19th and 20th centuries depict St. Wenceslas or Jan Žižka, the unknown builder here chose the less common Jan Roháč of Dubá. Perhaps the inspiration came from the street's name, honoring writer Svatopluk Čech, whose unfinished poetry collection Roháč at Sion was published posthumously in 1909. Two frescoes on the facade reference the Hussite movement. The left one is dedicated to Jan Roháč and the right one, titled Hussite at the Baltic, features a striking horse head that lends the scene dramatic intensity. The work from the first decade of the 20th century is possibly by Julius Fischer, a pupil of Mikoláš Aleš, known for his historical paintings of Hussite history. It is believed that Svatopluk Čech himself spent his final years in this very neighborhood.\u003C/p>",{"id":21,"metaTitle":7,"metaDescription":22,"keywords":23,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":25},8,"On the tenement house U lipové ratolesti (At the Linden Branch) on Čechova Street in Bubeneč, visitors encounter an unusual choice of Hussite hero.","fresco, painting, art, Čechova 5, Prague, monument, history, horse","index, follow",{"geo":26,"name":7,"@type":30,"address":31,"@context":35,"description":12,"additionalType":36},{"@type":27,"latitude":28,"longitude":29},"GeoCoordinates",50.100553,14.421205,"LandmarkOrHistoricalBuilding",{"@type":32,"streetAddress":10,"addressCountry":33,"addressLocality":34},"PostalAddress","CZ","Praha","https://schema.org","https://schema.org/VisualArtwork",[38],{"id":39,"documentId":6,"title":40,"slug":41,"shortTitle":9,"address":10,"type":11,"description":42,"latitude":13,"longitude":14,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":43,"updatedAt":44,"publishedAt":45,"locale":46,"content":47},1841,"Jan Roháč z Dubé v Čechově ulici","jan-rohac-z-dube-v-cechove-ulici","Na nájemním domě U lipové ratolesti v Čechově ulici v Bubenči se setkáváme s neobvyklou volbou husitského hrdiny. Zatímco většina pražských fasád přelomu 19. a 20. století zobrazuje sv. Václava či Jana Žižku, zde si neznámý stavitel zvolil méně obvyklého Jana Roháče z Dubé. Možná ho inspiroval název ulice, nesoucí jméno spisovatele Svatopluka Čecha, jehož nedokončená básnická sbírka Roháč na Sioně vyšla posmrtně v roce 1909. Dvě fresky na průčelí odkazují na husitské hnutí. Levá je věnována Janu Roháčovi a pravá, nazvaná Husita na Baltu, vyniká nápadnou hlavou koně dodávající výjevu dramatičnost. Autorem díla z první dekády 20. století je snad Julius Fischer, žák Mikoláše Alše, známý svými historickými obrazy husitských dějin. Je možné, že v těchto zákoutích Prahy trávil Svatopluk Čech poslední roky svého života.","2026-02-01T12:22:12.252Z","2026-03-16T21:30:32.215Z","2026-03-16T21:30:32.316Z","cs","\u003Cp>Národní motivy, které byly velmi oblíbené na přelomu 19. a 20. století, znázorňovaly především figuru sv. Václava či Jana Žižky z Trocnova. Neznámý stavitel nájemního domu U lipové ratolesti v Čechově ulici 224/5 (Praha 6 - Bubeneč) tentokrát využil méně užívaného husitského velitele, kterým je Jan Roháč z Dubé. Možná bylo dílo motivováno i názvem ulice, která doposud nese jméno významného českého spisovatele, básníka a novináře Svatopluka Čecha, jehož nedokončená básnická sbírka Roháč na Sioně byla vydána až po jeho smrti v roce 1909. Fresky z první dekády 20. století, jejichž autorem je snad Julius Fischer (1869 – 1936) jsou tak příkladem námětového okruhu v dekoru pražských staveb, založeného na souvislostech k danému místu. Možná i proto, že v těchto zákoutích Prahy trávil Svatopluk Čech poslední roky svého života. Dvě nativní fresky odkazují na husitské hnutí. Levá je věnována Janu Roháči a pravá je pojmenována Husita na Baltu. Té vévodí nápadná hlava koně, která dodává celému historickému výjevu dramatičnost. Julius Fischer byl žákem Mikoláše Alše a vedle řady fresek je i autorem řady historických obrazů husitských dějin.\u003C/p>",{"id":49,"documentId":50,"title":51,"slug":52,"shortTitle":9,"address":53,"type":54,"description":55,"latitude":56,"longitude":57,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":58,"updatedAt":59,"publishedAt":60,"locale":18,"content":61,"image":62,"carousel":108,"seo":110,"localizations":120},1844,"ycvspl5pm1t0i8fcy0u7tosr","Rudolf's stables in the Royal Garden","rudolfs-stables-in-the-royal-garden","U Prašného mostu, Praha 1 - Hradčany, 118 00","Budova","Entering the Prague Castle complex from the north via the Powder Bridge, visitors can spot two preserved arches of the former elongated building of Rudolf's Stables on the left side. According to surviving texts by French envoy Pierre Bergeron from 1600, around two hundred horses were stabled at Prague Castle during Rudolf II's reign. Bergeron wrote: We saw a large number of horses, many of them excellent, all trained by the Italian Pietropaolo. This testimony raises the question of where so many horses were housed, since the main stables, today the Konírna Gallery and the Prague Castle Picture Gallery, could not have accommodated such numbers. The answer may lie in the elongated stable along the Deer Moat. The stable character of the now-vanished building is still evidenced by traces of trough niches from tethered stalls in the retaining wall of the Royal Garden. This inconspicuous archaeological detail reveals the surprising scale of horse husbandry at one of Europe's most significant Renaissance courts.","50.091762","14.398608","2026-02-01T12:22:12.559Z","2026-03-16T21:30:35.998Z","2026-03-16T21:30:36.097Z","\u003Cp>At the entrance to the Prague Castle complex from the north around the Lion's Court and the Prague Castle riding hall, we enter to the 2nd courtyard of the Castle via the Powder Bridge. Just in front of it you can see the building of the Prague Castle Ballroom at a distance of 100 m on the left side. This view is interesting mainly because, despite the reconstruction of the ballroom in 1952, two arches of the former elongated building of Rudolf's stables have been preserved on this side of the building. According to the surviving texts of the French envoy of King Henry IV. Pier Bergeron from 1600 was at Prague Castle at the time of Rudolf II. about 200 horses stabled: “We saw a large number of horses in Prague, many of them are excellent and all are trained by the Italian Pietropaolo, whom the emperor very likes. We inspected the stables and counted more than two hundred. Most of them come from imperial stud farms that are distributed throughout the country. The emperor takes about a hundred horses to the court each year. ”But this testimony raises the question of where so many horses were housed? The main stables in Rudolf's time, today the Konírna Gallery and the Prague Castle Picture Gallery certainly could not stable so high number of horses. The idea of ​​an elongated stable on this side of the Deer Moat can provide an explanation. The stable character of the already disappeared building is evidenced by traces of trough niches of the stables with tethered housing in the retaining wall of the Royal Garden.\u003C/p>",{"id":63,"documentId":64,"name":65,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":68,"hash":102,"ext":70,"mime":73,"size":103,"url":104,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":106,"updatedAt":107,"publishedAt":106,"focalPoint":9},372,"c51bydxakelrfiwtggktmzab","DSCN4818.webp",2048,1536,{"large":69,"small":79,"medium":87,"thumbnail":94},{"ext":70,"url":71,"hash":72,"mime":73,"name":74,"path":9,"size":75,"width":76,"height":77,"sizeInBytes":78},".webp","https://meaningful-wonder-ea78781290.media.strapiapp.com/large_DSCN_4818_fd1be1620f.webp","large_DSCN_4818_fd1be1620f","image/webp","large_DSCN4818.webp",181.34,1000,750,181340,{"ext":70,"url":80,"hash":81,"mime":73,"name":82,"path":9,"size":83,"width":84,"height":85,"sizeInBytes":86},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_DSCN_4818_fd1be1620f.webp","small_DSCN_4818_fd1be1620f","small_DSCN4818.webp",48.56,500,375,48556,{"ext":70,"url":88,"hash":89,"mime":73,"name":90,"path":9,"size":91,"width":77,"height":92,"sizeInBytes":93},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_DSCN_4818_fd1be1620f.webp","medium_DSCN_4818_fd1be1620f","medium_DSCN4818.webp",106.21,562,106210,{"ext":70,"url":95,"hash":96,"mime":73,"name":97,"path":9,"size":98,"width":99,"height":100,"sizeInBytes":101},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_DSCN_4818_fd1be1620f.webp","thumbnail_DSCN_4818_fd1be1620f","thumbnail_DSCN4818.webp",8.49,208,156,8488,"DSCN_4818_fd1be1620f",671.31,"https://meaningful-wonder-ea78781290.media.strapiapp.com/DSCN_4818_fd1be1620f.webp","strapi-provider-upload-strapi-cloud","2026-02-19T21:16:59.644Z","2026-06-14T11:59:09.953Z",{"id":109},340,{"id":111,"metaTitle":51,"metaDescription":112,"keywords":113,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":114},12,"Entering the Prague Castle complex from the north via the Powder Bridge, visitors can spot two preserved arches of the former elongated building of Rudolf's.","building, architecture, U Prašného mostu, Prague, monument, history, horse",{"geo":115,"name":51,"@type":30,"image":104,"address":118,"@context":35,"description":55,"additionalType":119},{"@type":27,"latitude":116,"longitude":117},50.091762,14.398608,{"@type":32,"streetAddress":53,"addressCountry":33,"addressLocality":34},"https://schema.org/CivicStructure",[121],{"id":122,"documentId":50,"title":123,"slug":124,"shortTitle":9,"address":53,"type":54,"description":125,"latitude":56,"longitude":57,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":126,"updatedAt":127,"publishedAt":128,"locale":46,"content":129},2036,"Rudolfovy konírny v Královské zahradě","rudolfovy-konirny-v-kralovske-zahrade","Při vstupu do areálu Pražského hradu ze severu přes Prašný most lze po levé straně spatřit dva zachované oblouky bývalé podlouhlé budovy Rudolfových stájí. Podle dochovaných textů francouzského vyslance Piera Bergerona z roku 1600 bylo na Pražském hradě za Rudolfa II. ustájeno okolo dvou set koní. Bergeron zapsal: Viděli jsme velké množství koní, mnozí z nich jsou vynikající a všechny cvičí Ital Pietropaolo. Toto svědectví ovšem klade otázku, kde bylo takové množství koní ustájeno, protože do hlavních stájí, dnes galerie Konírna a Obrazárna Pražského hradu, se jich tolik nevešlo. Vysvětlením může být právě představa podlouhlé stáje na straně Jeleního příkopu. Stájový charakter zmizelé budovy dodnes dokládají stopy po žlabových výklencích vazných stání v opěrné zdi Královské zahrady. Tento nenápadný archeologický detail tak odhaluje překvapivý rozsah koňského hospodářství jednoho z nejvýznamnějších evropských dvorů renesanční éry.","2026-02-01T12:22:12.540Z","2026-06-14T15:46:55.223Z","2026-06-14T15:46:55.424Z","\u003Cp>Při vstupu do areálu Pražského hradu ze severu okolo Lvího dvora a jízdárny Pražského hradu, vstupujeme na 2. nádvoří Hradu přes Prašný most. Těsně před ním můžete po levé straně spatřit ve vzdálenosti 100 m budovu Míčovny Pražského hradu. Tento pohled je zajímavý především tím, že přes rekonstrukci míčovny v roce 1952 se na této straně budovy zachovaly dva oblouky bývalé podlouhlé budovy Rudolfových stájí. Podle dochovaných textů francouzského vyslance krále Jindřicha IV. Piera Bergerona z roku 1600 bylo na Pražském hradě v době Rudolfa II. ustájeno okolo 200 koní: „Viděli jsme v Praze velké množství koní, mnozí z nich jsou vynikající a všechny cvičí Ital Pietropaolo, jehož má císař ve veliké oblibě. Prohlédli jsme si stáje a napočítali jich více než dvě stě. Většina z nich pochází z císařských hřebčínů, které jsou rozmístěny po celé zemi. Císař z nich ročně odvádí ke dvoru okolo sta koní.“ Toto svědectví ale klade otázku, kde bylo takové množství koní ustájeno? Do hlavních stájí v době Rudolfově, dnes galerie Konírna (@galerie-konirna-na-prazskem-hrade@ ) a Obrazárna Pražského hradu (@obrazarna-prazskeho-hradu@ ) se jich určitě tolik nevešlo. Vysvětlením může poskytnout představa podlouhlé stáje na této straně Jelenního příkopu. Stájový charakter již zmizelé budovy dokládají dodnes patrné stopy po žlabových výklencích vazných stání v opěrné zdi Královské zahrady.\u003C/p>",{"id":131,"documentId":132,"title":133,"slug":134,"shortTitle":9,"address":135,"type":54,"description":136,"latitude":137,"longitude":138,"phone":9,"website":9,"available":9,"availableDescription":139,"createdAt":140,"updatedAt":141,"publishedAt":142,"locale":18,"content":143,"image":144,"carousel":178,"seo":180,"localizations":189},1846,"t14rf17b5jcg5pgzeen0ds68","Riding hall of the Nostitz Palace","riding-hall-of-the-nostitz-palace","Nosticova 468, Praha 1 - Malá Strana, 118 00","František Antonín Nostic‑Rieneck had the riding hall built for the training of noble sons. After WWI it was acquired by the Sokol organisation and served riders and horses until 1964.","50.084877","14.406337","pro veřejnost uzavřeno Karlova Univerzita","2026-02-01T12:22:11.496Z","2026-03-16T21:30:38.461Z","2026-03-16T21:30:38.568Z","The Nostic Palace complex includes the Nostic Garden, founded in 1765, and a riding hall with stables built in the late 18th century. František Antonín Nostic‑Rieneck had the riding hall built for the training of noble sons. After WWI it was acquired by the Sokol organisation and served riders and horses until 1964.",{"id":145,"documentId":146,"name":147,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":148,"hash":173,"ext":70,"mime":73,"size":174,"url":175,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":176,"updatedAt":177,"publishedAt":176,"focalPoint":9},164,"r7v7qvjd50o6awbwcocjrrwg","2..webp",{"large":149,"small":155,"medium":161,"thumbnail":167},{"ext":70,"url":150,"hash":151,"mime":73,"name":152,"path":9,"size":153,"width":76,"height":77,"sizeInBytes":154},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_2_6d8f01ebea.webp","large_2_6d8f01ebea","large_2..webp",55.54,55538,{"ext":70,"url":156,"hash":157,"mime":73,"name":158,"path":9,"size":159,"width":84,"height":85,"sizeInBytes":160},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_2_6d8f01ebea.webp","small_2_6d8f01ebea","small_2..webp",23.11,23110,{"ext":70,"url":162,"hash":163,"mime":73,"name":164,"path":9,"size":165,"width":77,"height":92,"sizeInBytes":166},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_2_6d8f01ebea.webp","medium_2_6d8f01ebea","medium_2..webp",38.47,38472,{"ext":70,"url":168,"hash":169,"mime":73,"name":170,"path":9,"size":171,"width":99,"height":100,"sizeInBytes":172},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_2_6d8f01ebea.webp","thumbnail_2_6d8f01ebea","thumbnail_2..webp",6.35,6354,"2_6d8f01ebea",140.29,"https://meaningful-wonder-ea78781290.media.strapiapp.com/2_6d8f01ebea.webp","2026-02-19T20:17:20.162Z","2026-06-14T11:39:20.169Z",{"id":179},342,{"id":181,"metaTitle":133,"metaDescription":182,"keywords":183,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":184},16,"The Nostic Palace complex includes the Nostic Garden, founded in 1765, and a riding hall with stables built in the late 18th century.","building, architecture, Nosticova 468, Prague, monument, history, horse",{"geo":185,"name":133,"@type":30,"image":175,"address":188,"@context":35,"description":136,"additionalType":119},{"@type":27,"latitude":186,"longitude":187},50.084877,14.406337,{"@type":32,"streetAddress":135,"addressCountry":33,"addressLocality":34},[190],{"id":191,"documentId":132,"title":192,"slug":193,"shortTitle":9,"address":135,"type":54,"description":194,"latitude":137,"longitude":138,"phone":9,"website":9,"available":9,"availableDescription":139,"createdAt":195,"updatedAt":196,"publishedAt":197,"locale":46,"content":198},1845,"Jízdárna Nostického paláce","jizdarna-nostickeho-palace","Nechal ji na konci 18. století postavit František Antonín Nostic – Rieneck a jízdárna sloužila k jezdeckému výcviku šlechtických synů. Jízdárnu tak dalších téměř 50 let využívali sportovní jezdci a ke svému původnímu účelu sloužila jezdcům a koním až do roku 1964.","2026-02-01T12:22:11.481Z","2026-03-16T21:30:37.136Z","2026-03-16T21:30:37.253Z","\u003Cp>K jízdárně je přistavěna menší budova, ve které od roku 1829 bydlel Malíř Antonín Mánes se svou rodinou. V jízdárně původně probíhal výcvik jezdeckých i tažných koní rodiny Nosticů. Ti byli ustájeni v různých budovách. V samotném komplexu jízdárny byla stáj pro šest koní, kteří byli určeni především pro zápřež. V této stáji má Karlova univerzita výukovou a zasedací síň. Jezdečtí koně byli ustájeni buď v komplexu paláce, kde byly dvě stáje pro celkem 21 koní a další pak ve stájích na Maltézském náměstí. V těchto stájích je nyní restaurace Konírna, ve které jsou, stejně jako v ostatních stájích, zachované původní mramorové žlaby.\u003C/p>",{"id":200,"documentId":201,"title":202,"slug":203,"shortTitle":9,"address":204,"type":9,"description":205,"latitude":206,"longitude":207,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":208,"updatedAt":209,"publishedAt":210,"locale":18,"content":211,"image":212,"carousel":246,"seo":248,"localizations":257},1848,"dva2acbsrc0pneoqs5xxgc4k","Ferdinand the Good on the Campus in Karlín","ferdinand-the-good-on-the-campus-in-karlin","Lyčkovo nám. 460/6, Praha 8 - Karlín, 186 00","One of the paintings in the inner wing of the Karlín elementary school on Lyčkovo Square captures an exceptional historical event connected to this locality. On the right wing of the building, the national celebration of King Ferdinand the Good's coronation near the Invalidovna in 1836 is depicted, showing numerous horses both under saddle and in harness.","50.093164","14.458345","2026-02-21T21:23:29.113Z","2026-03-16T21:30:40.872Z","2026-03-16T21:30:41.195Z","\u003Cp>One of the paintings in the inner wing of the Karlín elementary school on Lyčkovo Square captures an exceptional historical event connected to this locality. On the right wing of the building, the national celebration of King Ferdinand the Good's coronation near the Invalidovna in 1836 is depicted, showing numerous horses both under saddle and in harness. \u003C/p>\u003Cp>Ferdinand the Good was the last crowned Czech king, who after his forced abdication in favor of Franz Joseph I in 1848, spent the rest of his life in Prague. The work from around 1905 is by Jano Köhler, born in Brno and a pupil of František Ženíšek. On the opposite side of the building, Karel Klusáček depicted the reconciliation of Žižka with the people of Prague at the nearby Špitálské field. \u003C/p>\u003Cp>Over his lifetime, Köhler decorated more than seventy sacred and fifty secular buildings, mainly in Moravia. His cut mosaics at Svatý Hostýn are considered artistically and technically ahead of their time.\u003C/p>",{"id":213,"documentId":214,"name":215,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":216,"hash":241,"ext":70,"mime":73,"size":242,"url":243,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":244,"updatedAt":245,"publishedAt":244,"focalPoint":9},312,"dgnyc5i2g4nxrkxdux60m0j7","02.webp",{"large":217,"small":223,"medium":229,"thumbnail":235},{"ext":70,"url":218,"hash":219,"mime":73,"name":220,"path":9,"size":221,"width":76,"height":77,"sizeInBytes":222},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_02_aa869f1827.webp","large_02_aa869f1827","large_02.webp",110.75,110752,{"ext":70,"url":224,"hash":225,"mime":73,"name":226,"path":9,"size":227,"width":84,"height":85,"sizeInBytes":228},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_02_aa869f1827.webp","small_02_aa869f1827","small_02.webp",33.68,33682,{"ext":70,"url":230,"hash":231,"mime":73,"name":232,"path":9,"size":233,"width":77,"height":92,"sizeInBytes":234},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_02_aa869f1827.webp","medium_02_aa869f1827","medium_02.webp",68.77,68772,{"ext":70,"url":236,"hash":237,"mime":73,"name":238,"path":9,"size":239,"width":99,"height":100,"sizeInBytes":240},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_02_aa869f1827.webp","thumbnail_02_aa869f1827","thumbnail_02.webp",7.23,7226,"02_aa869f1827",381.06,"https://meaningful-wonder-ea78781290.media.strapiapp.com/02_aa869f1827.webp","2026-02-19T20:58:52.977Z","2026-06-14T11:55:28.439Z",{"id":247},344,{"id":249,"metaTitle":202,"metaDescription":250,"keywords":251,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":252},20,"One of the paintings in the inner wing of the Karlín elementary school on Lyčkovo Square captures an exceptional historical event connected to this locality.","Lyčkovo nám. 460/6, Prague, monument, history, horse",{"geo":253,"name":202,"@type":30,"image":243,"address":256,"@context":35,"description":205},{"@type":27,"latitude":254,"longitude":255},50.093164,14.458345,{"@type":32,"streetAddress":204,"addressCountry":33,"addressLocality":34},[258],{"id":259,"documentId":201,"title":260,"slug":261,"shortTitle":9,"address":204,"type":11,"description":262,"latitude":206,"longitude":207,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":263,"updatedAt":264,"publishedAt":265,"locale":46,"content":266},1847,"Ferdinand Dobrotivý na školním areálu v Karlíně","ferdinand-dobrotivy-na-skolnim-arealu-v-karline","Jedna z maleb vnitřního křídla karlínské základní školy na Lyčkově náměstí zachycuje výjimečnou historickou událost spojenou s touto lokalitou. Na pravém křídle budovy je znázorněna národní slavnost při korunovaci krále Ferdinanda Dobrotivého u nedalekého Invalidovny v roce 1836. Výjev ukazuje přítomnost mnoha koní jak pod sedlem, tak v zápřeži. Ferdinand Dobrotivý byl posledním korunovaným českým králem, který po nedobrovolné abdikaci ve prospěch Františka Josefa I. v roce 1848 strávil zbytek života v Praze. Autorem díla z období kolem roku 1905 je Jano Köhler, rodák z Brna a žák Františka Ženíška. Na protější straně budovy Karel Klusáček vyobrazil scénu smíření Žižky s Pražany na blízkém Špitálském poli. Köhler za svůj život vyzdobil přes sedmdesát sakrálních a padesát světských staveb, především na Moravě, a jeho řezané mozaiky na Svatém Hostýně předběhly svou dobu.","2026-02-01T12:22:12.307Z","2026-03-16T21:30:39.713Z","2026-03-16T21:30:39.823Z","\u003Cp>Umělecká výzdoba veřejných staveb konce 19. a počátku 20. století byla často spojena s historickými motivy příslušné lokality. Příkladem je i jedna z maleb vnitřního křídla areálu karlínské základní školy (někdy je užíván i název Sakařova škola podle autora projektu Josefa Sakaře) na Lyčkově náměstí 6 (Praha 8 – Karlín). Zatímco na levé straně byla Karlem Klusáčkem vyobrazena scéna smíření Žižky s Pražany na nedalekém Špitálském poli, na pravém křídle je znázorněna národní slavnost při korunovaci krále Ferdinanda Dobrotivého u Invalidovny v roce 1836. Autorem díla, které ukazuje přítomnost řady koní jak pod sedlem, tak v zápřeži je Jano Köhler (1873 – 1941) a dílo je datováno někdy okolo roku 1905. Ferdinad Dobrotivý (1793 – 1875) byl rakouský císař a poslední korunovaný český král, který po své nedobrovolné abdikaci ve prospěch Františka Josefa I. v roce 1848, strávil zbytek života v Praze. Jano Köhler, rodák z Brna, studoval u Františka Ženíška a za svůj život vyzdobil svými díly přes 70 sakrálních a 50 světských staveb. Jeho díla nalezneme hlavně na Moravě (především v Olomouci) a teprve mnoho desetiletí po jeho smrti dochází nyní ke znovuobjevování jeho díla. Především řezané mozaiky na Svatém Hostýně výtvarně i technicky předběhly svou dobu. V Praze nalezneme jeho keramické mozaiky i ve výzdobě secesního hotelu Paříž v ulici U Obecního domu.\u003C/p>",{"id":268,"documentId":269,"title":270,"slug":271,"shortTitle":9,"address":272,"type":11,"description":273,"latitude":274,"longitude":275,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":276,"updatedAt":277,"publishedAt":278,"locale":18,"content":279,"image":280,"carousel":315,"seo":317,"localizations":326},1850,"k98er19s6usz2jydp7jhk6nx","Stark's houses in Holesovice","starks-houses-in-holesovice","Dukelských hrdinů 903-905/44-46, Praha 7 - Holešovice, 170 00","Three houses built by Stárek on Dukelská Avenue in Holešovice, closest to the Prague Exhibition Grounds, bear paintings connecting Czech history with local lore. House number 46 depicts Vlasta, the central figure of the legend about a women's revolt. Under her leadership, women fortified themselves at Děvín Castle opposite Vyšehrad after the death of Princess Libuše. House number 45 features Czech King George of Poděbrady, the main restorer of order in the Czech lands after the Hussite wars. The third house shows Heřman of Bubna, a typical example of decoration whose iconography draws on local history. The village name Bubny, then part of the official designation Holešovice-Bubny, was mistakenly derived from the Bubna family of Litice. The author of all three paintings is probably František Ženíšek Jr., son of the famous National Theatre generation painter, who also created the nearby Vaňha House decoration.","50.102595","14.432637","2026-02-01T12:22:12.414Z","2026-03-16T21:30:43.485Z","2026-03-16T21:30:43.602Z","\u003Cp>On the building closest to the exhibition centre, number 46, it is Vlasta, who is the central figure of the Czech national legend about the revolt of women against men. Under her leadership, they fortified themselves at Děvín Castle opposite Vyšehrad. The reason of the uprising was the loss of the status of women after the death of Princess Libuše. After temporary successes, the uprising was suppressed and men took over the government. House No. 45 depicts the Czech King George from Poděbrady, who was the main restorer of the order and prestige of the Czech lands after the Hussite wars in the 15th century. Finally, on house No. 46, we can see the figure of Heřman from Bubno. This is a typical example of decoration, whose iconography is based on the circumstances of the place. The name of the village Bubny, which at the time of building the house was still part of the official designation of the local village (Holešovice-Bubny), was previously erroneously derived from the Bubnů family from Litice, possibly namely from the person of the traveler Heřman from Bubny (+1602). The name of the nearby Holešovice street - Heřmanova corresponds to this. The author of all three paintings is probably František Ženíšek Jr. (1877 - 1935), the son of the famous painter of the National Theater generation.\u003C/p>",{"id":281,"documentId":282,"name":283,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":284,"hash":310,"ext":70,"mime":73,"size":311,"url":312,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":313,"updatedAt":314,"publishedAt":313,"focalPoint":9},331,"f2u1nhj650e2v1d1b1tm2xsk","03.webp",{"large":285,"small":291,"medium":297,"thumbnail":303},{"ext":70,"url":286,"hash":287,"mime":73,"name":288,"path":9,"size":289,"width":77,"height":76,"sizeInBytes":290},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_03_37973294d6.webp","large_03_37973294d6","large_03.webp",75.85,75854,{"ext":70,"url":292,"hash":293,"mime":73,"name":294,"path":9,"size":295,"width":85,"height":84,"sizeInBytes":296},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_03_37973294d6.webp","small_03_37973294d6","small_03.webp",28.08,28084,{"ext":70,"url":298,"hash":299,"mime":73,"name":300,"path":9,"size":301,"width":92,"height":77,"sizeInBytes":302},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_03_37973294d6.webp","medium_03_37973294d6","medium_03.webp",51.35,51346,{"ext":70,"url":304,"hash":305,"mime":73,"name":306,"path":9,"size":307,"width":308,"height":100,"sizeInBytes":309},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_03_37973294d6.webp","thumbnail_03_37973294d6","thumbnail_03.webp",4.6,117,4596,"03_37973294d6",210.27,"https://meaningful-wonder-ea78781290.media.strapiapp.com/03_37973294d6.webp","2026-02-19T21:02:46.006Z","2026-06-14T11:57:09.906Z",{"id":316},346,{"id":318,"metaTitle":270,"metaDescription":319,"keywords":320,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":321},24,"Three houses built by Stárek on Dukelská Avenue in Holešovice, closest to the Prague Exhibition Grounds, bear paintings connecting Czech history with local.","fresco, painting, art, Dukelských hrdinů 903-905/44-46, Prague, monument, history, horse",{"geo":322,"name":270,"@type":30,"image":312,"address":325,"@context":35,"description":273,"additionalType":36},{"@type":27,"latitude":323,"longitude":324},50.102595,14.432637,{"@type":32,"streetAddress":272,"addressCountry":33,"addressLocality":34},[327],{"id":328,"documentId":269,"title":329,"slug":330,"shortTitle":9,"address":272,"type":11,"description":331,"latitude":274,"longitude":275,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":332,"updatedAt":333,"publishedAt":334,"locale":46,"content":335},1849,"Stárkovy domy v Holešovicích","starkovy-domy-v-holesovicich","Tři domy stavitele Stárka na Dukelské třídě v Holešovicích, nejblíže pražskému Výstavišti, nesou malby propojující české dějiny s místní historií. Na domě číslo 46 je vyobrazena Vlasta, ústřední postava pověsti o vzpouře žen, které se pod jejím vedením opevnily na hradě Děvín proti Vyšehradu po smrti kněžny Libuše. Dům číslo 45 zdobí český král Jiří z Poděbrad, hlavní obnovitel pořádku českých zemí po husitských válkách. Na třetím domě je postava Heřmana z Bubna, typický příklad výzdoby vycházející z místní historie. Název vesnice Bubny, tehdy součást oficiálního označení obce Holešovice-Bubny, byl mylně odvozován od rodu Bubnů z Litic. Autorem všech tří maleb je pravděpodobně František Ženíšek mladší, syn slavného malíře generace Národního divadla, který je autorem i nedalekého Vaňhova domu.","2026-02-01T12:22:12.401Z","2026-03-16T21:30:42.246Z","2026-03-16T21:30:42.354Z","\u003Cp>Na k výstavišti nejbližší budově s číslem 46 je to tedy Vlasty, která je ústřední figurou české národní pověsti o vzpouře žen proti mužům. Ty se pod jejím vedením opevnily na hradě Děvín proti Vyšehradu. Důvodem vzpoury byla ztráta postavení žen po smrti kněžny Libuše. Vzpoura však byla po přechodných úspěších potlačena a vlády se ujali muži. Na domě č. 45 je zobrazen český král Jiří z Poděbrad, který byl v 15. století hlavním obnovitelem pořádku a prestiže českých zemí po husitských válkách. A konečně na domě č. 46 můžeme vidět postavu Heřmana z Bubna. Ta je typickým příkladem výzdoby, jejíž ikonografie vychází z okolností dané lokality. Název vesnice Bubny, který byl v době vzniku domu stále součástí oficiálního označení zdejší obce (Holešovice-Bubny), byl dříve mylně odvozován od rodu Bubnů z Litic, eventuálně jmenovitě od osoby cestovatele Heřmana z Bubna (+1602). Tomu odpovídá i název nedaleké holešovické ulice – Heřmanovy. Autorem všech tří maleb je pravděpodobně František Ženíšek mladší (1877 – 1935), syn slavného malíře generace Národního divadla.\u003C/p>",{"id":337,"documentId":338,"title":339,"slug":340,"shortTitle":9,"address":341,"type":54,"description":342,"latitude":343,"longitude":344,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":345,"updatedAt":346,"publishedAt":347,"locale":18,"content":348,"image":349,"carousel":383,"seo":385,"localizations":394},1852,"znnohldo5xwy5ykcmf25scai","Schnirch's house","schnirchs-house","Mikovcova ul. 548, Praha 2 - Vinohrady, 120 00","The house named after sculptor Bohuslav Schnirch in Vinohrady conceals a remarkable sgraffito band on its facade between the first and second floors. Wiehl's original 1874 design was strongly influenced by the Italian Renaissance and inspired by the Florentine Quadagni Palace. Schnirch employed classical, ancient, and Renaissance scenes in the sgraffito band. The frieze shows processions of figures approaching from both sides toward a central Temple of Art. From the left comes a Bacchic procession of satyrs with musicians, with wagons carrying Dionysus and Silenus. From the right approaches a procession of women with vessels, a sacrificial bull and ram, and at the end rides a group of young men on prancing horses. In the temple's center, a female figure symbolizes Art, surrounded by children bearing the inscriptions pictura, scultura, architectura, and musica. The sgraffito was created by architect Jan Zeyer, with a Medusa head complementing the composition above the entrance.","50.076531","14.431130","2026-02-01T12:22:12.527Z","2026-03-16T21:30:45.843Z","2026-03-16T21:30:45.960Z","\u003Cp>Wiehl's original design of the house (1874) was significantly influenced by the Italian Renaissance and inspired by the Florentine Quadagni Palace. The final appearance of the house is based on the same architectural motifs, but is simpler and less ostentatious.\u003C/p>\u003Cp>The facade between the first and second floors is divided by a sgraffito strip. Schnirch used classical, ancient and renaissance scenes in it. The frieze shows parades of figures coming from both sides to the center. The central motif of the sgraffito belt is the Temple of Art. From the left side comes the Bakchic procession of satyrs with musicians. Dionysus and Silenus carry two cars. From the right comes a procession of women with vessels, a sacrificial bull and a ram are brought in, and at the end of the procession a group of young men ride on prancing horses. In the center of the temple is a female figure symbolizing Art, with figures of children bearing the inscriptions \"pictura\", \"scultura\", \"architectura\" and \"musica\". The central motif above the front door is complemented by Medusa's head. Above the middle window of the first floor, eight Cupids with fire on the sacrificial altar are depicted. The sgraffito was created by architect Jan Zeyer.\u003C/p>",{"id":350,"documentId":351,"name":352,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":353,"hash":378,"ext":70,"mime":73,"size":379,"url":380,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":381,"updatedAt":382,"publishedAt":381,"focalPoint":9},349,"ym5mtvrqzdsonwakivmyeebs","04.webp",{"large":354,"small":360,"medium":366,"thumbnail":372},{"ext":70,"url":355,"hash":356,"mime":73,"name":357,"path":9,"size":358,"width":76,"height":77,"sizeInBytes":359},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_04_461225f3c5.webp","large_04_461225f3c5","large_04.webp",91.17,91174,{"ext":70,"url":361,"hash":362,"mime":73,"name":363,"path":9,"size":364,"width":84,"height":85,"sizeInBytes":365},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_04_461225f3c5.webp","small_04_461225f3c5","small_04.webp",32.64,32640,{"ext":70,"url":367,"hash":368,"mime":73,"name":369,"path":9,"size":370,"width":77,"height":92,"sizeInBytes":371},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_04_461225f3c5.webp","medium_04_461225f3c5","medium_04.webp",59.43,59430,{"ext":70,"url":373,"hash":374,"mime":73,"name":375,"path":9,"size":376,"width":99,"height":100,"sizeInBytes":377},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_04_461225f3c5.webp","thumbnail_04_461225f3c5","thumbnail_04.webp",8.05,8046,"04_461225f3c5",264.96,"https://meaningful-wonder-ea78781290.media.strapiapp.com/04_461225f3c5.webp","2026-02-19T21:05:53.393Z","2026-06-14T11:58:42.712Z",{"id":384},348,{"id":386,"metaTitle":339,"metaDescription":387,"keywords":388,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":389},28,"Wiehl's original design of the house (1874) was significantly influenced by the Italian Renaissance and inspired by the Florentine Quadagni Palace.","building, architecture, Mikovcova ul. 548, Prague, monument, history, horse",{"geo":390,"name":339,"@type":30,"image":380,"address":393,"@context":35,"description":342,"additionalType":119},{"@type":27,"latitude":391,"longitude":392},50.076531,14.43113,{"@type":32,"streetAddress":341,"addressCountry":33,"addressLocality":34},[395],{"id":396,"documentId":338,"title":397,"slug":398,"shortTitle":9,"address":341,"type":54,"description":399,"latitude":343,"longitude":344,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":400,"updatedAt":401,"publishedAt":402,"locale":46,"content":403},1851,"Schnirchův dům","schnirchuv-dum","Dům pojmenovaný po sochaři Bohuslavu Schnirchovi na Vinohradech ukrývá na fasádě pozoruhodný sgrafitový pás mezi prvním a druhým patrem. Wiehlův původní návrh z roku 1874 byl výrazně ovlivněn italskou renesancí a inspirován florentským palácem Quadagni. Schnirch v sgrafitovém pásu uplatnil klasické, antické a renesanční výjevy. Na vlysu jsou zobrazeny průvody postav přicházejících z obou stran ke středu, kde stojí chrám Umění. Zleva přichází bakchický průvod satyrů s hudebníky, vozy vezoucími Dionýsa a Siléna. Zprava kráčí průvod žen s nádobami, přiváděni jsou obětní býk a beran, a na konci jede skupina mladých mužů na vzpínajících se koních. Ve středu chrámu symbolizuje ženská postava Umění s dětmi nesoucími nápisy pictura, scultura, architectura a musica. Sgrafita vytvořil architekt Jan Zeyer a nad vstupními dveřmi je doplňuje hlava Medusy.","2026-02-01T12:22:12.511Z","2026-03-16T21:30:44.708Z","2026-03-16T21:30:44.816Z","\u003Cp>Wiehlův původní návrh domu (1874) byl výrazně ovlivněný italskou renesancí a inspirovaný florentským palácem Quadagni. Konečná podoba domu je založena na stejných architektonických motivech, ale je jednodušší a méně honosná.\u003C/p>\u003Cp>Fasádu průčelí mezi prvním a druhým patrem rozděluje sgrafitový pás. Schnirch v něm uplatnil klasické, antické a renesanční výjevy. Na vlysu jsou zobrazeny z obou stran do středu přicházející průvody postav. Ústředním motivem sgrafitového pásu je chrám Umění. Z levé strany přichází bakchický průvod satyrů s hudebníky. Dva vozy vezou Dionýsa a Siléna. Zprava přichází průvod žen s nádobami, jsou přiváděni obětní býk a beran a na konci průvodu jede skupina mladých mužů na vzpínajících se koních. Ve středu chrámu je zobrazena ženská postava symbolizující Umění, s postavami dětí nesoucí nápisy „pictura“, „scultura“, „architectura“ a „musica“. Centrální motiv doplňuje nad vstupními dveřmi hlava Medusy. Nad prostředním oknem prvního patra je zobrazeno osm amorů s ohněm na obětním oltáři. Sgrafita vytvořil architekt Jan Zeyer.\u003C/p>",{"id":405,"documentId":406,"title":407,"slug":408,"shortTitle":9,"address":409,"type":410,"description":411,"latitude":412,"longitude":413,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":416,"updatedAt":417,"publishedAt":418,"locale":18,"content":419,"image":420,"carousel":454,"seo":456,"localizations":466},1854,"ni782x2bzk2fpz3t2d7ykvf0","Jaroslav Hašek of Karel Nepraš","jaroslav-hasek-of-karel-nepras","Prokopovo náměstí, Praha 3 - Žižkov, 130 00","Socha","An unconventional equestrian statue of writer Jaroslav Hašek stands on Prokopovo Square in Žižkov (installed in 2001, unveiled in 2005). It was created by sculptor Karel Nepraš, with co-authorship often attributed to his daughter Karolína after his death.","50.086527","14.452641",true,"volně dostupné","2026-02-01T12:22:11.406Z","2026-03-16T21:30:48.201Z","2026-03-16T21:30:48.314Z","An unconventional equestrian statue of writer Jaroslav Hašek stands on Prokopovo Square in Žižkov (installed in 2001, unveiled in 2005). It was created by sculptor Karel Nepraš, with co-authorship often attributed to his daughter Karolína after his death. The playful design contrasts with the monumental Jan Žižka statue on nearby Vítkov Hill.",{"id":421,"documentId":422,"name":423,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":424,"hash":449,"ext":70,"mime":73,"size":450,"url":451,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":452,"updatedAt":453,"publishedAt":452,"focalPoint":9},143,"x2n1n0x3xn6zjrtbxt885b42","1..webp",{"large":425,"small":431,"medium":437,"thumbnail":443},{"ext":70,"url":426,"hash":427,"mime":73,"name":428,"path":9,"size":429,"width":77,"height":76,"sizeInBytes":430},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_1_6e587ab53e.webp","large_1_6e587ab53e","large_1..webp",105.6,105604,{"ext":70,"url":432,"hash":433,"mime":73,"name":434,"path":9,"size":435,"width":85,"height":84,"sizeInBytes":436},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_1_6e587ab53e.webp","small_1_6e587ab53e","small_1..webp",33.62,33620,{"ext":70,"url":438,"hash":439,"mime":73,"name":440,"path":9,"size":441,"width":92,"height":77,"sizeInBytes":442},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_6e587ab53e.webp","medium_1_6e587ab53e","medium_1..webp",65.63,65626,{"ext":70,"url":444,"hash":445,"mime":73,"name":446,"path":9,"size":447,"width":308,"height":100,"sizeInBytes":448},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_6e587ab53e.webp","thumbnail_1_6e587ab53e","thumbnail_1..webp",5.25,5248,"1_6e587ab53e",353.91,"https://meaningful-wonder-ea78781290.media.strapiapp.com/1_6e587ab53e.webp","2026-02-19T20:13:30.770Z","2026-06-14T11:37:13.682Z",{"id":455},350,{"id":457,"metaTitle":407,"metaDescription":458,"keywords":459,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":460},32,"An unconventional equestrian statue of writer Jaroslav Hašek stands on Prokopovo Square in Žižkov (installed in 2001, unveiled in 2005).","statue, sculpture, Prokopovo náměstí, Prague, monument, history, horse",{"geo":461,"name":407,"@type":30,"image":451,"address":464,"@context":35,"description":411,"additionalType":465},{"@type":27,"latitude":462,"longitude":463},50.086527,14.452641,{"@type":32,"streetAddress":409,"addressCountry":33,"addressLocality":34},"https://schema.org/Sculpture",[467],{"id":468,"documentId":406,"title":469,"slug":470,"shortTitle":9,"address":409,"type":410,"description":471,"latitude":412,"longitude":413,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":472,"updatedAt":473,"publishedAt":474,"locale":46,"content":475},1853,"Jaroslav Hašek Karla Nepraše","jaroslav-hasek-karla-neprase","Autorem sochy je akademický sochař Karel Nepraš (1932 – 2002) a místo bylo vybráno záměrně, protože nedaleko odsud, v Jeronýmově ulici, Jaroslav Hašek žil a tvořil. Socha byla odhalena v roce 2005.","2026-02-01T12:22:11.391Z","2026-03-16T21:30:47.002Z","2026-03-16T21:30:47.108Z","\u003Cp>V centru starého Žižkova na Prokopově náměstí je od roku 2001 umístěna jezdecká socha spisovatele a autora Osudů dobrého vojáka Švejka Jaroslava Haška. Autorem sochy je akademický sochař Karel Nepraš (1932 – 2002) a místo bylo vybráno záměrně, protože nedaleko odsud, v Jeronýmově ulici, Jaroslav Hašek žil a tvořil. Karel Nepraš těsně před dokončením sochy zemřel a tak je spoluautorství připisováno i jeho dceři Karolíně. Bronzová jezdecká socha je spíše recesí, oponující majestátnosti a monumentalitě na dohled stojícího Jana Žižky na pražském Vítkově. Socha koně je totiž uprostřed, tam kde by měla být koňská záda, přerušena Haškovou bustou, spočívající na kamenném soklu. Hřbet koně je tak výčepním pultem, na kterém je Jaroslav Hašek umístěn. Socha byla odhalena v roce 2005.\u003C/p>",{"id":477,"documentId":478,"title":479,"slug":480,"shortTitle":9,"address":481,"type":54,"description":482,"latitude":483,"longitude":484,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":485,"updatedAt":486,"publishedAt":487,"locale":18,"content":488,"image":489,"carousel":523,"seo":525,"localizations":534},1856,"b40w1tbnukuw4cq5rornj8qb","Týn courtyard - Ungelt","tyn-courtyard-ungelt","Týn, Praha 1 - Staré Město, 110 00","Ungelt, also known as Týn Courtyard, is one of Prague's most beautiful and oldest sites, where trade and customs administration were concentrated for centuries. Customs thrived during the reigns of Charles IV and his son Wenceslas, but after the Hussite wars Prague lost its customs privileges and the courtyard gradually declined. After World War II, it seemed this architectural jewel might not survive. Fortunately, it was gradually reconstructed from the 1970s and reopened to the public in 1996. The courtyard comprises eighteen houses, headed by the Granovský Palace, considered Prague's most beautiful Renaissance house. The Granovský family acquired it from King Ferdinand I in 1558 as administrators of Ungelt, and portraits of them and Ferdinand I can be found in the entrance passage. Ferdinand I's era also marks the beginning of importing Old Spanish horses to Central Europe, meaning many founders of the ceremonial herd of royal horses may have passed through these very grounds.","50.088032","14.423632","2026-02-01T12:22:12.812Z","2026-03-16T21:30:51.046Z","2026-03-16T21:30:51.152Z","\u003Cp>Customs did best in the days of Charles IV. and subsequently his son Václav. Prague then lost its customs privileges due to the Hussite wars. The yard gradually became part of the city and fell into construction. After the Second World War, it already seemed that this building jewel of Prague would not be saved. Fortunately, the complex was gradually reconstructed from the 1970s and reopened to the public in 1996. In total, the yard consists of 18 houses. At the head of all buildings is the Granovský Palace, which is considered to be the most beautiful Renaissance house in Prague. In 1558 it was acquired from King Ferdinand I of Habsburg by the Granov family from Granov, the then administrators of Ungelt. In addition to the arcade facade of the first floor, Renaissance sgraffito is especially valuable in the palace. A portrait of the administrator Granovský and Ferdinand I can be found in the entrance passage of the palace, which opens into the courtyard of Ungelt. With the date of the late 1950s and the figure of Ferdinand I, the import of old Spanish horses to the center of Europe also began. Many of the founders of the ceremonial herd of royal horses were able to pass through these places. Because the hooves of horses no longer last a long time in Ungelt, the hippological character of most economic parts is consistently erased and you need a lot of imagination to equip it.\u003C/p>",{"id":490,"documentId":491,"name":492,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":493,"hash":518,"ext":70,"mime":73,"size":519,"url":520,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":521,"updatedAt":522,"publishedAt":521,"focalPoint":9},414,"gnmmxhcgh7dsb0czsbrdrw9i","P03.webp",{"large":494,"small":500,"medium":506,"thumbnail":512},{"ext":70,"url":495,"hash":496,"mime":73,"name":497,"path":9,"size":498,"width":76,"height":77,"sizeInBytes":499},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_P03_875d6dbed5.webp","large_P03_875d6dbed5","large_P03.webp",149.42,149418,{"ext":70,"url":501,"hash":502,"mime":73,"name":503,"path":9,"size":504,"width":84,"height":85,"sizeInBytes":505},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_P03_875d6dbed5.webp","small_P03_875d6dbed5","small_P03.webp",44.43,44432,{"ext":70,"url":507,"hash":508,"mime":73,"name":509,"path":9,"size":510,"width":77,"height":92,"sizeInBytes":511},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_P03_875d6dbed5.webp","medium_P03_875d6dbed5","medium_P03.webp",90.72,90722,{"ext":70,"url":513,"hash":514,"mime":73,"name":515,"path":9,"size":516,"width":99,"height":100,"sizeInBytes":517},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_P03_875d6dbed5.webp","thumbnail_P03_875d6dbed5","thumbnail_P03.webp",8.77,8770,"P03_875d6dbed5",507.29,"https://meaningful-wonder-ea78781290.media.strapiapp.com/P03_875d6dbed5.webp","2026-02-19T21:25:53.377Z","2026-06-14T12:03:13.265Z",{"id":524},352,{"id":526,"metaTitle":479,"metaDescription":527,"keywords":528,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":529},36,"Customs did best in the days of Charles IV. and subsequently his son Václav.","building, architecture, Týn, Prague, monument, history, horse",{"geo":530,"name":479,"@type":30,"image":520,"address":533,"@context":35,"description":482,"additionalType":119},{"@type":27,"latitude":531,"longitude":532},50.088032,14.423632,{"@type":32,"streetAddress":481,"addressCountry":33,"addressLocality":34},[535],{"id":536,"documentId":478,"title":537,"slug":538,"shortTitle":9,"address":481,"type":54,"description":539,"latitude":483,"longitude":484,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":540,"updatedAt":541,"publishedAt":542,"locale":46,"content":543},1855,"Týnský dvůr - Ungelt","tynsky-dvur-ungelt","Ungelt, neboli Týnský dvůr, je jednou z nejkrásnějších a nejstarších lokalit Prahy, kde se po staletí soustředil obchod a celní správa. Nejlépe se celnici dařilo za Karla IV. a jeho syna Václava, ale po husitských válkách Praha o svá celní privilegia přišla a dvůr postupně upadal. Po druhé světové válce se zdálo, že tento stavební klenot nepřežije. Naštěstí byl od sedmdesátých let postupně rekonstruován a v roce 1996 znovu otevřen veřejnosti. Celkově dvůr tvoří osmnáct domů, v čele s palácem Granovských, považovaným za nejkrásnější renesanční dům Prahy. V roce 1558 jej získali Granovští z Granova jako správci Ungeltu a ve vstupním průjezdu nalezneme jejich podobiznu i portrét Ferdinanda I. S jeho osobou je spojen i počátek dovozu starošpanělských koní do střední Evropy. Mnozí zakladatelé ceremoniálního stáda královských koní tak mohli projít právě těmito místy.","2026-02-01T12:22:12.794Z","2026-03-16T21:30:49.718Z","2026-03-16T21:30:49.822Z","\u003Cp>Nejlépe se celnici dařilo v dobách Karla IV. a následně jeho syna Václava. Praha pak o svá celní privilegia kvůli husitským válkám přišla. Dvůr se tak postupně stával součástí města a stavebně upadal. Po druhé světové válce to již vypadalo, že se nepodaří tento stavební klenot Prahy zachránit. Naštěstí byl areál od 70. let postupně rekonstruován a v roce 1996 opět otevřen veřejnosti.\u003C/p>\u003Cp>Celkově tvoří dvůr 18 domů. V čele všech staveb stojí palác Granovských, který je považován za nejkrásnější renesanční dům Prahy. V roce 1558 jej od krále Ferdinanda I. Habsburského získali Granovští z Granova, tehdejší správci Ungeltu. Vedle arkádového průčelí prvního patra jsou na paláci cenné především renesanční sgrafita. Podobiznu správce Granovského i Ferdinanda I. nalezneme ve vstupním průjezdu paláce, který ústí do dvora Ungeltu. S datem konce padesátých let 16. století a postavou Ferdinanda I. je také zahájen import starošpanělských koní do centra Evropy. Mnozí zakladatelé ceremoniálního stáda královských koní tak mohli projít těmito místy.\u003C/p>\u003Cp>Protože kopyta koní již v Ungeltu neklapou dlouho, je hipologický charakter většiny hospodářských částí důsledně setřen a pro jeho vybavení potřebujete značnou představivost.\u003C/p>",{"id":545,"documentId":546,"title":547,"slug":548,"shortTitle":9,"address":549,"type":54,"description":550,"latitude":551,"longitude":552,"phone":9,"website":9,"available":9,"availableDescription":553,"createdAt":554,"updatedAt":555,"publishedAt":556,"locale":18,"content":557,"image":558,"carousel":587,"seo":589,"localizations":598},1858,"eivwy7sjhmpd0qrbrt8hx45k","St. Georg - Belvedere house","st-georg-belvedere-house","Kostelní 32, Praha 7 - Letná, 170 00","On the corner of Kamenická and Kostelní streets in Holešovice, a striking relief of St. George on horseback slaying a dragon catches the eye. This artwork on the Belvedere tenement house is no coincidence; it was motivated by the name of the builder, Jiří Soukup. Depicting the patron saint of the investor was among the most common themes in decorating Prague houses at the turn of the 19th and 20th centuries. The connection between the decoration and the builder is further underlined by the initials J and S on shields beneath the relief. The house was built before 1899 to designs by architects Bedřich Bendelmayer and Quido Bělský. The carefully crafted relief reveals clear inspiration from the famous Gothic statue of St. George at Prague Castle. As with many Prague buildings of this era, the authorship of the relief itself remains unknown, lending the work an air of mystery.","50.097461","14.428427","hotovo","2026-02-01T12:22:12.184Z","2026-03-16T21:30:53.418Z","2026-03-16T21:30:53.543Z","\u003Cp>The end of the 19th century in Prague was associated with the massive construction of residential houses. Reverberations of the popularity of building styles such as Neo-Renaissance, Neo-Baroque, floral Art Nouveau or the connection of these styles led many builders to decorate their houses with either painting or stucco. The themes were most often selected on the basis of the future purpose of the construction, or they were inspired by the personal motivation of the client. At the tenement house on the corner of Kamenická and Kostelní streets in Holešovice, which is decorated with a distinctive relief of St. George on horseback, killing a dragon, the main motive was the name of the builder. The use of St. George's theme on the facade is well explained by the name of the owner of the house, which was Jiří Soukup. The depiction of the saint, who was the patron saint of the investor, was one of the most common themes in the decoration of Prague houses at the turn of the 19th and 20th centuries. In addition, the connection between the sculptural decoration and the builder's house is underlined in this case by the use of the initials J and S on the labels below the relief. As in many other cases of decoration of Prague houses, the authorship of the relief remains hidden here. The carefully made relief does not deny the inspiration in the Gothic statue of St. George at Prague Castle.\u003C/p>",{"id":559,"documentId":560,"name":215,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":561,"hash":582,"ext":70,"mime":73,"size":583,"url":584,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":585,"updatedAt":586,"publishedAt":585,"focalPoint":9},291,"aqtieitrganl9mzirhjtk7fl",{"large":562,"small":567,"medium":572,"thumbnail":577},{"ext":70,"url":563,"hash":564,"mime":73,"name":220,"path":9,"size":565,"width":77,"height":76,"sizeInBytes":566},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_02_887283c000.webp","large_02_887283c000",80.4,80404,{"ext":70,"url":568,"hash":569,"mime":73,"name":226,"path":9,"size":570,"width":85,"height":84,"sizeInBytes":571},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_02_887283c000.webp","small_02_887283c000",27.82,27816,{"ext":70,"url":573,"hash":574,"mime":73,"name":232,"path":9,"size":575,"width":92,"height":77,"sizeInBytes":576},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_02_887283c000.webp","medium_02_887283c000",52.3,52302,{"ext":70,"url":578,"hash":579,"mime":73,"name":238,"path":9,"size":580,"width":308,"height":100,"sizeInBytes":581},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_02_887283c000.webp","thumbnail_02_887283c000",4.09,4090,"02_887283c000",228.99,"https://meaningful-wonder-ea78781290.media.strapiapp.com/02_887283c000.webp","2026-02-19T20:53:45.775Z","2026-06-14T11:53:26.536Z",{"id":588},354,{"id":590,"metaTitle":547,"metaDescription":591,"keywords":592,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":593},40,"The end of the 19th century in Prague was associated with the massive construction of residential houses.","building, architecture, Kostelní 32, Prague, monument, history, horse",{"geo":594,"name":547,"@type":30,"image":584,"address":597,"@context":35,"description":550,"additionalType":119},{"@type":27,"latitude":595,"longitude":596},50.097461,14.428427,{"@type":32,"streetAddress":549,"addressCountry":33,"addressLocality":34},[599],{"id":600,"documentId":546,"title":601,"slug":602,"shortTitle":9,"address":549,"type":54,"description":603,"latitude":551,"longitude":552,"phone":9,"website":9,"available":9,"availableDescription":553,"createdAt":604,"updatedAt":605,"publishedAt":606,"locale":46,"content":607},1857,"sv. Jiří - dům Belveder","sv-jiri-dum-belveder","Na nároží ulic Kamenická a Kostelní v Holešovicích upoutá pozornost výrazný reliéf sv. Jiří na koni, jak zabíjí draka. Toto dílo na nájemním domě Belvedere není náhodné, jeho motivací bylo jméno stavebníka Jiřího Soukupa. Vyobrazení patrona investora patřilo k nejčastějším námětům ve výzdobě pražských domů přelomu 19. a 20. století. Spojení mezi výzdobou a osobou stavebníka je navíc podtrženo iniciálami J a S na štítcích pod reliéfem. Dům byl postaven před rokem 1899 podle návrhu architektů Bedřicha Bendelmayera a Quida Bělského. Pečlivě provedený reliéf prozrazuje jasnou inspiraci slavnou gotickou sochou sv. Jiří na Pražském hradě. Tak jako u mnoha dalších pražských domů té doby zůstává autorství samotného reliéfu neznámé, což dodává dílu tajemnou přitažlivost.","2026-02-01T12:22:12.169Z","2026-03-16T21:30:52.184Z","2026-03-16T21:30:52.289Z","\u003Cp>Konec 19. století byl v Praze spojen s mohutnou výstavbou obytných domů. Dozvuky obliby stavebních slohů jako je novorenesance, novobarok, florální secese či propojení těchto stylů vedly řadu stavebníků k výzdobě svých domů buď malbou, či štukovou výzdobou. Témata byla nejčastěji vybírána na základě budoucího účelu stavby, či je inspirovala osobní motivace zadavatele stavby. U nájemního domu na nároží ulic Kamenická a Kostelní v Holešovicích, který je zdoben výrazným reliéfem sv. Jiří na koni, zabíjejícího draka, bylo hlavním motivem jméno stavebníka. Použití svatojiřské tématiky na fasádě dobře vysvětluje jméno majitele domu, jímž byl Jiří Soukup. Vyobrazení světce, který byl svatým patronem investora, patřilo k nejčastějším námětům ve výzdobě pražských domů přelomu 19. a 20. století. Spojení mez sochařskou výzdobou a stavebníkem domu je navíc v tomto případě podtrženo použitím iniciál J a S na štítcích pod reliéfem. Stejně jako v řadě dalších případů výzdoby pražských domů i zde zůstává autorství reliéfu skryto. Pečlivě zhotovený reliéf nezapře inspiraci v gotické soše sv. Jiří na Pražském hradě.\u003C/p>",{"id":609,"documentId":610,"title":611,"slug":612,"shortTitle":9,"address":204,"type":54,"description":613,"latitude":206,"longitude":207,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":614,"updatedAt":615,"publishedAt":616,"locale":18,"content":617,"image":618,"carousel":654,"seo":656,"localizations":663},1860,"ku318ck5m1bz2u46mpd3q675","St. Wenceslas on the campus in Karlín","st-wenceslas-on-the-campus-in-karlin","The relief of St. Wenceslas on horseback at the Karlín elementary school on Lyčkovo Square represents a remarkable rarity. It is the only known example of a saint-on-horseback motif on the facade of a Prague public building. While equestrian figures of St. Wenceslas, St. George, or Jan Žižka commonly appeared on tenement houses, public buildings avoided them entirely. Historical themes connected to Czech national history were generally considered unsuitable for public structures, where allegorical subjects were preferred instead. The school complex was built at the beginning of the 20th century, and the relief was created by the construction firm Karel Novák based on a design by sculptor Antonín Mára. The horse figure bears clear traits of Myslbek's already completed work and appears to be inspired by it. Mára was an active artist at the turn of the century, and his best-known Prague works are the torchbearer figures at the entrance to the Hotel Palace on Panská Street.","2026-02-01T12:22:12.294Z","2026-03-16T21:30:55.776Z","2026-03-16T21:30:55.895Z","\u003Cp>The relief of St. Wenceslas on horseback at the Karlín elementary school on Lyčkovo Square represents a remarkable rarity. It is the only known example of a saint-on-horseback motif on the facade of a Prague public building. While equestrian figures of St. Wenceslas, St. George, or Jan Žižka commonly appeared on tenement houses, public buildings avoided them entirely. Historical themes connected to Czech national history were generally considered unsuitable for public structures, where allegorical subjects were preferred instead. The school complex was built at the beginning of the 20th century, and the relief was created by the construction firm Karel Novák based on a design by sculptor Antonín Mára. The horse figure bears clear traits of Myslbek's already completed work and appears to be inspired by it. Mára was an active artist at the turn of the century, and his best-known Prague works are the torchbearer figures at the entrance to the Hotel Palace on Panská Street.\u003C/p>",{"id":619,"documentId":620,"name":283,"alternativeText":9,"caption":9,"width":621,"height":622,"formats":623,"hash":648,"ext":70,"mime":73,"size":649,"url":650,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":651,"updatedAt":652,"publishedAt":653,"focalPoint":9},309,"kgvvbrhqkr73kzh3750sy4uy",1073,906,{"large":624,"small":630,"medium":636,"thumbnail":642},{"ext":70,"url":625,"hash":626,"mime":73,"name":288,"path":9,"size":627,"width":76,"height":628,"sizeInBytes":629},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_03_9f4913f034.webp","large_03_9f4913f034",104.56,844,104560,{"ext":70,"url":631,"hash":632,"mime":73,"name":294,"path":9,"size":633,"width":84,"height":634,"sizeInBytes":635},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_03_9f4913f034.webp","small_03_9f4913f034",37.24,422,37244,{"ext":70,"url":637,"hash":638,"mime":73,"name":300,"path":9,"size":639,"width":77,"height":640,"sizeInBytes":641},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_03_9f4913f034.webp","medium_03_9f4913f034",71.43,633,71432,{"ext":70,"url":643,"hash":644,"mime":73,"name":306,"path":9,"size":645,"width":646,"height":100,"sizeInBytes":647},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_03_9f4913f034.webp","thumbnail_03_9f4913f034",6.51,185,6512,"03_9f4913f034",128.97,"https://meaningful-wonder-ea78781290.media.strapiapp.com/03_9f4913f034.webp","2026-02-19T20:58:08.093Z","2026-06-14T11:55:10.627Z","2026-02-19T20:58:08.094Z",{"id":655},356,{"id":657,"metaTitle":611,"metaDescription":658,"keywords":659,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":660},44,"The relief of St. Wenceslas on horseback at the Karlín elementary school on Lyčkovo Square represents a remarkable rarity.","building, architecture, Lyčkovo nám. 460/6, Prague, monument, history, horse",{"geo":661,"name":611,"@type":30,"image":650,"address":662,"@context":35,"description":613,"additionalType":119},{"@type":27,"latitude":254,"longitude":255},{"@type":32,"streetAddress":204,"addressCountry":33,"addressLocality":34},[664],{"id":665,"documentId":610,"title":666,"slug":667,"shortTitle":9,"address":204,"type":54,"description":668,"latitude":206,"longitude":207,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":669,"updatedAt":670,"publishedAt":671,"locale":46,"content":672},1859,"sv. Václav na školním areálu v Karlíně","sv-vaclav-na-skolnim-arealu-v-karline","Reliéf sv. Václava na koni na karlínské základní škole na Lyčkově náměstí představuje pozoruhodnou raritu. Je totiž jediným známým příkladem využití motivu světce na koni na průčelí pražské veřejné stavby. Zatímco na nájemních domech se jezdecké figury sv. Václava, sv. Jiří či Jana Žižky objevovaly běžně, veřejné budovy se jim vyhýbaly. Historická témata spojená s dějinami českých zemí se pro veřejné stavby zpravidla nehodila a k výzdobě se volila spíše alegorická témata. Areál školy byl postaven na počátku 20. století a reliéf zhotovila stavební firma Karel Novák podle návrhu sochaře Antonína Máry. Figura koně nese zřetelné prvky již dokončeného Myslbekova díla a zdá se jím být inspirována. Antonín Mára byl aktivním umělcem přelomu století a v Praze jsou jeho nejznámějším dílem figury světlonošů u vstupu do Hotelu Palace v Panské ulici.","2026-02-01T12:22:12.279Z","2026-03-16T21:30:54.633Z","2026-03-16T21:30:54.743Z","\u003Cp>Reliéfní figura Svatého Václava na karlínské základní škole (někdy je užíván i název Sakařova škola podle autora projektu Josefa Sakaře) na Lyčkově náměstí 6 (Praha 8 – Karlín) je poněkud překvapivě jediným známým příkladem využití jak samotného typu námětu světce na koni, tak vůbec i motivu koně v průčelí pražské veřejné stavby. V ostatních případech se s použitím světců a historických postav na koních (zejména sv. Jiří, sv. Václava, Jana Žižky a dalších husitských osobností a Jiřího z Poděbrad) setkáváme výhradně v průčelích nájemních domů. Důvodem je pravděpodobně skutečnost, že historická témata spojená s dějinami českých zemí se zpravidla pro veřejné stavby nehodila. K uměleckému dotváření průčelí staveb byly proto volena alegorická a personifikační témata. Areál školy na Lyčkově náměstí byl postaven na počátku 20. století a reliéf sv. Václava na koni zhotovila stavební společnost Karel Novák podle návrhu Antonína Máry (1877 – 1946). Figura koně sv. Václava nese prvky v té době již dokončeného Myslbekova koně a zdá se být Myslbekovým pojetím kráčejícího koně inspirována. Antonín Mára byl aktivním umělcem přelomu století a činný byl i ve Vídni a Magdeburku. Je autorem řady dekorativních děl na stavbách Prahy a k neznámějším patří figury světlonošů při vstupu do Hotelu Palace v Panské ulici.\u003C/p>",{"id":674,"documentId":675,"title":676,"slug":677,"shortTitle":9,"address":678,"type":679,"description":680,"latitude":681,"longitude":682,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":683,"updatedAt":684,"publishedAt":685,"locale":18,"content":686,"image":687,"carousel":716,"seo":718,"localizations":727},1862,"urzh8d4zifrwf1gpnk3j8z3p","reliefs of horses in Liben","reliefs-of-horses-in-liben","V Zahradách 22, Praha 8 - Libeň, 180 00","Reliéf","The decoration of Prague tenement houses from the turn of the 19th and 20th centuries took many forms, from patriotic murals to Art Nouveau floral patterns to sculptural reliefs. The medallions with horse heads on V Zahradách Street in Libeň are one of those rare cases where the builder's motivation remains a mystery buried under layers of time. While in other buildings horses clearly referenced the structure's function, as in the demolished postal horse stables in the Petrská quarter, or served as national motifs, here the connection is enigmatic. Given the unusual nature of the motif, it is quite probable that the builder had a personal or professional relationship with horses. Since the builder's identity is unknown, this hypothesis cannot be verified. The house remains a quiet witness to an era when investors' personal passions and interests transformed Prague's streets into an open-air gallery.","50.115333","14.473475","2026-02-01T12:22:12.361Z","2026-03-16T21:30:58.376Z","2026-03-16T21:30:58.561Z","\u003Cp>\u003Cspan style=\"background-color:rgb(31,36,40);color:rgb(209,213,218);font-family:-apple-system, "system-ui", "Segoe UI", Roboto, sans-serif;font-size:13px;\">\u003Cspan style=\"-webkit-text-stroke-width:0px;display:inline !important;float:none;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:pre-wrap;widows:2;word-spacing:0px;\">The decoration of apartment buildings constructed across Prague at the turn of the century took various forms — from wall paintings of predominantly nationalistic character, through the then-popular floral Art Nouveau patterns, to relief sculptures. Alongside the fading national revival movement, the motif and execution of decorations were often inspired by the name of the investor or their family members. All of this could also be connected with the personal interests of the builder or the future use of the building. This was precisely the case with the unfortunately demolished stables for postal horses in the Špaček House in the Petrská Quarter of the New Town, torn down in the 1990s. \u003C/span>\u003C/span>\u003C/p>\u003Cp>\u003Cspan style=\"background-color:rgb(31,36,40);color:rgb(209,213,218);font-family:-apple-system, "system-ui", "Segoe UI", Roboto, sans-serif;font-size:13px;\">\u003Cspan style=\"-webkit-text-stroke-width:0px;display:inline !important;float:none;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:pre-wrap;widows:2;word-spacing:0px;\">Here, horses were the motif of wall paintings expressing the original function of the building — stables of the Imperial Royal Post. Horses thus frequently appear on rental buildings as part of paintings or sculptures with national motifs. Occasionally, however, the builder's motivation remains unknown beneath layers of oblivion. This is also the case with the sculptural medallions featuring horse heads on V Zahradách Street, No. 837/22, in Prague 8 – Libeň. Given the unusual nature of the motif, it is quite likely that the builder of the house had some professional or personal connection to horses. Since we do not know the identity of the builder, this hypothesis cannot yet be verified.\u003C/span>\u003C/span>\u003C/p>",{"id":688,"documentId":689,"name":215,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":690,"hash":711,"ext":70,"mime":73,"size":712,"url":713,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":714,"updatedAt":715,"publishedAt":714,"focalPoint":9},321,"ipq6jhpnipqw9wxzi6hrg3pi",{"large":691,"small":696,"medium":701,"thumbnail":706},{"ext":70,"url":692,"hash":693,"mime":73,"name":220,"path":9,"size":694,"width":76,"height":77,"sizeInBytes":695},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_02_63786275a3.webp","large_02_63786275a3",71.56,71558,{"ext":70,"url":697,"hash":698,"mime":73,"name":226,"path":9,"size":699,"width":84,"height":85,"sizeInBytes":700},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_02_63786275a3.webp","small_02_63786275a3",24.3,24302,{"ext":70,"url":702,"hash":703,"mime":73,"name":232,"path":9,"size":704,"width":77,"height":92,"sizeInBytes":705},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_02_63786275a3.webp","medium_02_63786275a3",45.9,45900,{"ext":70,"url":707,"hash":708,"mime":73,"name":238,"path":9,"size":709,"width":99,"height":100,"sizeInBytes":710},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_02_63786275a3.webp","thumbnail_02_63786275a3",6.13,6134,"02_63786275a3",236.95,"https://meaningful-wonder-ea78781290.media.strapiapp.com/02_63786275a3.webp","2026-02-19T21:00:52.494Z","2026-06-14T11:56:19.909Z",{"id":717},358,{"id":719,"metaTitle":676,"metaDescription":720,"keywords":721,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":722},48,"The decoration of Prague tenement houses from the turn of the 19th and 20th centuries took many forms, from patriotic murals to Art Nouveau floral patterns to.","relief, sculpture, V Zahradách 22, Prague, monument, history, horse",{"geo":723,"name":676,"@type":30,"image":713,"address":726,"@context":35,"description":680,"additionalType":36},{"@type":27,"latitude":724,"longitude":725},50.115333,14.473475,{"@type":32,"streetAddress":678,"addressCountry":33,"addressLocality":34},[728],{"id":729,"documentId":675,"title":730,"slug":731,"shortTitle":9,"address":678,"type":679,"description":732,"latitude":681,"longitude":682,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":733,"updatedAt":734,"publishedAt":735,"locale":46,"content":736},1861,"reliéfy koní v Libni","reliefy-koni-v-libni","Výzdoba pražských činžovních domů z přelomu 19. a 20. století měla rozmanité podoby, od nástěnných maleb národoveckého charakteru přes secesní florální vzory až po reliéfní plastiku. Plastické medailony s hlavami koní v ulici V Zahradách v Libni jsou jedním z ojedinělých případů, kdy motivaci stavebníka pod nánosem zapomnění netušíme. Zatímco u jiných domů koně jasně odkazovaly na funkci budovy, jako u zbořených stájí poštovních koní v Petrské čtvrti, nebo na národní motivy, zde je souvislost záhadná. Vzhledem k neobvyklosti motivu je pravděpodobné, že stavebník domu měl ke koním osobní či profesní vztah. Protože jeho totožnost neznáme, nelze tuto hypotézu ověřit. Dům tak zůstává tichým svědkem doby, kdy osobní vášně a zájmy investorů přetvářely pražské ulice v galerii pod širým nebem.","2026-02-01T12:22:12.346Z","2026-03-16T21:30:56.916Z","2026-03-16T21:30:57.016Z","\u003Cp>Reliéfy koní v Libni\u003C/p>\u003Cp>Výzdoba činžovních domu stavěných po Praze na přelomu století měla rozličnou podobu. Od nástěnných maleb převážně národoveckého charakteru, přes tehdy populární florální secesní vzory až po reliéfní plastiku. Vedle doznívajícího národního obrození bývalo motivem výzdoby a jejího provedení často jméno investora, či jeho rodinných příslušníků. To vše pak mohlo být propojeno i s preferencemi osobního zájmu stavebníka či budoucím využitím budovy. Přesně tak tomu bylo u bohužel u v 90. letech zbořené budovy stájí poštovních koní Špačkova domu v Petrské čtvrti na Novém městě. Zde byly koně motivem nástěnných maleb a vyjadřovaly původní funkci stavby – stáje c. k. pošty. Kůň se tak u nájemních domů často objevuje jako součást obrazů či plastik u národních motivů. Ojediněle však motivaci stavebníka pod nánosem zapomnění netušíme. Tak je tomu i u plastických medailonů s hlavami koní v ulici v Zahradách čp. 837/22 v Praze 4 – Libni. Vzhledem k neobvyklosti motivu je poměrně pravděpodobné, že stavebník domu měl ke koním nějaký profesní či osobní vztah. Protože osobu stavebníka neznáme, nelze ale tuto hypotézu zatím ověřit.\u003C/p>",{"id":738,"documentId":739,"title":740,"slug":741,"shortTitle":9,"address":742,"type":11,"description":743,"latitude":744,"longitude":745,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":746,"updatedAt":747,"publishedAt":748,"locale":18,"content":749,"image":750,"carousel":780,"seo":782,"localizations":791},1866,"y756iytjdgqtgb082vmp5pir","Fric's house in Nusle","frics-house-in-nusle","Sezimova 11, Praha 4 - Nusle, 140 00","The painted decoration of the house on Sezimova Street in Nusle is a typical example of the patriotic themes frequently found on Prague buildings from the turn of the century. The central motif is St. Wenceslas on a powerful white horse of Old Spanish type, wearing the St. Wenceslas helmet. The 1905 building bears the name of architect Antonín Fric, a prominent Nusle builder whose works include many local buildings such as the valued Neo-Renaissance National House on Nuselská Street. The investor was František Palkoska. Unlike many other Prague houses where the saint motif referenced the builder's first name, this personal connection is absent here. The unmistakable patriotic character of the decoration is clearly demonstrated by the coats of arms of the Czech lands: the Czech double-tailed lion on the right, the Moravian eagle on the left, and the Silesian eagle beneath the hooves of Wenceslas's horse. Nusle was at this time a particularly fertile centre of nationally themed house decoration.","50.063671","14.440112","2026-02-01T12:22:12.335Z","2026-03-16T21:31:03.366Z","2026-03-16T21:31:03.471Z","\u003Cp>The painted decoration of the house on Sezimova Street in Nusle is a typical example of the patriotic themes frequently found on Prague buildings from the turn of the century. The central motif is St. Wenceslas on a powerful white horse of Old Spanish type, wearing the St. Wenceslas helmet. The 1905 building bears the name of architect Antonín Fric, a prominent Nusle builder whose works include many local buildings such as the valued Neo-Renaissance National House on Nuselská Street. The investor was František Palkoska. Unlike many other Prague houses where the saint motif referenced the builder's first name, this personal connection is absent here. The unmistakable patriotic character of the decoration is clearly demonstrated by the coats of arms of the Czech lands: the Czech double-tailed lion on the right, the Moravian eagle on the left, and the Silesian eagle beneath the hooves of Wenceslas's horse. Nusle was at this time a particularly fertile centre of nationally themed house decoration.\u003C/p>",{"id":751,"documentId":752,"name":283,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":753,"hash":774,"ext":70,"mime":73,"size":775,"url":776,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":777,"updatedAt":778,"publishedAt":779,"focalPoint":9},318,"i2d7svoup5m2uums24ag8abl",{"large":754,"small":759,"medium":764,"thumbnail":769},{"ext":70,"url":755,"hash":756,"mime":73,"name":288,"path":9,"size":757,"width":77,"height":76,"sizeInBytes":758},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_03_533ffb02f0.webp","large_03_533ffb02f0",78.25,78246,{"ext":70,"url":760,"hash":761,"mime":73,"name":294,"path":9,"size":762,"width":85,"height":84,"sizeInBytes":763},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_03_533ffb02f0.webp","small_03_533ffb02f0",29.02,29024,{"ext":70,"url":765,"hash":766,"mime":73,"name":300,"path":9,"size":767,"width":92,"height":77,"sizeInBytes":768},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_03_533ffb02f0.webp","medium_03_533ffb02f0",52.15,52150,{"ext":70,"url":770,"hash":771,"mime":73,"name":306,"path":9,"size":772,"width":308,"height":100,"sizeInBytes":773},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_03_533ffb02f0.webp","thumbnail_03_533ffb02f0",4.46,4464,"03_533ffb02f0",210.07,"https://meaningful-wonder-ea78781290.media.strapiapp.com/03_533ffb02f0.webp","2026-02-19T21:00:08.148Z","2026-06-14T11:56:01.942Z","2026-02-19T21:00:08.149Z",{"id":781},362,{"id":783,"metaTitle":740,"metaDescription":784,"keywords":785,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":786},56,"The painted decoration of the house on Sezimova Street in Nusle is a typical example of the patriotic themes frequently found on Prague buildings from the turn.","fresco, painting, art, Sezimova 11, Prague, monument, history, horse",{"geo":787,"name":740,"@type":30,"image":776,"address":790,"@context":35,"description":743,"additionalType":36},{"@type":27,"latitude":788,"longitude":789},50.063671,14.440112,{"@type":32,"streetAddress":742,"addressCountry":33,"addressLocality":34},[792],{"id":793,"documentId":739,"title":794,"slug":795,"shortTitle":9,"address":742,"type":11,"description":796,"latitude":744,"longitude":745,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":797,"updatedAt":798,"publishedAt":799,"locale":46,"content":800},1865,"Fricův dům v Nuslích","fricuv-dum-v-nuslich","Malířská výzdoba domu v Sezimově ulici v Nuslích je typickou ukázkou národní tematiky, s níž se často setkáváme na pražských budovách z přelomu století. Ústředním motivem je sv. Václav na mohutném bělouši starošpanělského typu se svatováclavskou přilbicí. Dům z roku 1905 nese jméno architekta Antonína Frice, významného nuselského stavitele, jehož dílem je řada místních budov včetně ceněného neorenesančního Národního domu v Nuselské ulici. Investorem činžáku byl František Palkoska. Na rozdíl od mnoha jiných pražských domů, kde motiv světce odkazoval na stavebníkovo křestní jméno, zde tento osobní odkaz chybí. Nezpochybnitelný vlastenecký charakter výzdoby je jasně demonstrován erby českých zemí: vpravo český dvouocasý lev, vlevo moravská orlice a pod kopyty Václavova koně i orlice Slezska. Nusle byly v této době obzvláště plodným centrem národně laděné výzdoby domů.","2026-02-01T12:22:12.319Z","2026-03-16T21:31:02.239Z","2026-03-16T21:31:02.347Z","\u003Cp>Malířská výzdoba domu v Sezimově ulici 11 (Praha 4 – Nusle) je charakteristická pro svou národnostní tematiku, s níž se často setkáváme ve výzdobě budov z přelomu 19. a 20. století. Zvláště na území městské části Nusle je tato tematika zvlášť častá. Tentokrát je motivem sv. Václav na mohutném bělouši starošpanělského typu se svatováclavskou přilbicí. Autor díla není znám, ale investorem činžovního domu z roku 1905 byl František Palkoska a architektem významný stavitel té doby Antonín Fric. V tomto případě tak není pro použití motivu světce stavebníkovo jméno, jak tomu často bývalo. Nezpochybnitelný národnostní motiv je jasně demonstrován i erby českých zemí: vpravo český dvouocasý lev, vlevo moravská orlice a pod kopyty Václavova koně i orlice Slezska. Antonín Fric byl významný architekt, který je autorem celé řady nuselských budov. Ceněny jsou především neorenesanční budovy jako je Národní dům v Nuselské ulici 2/1, ve kterém dnes sídlí Česká spořitelna.\u003C/p>",{"id":802,"documentId":803,"title":804,"slug":805,"shortTitle":9,"address":806,"type":54,"description":807,"latitude":808,"longitude":809,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":810,"updatedAt":811,"publishedAt":812,"locale":18,"content":813,"image":814,"carousel":848,"seo":850,"localizations":859},1868,"ivk0cduv3njnkvuh4jlhfa18","Stud farm Xaverov","stud-farm-xaverov","Václava Špačka, Praha 20 - Horní Počernice, 193 00","The family’s founder Václav Špaček (1840–1912) made his fortune operating stables that provided postal services in Prague. The family’s standing is reflected in the noble predicate granted in 1909: Špaček Edler von Starburg.","50.098464","14.623243","2026-02-01T12:22:11.438Z","2026-03-16T21:31:05.686Z","2026-03-16T21:31:05.787Z","Xaverov stud farm was founded for breeding in the late 1930s by estate owner Václav Jan Špaček. The family’s founder Václav Špaček (1840–1912) made his fortune operating stables that provided postal services in Prague. The family’s standing is reflected in the noble predicate granted in 1909: Špaček Edler von Starburg.",{"id":815,"documentId":816,"name":817,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":818,"hash":843,"ext":70,"mime":73,"size":844,"url":845,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":846,"updatedAt":847,"publishedAt":846,"focalPoint":9},149,"mscky8t6com10gmckvz3or1h","DSCN4965.webp",{"large":819,"small":825,"medium":831,"thumbnail":837},{"ext":70,"url":820,"hash":821,"mime":73,"name":822,"path":9,"size":823,"width":76,"height":77,"sizeInBytes":824},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_DSCN_4965_f06c407d69.webp","large_DSCN_4965_f06c407d69","large_DSCN4965.webp",170.15,170150,{"ext":70,"url":826,"hash":827,"mime":73,"name":828,"path":9,"size":829,"width":84,"height":85,"sizeInBytes":830},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_DSCN_4965_f06c407d69.webp","small_DSCN_4965_f06c407d69","small_DSCN4965.webp",49.04,49042,{"ext":70,"url":832,"hash":833,"mime":73,"name":834,"path":9,"size":835,"width":77,"height":92,"sizeInBytes":836},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_DSCN_4965_f06c407d69.webp","medium_DSCN_4965_f06c407d69","medium_DSCN4965.webp",102.34,102336,{"ext":70,"url":838,"hash":839,"mime":73,"name":840,"path":9,"size":841,"width":99,"height":100,"sizeInBytes":842},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_DSCN_4965_f06c407d69.webp","thumbnail_DSCN_4965_f06c407d69","thumbnail_DSCN4965.webp",9.82,9822,"DSCN_4965_f06c407d69",607.84,"https://meaningful-wonder-ea78781290.media.strapiapp.com/DSCN_4965_f06c407d69.webp","2026-02-19T20:14:43.354Z","2026-06-14T11:37:50.784Z",{"id":849},364,{"id":851,"metaTitle":804,"metaDescription":852,"keywords":853,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":854},60,"Xaverov stud farm was founded for breeding in the late 1930s by estate owner Václav Jan Špaček.","building, architecture, Václava Špačka, Prague, monument, history, horse",{"geo":855,"name":804,"@type":30,"image":845,"address":858,"@context":35,"description":807,"additionalType":119},{"@type":27,"latitude":856,"longitude":857},50.098464,14.623243,{"@type":32,"streetAddress":806,"addressCountry":33,"addressLocality":34},[860],{"id":861,"documentId":803,"title":862,"slug":863,"shortTitle":9,"address":806,"type":54,"description":864,"latitude":808,"longitude":809,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":865,"updatedAt":866,"publishedAt":867,"locale":46,"content":868},1867,"Hřebčín Xaverov","hrebcin-xaverov","Zakladatelem rodu byl Václav Špaček (1840-1912), který se do hipologie zapsal především jako majitel stájí, které zajišťovali v Praze poštovní službu. Důležitost rodiny v rámci Rakouska-Uherska dokládá zisk šlechtického predikátu z roku 1909 - Špaček šlechtic ze Starburgu (Špaček Edler von Starburg).","2026-02-01T12:22:11.421Z","2026-03-16T21:31:04.494Z","2026-03-16T21:31:04.610Z","\u003Cp>Hospodářství na Xaverově zdědili vnukové Václav Jan (1899-1975) a Jiří (1901-1940). Václav Jan zde koncem 30. let založil chov sportovních koní se záměrem vybudovat malé plnokrevné stádo. Po roce 1948 byl rodině velkostatek zabaven a chov koní převzal státní statek. Na počátku 90. let 20. století byl statek Xaverov restitucí vrácen do rukou tří Václavových vnuků Jaroslava Špačka, Jiřího Špačka a Jany Sůvové.\u003C/p>\u003Cp>Plnokrevné stádo začali Špačkové budovat až po II. světové válce, ale v roce 1948 jim byl po komunistickém puči majetek konfiskován. Polokrevné stádo tak bylo v převaze i po převzetí chovu státními statky. Na začátku 60. let byl statek zařazen do státního podniku Drůbežnictví Xaverov a chov se zcela specializoval na anglického plnokrevníka. V té době zde i několik let působil významný československý jezdec a hipolog mjr. Josef Dobeš. V následujících téměř třiceti letech patřil chov i dostihová stáj Xaverov k důležitým střediskům plnokrevného chovu v Československu. V prvních letech zde působil hřebec Korbel společně s vynikajícími Liberálem, později Mohykánem a L Amiralem. V roce 1969 byl zařazen do chovu Corvet, vítěz Československého derby 1966, který působil v chovu až do roku 1986. Na konci 60. let byli na dražbě v Newmarketu zakoupeni pro xaverovský chov dva slavní plemeníci Court Gift a Royal David, kteří v následujících letech významně ovlivnili československý plnokrevný chov.\u003C/p>\u003Cp>Po roce 1989 požádala rodina o restituci rodového majetku a hrad Kokořín i dvůr Xaverov byl Spačkům navrácen.\u003C/p>",{"id":870,"documentId":871,"title":872,"slug":873,"shortTitle":874,"address":875,"type":410,"description":876,"latitude":877,"longitude":878,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":879,"updatedAt":880,"publishedAt":881,"locale":18,"content":882,"image":883,"carousel":918,"seo":920,"localizations":928},1870,"r9p66l41xyy3ioea60twsogw","Horses of Michal Gabriel on Šabata Square","horses-of-michal-gabriel-on-sabata-square","The horses of Michal Gabriel","Kyjevská 527/2, Praha 6 - Dejvice, 160 00","The sculptor Michal Gabriel created three bronze horse sculptures for the water cascade at today’s Šabachovo/Šabatovo Square, winning a public competition in 2006. The works were installed in 2008 and portray smaller horses about 145 cm at the withers.","50.098121","14.397551","2026-02-01T12:22:10.819Z","2026-03-16T21:31:08.294Z","2026-03-16T21:31:08.394Z","\u003Cp>These horses are cast in bronze. Horses made from laminate were used as the forms for the bronze castings. One of these laminate templates is a part of the freely accessible garden of the Villa Pellé, a building maintained by the City of Prague Museum.\u003C/p>\u003Cp>Upon completing the Applied Arts High School, Michal Gabriel studied sculpture at the Academy of Fine Arts in Prague. In 1987, along with other artists he co-founded an informal group called Tvrdohlaví (Stubborn). From 1998 he worked as an Associate Professor at the Fine Arts Faculty of the Brno University of Technology, where he served as a Dean between 2007–2010. He teaches at the Academy of Arts, Architecture and Design in Prague. In 1995 he received the prestigious Jindřich Chalupecký Award for his work.\u003C/p>\u003Cp>With his focus on animal sculptures, it is not surprising that the collaboration on the artistic decoration of the Indonesian Jungle Pavilion at the Prague ZOO is among his most significant works. He is also involved in helping save the breed of Hucul Ponies at Janova Hora in the Krkonoše Mountains.\u003C/p>\u003Cp>Horse sculptures are Michal Gabriel’s personal project that happened to perfectly fit into the timing of the competition for the completion of the water cascade space in Prague’s Dejvice quarter. His horses have a linear texture, different from the typical surface of his other sculptures, known as the peanut-shell finish.\u003C/p>",{"id":884,"documentId":885,"name":886,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":887,"hash":912,"ext":70,"mime":73,"size":913,"url":914,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":915,"updatedAt":916,"publishedAt":917,"focalPoint":9},64,"sfqvnj1jlcjqtfickx3js1qe","3..webp",{"large":888,"small":894,"medium":900,"thumbnail":906},{"ext":70,"url":889,"hash":890,"mime":73,"name":891,"path":9,"size":892,"width":77,"height":76,"sizeInBytes":893},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_3_75632bbc4a.webp","large_3_75632bbc4a","large_3..webp",142.88,142884,{"ext":70,"url":895,"hash":896,"mime":73,"name":897,"path":9,"size":898,"width":85,"height":84,"sizeInBytes":899},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_3_75632bbc4a.webp","small_3_75632bbc4a","small_3..webp",45.82,45816,{"ext":70,"url":901,"hash":902,"mime":73,"name":903,"path":9,"size":904,"width":92,"height":77,"sizeInBytes":905},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_3_75632bbc4a.webp","medium_3_75632bbc4a","medium_3..webp",90.7,90700,{"ext":70,"url":907,"hash":908,"mime":73,"name":909,"path":9,"size":910,"width":308,"height":100,"sizeInBytes":911},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_3_75632bbc4a.webp","thumbnail_3_75632bbc4a","thumbnail_3..webp",5.65,5652,"3_75632bbc4a",447.91,"https://meaningful-wonder-ea78781290.media.strapiapp.com/3_75632bbc4a.webp","2026-02-19T19:50:59.652Z","2026-06-14T11:30:16.646Z","2026-02-19T19:50:59.653Z",{"id":919},366,{"id":884,"metaTitle":872,"metaDescription":921,"keywords":922,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":923},"These horses are cast in bronze. Horses made from laminate were used as the forms for the bronze castings.","statue, sculpture, Kyjevská 527/2, The horses of Michal Gabriel, Prague, monument, history, horse",{"geo":924,"name":872,"@type":30,"image":914,"address":927,"@context":35,"description":876,"additionalType":465},{"@type":27,"latitude":925,"longitude":926},50.098121,14.397551,{"@type":32,"streetAddress":875,"addressCountry":33,"addressLocality":34},[929],{"id":930,"documentId":871,"title":931,"slug":932,"shortTitle":933,"address":875,"type":410,"description":934,"latitude":877,"longitude":878,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":935,"updatedAt":936,"publishedAt":937,"locale":46,"content":938},2034,"Koně Michala Gabriela na Šabatově náměstí","kone-michala-gabriela-na-sabatove-namesti","Koně Michala Gabriela","Jedním ze současných umělců věnující se ve větší míře koním je bývalý děkan Fakulty výtvarných umění VUT v Brně Prof. ak. sochař Michal Gabriel (* 25. února 1960 v Praze). Ten vyhrál v roce 2006 veřejnou soutěž o uměleckou výzdobu vodní kaskády v křížení ulic Kafkova a Wüchterlova (budoucí Šabachovo náměstí) návrhem soch tří koní.","2026-02-01T12:22:10.796Z","2026-06-14T15:46:51.363Z","2026-06-14T15:46:51.465Z","\u003Cp>Koně jsou odliti z bronzu. Jako forma pro bronzový odlitek posloužili koně vyrobení z laminátu. Jedna z těchto laminátových předloh je součástí volně přístupné zahrady objektu @galerie-pelleova-vila|Pelléova vila@, která je dnes v majetku městské části Praha 6 a ve správě nestátního spolku Porte.\u003C/p>\u003Cp>Prof. ak. sochař Michal Gabriel absolvoval po absolutoriu Střední uměleckoprůmyslové školy v Praze Akademii výtvarných umění v Praze, kde vystudoval sochařství. V roce 1987 založil spolu s dalšími umělci neformální uměleckou skupinu Tvrdohlaví. Od roku 1998 působí jako docent na Fakultě výtvarného umění VUT v Brně, kde v letech 2007–2010 působil jako děkan. Vyučuje i na Vysoké škole uměleckoprůmyslové škole v Praze. V roce 1995 za svoji tvorbu obdržel prestižní cenu Jindřicha Chalupeckého.\u003C/p>\u003Cp>Ve své tvorbě se specializuje na sochy zvířat. Proto nepřekvapí, že mezi jeho významná díla patří spolupráce na výtvarné výzdobě pavilonu indonéské džungle v ZOO Praha. Významně se také angažuje při pomoci v záchraně chovu huculských koní na Janově hoře v Krkonoších.\u003C/p>\u003Cp>Sochy koní jsou osobním projektem Michala Gabriela, který se dobou svého vzniku ideálně „trefil“ do vypsání soutěže na umělecké dotvoření prostoru vodní kaskády v Praze Dejvicích. Koně Michala Gabriela mají na povrchu čárovou strukturu, která je odlišná od dalšího typického povrchu Gabrielových soch, kterou je struktura skořápek burských oříšků.\u003C/p>",{"id":940,"documentId":941,"title":942,"slug":943,"shortTitle":9,"address":944,"type":54,"description":945,"latitude":946,"longitude":947,"phone":9,"website":948,"available":414,"availableDescription":949,"createdAt":950,"updatedAt":951,"publishedAt":952,"locale":18,"content":953,"image":954,"carousel":990,"seo":992,"localizations":1000},1872,"eagthefqup7gri5juzm2l7yc","Prague Castle Picture Gallery","prague-castle-picture-gallery","Druhé nádvoří Pražského hradu, Praha 1 - Hradčany, 119 00","The occupies former mezzanine stables from the era of Rudolf II. Original doors and parts of the ventilation system are still well preserved.","50.090676","14.398708","https://www.hrad.cz/cs/prazsky-hrad-pro-navstevniky/navstevnicke-objekty/obrazarna-prazskeho-hradu-10270","denně od 9:00 do 17:00","2026-02-01T12:22:11.612Z","2026-03-16T21:31:10.811Z","2026-03-16T21:31:10.921Z","The Prague Castle Picture Gallery occupies former mezzanine stables from the era of Rudolf II. Their differing heights once enabled direct access to the Deer Moat on one side and to the courtyard on the other. Original doors and parts of the ventilation system are still well preserved.",{"id":955,"documentId":956,"name":957,"alternativeText":9,"caption":9,"width":958,"height":959,"formats":960,"hash":985,"ext":70,"mime":73,"size":986,"url":987,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":988,"updatedAt":989,"publishedAt":988,"focalPoint":9},180,"r6d4dh8b6b04fuztyc1432gr","P2130200.webp",1704,1278,{"large":961,"small":967,"medium":973,"thumbnail":979},{"ext":70,"url":962,"hash":963,"mime":73,"name":964,"path":9,"size":965,"width":76,"height":77,"sizeInBytes":966},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_P2130200_816e56ff0d.webp","large_P2130200_816e56ff0d","large_P2130200.webp",54.74,54742,{"ext":70,"url":968,"hash":969,"mime":73,"name":970,"path":9,"size":971,"width":84,"height":85,"sizeInBytes":972},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_P2130200_816e56ff0d.webp","small_P2130200_816e56ff0d","small_P2130200.webp",23.56,23558,{"ext":70,"url":974,"hash":975,"mime":73,"name":976,"path":9,"size":977,"width":77,"height":92,"sizeInBytes":978},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_P2130200_816e56ff0d.webp","medium_P2130200_816e56ff0d","medium_P2130200.webp",39.52,39522,{"ext":70,"url":980,"hash":981,"mime":73,"name":982,"path":9,"size":983,"width":99,"height":100,"sizeInBytes":984},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_P2130200_816e56ff0d.webp","thumbnail_P2130200_816e56ff0d","thumbnail_P2130200.webp",6.6,6600,"P2130200_816e56ff0d",105.32,"https://meaningful-wonder-ea78781290.media.strapiapp.com/P2130200_816e56ff0d.webp","2026-02-19T20:20:27.036Z","2026-06-14T11:40:55.187Z",{"id":991},368,{"id":993,"metaTitle":942,"metaDescription":945,"keywords":994,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":995},68,"building, architecture, Druhé nádvoří Pražského hradu, Prague, monument, history, horse",{"geo":996,"url":948,"name":942,"@type":30,"image":987,"address":999,"@context":35,"description":945,"additionalType":119},{"@type":27,"latitude":997,"longitude":998},50.090676,14.398708,{"@type":32,"streetAddress":944,"addressCountry":33,"addressLocality":34},[1001],{"id":1002,"documentId":941,"title":1003,"slug":1004,"shortTitle":9,"address":944,"type":54,"description":1005,"latitude":946,"longitude":947,"phone":9,"website":948,"available":414,"availableDescription":949,"createdAt":1006,"updatedAt":1007,"publishedAt":1008,"locale":46,"content":1009},1871,"Obrazárna Pražského hradu","obrazarna-prazskeho-hradu","Při vstupu na 2. nádvoří od jízdárny Pražského hradu procházíme Severní bránou, která nese název Pacassiho brána. Pod těmito prostorami se nalézá komplex tří mezonetových stájí.","2026-02-01T12:22:11.596Z","2026-03-16T21:31:09.581Z","2026-03-16T21:31:09.687Z","\u003Cp>Stáje po obou stranách brány byly na Pražském hradě již za Ferdinanda I. Jeho vnuk Rudolf II. byl ovšem vášnivý chovatel koní a tak dal na jejich místě po r. 1583 stavět nové nádherné stáje. Muselo být zbořeno nároží románské hradby a Stará Vikárka. Pro stáje byl vybudován dlouhý valenou klenbou s výsečemi zaklenutý prostor. Klenba je opatřena sítí nepravých štukových žeber. V době Rudolfově bylo na Hradě umístěno okolo 200 koní. Dokladem Rudolfova zájmu o koně je text francouzského vyslance krále Jindřicha IV. Piera Bergerona z roku 1600 viz. (@ Císařská konírna Pražského hradu@ ). Obrazárna Pražského hradu rozhodně stojí za pozornost. Nejenom pro připomínku slavné hipologické minulosti místa, ale i pro samotnou sbírku, ve které nalezneme obrazy Hans von Aachena, Petera Paul Rubense či Ticicana Vecelliho.\u003C/p>",{"id":1011,"documentId":1012,"title":1013,"slug":1014,"shortTitle":9,"address":1015,"type":679,"description":1016,"latitude":1017,"longitude":1018,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":1019,"updatedAt":1020,"publishedAt":1021,"locale":18,"content":1022,"image":1023,"carousel":1052,"seo":1054,"localizations":1063},1874,"oehxd8oroa1s9bz477ajpozq","St. Wenceslas Na Vytoni","st-wenceslas-na-vytoni","Na Hrobci 2034/7, Praha 2 - Nové Město, 120 00","The relief of St. Wenceslas on a house in Podskalí follows the type established by Mikoláš Aleš and resembles it not only in typology but also in compositional details such as the turn of the horse's head and the position of the legs. The sculptural decoration was created by the firm of Oldřich Rákosník, which before World War I was one of the most productive sculptural and stucco workshops in the entire Habsburg monarchy. The original model of St. Wenceslas has been preserved to this day in the facade of the former sculpture workshop in the courtyard of a house on Křižíkova Street in Karlín. Its appearance documents a typical feature of Art Nouveau sculptural practice: a statue or relief was cast from artificial stone using the model, then completed on site with stucco elements that blended seamlessly into the facade. In the Podskalí version, a St. Wenceslas banner was added in stucco, an element missing from the Křižíkova Street model. This technique allowed serial production while individually customizing each work.","50.068341","14.416615","2026-02-01T12:22:12.445Z","2026-03-16T21:31:13.159Z","2026-03-16T21:31:13.264Z","\u003Cp>The relief of the house in Podskalí is similar to Aleš's depiction of St. Wenceslas not only in the typological level, but also in the details of the composition itself, such as the turning of the horse's head and the position of the legs. The sculptural decoration of the house was created by the company of Oldřich Rákosník, which before the First World War belonged to the most productive sculptural-stucco companies in the entire Habsburg monarchy. Model of St. Wenceslas has so far been preserved in the facade of the former sculpture workshop in the courtyard of the house No. 64 at Křižíkova Street in Karlín (see picture on the right). Its appearance is a proof of one of the typical features of contemporary sculptural-stucco practice in the Art Nouveau era, when a sculpture or relief of artificial stone was cast from the model, which was completed on the spot with stucco elements. They fluently connected to the facade. In the case of St. Wenceslas in Podskalí was a St. Wenceslas flag, which is missing from the model in Křižíkova Street.\u003C/p>",{"id":1024,"documentId":1025,"name":215,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":1026,"hash":1047,"ext":70,"mime":73,"size":1048,"url":1049,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1050,"updatedAt":1051,"publishedAt":1050,"focalPoint":9},336,"j8yxjp3955ecqcmpmgft14w5",{"large":1027,"small":1032,"medium":1037,"thumbnail":1042},{"ext":70,"url":1028,"hash":1029,"mime":73,"name":220,"path":9,"size":1030,"width":77,"height":76,"sizeInBytes":1031},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_02_bc4f51c429.webp","large_02_bc4f51c429",49.42,49416,{"ext":70,"url":1033,"hash":1034,"mime":73,"name":226,"path":9,"size":1035,"width":85,"height":84,"sizeInBytes":1036},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_02_bc4f51c429.webp","small_02_bc4f51c429",17.56,17564,{"ext":70,"url":1038,"hash":1039,"mime":73,"name":232,"path":9,"size":1040,"width":92,"height":77,"sizeInBytes":1041},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_02_bc4f51c429.webp","medium_02_bc4f51c429",32.5,32496,{"ext":70,"url":1043,"hash":1044,"mime":73,"name":238,"path":9,"size":1045,"width":308,"height":100,"sizeInBytes":1046},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_02_bc4f51c429.webp","thumbnail_02_bc4f51c429",2.94,2936,"02_bc4f51c429",149.68,"https://meaningful-wonder-ea78781290.media.strapiapp.com/02_bc4f51c429.webp","2026-02-19T21:03:37.476Z","2026-06-14T11:57:34.429Z",{"id":1053},370,{"id":1055,"metaTitle":1013,"metaDescription":1056,"keywords":1057,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1058},72,"The relief of the house in Podskalí is similar to Aleš's depiction of St.","relief, sculpture, Na Hrobci 2034/7, Prague, monument, history, horse",{"geo":1059,"name":1013,"@type":30,"image":1049,"address":1062,"@context":35,"description":1016,"additionalType":36},{"@type":27,"latitude":1060,"longitude":1061},50.068341,14.416615,{"@type":32,"streetAddress":1015,"addressCountry":33,"addressLocality":34},[1064],{"id":1065,"documentId":1012,"title":1066,"slug":1067,"shortTitle":9,"address":1015,"type":679,"description":1068,"latitude":1017,"longitude":1018,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":1069,"updatedAt":1070,"publishedAt":1071,"locale":46,"content":1072},1873,"sv. Václav Na Výtoni","sv-vaclav-na-vytoni","Reliéf sv. Václava na domě v Podskalí následuje typ stanovený Mikolášem Alšem a je mu podobný nejen typologicky, ale i v detailech kompozice, jako je natočení hlavy koně a pozice nohou. Sochařskou výzdobu vytvořila firma Oldřicha Rákosníka, která před první světovou válkou patřila k nejproduktivnějším sochařsko-štukatérským závodům v celé habsburské monarchii. Model sv. Václava se dodnes dochoval v průčelí bývalé sochařské dílny ve vnitrobloku domu v Křižíkově ulici v Karlíně. Jeho podoba je dokladem typického rysu secesní sochařsko-štukatérské praxe, kdy se z modelu odlila socha či reliéf z umělého kamene, který byl na místě dotvořen štukovými prvky plynule navazujícími na fasádu. V případě sv. Václava v Podskalí šlo o svatováclavský praporec, který na modelu v Křižíkově ulici chybí. Tato technika umožňovala sériovou výrobu a současně individuální přizpůsobení každého díla.","2026-02-01T12:22:12.431Z","2026-03-16T21:31:12.042Z","2026-03-16T21:31:12.146Z","\u003Cp>Reliéf domu v Podskalí je podobný Alešově ztvárnění sv. Václava nejen v typologické rovině, ale i v detailech samotné kompozice, jako je natočení hlavy koně a pozice nohou. Sochařskou výzdobu domu vytvořila firma Oldřicha Rákosníka, která před první světovou válkou patřila k nejproduktivnějším sochařsko-štukatérským závodům v celé habsburské monarchii. Model sv. Václava se dosud dochoval v průčelí bývalé sochařské dílny ve vnitrobloku domu v Křižíkově ulici 64 v Karlíně (viz obr. vpravo). Jeho podoba je dokladem jednoho z typických rysů dobové sochařsko-štukatérské praxe v secesní éře, kdy z modelu byla odlita socha či reliéf z umělého kamene, který byl na místě dotvořen štukovými prvky. Ty plynule navázaly na fasádu. V případě sv. Václava v Podskalí šlo o svatováclavský praporec, který na modelu v Křižíkově ulici chybí.\u003C/p>",{"id":1074,"documentId":1075,"title":1076,"slug":1077,"shortTitle":9,"address":1078,"type":410,"description":1079,"latitude":1080,"longitude":1081,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":1082,"updatedAt":1083,"publishedAt":1084,"locale":18,"content":1085,"image":1086,"carousel":1120,"seo":1121,"localizations":1130},1876,"r7h7s09u60dh2992gsgglq60","St. George at Prague Castle","st-george-at-prague-castle","Třetí nádvoří Pražského hradu, Praha 1 - Hradčany, 119 00","The Gothic bronze equestrian statue of St George fighting the dragon (1373) is one of the key monuments of Prague Castle. Created by the brothers Martin and Jiří of Cluj, it has been damaged and repaired repeatedly over the centuries.","50.090313","14.400417","2026-02-01T12:22:11.556Z","2026-03-16T21:31:15.632Z","2026-03-16T21:31:15.731Z","The Gothic bronze equestrian statue of St George fighting the dragon (1373) is one of the key monuments of Prague Castle. Created by the brothers Martin and Jiří of Cluj, it has been damaged and repaired repeatedly over the centuries. A copy stands in the courtyard today, while the original is exhibited within the castle and a plaster copy is held in the National Museum’s Lapidarium.",{"id":1087,"documentId":1088,"name":1089,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1090,"hash":1115,"ext":70,"mime":73,"size":1116,"url":1117,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1118,"updatedAt":1119,"publishedAt":1118,"focalPoint":9},171,"gtk1bdr54ah1aflz9o1djhvr","1.webp",{"large":1091,"small":1097,"medium":1103,"thumbnail":1109},{"ext":70,"url":1092,"hash":1093,"mime":73,"name":1094,"path":9,"size":1095,"width":76,"height":77,"sizeInBytes":1096},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_1_b00bf095be.webp","large_1_b00bf095be","large_1.webp",114.71,114714,{"ext":70,"url":1098,"hash":1099,"mime":73,"name":1100,"path":9,"size":1101,"width":84,"height":85,"sizeInBytes":1102},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_1_b00bf095be.webp","small_1_b00bf095be","small_1.webp",39.29,39288,{"ext":70,"url":1104,"hash":1105,"mime":73,"name":1106,"path":9,"size":1107,"width":77,"height":92,"sizeInBytes":1108},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_b00bf095be.webp","medium_1_b00bf095be","medium_1.webp",74.35,74350,{"ext":70,"url":1110,"hash":1111,"mime":73,"name":1112,"path":9,"size":1113,"width":99,"height":100,"sizeInBytes":1114},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_b00bf095be.webp","thumbnail_1_b00bf095be","thumbnail_1.webp",8.84,8842,"1_b00bf095be",330.53,"https://meaningful-wonder-ea78781290.media.strapiapp.com/1_b00bf095be.webp","2026-02-19T20:18:39.771Z","2026-06-14T11:40:02.834Z",{"id":63},{"id":1122,"metaTitle":1076,"metaDescription":1123,"keywords":1124,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1125},76,"The Gothic bronze equestrian statue of St George fighting the dragon (1373) is one of the key monuments of Prague Castle.","statue, sculpture, Třetí nádvoří Pražského hradu, Prague, monument, history, horse",{"geo":1126,"name":1076,"@type":30,"image":1117,"address":1129,"@context":35,"description":1079,"additionalType":465},{"@type":27,"latitude":1127,"longitude":1128},50.090313,14.400417,{"@type":32,"streetAddress":1078,"addressCountry":33,"addressLocality":34},[1131],{"id":1132,"documentId":1075,"title":1133,"slug":1134,"shortTitle":9,"address":1078,"type":410,"description":1135,"latitude":1080,"longitude":1081,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":1136,"updatedAt":1137,"publishedAt":1138,"locale":46,"content":1139},1875,"Sv. Jiří na Pražském hradě","sv-jiri-na-prazskem-hrade","Bronzová jezdecká socha sv. V hipologickém sochařství zaujímá zcela unikátní místo, protože gotických jezdeckých soch je poměrně málo.","2026-02-01T12:22:11.539Z","2026-03-16T21:31:14.309Z","2026-03-16T21:31:14.418Z","\u003Cp>Postava sv. Jiří má základ v mučedníkovi jménem Jiří, který byl ve 4. století našeho letopočtu členem stráže císaře Diokleciána. Narodil se ale v křesťanské rodině, a proto se vzepřel Diokleciánovým ediktům z roku 303 nařizující pronásledování křesťanů. Za tuto zradu byl mučen a posléze popraven.\u003C/p>\u003Cp>Sv. Jiří je významným světcem, který je uctíván v řadě států. Je patronem mnoha měst i států. Jeho jméno (Georgius), je základem pojmenování např. Gruzie. Legenda o sv. Jiřím však nemá žádné písemné potvrzení a proto s tímto patronem bojovala i církev, která jej v roce 1969 z katolického kalendáře vyřadila. Pro značnou oblibu byl ovšem sv. Jiří v roce 1975 do kalendáře vrácen (2. dubna).\u003C/p>\u003Cp>Legenda o sv. Jiří se do centrální Evropy dostala po prvních křižáckých výpravách prostřednictvím Zlaté legendy. Romanticky příběh vypráví o drakovi, který obsadil pramen pitné vody. Obyvatelé, aby ho z pramene alespoň na chvíli odlákali, mu museli každý den předložit lidskou oběť. Konečně padl los i na královu dceru, ale když měla být právě ona obětována, objevil se rytíř Jiří a draka zabil. Příběh má předkřesťanský vzor a mohl by být vystopován až v indoevropských náboženstvích. Jako takový je tradován v pohádkách řady evropských zemí.\u003C/p>\u003Cp>Socha sv. Jiří na 3. pražském nádvoří dokládá oblibu tohoto světce a vznikla v období, kdy se centrální Evropou začal šířit svatojiřský kult. Především nás socha ovšem ohromuje ušlechtilým koněm orientálního původu. Na území tehdejšího českého království musel být takový kůň symbolem moci a bohatství. Na soše lze také doložit úroveň jezdectví 14. století. Pevný sed spočíval na dlouhých třmenech, do kterých se jezdec opírá špičkou nohy. Sed je zpevněn opěrami sedla na přední i zadní rozsoše. Pevný sed byl důležitý nejen v boji, ale umožňovala i relativní pohodlí při mnohahodinovém cestování.\u003C/p>",{"id":1141,"documentId":1142,"title":1143,"slug":1144,"shortTitle":1145,"address":944,"type":54,"description":1146,"latitude":1147,"longitude":1148,"phone":9,"website":1149,"available":9,"availableDescription":1150,"createdAt":1151,"updatedAt":1152,"publishedAt":1153,"locale":18,"content":1154,"image":1155,"carousel":1191,"seo":1193,"localizations":1202},1878,"nulnutgi5dz5s8kndekp92dj","Gallery Stables at Prague Castle","gallery-stables-at-prague-castle","Gallery Stables","Below the Spanish Hall and Rudolph Gallery at Prague Castle lies a complex of mezzanine stables now used as gallery spaces. In Rudolf II’s time it held roughly 40 horses, with a fountain and watering trough at the head of the stable.","50.090717","14.398883","https://www.prague.eu/cs/objekt/mista/878/prazsky-hrad-cisarska-konirna","v době krátkodobých výstav","2026-02-01T12:22:11.584Z","2026-03-16T21:31:17.918Z","2026-03-16T21:31:18.033Z","Below the Spanish Hall and Rudolph Gallery at Prague Castle lies a complex of mezzanine stables now used as gallery spaces. From the Second Courtyard you can look into the former stable that houses the Konírna Gallery. In Rudolf II’s time it held roughly 40 horses, with a fountain and watering trough at the head of the stable.",{"id":1156,"documentId":1157,"name":1158,"alternativeText":9,"caption":9,"width":1159,"height":1160,"formats":1161,"hash":1186,"ext":70,"mime":73,"size":1187,"url":1188,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1189,"updatedAt":1190,"publishedAt":1189,"focalPoint":9},178,"e2ny4p9amk6eb154zmrxw8rf","vstup do galerie z 2. nádvoří.webp",1295,971,{"large":1162,"small":1168,"medium":1174,"thumbnail":1180},{"ext":70,"url":1163,"hash":1164,"mime":73,"name":1165,"path":9,"size":1166,"width":76,"height":77,"sizeInBytes":1167},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_vstup_do_galerie_z_2_nadvori_987bbf718a.webp","large_vstup_do_galerie_z_2_nadvori_987bbf718a","large_vstup do galerie z 2. nádvoří.webp",54.01,54014,{"ext":70,"url":1169,"hash":1170,"mime":73,"name":1171,"path":9,"size":1172,"width":84,"height":85,"sizeInBytes":1173},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_vstup_do_galerie_z_2_nadvori_987bbf718a.webp","small_vstup_do_galerie_z_2_nadvori_987bbf718a","small_vstup do galerie z 2. nádvoří.webp",23.82,23824,{"ext":70,"url":1175,"hash":1176,"mime":73,"name":1177,"path":9,"size":1178,"width":77,"height":92,"sizeInBytes":1179},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_vstup_do_galerie_z_2_nadvori_987bbf718a.webp","medium_vstup_do_galerie_z_2_nadvori_987bbf718a","medium_vstup do galerie z 2. nádvoří.webp",38.72,38724,{"ext":70,"url":1181,"hash":1182,"mime":73,"name":1183,"path":9,"size":1184,"width":99,"height":100,"sizeInBytes":1185},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_vstup_do_galerie_z_2_nadvori_987bbf718a.webp","thumbnail_vstup_do_galerie_z_2_nadvori_987bbf718a","thumbnail_vstup do galerie z 2. nádvoří.webp",6.56,6560,"vstup_do_galerie_z_2_nadvori_987bbf718a",78.45,"https://meaningful-wonder-ea78781290.media.strapiapp.com/vstup_do_galerie_z_2_nadvori_987bbf718a.webp","2026-02-19T20:20:03.022Z","2026-06-14T11:40:43.357Z",{"id":1192},374,{"id":1194,"metaTitle":1143,"metaDescription":1195,"keywords":1196,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1197},80,"Below the Spanish Hall and Rudolph Gallery at Prague Castle lies a complex of mezzanine stables now used as gallery spaces.","building, architecture, Druhé nádvoří Pražského hradu, Gallery Stables, Prague, monument, history, horse",{"geo":1198,"url":1149,"name":1143,"@type":30,"image":1188,"address":1201,"@context":35,"description":1146,"additionalType":119},{"@type":27,"latitude":1199,"longitude":1200},50.090717,14.398883,{"@type":32,"streetAddress":944,"addressCountry":33,"addressLocality":34},[1203],{"id":1204,"documentId":1142,"title":1205,"slug":1206,"shortTitle":1207,"address":944,"type":54,"description":1005,"latitude":1147,"longitude":1148,"phone":9,"website":1149,"available":9,"availableDescription":1150,"createdAt":1208,"updatedAt":1209,"publishedAt":1210,"locale":46,"content":1211},2037,"Galerie Konírna na Pražském hradě","galerie-konirna-na-prazskem-hrade","Galerie Konírna","2026-02-01T12:22:11.568Z","2026-06-14T15:46:57.112Z","2026-06-14T15:46:57.208Z","\u003Cp>Při vstupu na 2. nádvoří od jízdárny Pražského hradu procházíme Severní bránou, která nese název Pacassiho brána. V tomto křídle hradu přímo nad bránou je v prvním patře reprezentativní Španělský sál s navazující Rudolfovou galerií. Pod těmito prostorami se nalézá komplex tří mezonetových stájí. V dnešní době slouží jako galerijní prostory. Pokud projdeme Severní branou a otočíme se tak po pravé straně můžeme z 2. nádvoří nahlédnout do původní stáje, ve které se nyní nalézá Galerie Konírna. Ve vazném ustájení se do ní v dobách Rudolfa II. vešlo cca 40 koní. V čele stáje je pak kašna s napajedlem, která je bohužel návštěvníkům výstav většinou skryta za výstavními panely.\u003C/p>\u003Cp>Ve všech stájích Pražského hradu bylo v době Rudolfově umístěno okolo 200 koní. Krásným dokladem Rudolfova zájmu o koně je text francouzského vyslance krále Jindřicha IV. Piera Bergerona z roku 1600: Viděli jsme v Praze velké množství koní, mnozí z nich jsou vynikající a všechny cvičí Ital Pietropaolo, jehož má císař ve veliké oblibě. Prohlédli jsme si stáje a napočítali jich více než dvě stě. Většina z nich pochází z císařských hřebčínů, které jsou rozmístěny po celé zemi. Císař z nich ročně odvádí ke dvoru okolo sta koní.“\u003C/p>\u003Cp>Pražský hrad zažíval v době Rudolfově nejhvězdněji období a vzhledem k ohrožení Vídně osmanskými Turky, z něj vladař udělal na 20 let centrum monarchie. Císař Rudolf II. byl velký milovník koní a je podepsán pod ediktem z roku 1579, který povýšil hřebčín v Kladrubech nad Labem mezi císařské hřebčíny. Traduje se, že znal všechny své koně podle jména a velmi dbal na jejich řádné ošetřování. Ve stájích uprostřed svých koní trávil hodně času. Stáje pod samotným Španělským sálem, vlevo od Severní brány, jsou popsány pod heslem: (@obrazarna-prazskeho-hradu@ ).\u003C/p>",{"id":1213,"documentId":1214,"title":1215,"slug":1216,"shortTitle":9,"address":1217,"type":11,"description":1218,"latitude":1219,"longitude":1220,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":1221,"updatedAt":1222,"publishedAt":1223,"locale":18,"content":1224,"image":1225,"carousel":1260,"seo":1262,"localizations":1271},1880,"g7w5xcwfxb9b15er6357pzna","Vanha's house in Holesovice","vanhas-house-in-holesovice","Dukelských hrdinů 972/20, Praha 7 - Holešovice, 170 00","The mural of St. Wenceslas on the facade of Vaňha's House on Dukelských hrdinů Avenue in Holešovice is one of the examples depicting the national saint in the style established by Mikoláš Aleš during the decoration of the Storch House on Old Town Square. Painter František Ženíšek Jr., son of the famous artist of the National Theatre generation, added heraldic motifs of the Czech lion and Moravian eagle to St. Wenceslas on horseback, dominated by a mighty eagle symbol forming the scene's background. The 1907 building bears the name of builder Josef Vaňha, a native of old Holešovice, who played a significant role in transforming the area into an urban district. The decoration along Dukelská Avenue was also motivated by the street being the main route to the Prague Exhibition Grounds in the Royal Game Reserve, with its tradition of ethnographic exhibitions. The horse in the painting carries the typical attributes of its era: a noble white steed with St. Wenceslas wearing a helmet.","50.100111","14.433391","2026-02-01T12:22:12.389Z","2026-03-16T21:31:20.577Z","2026-03-16T21:31:20.682Z","\u003Cp>\u003Cspan style=\"background-color:rgb(31,36,40);color:rgb(209,213,218);font-family:-apple-system, "system-ui", "Segoe UI", Roboto, sans-serif;font-size:13px;\">\u003Cspan style=\"-webkit-text-stroke-width:0px;display:inline !important;float:none;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:pre-wrap;widows:2;word-spacing:0px;\">The wall painting of St. Wenceslas on the façade of the Vaňha House in Holešovice, at Dukelských hrdinů Avenue No. 972/20, dating from 1907, is one of the examples of the depiction of the national saint in the style established by Mikoláš Aleš during the decoration of the Štorch House on Old Town Square. The painter František Ženíšek the Younger (1877–1935), son of the famous painter of the National Theater generation, added heraldic motifs to the figure of St. Wenceslas on horseback (the Bohemian lion and the Moravian eagle), dominated by a mighty eagle symbol forming the background of the scene. We do not know the building's commissioner, so it remains unclear whether the use of the St. Wenceslas motif is merely a general expression of national sentiment, or a reference to the commissioner's name, as was often the case in the decoration of residential architecture at the turn of the 19th and 20th centuries. \u003C/span>\u003C/span>\u003C/p>\u003Cp>\u003Cspan style=\"background-color:rgb(31,36,40);color:rgb(209,213,218);font-family:-apple-system, "system-ui", "Segoe UI", Roboto, sans-serif;font-size:13px;\">\u003Cspan style=\"-webkit-text-stroke-width:0px;display:inline !important;float:none;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:pre-wrap;widows:2;word-spacing:0px;\">The horse figure bears all the attributes of early 20th-century depictions of St. Wenceslas as a rider — most notably a figurative modern horse (often a white one) and St. Wenceslas wearing a helmet. The house bears the name of builder Josef Vaňha (1876–1913), who, as a native of the original old Holešovice, played a significant role in transforming the area into a Prague district at the turn of the century. The decoration of houses on today's Dukelská Avenue was also motivated by the fact that it served as the main access road to the Prague Exhibition Grounds in the Royal Game Reserve, with its tradition of ethnographic exhibitions. This is further demonstrated by the Stárek Houses standing closer to the exhibition grounds.\u003C/span>\u003C/span>\u003C/p>",{"id":1226,"documentId":1227,"name":1228,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1229,"hash":1254,"ext":70,"mime":73,"size":1255,"url":1256,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1257,"updatedAt":1258,"publishedAt":1259,"focalPoint":9},325,"f8iqevu3v1jpev9sisj1p64k","01.webp",{"large":1230,"small":1236,"medium":1242,"thumbnail":1248},{"ext":70,"url":1231,"hash":1232,"mime":73,"name":1233,"path":9,"size":1234,"width":76,"height":77,"sizeInBytes":1235},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_01_1c8a744dbf.webp","large_01_1c8a744dbf","large_01.webp",66.32,66324,{"ext":70,"url":1237,"hash":1238,"mime":73,"name":1239,"path":9,"size":1240,"width":84,"height":85,"sizeInBytes":1241},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_01_1c8a744dbf.webp","small_01_1c8a744dbf","small_01.webp",24.67,24672,{"ext":70,"url":1243,"hash":1244,"mime":73,"name":1245,"path":9,"size":1246,"width":77,"height":92,"sizeInBytes":1247},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_01_1c8a744dbf.webp","medium_01_1c8a744dbf","medium_01.webp",44.98,44982,{"ext":70,"url":1249,"hash":1250,"mime":73,"name":1251,"path":9,"size":1252,"width":99,"height":100,"sizeInBytes":1253},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_01_1c8a744dbf.webp","thumbnail_01_1c8a744dbf","thumbnail_01.webp",6.43,6430,"01_1c8a744dbf",186.7,"https://meaningful-wonder-ea78781290.media.strapiapp.com/01_1c8a744dbf.webp","2026-02-19T21:01:34.900Z","2026-06-14T11:56:38.024Z","2026-02-19T21:01:34.901Z",{"id":1261},376,{"id":1263,"metaTitle":1215,"metaDescription":1264,"keywords":1265,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1266},84,"The wall painting of St. Wenceslas on the façade of the Vaňha House in Holešovice, at Dukelských hrdinů Avenue No.","fresco, painting, art, Dukelských hrdinů 972/20, Prague, monument, history, horse",{"geo":1267,"name":1215,"@type":30,"image":1256,"address":1270,"@context":35,"description":1218,"additionalType":36},{"@type":27,"latitude":1268,"longitude":1269},50.100111,14.433391,{"@type":32,"streetAddress":1217,"addressCountry":33,"addressLocality":34},[1272],{"id":1273,"documentId":1214,"title":1274,"slug":1275,"shortTitle":9,"address":1217,"type":11,"description":1276,"latitude":1219,"longitude":1220,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":1277,"updatedAt":1278,"publishedAt":1279,"locale":46,"content":1280},1879,"Vaňhův dům v Holešovicích","vanhuv-dum-v-holesovicich","Nástěnná malba sv. Václava na průčelí Vaňhova domu na třídě Dukelských hrdinů v Holešovicích je jedním z příkladů vyobrazení národního světce v pojetí stanoveném Mikolášem Alšem při výzdobě Štorchova domu na Staroměstském náměstí. Malíř František Ženíšek mladší, syn slavného tvůrce generace Národního divadla, připojil k postavě sv. Václava na koni heraldické motivy českého lva a moravské orlice, jimž dominuje mohutný symbol orlice tvořící pozadí výjevu. Dům z roku 1907 nese jméno stavitele Josefa Vaňhy, rodáka z původních starých Holešovic, který se významně podílel na proměně místa v městskou čtvrť. Výzdoba domů na Dukelské třídě byla motivována i skutečností, že tato ulice byla hlavní přístupovou tepnou k pražskému Výstavišti v Královské oboře s tradicí národopisných výstav. Kůň na malbě nese typické atributy doby: ušlechtilý bělouš a sv. Václav v přilbici.","2026-02-01T12:22:12.374Z","2026-03-16T21:31:19.409Z","2026-03-16T21:31:19.507Z","\u003Cp>Nástěnná malba Sv. Václava v průčelí holešovického Vaňhova domu na třídě Dukelských hrdinů čp. 972/20 z roku 1907 je jedním z příkladů vyobrazení národního světce v typu stanoveném Mikolášem Alšem při výzdobě Štorchova domu na Staroměstském náměstí. Malíř František Ženíšek mladší (1877 – 1935), syn slavného malíře generace Národního divadla, připojil k postavě sv. Václava na koni heraldické motivy (českého lva a moravskou orlici), jimž dominuje mohutný symbol orlice, tvořící pozadí výjevu. Stavebníka domu neznáme a tak není zřejmé, zda použití svatováclavského motivu je jen obecným vyjádřením národnostního smýšlení, nebo odkazuje na stavebníkovo jméno, jak tomu často ve výzdobě obytné architektury přelomu 19. a 20. století bývalo. Figura koně nese všechny atributy zobrazování sv. Václava jako jezdce na počátku 20. století. \u003C/p>\u003Cp>Především je to figurantní moderní kůň (často bělouš) a sv. Václav v přilbici. Dům nese název stavitele Josefa Vaňhy (1876 - 1913), který se na přelomu 19. a 20. století, jako rodák z původních starých Holešovic, významně podílel na proměně místa v městskou část Prahy. Výzdoba domů na dnešní Dukelské třídě pak byla motivována i skutečností, že byla hlavní přístupovou tepnou k pražskému výstavišti v Královské oboře s tradicí národopisných výstav. Dokazují to blíže k výstavišti stojící Stárkovy domy.\u003C/p>",{"id":1282,"documentId":1283,"title":1284,"slug":1285,"shortTitle":9,"address":1286,"type":54,"description":1287,"latitude":1288,"longitude":1289,"phone":1290,"website":1291,"available":414,"availableDescription":1292,"createdAt":1293,"updatedAt":1294,"publishedAt":1295,"locale":18,"content":1296,"image":1297,"carousel":1333,"seo":1335,"localizations":1344},1882,"emi9bn1dshe3xpz7gfh0wl7i","Prague Castle Riding School","prague-castle-riding-school","Pražský hrad, Praha 1","The was built around 1694 to designs by Jean‑Baptiste Mathay and served its original purpose for about a century. In the 1950s it was rebuilt by architect Pavel Janák as an exhibition hall, though it had hosted major cultural events even earlier.","50.092391","14.398415","420224372187","www.hrad.cz","areál 6:00 - 22:00, objekty 9:00 - 17:00","2026-02-01T12:22:10.747Z","2026-03-16T21:31:22.880Z","2026-03-16T21:31:22.993Z","\u003Cp>The Prague Castle Riding Hall was built during the reign of Leopold I (1640 – 1705), when the cult of horses and riding art was significantly developed as an essential social prestige of the aristocracy. The request to build a new rising hall was first voiced in 1679, when the Viennese court relocated to Prague in fear a plague epidemic. Yet it took another 15 years before the idea of replacing the old insufficient rising hall from the times of Maximilian II (built in 1572) was carried out. We have only a few records regarding the construction of the new riding hall. The first is a notification from the Czech Chamber to the Viennese Court from March 14, 1694 stating that the old riding hall is narrow and too low to accommodate the training of horses in the high-riding school. At the end of the 17th century, the Prague Castle Ball Room in the Royal Garden was frequently modified for these purposes. The decisions of the Czech Chamber from March 22, 1694 states that the majestic building will be designed by Jean Baptiste Mathey (1630 – 1696). Built between 1694 and 1695 according to his plans, the riding hall had no competition across Europe at the time. However, the layout of the entire building (approximately 92 by 18 m) wasn’t used for horse training. The actual riding area covered nearly the classical dressage rectangle (18 by 60 m) and enabled both horse training as well as organization of riding festivals and tournaments. Because Leopold I was renowned as the main ‘Turk-slayer,’ the front façade of the Riding Hall is to date decorated with stuccoes referencing the times of dramatic battles with Turks. They were created by Giovanni Pietro Paliardi, who worked based on Mathey’s drawings. The building was constructed in the famous period of Turkish defeats near Vienna (1683) and Zenta (1697), hence the victorious iconography on the façade of the Riding Hall. The Vienna victory over Turks also gained significance in horse-riding history because it was here where one of the famous founders of the English Thoroughbred lineage Byerley Turk (Robert Byerley) was supposedly captured.\u003C/p>\u003Cp>Classical riding flourished in Central Europe during the reign of Leopold I, enabled by the basis of the Viennese riding school founded in 1572 by Maximilian II. This training style relied on methods spreading across Europe thanks to the experiences from the Riding Academy in Naples.\u003C/p>\u003Cp>Unfortunately, since the death of Rudolph II, Prague stood somewhat aside the key interests of the Habsburg court, as apparent from remaining records regarding the bulding of the Riding Hall. Frequently, these are various complaints regarding the course of construction. It is depicted as entirely unnecessary, also encroaching on other then-existing facilities such as the Castle Pheasantry. This is one of the reasons why the entry corridor connecting the Riding Hall with the Prague Castle in the location of today’s Spanish Hall was never finished.\u003C/p>\u003Cp>The original building had full walls and the lighting of the riding area was provided by daylight entering through circular windows under the roof ledge. The walls were opened with the extensive French-style windows only during the reconstruction in the 1950s\u003C/p>\u003Cp>Despite the construction taking place in the era of Leopold I, the Riding Hall mostly flourished during the reign of Joseph I (1705 – 1711) and, particularly, Charles VI (1711 – 1740). The latter took the horse-riding cult to its very peak, as particularly apparent from the construction of the Viennese Baroque riding hall for the purposes of the famous Spanish Riding School (Spanische Hofreitschule).\u003C/p>",{"id":1298,"documentId":1299,"name":1300,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1301,"hash":1327,"ext":1303,"mime":73,"size":1328,"url":1329,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1330,"updatedAt":1331,"publishedAt":1332,"focalPoint":9},53,"ql3viasyg38slj1qd48a9tcd","5..webp",{"large":1302,"small":1309,"medium":1315,"thumbnail":1321},{"ext":1303,"url":1304,"hash":1305,"mime":73,"name":1306,"path":9,"size":1307,"width":76,"height":77,"sizeInBytes":1308},".jpg","https://meaningful-wonder-ea78781290.media.strapiapp.com/large_5_8c5397ccbe.jpg","large_5_8c5397ccbe","large_5..webp",85.55,85550,{"ext":1303,"url":1310,"hash":1311,"mime":73,"name":1312,"path":9,"size":1313,"width":84,"height":85,"sizeInBytes":1314},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_5_8c5397ccbe.jpg","small_5_8c5397ccbe","small_5..webp",25.75,25752,{"ext":1303,"url":1316,"hash":1317,"mime":73,"name":1318,"path":9,"size":1319,"width":77,"height":92,"sizeInBytes":1320},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_5_8c5397ccbe.jpg","medium_5_8c5397ccbe","medium_5..webp",52.44,52438,{"ext":1303,"url":1322,"hash":1323,"mime":73,"name":1324,"path":9,"size":1325,"width":99,"height":100,"sizeInBytes":1326},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_5_8c5397ccbe.jpg","thumbnail_5_8c5397ccbe","thumbnail_5..webp",5.39,5386,"5_8c5397ccbe",291.83,"https://meaningful-wonder-ea78781290.media.strapiapp.com/5_8c5397ccbe.jpg","2026-02-19T19:29:47.614Z","2026-06-14T11:29:12.605Z","2026-02-19T19:29:47.615Z",{"id":1334},378,{"id":1336,"metaTitle":1284,"metaDescription":1337,"keywords":1338,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1339},88,"The was built around 1694 to designs by Jean‑Baptiste Mathay and served its original purpose for about a century.","building, architecture, Pražský hrad, Prague, monument, history, horse",{"geo":1340,"url":1291,"name":1284,"@type":30,"image":1329,"address":1343,"@context":35,"description":1287,"additionalType":119},{"@type":27,"latitude":1341,"longitude":1342},50.092391,14.398415,{"@type":32,"streetAddress":1286,"addressCountry":33,"addressLocality":34},[1345],{"id":1346,"documentId":1283,"title":1347,"slug":1348,"shortTitle":1349,"address":1286,"type":54,"description":1350,"latitude":1288,"longitude":1289,"phone":1290,"website":1291,"available":414,"availableDescription":1292,"createdAt":1351,"updatedAt":1352,"publishedAt":1353,"locale":46,"content":1354},1881,"Jízdárna Pražského hradu","jizdarna-prazskeho-hradu","","Byla vybudována v letech okolo roku 1694 podle návrhu francouzského architekta Jean-Baptiste Mathaye stavitelem Jakubem A. Okolo roku 1800 byla přeměněna na skladiště.","2026-02-01T12:22:10.726Z","2026-03-16T21:31:21.720Z","2026-03-16T21:31:21.829Z","\u003Cp>Jízdárna Pražského hradu vznikala za dob panování Leopolda I. (1640 – 1705), kdy se výrazně rozvíjel kult koně a jezdeckého umění jako hlavní společenské prestiže šlechty. Požadavek na vybudování nové jízdárny zazněl poprvé již v roce 1679, kdy se do Prahy uchýlil Vídeňský dvůr z obavy před morovou nákazou. Dalších 15 let ovšem trvalo, než byla myšlenka nahradit starou a nevyhovující jízdárnu z dob Maxmiliána II. (vznikla v roce 1572) realizována. O stavbě nové jízdárny máme jen málo dokladů. Prvním je přípis České komory vídeňskému dvoru ze dne 14. března 1694 s informací, že stará jízdárna je úzká a nízká k tomu, aby v ní mohli být cvičení koně ve vysoké škole jezdeckého umění. Na Pražském hradě konce 17. století bývala k těmto účelům upravována míčovna v Královské zahradě. V rozhodnutí České komory ze dne 22. března 1694 se píše, že plány pro stavbu velkolepé budovy zpracuje Johann Baptista Mathey (1630 – 1696). Na základě jeho plánů pak byla v letech 1694 až 1695 vystavěna budova, která neměla v Evropě té doby konkurenci. Půdorys celé budovy (cca 92 x 18 m) nebyl ovšem využíván pro výcvik koní. Samotná jezdecká plocha se téměř rovnala klasickému drezurnímu obdélníku (18 x 60 m) a umožňovala nejenom výcvik koní, ale současně i organizaci karuselů a turnajů. Protože Leopold I. byl opěvován jako hlavní „Turkobijec“ zdobí dodnes průčelí jízdárny štuková výzdoba odkazující na dobu vyhrocených bojů s Turky. Jejím autorem je Giovanni Pietro Paliardi, který ovšem pracoval na základě Matheových nákresů. Stavba jízdárny vznikala ve slavném období tureckých porážek u Vídně (1683) a u Zenty (1697) a proto ona vítězná ikonografie v průčelí jízdárny. Vídeňské vítězství na Turky se zapsalo do hipologických dějin i tím, že právě zde byl ukořistěn jeden ze slavných zakladatelů anglického plnokrevníka Byarley Turk (Robert Byarley).\u003C/p>\u003Cp>Za Leopolda I byl umožněn na základech vídeňské jezdecké školy, založené v roce 1572 Maxmiliánem II., rozkvět klasického jezdectví ve střední Evropě. To se opíralo o výcvikové modely šířené v Evropě na základě zkušeností jezdecké akademie v Neapoli.\u003C/p>\u003Cp>Bohužel Praha stála od smrti Rudolfa II. poněkud stranou hlavního zájmu habsburského dvora a dokládají to i dochované listiny související se stavbou jízdárny. Často se jedná o různé stížnosti k průběhu stavby. Ta je líčena jako zcela zbytečná a neužitečná a navíc zasahující do, v té době v místech stavby stojících zařízení, jako byla např. hradní bažantnice. I z těchto důvodů také nebyla nikdy dokončena vstupní chodba spojující jízdárnu s Pražským hradem v místech dnešního Španělského sálu.\u003C/p>\u003Cp>Původní stavba měla plné stěny a osvětlení jízdárny zajišťovalo denní světlo dopadající dovnitř kruhovými okny pod střešní římsou. Rozsáhlými okny francouzského typu byly stěny prolomeny až při rekonstrukci v 50. letech 20. století.\u003C/p>\u003Cp>Přesto, že stavba vznikala za dob Leopolda I., největší období rozkvětu zažila za panování Josefa I. (1705 – 1711) a především za Karla VI. (1711 – 1740). Ten dovedl hipologický kult na samotný vrchol, jak dokládá především stavba vídeňské barokní jízdárny pro práci slavné jezdecké instituce Spanische Hofreitschule.\u003C/p>",{"id":1356,"documentId":1357,"title":1358,"slug":1359,"shortTitle":9,"address":1360,"type":410,"description":1361,"latitude":1362,"longitude":1363,"phone":9,"website":9,"available":414,"availableDescription":9,"createdAt":1364,"updatedAt":1365,"publishedAt":1366,"locale":18,"content":1367,"image":1368,"carousel":1397,"seo":1399,"localizations":1408},1884,"a0ttlz7jglx8hqfr1v39olno","Cassel's Monument in Klamovka Park","cassels-monument-in-klamovka-park","Klamovka, Praha 5, 150 00","Standing in the tranquil Klamovka Park in Prague's Košíře district, this intriguing monument is linked to the Clam-Gallas noble family, though its exact origins remain debated. If it dates to 1808 as some suggest, it would have been erected by Kristián Kryštof Clam-Gallas, the highest marshal of the Czech Kingdom, who built the late Baroque chateau here and commissioned sculptor Matyáš Braun for its decoration. However, strong evidence points to his son Edward, a cavalry captain who rose to the rank of general and fought at the famous Battle of Solferino in 1859. The Clam-Gallas family later sold the estate to Košíře mayor Matěj Hlaváček, who built an electric tramway to the site, transformed the chateau into a restaurant, and opened the grounds to the public. Since the 1930s, the building has served as a Sokol gymnasium.","50.071563","14.378395","2026-02-21T21:20:09.897Z","2026-03-16T21:31:25.185Z","2026-03-16T21:31:25.306Z","\u003Cp class=\"p1\">In 1808, Edward was only three years old. So, if the monument actually dates back to 1808, it would have to be built by his father Edward Kristián Kryštof Clam-Gallas (1771 - 1338), who was the highest marshal of the Czech Kingdom. It was Kristián Kryštof who built the late Baroque castle in today's Prague - Košíře and then entrusted the sculptural decoration to Matyáš Braun.\u003C/p>\u003Cp class=\"p1\">On the contrary, in favor of Edward Clam-Gallas as the initiator of the monument speaks of the fact that since 1831 he was the captain of the first cavalry regiment in Prague and in his military career he became the general later. In the middle of the 19\u003Csup>th\u003C/sup> century, distinguished himself in a series of wars on the Italian or Transylvania front. In 1859 he participated as a cavalry general at the Battle of Solferino. In this case the monument would have to be made significantly earlier and originated sometime in the middle of the 19\u003Csup>th\u003C/sup> century.\u003C/p>\u003Cp class=\"p1\">At the end of the 19\u003Csup>th\u003C/sup> century, the Clam-Gallas sold the castle and the garden to the mayor of Košíře, Matěj Hlaváček. He built an electric tram from the intersection U Anděla to Klamovka, rebuilt the castle into a restaurant and he made the whole area accessible to the public. Since the 1930s the building has been owned by Sokol, who converted the building into a Sokol´s building.\u003C/p>",{"id":1369,"documentId":1370,"name":423,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":1371,"hash":1392,"ext":70,"mime":73,"size":1393,"url":1394,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1395,"updatedAt":1396,"publishedAt":1395,"focalPoint":9},66,"xt40b93nl1rtdmpn8xm72kpp",{"large":1372,"small":1377,"medium":1382,"thumbnail":1387},{"ext":70,"url":1373,"hash":1374,"mime":73,"name":428,"path":9,"size":1375,"width":77,"height":76,"sizeInBytes":1376},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_1_dee5ed561d.webp","large_1_dee5ed561d",160.35,160352,{"ext":70,"url":1378,"hash":1379,"mime":73,"name":434,"path":9,"size":1380,"width":85,"height":84,"sizeInBytes":1381},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_1_dee5ed561d.webp","small_1_dee5ed561d",45.18,45180,{"ext":70,"url":1383,"hash":1384,"mime":73,"name":440,"path":9,"size":1385,"width":92,"height":77,"sizeInBytes":1386},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_dee5ed561d.webp","medium_1_dee5ed561d",97.1,97096,{"ext":70,"url":1388,"hash":1389,"mime":73,"name":446,"path":9,"size":1390,"width":308,"height":100,"sizeInBytes":1391},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_dee5ed561d.webp","thumbnail_1_dee5ed561d",5.1,5096,"1_dee5ed561d",549.37,"https://meaningful-wonder-ea78781290.media.strapiapp.com/1_dee5ed561d.webp","2026-02-19T19:51:15.685Z","2026-06-14T11:30:28.714Z",{"id":1398},380,{"id":1400,"metaTitle":1358,"metaDescription":1401,"keywords":1402,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1403},92,"Standing in the tranquil Klamovka Park in Prague's Košíře district, this intriguing monument is linked to the Clam-Gallas noble family, though its exact.","statue, sculpture, Klamovka, Prague, monument, history, horse",{"geo":1404,"name":1358,"@type":30,"image":1394,"address":1407,"@context":35,"description":1361,"additionalType":465},{"@type":27,"latitude":1405,"longitude":1406},50.071563,14.378395,{"@type":32,"streetAddress":1360,"addressCountry":33,"addressLocality":34},[1409],{"id":1410,"documentId":1357,"title":1411,"slug":1412,"shortTitle":1413,"address":1360,"type":410,"description":1414,"latitude":1362,"longitude":1363,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":1415,"updatedAt":1416,"publishedAt":1417,"locale":46,"content":1418},1883,"Casselův pomník na pražské Klamovce","casseluv-pomnik-na-prazske-klamovce","Pomník na Klamovce","Významný rod vznikl spojením dvou šlechtických rodin. Uprostřed dnešního parku stojí, údajně od roku 1808, pomníček koně CASSEL.","2026-02-01T12:22:10.851Z","2026-03-16T21:31:24.016Z","2026-03-16T21:31:24.125Z","\u003Cp>V roce 1808 však byly Edwardovi pouhé tři roky. Pokud tedy skutečně pomník pochází z roku 1808, musel by být jeho stavitelem otec Edwarda Kristián Kryštof Clam-Gallas (1771 – 1338), který byl nejvyšším maršálkem českého království. Právě Kristián Kryštof byl stavitelem pozdně barokního zámečku v dnešní Praze – Košířích a sochařskou výzdobu pak svěřil Matyášovi Braunovi.\u003C/p>\u003Cp>Naopak ve prospěch Edwarda Clam-Gallase jako iniciátora pomníku hovoří skutečnost, že byl od roku 1831 rytmistrem prvního jezdeckého pluku v Praze a ve vojenské kariéře to dotáhl až na generála. V polovině 19. století se vyznamenal v sérii válek ať na italské či sedmihradské frontě. V roce 1859 se tak účastnil i jako generál jezdectva v bitvě u Solferina. V tom případě by ovšem pomník musel být výrazně mladšího data a vzniknout někdy v polovině 19. století.\u003C/p>\u003Cp>Na konci 19. století prodali Clam-Gallasové zámeček i zahradu košířskému starostovi Matěji Hlaváčkovi. Ten nechal vystavět od křižovatky U Anděla ke Klamovce elektrickou tramvaj, zámeček přestavěl na výletní restauraci a celý prostor zpřístupnil veřejnosti. Od 30. let 20. století je pak budova v majetku Sokola, který přeměnil stavbu na sokolovnu.\u003C/p>",{"id":1420,"documentId":1421,"title":1422,"slug":1423,"shortTitle":9,"address":1424,"type":54,"description":1425,"latitude":1426,"longitude":1427,"phone":1428,"website":1429,"available":414,"availableDescription":1430,"createdAt":1431,"updatedAt":1432,"publishedAt":1433,"locale":18,"content":1434,"image":1435,"carousel":1469,"seo":1471,"localizations":1480},1888,"at9lnekm2ne72cjkps2ee8zj","Main Post Office Prague 1 in Jindřišská Street","main-post-office-prague-1-in-jindrisska-street","Jindřišská 909/14, Praha 1 - Nové město, 110 00","Prague’s main post office has occupied a purpose-built Neo‑Renaissance palace at Jindřišská Street since 1873. Built by Johann Bělský to plans by Anton Brandtner, it was expanded and, in 1898, its courtyard was roofed to create a vast counter hall.","50.083508","14.427921","420840111244","https://www.ceskaposta.cz/index","volné dostupné denně od 2:00 do 24:00","2026-02-01T12:22:10.944Z","2026-03-16T21:31:30.474Z","2026-03-16T21:31:30.580Z","\u003Cp>Until the middle of the 20th century, postal carriages with harnessed horses went through the other courtyards of the building with active hipomobile traffic. Originally, horses were supposed to be stabled in the area, but the construction of stables was postponed. Even the carriages was not garaged in the brick buildings and only insufficient wooden shelters were intended for it. The horse-drawn transport of consignments remained in Prague until 1961, when it was definitively replaced by cars.\u003C/p>\u003Cp>If you enter to the main atrium hall of the post office, on the far left are located the counters in the former carriage house. On the first floor of the hall the entrances up the spiral staircase, there are rooms freely accessible to the public with photographic and written documentation of the past of postal transport and construction plans of the current building of the main post office.\u003C/p>",{"id":1194,"documentId":1436,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1438,"hash":1463,"ext":70,"mime":73,"size":1464,"url":1465,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1466,"updatedAt":1467,"publishedAt":1468,"focalPoint":9},"sm70m35o83n2qtmw2wdwy9yr","A.webp",{"large":1439,"small":1445,"medium":1451,"thumbnail":1457},{"ext":70,"url":1440,"hash":1441,"mime":73,"name":1442,"path":9,"size":1443,"width":76,"height":77,"sizeInBytes":1444},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_a53ff13edd.webp","large_A_a53ff13edd","large_A.webp",122.33,122334,{"ext":70,"url":1446,"hash":1447,"mime":73,"name":1448,"path":9,"size":1449,"width":84,"height":85,"sizeInBytes":1450},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_a53ff13edd.webp","small_A_a53ff13edd","small_A.webp",39.82,39822,{"ext":70,"url":1452,"hash":1453,"mime":73,"name":1454,"path":9,"size":1455,"width":77,"height":92,"sizeInBytes":1456},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_a53ff13edd.webp","medium_A_a53ff13edd","medium_A.webp",77.45,77446,{"ext":70,"url":1458,"hash":1459,"mime":73,"name":1460,"path":9,"size":1461,"width":99,"height":100,"sizeInBytes":1462},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_a53ff13edd.webp","thumbnail_A_a53ff13edd","thumbnail_A.webp",8.88,8880,"A_a53ff13edd",343.72,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_a53ff13edd.webp","2026-02-19T19:52:58.382Z","2026-06-14T11:31:54.827Z","2026-02-19T19:52:58.383Z",{"id":1470},384,{"id":1472,"metaTitle":1422,"metaDescription":1473,"keywords":1474,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1475},100,"Until the middle of the 20th century, postal carriages with harnessed horses went through the other courtyards of the building with active hipomobile traffic.","building, architecture, Jindřišská 909/14, Prague, monument, history, horse",{"geo":1476,"url":1429,"name":1422,"@type":30,"image":1465,"address":1479,"@context":35,"description":1425,"additionalType":119},{"@type":27,"latitude":1477,"longitude":1478},50.083508,14.427921,{"@type":32,"streetAddress":1424,"addressCountry":33,"addressLocality":34},[1481],{"id":1482,"documentId":1421,"title":1483,"slug":1484,"shortTitle":1485,"address":1424,"type":54,"description":1486,"latitude":1426,"longitude":1427,"phone":1428,"website":1429,"available":414,"availableDescription":1430,"createdAt":1487,"updatedAt":1488,"publishedAt":1489,"locale":46,"content":1490},1887,"Hlavní pošta Praha 1 v Jindřišské ulici","hlavni-posta-praha-1-v-jindrisske-ulici","Hlavní pošta","Hlavní pražská pošta sídlí od roku 1873 v k tomu účelu postaveném novorenesančním paláci na rohu ulic Politických vězňů (dříve Bredovské) a Jindřišské. Tyto stavební úpravy byly završeny roku 1898 zastřešením prvního nádvoří, čímž vznikla rozlehlá přepážková hala, kterou následně vyzdobil Karel Vítězslav Mašek secesními malbami s poštovní a telekomunikační symbolikou.","2026-02-01T12:22:10.911Z","2026-03-16T21:31:29.254Z","2026-03-16T21:31:29.355Z","\u003Cp>Další nádvoří budovy s čilým hipomobilním provozem brázdily až do poloviny 20. století poštovní vozy se zapřaženými koňmi. Původně měly být koně v areálu i ustájeni, avšak výstavba stájí se odkládala. Ani vozový park nebyl garážován ve zděných traktech a byly mu určeny pouze nepostačující dřevěné přístřešky. Koněspřežná doprava zásilek se v Praze udržela až do roku 1961, kdy byla definitivně nahrazena automobily.\u003C/p>\u003Cp>Pokud vstoupíte do hlavní atriové dvorany pošty, zcela vlevo jsou přepážky umístěny v prostorách bývalé kočárovny. V prvním patře dvorany, vstupy po točitých schodištích, jsou pak veřejnosti volně přístupné místnosti s fotografickou i písemnou dokumentací minulosti poštovní přepravy a stavebními plány současné budovy hlavní pošty. (Foto zapůjčeno Poštovním muzeem).\u003C/p>",{"id":1492,"documentId":1493,"title":1494,"slug":1495,"shortTitle":9,"address":1496,"type":54,"description":1497,"latitude":1498,"longitude":1499,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":1500,"updatedAt":1501,"publishedAt":1502,"locale":18,"content":1503,"image":1504,"carousel":1533,"seo":1535,"localizations":1544},1892,"txboq4ctbirkqbc4fnls5nhx","Riding school of Michna Palace","riding-school-of-michna-palace","Všehrdova 17, Praha 1 - Malá Strana, 118 00","The Riding School of Michna Palace in Malá Strana underwent a dramatic transformation that completely erased its original equestrian character. The entire property fell into military possession for more than one hundred and fifty years, and after World War I the complex was nearly a ruin. In 1921, the Czech Sokol Community purchased the building and, following architect František Krásný's design, transformed the palace into a sports complex. A gymnasium with a swimming pool was added on the north side, and the riding school was converted into a Sokol hostel. This stripped the building of all elements of its hippological past, making it very difficult even for experts to discern its original purpose. The reconstructed complex was opened in May 1925 in the presence of President T. G. Masaryk. A year later, a statue of the Sokol movement's founder Miroslav Tyrš by sculptor Ladislav Šaloun was unveiled in the first courtyard.","50.083051","14.405830","2026-02-01T12:22:12.749Z","2026-03-16T21:31:35.496Z","2026-03-16T21:31:35.600Z","\u003Cp>The entire property came into possession of the military for more than 150 years. After the First World War, the area was almost a ruin. In 1921, the Czech village of Sokolská bought the building from the Prague village and, according to the design of the architect František Krásný, transformed the palace into a sports complex. A gym was built on the north side, under which there is also a swimming pool. The riding school building was rebuilt into a Sokol hostel. As a result, the building lost all elements of the hippological structure and it is already very difficult for experts to see in it indications of its original purpose.\u003C/p>\u003Cp>The reconstructed building was opened in May 1925 in the presence of the first Czechoslovak president T. G. Masaryk. A year later, a statue of the founder of the Sokol movement, Miroslav Tyrš, by Ladislav Šaloun, was unveiled in the first courtyard of the palace.\u003C/p>",{"id":1505,"documentId":1506,"name":492,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1507,"hash":1528,"ext":70,"mime":73,"size":1529,"url":1530,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1531,"updatedAt":1532,"publishedAt":1531,"focalPoint":9},402,"kjn1hah7qbovza2oylr7il30",{"large":1508,"small":1513,"medium":1518,"thumbnail":1523},{"ext":70,"url":1509,"hash":1510,"mime":73,"name":497,"path":9,"size":1511,"width":76,"height":77,"sizeInBytes":1512},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_P03_3bbf232918.webp","large_P03_3bbf232918",88.66,88656,{"ext":70,"url":1514,"hash":1515,"mime":73,"name":503,"path":9,"size":1516,"width":84,"height":85,"sizeInBytes":1517},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_P03_3bbf232918.webp","small_P03_3bbf232918",29.98,29980,{"ext":70,"url":1519,"hash":1520,"mime":73,"name":509,"path":9,"size":1521,"width":77,"height":92,"sizeInBytes":1522},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_P03_3bbf232918.webp","medium_P03_3bbf232918",56.42,56418,{"ext":70,"url":1524,"hash":1525,"mime":73,"name":515,"path":9,"size":1526,"width":99,"height":100,"sizeInBytes":1527},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_P03_3bbf232918.webp","thumbnail_P03_3bbf232918",7.83,7834,"P03_3bbf232918",278.89,"https://meaningful-wonder-ea78781290.media.strapiapp.com/P03_3bbf232918.webp","2026-02-19T21:23:18.002Z","2026-06-14T12:02:05.281Z",{"id":1534},388,{"id":1536,"metaTitle":1494,"metaDescription":1537,"keywords":1538,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1539},108,"The entire property came into possession of the military for more than 150 years.","building, architecture, Všehrdova 17, Prague, monument, history, horse",{"geo":1540,"name":1494,"@type":30,"image":1530,"address":1543,"@context":35,"description":1497,"additionalType":119},{"@type":27,"latitude":1541,"longitude":1542},50.083051,14.40583,{"@type":32,"streetAddress":1496,"addressCountry":33,"addressLocality":34},[1545],{"id":1546,"documentId":1493,"title":1547,"slug":1548,"shortTitle":9,"address":1496,"type":54,"description":1549,"latitude":1498,"longitude":1499,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":1550,"updatedAt":1551,"publishedAt":1552,"locale":46,"content":1553},1891,"Jízdárna Michnova paláce","jizdarna-michnova-palace","Jízdárna Michnova paláce na Malé Straně prošla dramatickou proměnou, která zcela setřela její původní hipologický charakter. Celý majetek se na více než sto padesát let dostal do držení vojenského eráru a po první světové válce byl areál téměř ruinou. V roce 1921 zakoupila objekt Česká obec sokolská a podle návrhu architekta Františka Krásného jej přeměnila na tělovýchovný komplex. Na severní straně byla dostavěna tělocvična s plaveckým bazénem a budova jízdárny byla přebudována na sokolskou ubytovnu. Tím objekt přišel o všechny prvky hipologické stavby a spatřit v něm náznaky původního účelu je dnes i pro odborníky velmi obtížné. Zrekonstruovaný areál byl za přítomnosti prezidenta T. G. Masaryka otevřen v květnu 1925. O rok později byla na prvním nádvoří odhalena socha zakladatele sokolského hnutí Miroslava Tyrše od sochaře Ladislava Šalouna.","2026-02-01T12:22:12.730Z","2026-03-16T21:31:34.224Z","2026-03-16T21:31:34.333Z","\u003Cp>Záhy se však celý majetek dostal na více než 150 let do držení vojenského eráru. Po první světové válce byl areál již téměř ruinou. V roce 1921 zakoupila objekt od pražském obce Česká obec sokolská a podle návrhu architekta Františka Krásného palác přeměnila na tělovýchovný komplex. Na severní straně byla dostavěna tělocvična, pod kterou je i plavecký bazén. Budova jízdárny byla přebudována na sokolskou ubytovnu. Tím objekt přišel o všechny prvky hipologické stavby a spatřit v ní náznaky jejího původního účelu je i pro odborníky již velmi obtížné.\u003C/p>\u003Cp>Zrekonstruovaný objekt byl za přítomnosti prvního československého prezidenta T. G. Masaryka otevřen v květnu 1925. O rok později pak byla na prvním nádvoří paláce odhalena socha zakladatele sokolského hnutí Miroslava Tyrše, jejíž autorem je Ladislav Šaloun.\u003C/p>",{"id":1555,"documentId":1556,"title":1557,"slug":1558,"shortTitle":1559,"address":1560,"type":54,"description":1561,"latitude":1562,"longitude":1563,"phone":1564,"website":1565,"available":9,"availableDescription":1566,"createdAt":1567,"updatedAt":1568,"publishedAt":1569,"locale":18,"content":1570,"image":1571,"carousel":1600,"seo":1602,"localizations":1611},1894,"ev3epaund03n9kdr6qjhrjkh","Stables of Troja Castle","stables-of-troja-castle","Troja Castle","U Trojského zámku 1/4, Praha 7 - Troja, 170 00","Troja Château (1679–1685) was built by Count Václav Vojtěch of Šternberk as a summer residence, also intended to host the emperor during hunts. Designed by Giovanni Domenico Orsi and later Jean‑Baptiste Mathey, it introduced an Italian villa style that influenced Czech château architecture.","50.118157","14.412146","420725811936","http://ghmp.cz/zamek-troja/","otevřeno od 1. 4. do 31. 10.","2026-02-01T12:22:10.783Z","2026-03-16T21:31:38.047Z","2026-03-16T21:31:38.151Z","\u003Cp>But the chateau certainly provided its occupants with magnificent comfort for those times. With their pompous appearance and painted decoration, these stables competed with the then still very new stables in the Waldstein Palace.\u003C/p>\u003Cp>The stables were located in the northern courtyard, left of main entrance from the direction of today’s ZOO. The building is easily identifiable thanks to the horse-head feature over the entrance door. The building provided tie-up boarding to 24 horses, the only type of boarding used in those times. The original marble troughs still remain.\u003C/p>\u003Cp>The Troja Chateau is also significant because of its rich fresco decorations. Abraham Godijn was put in charge of decorating the stables around 1690. He worked on adorning the chateau along with his brother Isaac. Originally from Antwerp, the brothers were invited to Bohemia by the Count of Sternberg. They thus brought to Prague a Flemish style combined with Italian architecture. They learned this not just from their teachers, but also while studying abroad.\u003C/p>\u003Cp>The paintings depict mythological scenes where horses played a significant role. The painting was executed using stippling with a sea sponge and resembles a delicate wallpaper. The stables are 45 meters long and 6.4 meters wide.\u003C/p>\u003Cp>The Troja Chateau belonged to the Sternberg family until 1763, when they sold it to the Theresian Institution of Noble Ladies. Austro-Hungarian Empress and Queen of Bohemia, Maria Theresa, stayed there herself on several occasions.\u003C/p>\u003Cp>Subsequently, the ownership of the chateau had a rich history. In 1776 it was obtained by Jan Václav Alsterle of Astfeld and Vydří. In 1832 it was transferred as an inheritance to the ownership of the St. Elizabeth Order and the Brothers of Charity. Later the chateau was purchased by Alfred I, Prince of Windisch-Grätz, who founded vineyards around it. The last private owner of the chateau complex was a large-scale farmer, Alois Svoboda, who donated it to the state on October 7, 1922 at the occasion of President T. G. Masaryk’s 70th birthday.\u003C/p>\u003Cp>The chateau underwent an extensive reconstruction between 1977 and 1989. The stables are currently used for exhibitions and commercial events. At least symbolically, horses returned to the stables in 2011, when a sculpture by Michal Gabriel, depicting four horses, was exhibited here. The chateau is currently maintained by the Prague City Gallery and the stables are not usually publicly accessible.\u003C/p>",{"id":1572,"documentId":1573,"name":423,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1574,"hash":1595,"ext":70,"mime":73,"size":1596,"url":1597,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1598,"updatedAt":1599,"publishedAt":1598,"focalPoint":9},54,"wu6mqp1opx231ylsn74szc2z",{"large":1575,"small":1580,"medium":1585,"thumbnail":1590},{"ext":70,"url":1576,"hash":1577,"mime":73,"name":428,"path":9,"size":1578,"width":76,"height":77,"sizeInBytes":1579},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_1_6fe0d85243.webp","large_1_6fe0d85243",59.61,59612,{"ext":70,"url":1581,"hash":1582,"mime":73,"name":434,"path":9,"size":1583,"width":84,"height":85,"sizeInBytes":1584},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_1_6fe0d85243.webp","small_1_6fe0d85243",22.52,22518,{"ext":70,"url":1586,"hash":1587,"mime":73,"name":440,"path":9,"size":1588,"width":77,"height":92,"sizeInBytes":1589},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_6fe0d85243.webp","medium_1_6fe0d85243",39.74,39736,{"ext":70,"url":1591,"hash":1592,"mime":73,"name":446,"path":9,"size":1593,"width":99,"height":100,"sizeInBytes":1594},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_6fe0d85243.webp","thumbnail_1_6fe0d85243",5.91,5914,"1_6fe0d85243",168.33,"https://meaningful-wonder-ea78781290.media.strapiapp.com/1_6fe0d85243.webp","2026-02-19T19:43:42.367Z","2026-06-14T11:29:18.254Z",{"id":1601},390,{"id":1603,"metaTitle":1557,"metaDescription":1604,"keywords":1605,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1606},112,"But the chateau certainly provided its occupants with magnificent comfort for those times.","building, architecture, U Trojského zámku 1/4, Troja Castle, Prague, monument, history, horse",{"geo":1607,"url":1565,"name":1557,"@type":30,"image":1597,"address":1610,"@context":35,"description":1561,"additionalType":119},{"@type":27,"latitude":1608,"longitude":1609},50.118157,14.412146,{"@type":32,"streetAddress":1560,"addressCountry":33,"addressLocality":34},[1612],{"id":1613,"documentId":1556,"title":1614,"slug":1615,"shortTitle":1616,"address":1560,"type":54,"description":1617,"latitude":1562,"longitude":1563,"phone":1564,"website":1565,"available":9,"availableDescription":1566,"createdAt":1618,"updatedAt":1619,"publishedAt":1620,"locale":46,"content":1621},1893,"Konírna Trojského zámku","konirna-trojskeho-zamku","Trojský zámek","Autorem projektu je Giovanni Domenico Orsi a později Jean-Baptiste Mathey. vnesl do českých zemí dosud nepoznaný styl italské předměstské vily. Stavba tak následně výrazně ovlivnila zámeckou architekturu v českých zemích.","2026-02-01T12:22:10.763Z","2026-03-16T21:31:36.768Z","2026-03-16T21:31:36.874Z","\u003Cp>V samotném zámku jim ale bylo k odpočinku poskytnuto na tehdejší dobu velkolepé pohodlí. Stáje si svojí pompézností a výmalbou jistě nezadaly s tehdy ještě velmi mladou konírnou ve Valdštejnském paláci.\u003C/p>\u003Cp>Stáj je umístěna na severním nádvoří, vlevo od vstupu hlavní branou od zoologické zahrady. Stavba je jasně rozeznatelná díky koňské hlavě nad vstupními dveřmi. Budova poskytovala, v té době jedině používané vazné ustájení 24 koním. Dodnes jsou zachovány původní mramorové žlaby.\u003C/p>\u003Cp>Trojský zámek je významným i pro svoji bohatou výmalbu. Malířská výzdoba konírny byla okolo roku 1690 svěřena Abrahamu Godynovi. Ten pracoval na výzdobě zámku se svým bratrem Isaacem. Bratři pocházeli z Antwerp a do Čech byli pozváni hrabětem ze Šternberka. Do Prahy tak přinesli vlámský styl kombinovaný s italskou architekturou. Tu získali nejenom od svých učitelů, ale i na studijních cestách.\u003C/p>\u003Cp>Malby zachycují mytologické situace, ve kterých hráli koně významnou roli. Výmalba byla provedena tupováním mořskou houbou. Malba tak připomíná jemnou tapetu. Stáj je dlouhá 45 metrů a široká 6,4 metru.\u003C/p>\u003Cp>Trojský zámek patřil rodu Šternberků do roku 1763, kdy jej prodali Ústavu šlechtičen Marie Terezie. Sama císařovna a česká královna zde několikrát pobývala. Majitelství zámku pak mělo bohatou historii. V roce 1776 jej získal Jan Václav Alsterle z Astfeldu a Vydří. V roce 1832 přešel dědictvím do majetku klášterů Alžbětinek a Milosrdných bratří. Později koupil zámek Alfred kníže Windischgrätz, který v jeho okolí založil vinice. Posledním soukromým majitelem zámeckého areálu byl velkostatkář Alois Svoboda, který jej 7. 10. 1922 věnoval státu u příležitosti 70. narozenin T. G. Masaryka.\u003C/p>\u003Cp>V letech 1977–1989 prošel zámek rozsáhlou rekonstrukcí. Konírna se nyní využívá pro výstavy a komerční akce. Koně se do stájí vrátili v roce 2011, kdy zde bylo vystaveno sousoší čtyř koní Michala Gabriela. V současnosti spravuje zámek Galerie hl. města Prahy a konírna nebývá veřejně přístupná.\u003C/p>",{"id":1623,"documentId":1624,"title":1625,"slug":1626,"shortTitle":9,"address":1627,"type":410,"description":1628,"latitude":1629,"longitude":1630,"phone":1631,"website":1632,"available":414,"availableDescription":1633,"createdAt":1634,"updatedAt":1635,"publishedAt":1636,"locale":18,"content":1637,"image":1638,"carousel":1668,"seo":1670,"localizations":1679},1896,"dct122b1dm0lafjgq86m9gi9","Przewalski's horse in Prague ZOO by Josef Nálepa","przewalskis-horse-in-prague-zoo-by-josef-nalepa","U Trojského zámku 3/120, Praha 7, 171 00","A second Przewalski’s-horse sculpture at Prague Zoo, near the northern entrance, was made by Josef Nálepa in 1997. It depicts a mare with a foal and commemorates Prague Zoo’s role in preserving the species.","50.118707","14.408905","420296112230","https://www.zoopraha.cz","denně od 9:00 - do 16:00 až 19:00","2026-02-01T12:22:11.001Z","2026-03-16T21:31:40.665Z","2026-03-16T21:31:40.768Z","A second Przewalski’s-horse sculpture at Prague Zoo, near the northern entrance, was made by Josef Nálepa in 1997. It depicts a mare with a foal and commemorates Prague Zoo’s role in preserving the species. Nálepa is also known for numerous portraits and public sculptures, including works beyond the Czech Republic.",{"id":1639,"documentId":1640,"name":423,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1641,"hash":1662,"ext":70,"mime":73,"size":1663,"url":1664,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1665,"updatedAt":1666,"publishedAt":1667,"focalPoint":9},81,"wxydioi1mm39y46q94bomn6i",{"large":1642,"small":1647,"medium":1652,"thumbnail":1657},{"ext":70,"url":1643,"hash":1644,"mime":73,"name":428,"path":9,"size":1645,"width":76,"height":77,"sizeInBytes":1646},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_1_515cbbfe6c.webp","large_1_515cbbfe6c",179.6,179604,{"ext":70,"url":1648,"hash":1649,"mime":73,"name":434,"path":9,"size":1650,"width":84,"height":85,"sizeInBytes":1651},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_1_515cbbfe6c.webp","small_1_515cbbfe6c",48.28,48278,{"ext":70,"url":1653,"hash":1654,"mime":73,"name":440,"path":9,"size":1655,"width":77,"height":92,"sizeInBytes":1656},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_515cbbfe6c.webp","medium_1_515cbbfe6c",105.38,105382,{"ext":70,"url":1658,"hash":1659,"mime":73,"name":446,"path":9,"size":1660,"width":99,"height":100,"sizeInBytes":1661},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_515cbbfe6c.webp","thumbnail_1_515cbbfe6c",8.9,8898,"1_515cbbfe6c",671,"https://meaningful-wonder-ea78781290.media.strapiapp.com/1_515cbbfe6c.webp","2026-02-19T19:53:09.337Z","2026-06-14T11:32:01.071Z","2026-02-19T19:53:09.338Z",{"id":1669},392,{"id":1671,"metaTitle":1625,"metaDescription":1672,"keywords":1673,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1674},116,"A second Przewalski’s-horse sculpture at Prague Zoo, near the northern entrance, was made by Josef Nálepa in 1997.","statue, sculpture, U Trojského zámku 3/120, Prague, monument, history, horse",{"geo":1675,"url":1632,"name":1625,"@type":30,"image":1664,"address":1678,"@context":35,"description":1628,"additionalType":465},{"@type":27,"latitude":1676,"longitude":1677},50.118707,14.408905,{"@type":32,"streetAddress":1627,"addressCountry":33,"addressLocality":34},[1680],{"id":1681,"documentId":1624,"title":1682,"slug":1683,"shortTitle":9,"address":1627,"type":410,"description":1684,"latitude":1629,"longitude":1630,"phone":1631,"website":1632,"available":414,"availableDescription":1633,"createdAt":1685,"updatedAt":1686,"publishedAt":1687,"locale":46,"content":1688},1895,"Kůň Převalského v pražské ZOO od Josefa Nálepy","kun-prevalskeho-v-prazske-zoo-od-josefa-nalepy","Autorem druhé sochy, kterou inspiroval příběh záchrany vysoce ohroženého druhu, a kterou naleznete u severního vstupu do zahrady je Josef Nálepa. Josef Nálepa (1936 – 2012) vytvořil sousoší v roce 1997.","2026-02-01T12:22:10.964Z","2026-03-16T21:31:39.290Z","2026-03-16T21:31:39.391Z","Kůň Převalského je pro pražskou ZOO důležitým zvířetem a pražská zoologická zahrada se významným způsobem zasloužila o jeho záchranu (kůň Převalského v ZOO Praha). Autorem druhé sochy, kterou inspiroval příběh záchrany vysoce ohroženého druhu, a kterou naleznete u severního vstupu do zahrady je Josef Nálepa. Znázorňuje klisnu s hříbětem a na podstavci sochy stojí: Pražská ZOO se zasloužila o zachování jediného žijícího druhu divokého koně – koně Převalského. Josef Nálepa (1936 – 2012) vytvořil sousoší v roce 1997. Jako sochař se proslavil především sochou Josefa Masopusta na pražské Julisce. V jeho ateliéru na pražském Novém světě na Hradčanech ovšem vznikla celá řada bust a soch významných osobností 20. století. Proslavil se i sochou Salvatora Dalí.",{"id":1690,"documentId":1691,"title":1692,"slug":1693,"shortTitle":9,"address":1694,"type":410,"description":1695,"latitude":1696,"longitude":1697,"phone":1698,"website":1699,"available":9,"availableDescription":1700,"createdAt":1701,"updatedAt":1702,"publishedAt":1703,"locale":18,"content":1704,"image":1705,"carousel":1740,"seo":1742,"localizations":1751},1898,"n89ukycl2kvl56zlexspgps1","Kafka's design of the statue of Jan Žižka","kafkas-design-of-the-statue-of-jan-zizka","Havlíčkovo nám. 700/9, Praha 3 - Žižkov, 130 00","Professor Bohumil Kafka worked on it from 1931 and completed a plaster model in 1941, shortly before his death. After WWII the statue was cast in bronze and unveiled on 14 July 1951, the anniversary of the Battle of Vítkov.","50.084669","14.454296","420222116111","https://www.praha3.cz/","v pracovní dny od 8:00 do 12:00, nebo 15:00, nebo 18:00","2026-02-01T12:22:11.640Z","2026-03-16T21:31:43.058Z","2026-03-16T21:31:43.163Z","Jan Žižka’s equestrian statue on Vítkov Hill is among the world’s largest, measuring about 9 m high and 9.6 m long. Professor Bohumil Kafka worked on it from 1931 and completed a plaster model in 1941, shortly before his death. After WWII the statue was cast in bronze and unveiled on 14 July 1951, the anniversary of the Battle of Vítkov.",{"id":1706,"documentId":1707,"name":147,"alternativeText":9,"caption":9,"width":1708,"height":66,"formats":1709,"hash":1734,"ext":70,"mime":73,"size":1735,"url":1736,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1737,"updatedAt":1738,"publishedAt":1739,"focalPoint":9},182,"hg90fbh58c870eq92uu17o48",1504,{"large":1710,"small":1716,"medium":1722,"thumbnail":1728},{"ext":70,"url":1711,"hash":1712,"mime":73,"name":152,"path":9,"size":1713,"width":1714,"height":76,"sizeInBytes":1715},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_2_c8c4fe62b7.webp","large_2_c8c4fe62b7",63.51,734,63506,{"ext":70,"url":1717,"hash":1718,"mime":73,"name":158,"path":9,"size":1719,"width":1720,"height":84,"sizeInBytes":1721},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_2_c8c4fe62b7.webp","small_2_c8c4fe62b7",21.4,367,21402,{"ext":70,"url":1723,"hash":1724,"mime":73,"name":164,"path":9,"size":1725,"width":1726,"height":77,"sizeInBytes":1727},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_2_c8c4fe62b7.webp","medium_2_c8c4fe62b7",41.18,551,41178,{"ext":70,"url":1729,"hash":1730,"mime":73,"name":170,"path":9,"size":1731,"width":1732,"height":100,"sizeInBytes":1733},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_2_c8c4fe62b7.webp","thumbnail_2_c8c4fe62b7",3.43,115,3426,"2_c8c4fe62b7",191.73,"https://meaningful-wonder-ea78781290.media.strapiapp.com/2_c8c4fe62b7.webp","2026-02-19T20:20:56.162Z","2026-06-14T11:41:07.668Z","2026-02-19T20:20:56.163Z",{"id":1741},394,{"id":1743,"metaTitle":1692,"metaDescription":1744,"keywords":1745,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1746},120,"Jan Žižka’s equestrian statue on Vítkov Hill is among the world’s largest, measuring about 9 m high and 9.6 m long.","statue, sculpture, Havlíčkovo nám. 700/9, Prague, monument, history, horse",{"geo":1747,"url":1699,"name":1692,"@type":30,"image":1736,"address":1750,"@context":35,"description":1695,"additionalType":465},{"@type":27,"latitude":1748,"longitude":1749},50.084669,14.454296,{"@type":32,"streetAddress":1694,"addressCountry":33,"addressLocality":34},[1752],{"id":1753,"documentId":1691,"title":1754,"slug":1755,"shortTitle":9,"address":1694,"type":410,"description":1756,"latitude":1696,"longitude":1697,"phone":1698,"website":1699,"available":9,"availableDescription":1700,"createdAt":1757,"updatedAt":1758,"publishedAt":1759,"locale":46,"content":1760},1897,"Kafkův návrh sochy Jana Žižky","kafkuv-navrh-sochy-jana-zizky","Autorem sochy je profesor pražské Akademie výtvarných umění Bohumil Kafka (1878-1942). Jeho návrh byl po válce dopracován a socha byla odhalena ve výroční den bitvy na Vítkově 14. července 1951.","2026-02-01T12:22:11.625Z","2026-03-16T21:31:41.809Z","2026-03-16T21:31:41.915Z","\u003Cp>V Praze je možné obdivovat dva Kafkovy návrhy. Jeden je umístěn v samotném památníku Na Vítkově. Naleznete ho v 1. patře budovy a je součástí prohlídky památníku. Druhý bronzový model naleznete ve vestibulu Úřadu městské části Praha 3 na Žižkově. Oproti konečnému pojetí pomníku kůň Kafkova návrh kráčí. Stabilita tak obrovské sochy ale potřebovala všechny čtyři končetiny a tak ve finální verzi pomníku Žižkův kůň pevně stojí na čtyřech nohách. To se ukázalo pro jednu z největších jezdeckých soch světa, která při své výšce 9 m váží přes 16 tun, nezbytností.\u003C/p>",{"id":1762,"documentId":1763,"title":1764,"slug":1765,"shortTitle":9,"address":1766,"type":54,"description":1767,"latitude":1768,"longitude":1769,"phone":1770,"website":1771,"available":9,"availableDescription":1772,"createdAt":1773,"updatedAt":1774,"publishedAt":1775,"locale":18,"content":1776,"image":1777,"carousel":1806,"seo":1808,"localizations":1817},1900,"d6bz8o7i736oygr2etf07yzr","Galerie Villa Pellé","galerie-villa-pelle","Pelléova 91/10, Praha 6 - Dejvice, 160 00","Its garden contains a prototype for Michal Gabriel’s bronze horses installed at nearby Šabachovo/Šabatovo Square. The villa is named after French General Maurice Pellé, who lived here in 1919–1920 and regularly rode horses kept in the adjacent stables.","50.098982","14.407419","420224326180","https://villapelle.cz/","Út - Ne 13:00 - 18:00","2026-02-01T12:22:11.670Z","2026-03-16T21:31:45.441Z","2026-03-16T21:31:45.548Z","Pellé Villa in Dejvice links Prague’s equestrian past with contemporary horse-inspired art. Its garden contains a prototype for Michal Gabriel’s bronze horses installed at nearby Šabachovo/Šabatovo Square. The villa is named after French General Maurice Pellé, who lived here in 1919–1920 and regularly rode horses kept in the adjacent stables.",{"id":1778,"documentId":1779,"name":423,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1780,"hash":1801,"ext":70,"mime":73,"size":1802,"url":1803,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1804,"updatedAt":1805,"publishedAt":1804,"focalPoint":9},186,"z3kkjwvcbb7s39rmqpz00mti",{"large":1781,"small":1786,"medium":1791,"thumbnail":1796},{"ext":70,"url":1782,"hash":1783,"mime":73,"name":428,"path":9,"size":1784,"width":76,"height":77,"sizeInBytes":1785},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_1_23c13444e5.webp","large_1_23c13444e5",126.66,126664,{"ext":70,"url":1787,"hash":1788,"mime":73,"name":434,"path":9,"size":1789,"width":84,"height":85,"sizeInBytes":1790},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_1_23c13444e5.webp","small_1_23c13444e5",42.33,42330,{"ext":70,"url":1792,"hash":1793,"mime":73,"name":440,"path":9,"size":1794,"width":77,"height":92,"sizeInBytes":1795},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_23c13444e5.webp","medium_1_23c13444e5",81.43,81426,{"ext":70,"url":1797,"hash":1798,"mime":73,"name":446,"path":9,"size":1799,"width":99,"height":100,"sizeInBytes":1800},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_23c13444e5.webp","thumbnail_1_23c13444e5",9.89,9892,"1_23c13444e5",389.04,"https://meaningful-wonder-ea78781290.media.strapiapp.com/1_23c13444e5.webp","2026-02-19T20:21:36.713Z","2026-06-14T11:41:31.503Z",{"id":1807},396,{"id":1809,"metaTitle":1764,"metaDescription":1810,"keywords":1811,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1812},124,"Pellé Villa in Dejvice links Prague’s equestrian past with contemporary horse-inspired art.","building, architecture, Pelléova 91/10, Prague, monument, history, horse",{"geo":1813,"url":1771,"name":1764,"@type":30,"image":1803,"address":1816,"@context":35,"description":1767,"additionalType":119},{"@type":27,"latitude":1814,"longitude":1815},50.098982,14.407419,{"@type":32,"streetAddress":1766,"addressCountry":33,"addressLocality":34},[1818],{"id":1819,"documentId":1763,"title":1820,"slug":1821,"shortTitle":9,"address":1766,"type":54,"description":1822,"latitude":1768,"longitude":1769,"phone":1770,"website":1771,"available":9,"availableDescription":1772,"createdAt":1823,"updatedAt":1824,"publishedAt":1825,"locale":46,"content":1826},1899,"Galerie Pelléova vila","galerie-pelleova-vila","V letech 1919–1920 zde bydlel nejslavnější obyvatel, po kterém je dnes vila i ulice pojmenována. Francouzský generál Maurice Pellé (1863–1924) byl velitel francouzské vojenské mise v Československu a v letech 1919 až 1921 také náčelníkem československého Hlavního štábu branné moci.","2026-02-01T12:22:11.653Z","2026-03-16T21:31:44.201Z","2026-03-16T21:31:44.308Z","\u003Cp>Generála s Čechami spojila nejen vojenská služba a diplomacie, ale v roce 1921 se oženil s Jarmilou Braunerovou, neteří malířky Zdenky Braunerové. Rodina jeho manželky má vilu ve středočeských Dobřichovicích (taktéž Pelléova vila). Generál Maurice Pellé zemřel v roce 1924. ¨\u003C/p>\u003Cp>Vilu postavil v letech 1889–1890 architekt Rudolf Koukola. Objekt se sgrafitovou výzdobou fasády a se zbytky zachované štukové dekorace vnitřních prostor, patří mezi nejznámější vily v rezidenční oblasti, která se rozkládá od křižovatky Špejchar až ke Královské oboře.\u003C/p>\u003Cp>K budově patří zahrada, která je zbytkem původní veliké obdélné zahrady. Původní velikost pozemku je zřetelné podle pilířového oplocení s kovaným plotem. Ve druhé části zahrady, která již dnes není součástí objektu Pelléova vila, byla hospodářská budova se stájemi. Objekt konírny byl pojednán jako přízemní stavba na půdorysu písmene L s ustájením pro šest koní, hnojištěm a místem pro dva kočáry. V křídle budovy byl i malý byt pro kočího. Budova konírny vznikla současně s vilou. Objekt byl od roku 1969 od zahrady parcelně oddělen.\u003C/p>\u003Cp>V letech 1978 až 2001 sídlila v budově mateřská školka, jejíž provoz znamenal množství necitlivých stavebních úprav. V roce 1995 došlo ke slavnostnímu odhalení pamětní desky věnované památce generála Maurice Pellého, která byla osazena na průčelní fasádě domu. V roce 2001 byl ukončen provoz mateřské školy a v roce 2002 byla zahájena rekonstrukce, která si stanovila cíl navrátit domu původní prostorový koncept jednotlivých salónů v přízemí a prvním patře ve prospěch velkých výstavních prostor.\u003C/p>\u003Cp>Aktuálně je objekt v majetku MČ Praha 6 a provozovatelem nestátní spolek Porte, která ve vile organizuje kulturní akce, výstavy, koncerty apod.\u003C/p>",{"id":1828,"documentId":1829,"title":1830,"slug":1831,"shortTitle":9,"address":1832,"type":54,"description":1833,"latitude":1834,"longitude":1835,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":1836,"updatedAt":1837,"publishedAt":1838,"locale":18,"content":1839,"image":1840,"carousel":1874,"seo":1876,"localizations":1885},1902,"gtdhqafdhodua3o4if256r2l","Colloredo-Mansfeld Palace","colloredo-mansfeld-palace","Karlova 189/2, Praha 1 - Staré město, 110 00","This breathtaking palace in Prague's Old Town is currently managed by the Gallery of the Capital City of Prague, but it still awaits its major reconstruction. Visitors cannot yet admire the beautiful dance hall, decorated with the theme of the gathering of Olympic gods by Pietro Scotti and Giovanni Battista Zeist in 1736 to 1737. The palace is associated not only with important aristocratic families but also with dramatic historical events. It was here in 1620 that the last meeting of the royal council of the Winter King Frederick of the Palatinate took place after the fateful Battle of White Mountain, which changed the fate of the Czech lands for centuries. The palace thus combines Baroque artistic beauty with one of the most dramatic moments in Czech history, and its future opening to the public will certainly be a major cultural event.","50.086057","14.414587","2026-02-01T12:22:12.586Z","2026-03-16T21:31:47.900Z","2026-03-16T21:31:48.014Z","\u003Cp>Today, the palace is managed by the Gallery of the Capital City of Prague, but this breathtaking building is still awaiting reconstruction. It is therefore not possible to see the beautiful dance hall, which was decorated with the theme of the gathering of the Olympic gods in the years 1736 – 1737 by Pietro Scotti and Giovanni Battista Zeist. The palace is associated not only with important aristocratic families, but also with historical events. It was here that the last meeting of the royal council of the \"Winter King\" Friedrich Falcký took place after the Battle on White Mountain in 1620.\u003C/p>",{"id":1841,"documentId":1842,"name":1843,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1844,"hash":1869,"ext":70,"mime":73,"size":1870,"url":1871,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1872,"updatedAt":1873,"publishedAt":1872,"focalPoint":9},381,"lmnt8oqk42p9hw0qegbnuhba","P08.webp",{"large":1845,"small":1851,"medium":1857,"thumbnail":1863},{"ext":70,"url":1846,"hash":1847,"mime":73,"name":1848,"path":9,"size":1849,"width":76,"height":77,"sizeInBytes":1850},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_P08_83cc76512f.webp","large_P08_83cc76512f","large_P08.webp",98.12,98124,{"ext":70,"url":1852,"hash":1853,"mime":73,"name":1854,"path":9,"size":1855,"width":84,"height":85,"sizeInBytes":1856},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_P08_83cc76512f.webp","small_P08_83cc76512f","small_P08.webp",34.97,34972,{"ext":70,"url":1858,"hash":1859,"mime":73,"name":1860,"path":9,"size":1861,"width":77,"height":92,"sizeInBytes":1862},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_P08_83cc76512f.webp","medium_P08_83cc76512f","medium_P08.webp",64.82,64820,{"ext":70,"url":1864,"hash":1865,"mime":73,"name":1866,"path":9,"size":1867,"width":99,"height":100,"sizeInBytes":1868},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_P08_83cc76512f.webp","thumbnail_P08_83cc76512f","thumbnail_P08.webp",8.06,8056,"P08_83cc76512f",277.15,"https://meaningful-wonder-ea78781290.media.strapiapp.com/P08_83cc76512f.webp","2026-02-19T21:18:49.581Z","2026-06-14T12:00:02.464Z",{"id":1875},398,{"id":1877,"metaTitle":1830,"metaDescription":1878,"keywords":1879,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1880},128,"Today, the palace is managed by the Gallery of the Capital City of Prague, but this breathtaking building is still awaiting reconstruction.","building, architecture, Karlova 189/2, Prague, monument, history, horse",{"geo":1881,"name":1830,"@type":30,"image":1871,"address":1884,"@context":35,"description":1833,"additionalType":119},{"@type":27,"latitude":1882,"longitude":1883},50.086057,14.414587,{"@type":32,"streetAddress":1832,"addressCountry":33,"addressLocality":34},[1886],{"id":1887,"documentId":1829,"title":1888,"slug":1889,"shortTitle":9,"address":1832,"type":54,"description":1890,"latitude":1834,"longitude":1835,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":1891,"updatedAt":1892,"publishedAt":1893,"locale":46,"content":1894},1901,"Colloredo-Mansfeldský palác","colloredo-mansfeldsky-palac","Tento úchvatný palác na Starém Městě pražském dnes spravuje Galerie hlavního města Prahy, ale na svou velkou rekonstrukci teprve čeká. Návštěvníci si tak zatím nemohou prohlédnout překrásný taneční sál, jehož výzdobu s námětem shromáždění olympských bohů vytvořili v letech 1736 až 1737 Pietro Scotti a Giovanni Battista Zeist. Palác je spojen nejen s významnými šlechtickými rody, ale také s dramatickými historickými událostmi. Právě zde se v roce 1620 konalo poslední zasedání královské rady zimního krále Fridricha Falckého po osudné bitvě na Bílé hoře, která na staletí změnila osudy českých zemí. Palác tak v sobě spojuje barokní uměleckou krásu s jedním z nejdramatičtějších momentů české historie a jeho budoucí zpřístupnění veřejnosti bude jistě kulturní událostí.","2026-02-01T12:22:12.571Z","2026-03-16T21:31:46.669Z","2026-03-16T21:31:46.778Z","\u003Cp>Palác dnes spravuje Galerie hlavního města Prahy, ale na rekonstrukci tato úchvatná stavba teprve čeká. Není tedy možné si zatím prohlédnout překrásný taneční sál, o jehož výzdobu s námětem shromáždění olympských bohů se v letech 1736–1737 postarali Pietro Scotti a Giovanni Battista Zeist. Palác je spojen nejenom s významnými šlechtickými rody, ale také s historickými událostmi. Právě zde se konalo posledním zasedáním královské rady „zimního krále“ Fridricha Falckého po bitvě na Bílé hoře v roce 1620.\u003C/p>",{"id":1896,"documentId":1897,"title":1898,"slug":1899,"shortTitle":9,"address":1900,"type":54,"description":1901,"latitude":1902,"longitude":1903,"phone":1904,"website":1905,"available":9,"availableDescription":1906,"createdAt":1907,"updatedAt":1908,"publishedAt":1909,"locale":18,"content":1910,"image":1911,"carousel":1940,"seo":1942,"localizations":1951},1904,"e3i4zzdnvixz0schpuwt5d4x","Archbishop's Palace on Hradčanské Square","archbishops-palace-on-hradcanske-square","Hradčanské náměstí 56/16, Praha 1 - Hradčany, 118 00","The Church played an important role in horse breeding and ceremonial equestrian culture, from Spain’s monasteries to the Habsburg court. The palace still preserves former stables and carriage houses, used for church festivities until 1948.","50.089827","14.397600","420220392111","http://www.apha.cz/","pro veřejnost uzavřeno","2026-02-01T12:22:11.701Z","2026-03-16T21:31:50.701Z","2026-03-16T21:31:50.802Z","The Church played an important role in horse breeding and ceremonial equestrian culture, from Spain’s monasteries to the Habsburg court. Old Kladruby black horses were part of clerical ceremonial life and were kept at the Prague archbishops’ residence on Hradčany Square. The palace still preserves former stables and carriage houses, used for church festivities until 1948.",{"id":1912,"documentId":1913,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1914,"hash":1935,"ext":70,"mime":73,"size":1936,"url":1937,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":1938,"updatedAt":1939,"publishedAt":1938,"focalPoint":9},199,"n3jvzt9i4nzbeoijyr0pirv1",{"large":1915,"small":1920,"medium":1925,"thumbnail":1930},{"ext":70,"url":1916,"hash":1917,"mime":73,"name":1442,"path":9,"size":1918,"width":76,"height":77,"sizeInBytes":1919},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_b3222287b9.webp","large_A_b3222287b9",77.36,77358,{"ext":70,"url":1921,"hash":1922,"mime":73,"name":1448,"path":9,"size":1923,"width":84,"height":85,"sizeInBytes":1924},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_b3222287b9.webp","small_A_b3222287b9",26.06,26058,{"ext":70,"url":1926,"hash":1927,"mime":73,"name":1454,"path":9,"size":1928,"width":77,"height":92,"sizeInBytes":1929},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_b3222287b9.webp","medium_A_b3222287b9",49.63,49634,{"ext":70,"url":1931,"hash":1932,"mime":73,"name":1460,"path":9,"size":1933,"width":99,"height":100,"sizeInBytes":1934},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_b3222287b9.webp","thumbnail_A_b3222287b9",6.05,6054,"A_b3222287b9",233.73,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_b3222287b9.webp","2026-02-19T20:24:08.828Z","2026-06-18T11:33:21.866Z",{"id":1941},400,{"id":1943,"metaTitle":1898,"metaDescription":1944,"keywords":1945,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":1946},132,"The Church played an important role in horse breeding and ceremonial equestrian culture, from Spain’s monasteries to the Habsburg court.","building, architecture, Hradčanské náměstí 56/16, Prague, monument, history, horse",{"geo":1947,"url":1905,"name":1898,"@type":30,"image":1937,"address":1950,"@context":35,"description":1901,"additionalType":119},{"@type":27,"latitude":1948,"longitude":1949},50.089827,14.3976,{"@type":32,"streetAddress":1900,"addressCountry":33,"addressLocality":34},[1952],{"id":1953,"documentId":1897,"title":1954,"slug":1955,"shortTitle":9,"address":1900,"type":54,"description":1956,"latitude":1902,"longitude":1903,"phone":1904,"website":1905,"available":9,"availableDescription":1906,"createdAt":1957,"updatedAt":1958,"publishedAt":1959,"locale":46,"content":1960},2046,"Arcibiskupský palác na Hradčanském náměstí","arcibiskupsky-palac-na-hradcanskem-namesti","Významným chovatelem  koní byla církev. Šestispřeží vraníků zapřažené v tomto kočáře bylo součástí důležitých církevních svátků až do nástupu komunistické moci v roce 1948. ","2026-02-01T12:22:11.683Z","2026-06-18T11:29:27.885Z","2026-06-18T11:29:28.901Z","\u003Cp>Současnou rezidenci pražských arcibiskupů věnoval císař Ferdinand I v roce 1561 arcibiskupovi Antonínovi Brusovi z Mohelnice. Současnou barokní podobu získal palác na konci 17. století podle plánů Jana Baptisty Matheye. Iniciátorem této přestavby byl arcibiskup Jan Bedřich, hrabě z Valdštejna a proto je uprostřed hlavního průčelí nápis Johannes Fridericus Archiepiscopus Pragensis. Současné rokokové průčelí pochází z roku 1765 a jeho autorem je Jan Josef Wirch.\u003C/p>\u003Cp>Jedna z nejslavnějších kapitol církevního ceremoniálu za účasti spřežení, byla napsána při návštěvě papežského legáta kardinála Verdiera na 1. celostátním sjezdu katolíků v červnu 1935.\u003C/p>\u003Cp>K samotnému paláci pak po severní straně Hradčanského náměstí přiléhala řada domů v majetku církve, jejíž standardní součástí byla celá řada stájí. Dvě nejvýznamnější jsou dodnes zřetelně patrné v prostorách významných restaurací U labutí (@restaurace-u-labuti|stáj restaurace U labutí@ ) a U sv. Jana Nepomuckého (@restaurace-u-sv-jana-nepomuckeho|stáj restaurace U sv. Jana Nepomuckého@ ), kde je dochováno i torzo unikátního jezdeckého schodiště.\u003C/p>",{"id":1962,"documentId":1963,"title":1964,"slug":1965,"shortTitle":9,"address":1966,"type":54,"description":1967,"latitude":1968,"longitude":1969,"phone":1970,"website":1971,"available":1972,"availableDescription":1973,"createdAt":1974,"updatedAt":1975,"publishedAt":1976,"locale":18,"content":1977,"image":1978,"carousel":2012,"seo":2013,"localizations":2021},1906,"x26vu6o0b7w2sd0wzj29s7se","Restaurant by St. John of Nepomuk","restaurant-by-st-john-of-nepomuk","Hradčanské nám. 60/12, Praha 1 - Hradčany, 118 00","Today’s Restaurant U sv. Jana Nepomuckého reveals stall divisions, stable niches and marble troughs in its basement.","50.089841","14.396444","komerčně využitelné","http://www.inepomuk.cz/",false,"dočasně uzavřeno","2026-02-01T12:22:11.729Z","2026-03-16T21:31:53.312Z","2026-03-16T21:31:53.415Z","House no. 60 on Hradčany Square preserves remarkable Gothic cellar spaces that once served as stables. Today’s Restaurant U sv. Jana Nepomuckého reveals stall divisions, stable niches and marble troughs in its basement. A rare survival is a remnant of a rider’s staircase that was used to lead horses out into the courtyard.",{"id":1979,"documentId":1980,"name":1981,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":1982,"hash":2007,"ext":70,"mime":73,"size":2008,"url":2009,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2010,"updatedAt":2011,"publishedAt":2010,"focalPoint":9},202,"g224qcq3nuij9vi3vmb7wtpm","3.webp",{"large":1983,"small":1989,"medium":1995,"thumbnail":2001},{"ext":70,"url":1984,"hash":1985,"mime":73,"name":1986,"path":9,"size":1987,"width":76,"height":77,"sizeInBytes":1988},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_3_6a83844a96.webp","large_3_6a83844a96","large_3.webp",141.63,141630,{"ext":70,"url":1990,"hash":1991,"mime":73,"name":1992,"path":9,"size":1993,"width":84,"height":85,"sizeInBytes":1994},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_3_6a83844a96.webp","small_3_6a83844a96","small_3.webp",45.31,45308,{"ext":70,"url":1996,"hash":1997,"mime":73,"name":1998,"path":9,"size":1999,"width":77,"height":92,"sizeInBytes":2000},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_3_6a83844a96.webp","medium_3_6a83844a96","medium_3.webp",90.59,90594,{"ext":70,"url":2002,"hash":2003,"mime":73,"name":2004,"path":9,"size":2005,"width":99,"height":100,"sizeInBytes":2006},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_3_6a83844a96.webp","thumbnail_3_6a83844a96","thumbnail_3.webp",8.8,8796,"3_6a83844a96",426.22,"https://meaningful-wonder-ea78781290.media.strapiapp.com/3_6a83844a96.webp","2026-02-19T20:24:52.273Z","2026-06-14T11:43:04.248Z",{"id":1505},{"id":2014,"metaTitle":1964,"metaDescription":1967,"keywords":2015,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2016},136,"building, architecture, Hradčanské nám. 60/12, Prague, monument, history, horse",{"geo":2017,"url":1971,"name":1964,"@type":30,"image":2009,"address":2020,"@context":35,"description":1967,"additionalType":119},{"@type":27,"latitude":2018,"longitude":2019},50.089841,14.396444,{"@type":32,"streetAddress":1966,"addressCountry":33,"addressLocality":34},[2022],{"id":2023,"documentId":1963,"title":2024,"slug":2025,"shortTitle":9,"address":1966,"type":54,"description":2026,"latitude":1968,"longitude":1969,"phone":1970,"website":1971,"available":1972,"availableDescription":1973,"createdAt":2027,"updatedAt":2028,"publishedAt":2029,"locale":46,"content":2030},2031,"Restaurace u sv. Jana Nepomuckého","restaurace-u-sv-jana-nepomuckeho","Dnešní palácová stavba stojí na místě dřívějších středověkých domů, které byly poškozeny v období husitských nepokojů a několikrát lehly popelem v 16. století. Ještě zajímavější je suterénní prostor samotné restaurace, kde jsou zřetelně patrná stájová stání se stájovými nikami, včetně mramorových žlabů.","2026-02-01T12:22:11.713Z","2026-06-14T15:46:45.638Z","2026-06-14T15:46:45.735Z","\u003Cp>Majitelé parcely se často střídali až do roku 1820, kdy staveniště zakoupil pražský arcibiskup Václav Leopold Chlumčanský. Ten zde nechal podle návrhu architekta Františka Pavlíčka vybudovat palác pro sídlo děkanství Metropolitní kapituly u sv. Víta, jejíž erb zdobí průčelí paláce (viz. \u003Ca href=\"https://www.kapitula.cz\" target=\"_blank\" rel=\"noopener noreferrer\">https://www.kapitula.cz\u003C/a>). Dům je dodnes ve vlastnictví Metropolitní kapituly. Další v řadě domů patřících pražskému arcibiskupství se stájemi a hospodářským zázemím je dům č. p. 61 U labutí (@restaurace-u-labuti@ ).\u003C/p>",{"id":2032,"documentId":2033,"title":2034,"slug":2035,"shortTitle":9,"address":2036,"type":54,"description":2037,"latitude":2038,"longitude":2039,"phone":2040,"website":2041,"available":414,"availableDescription":2042,"createdAt":2043,"updatedAt":2044,"publishedAt":2045,"locale":18,"content":2046,"image":2047,"carousel":2076,"seo":2078,"localizations":2087},1910,"a4p8spkt8sazqldssfrsdgw1","Stable of Schwarzenberg Palace","stable-of-schwarzenberg-palace","Hradčanské nám. 2, Praha 1 - Hradčany, 118 00","The sgraffito-decorated Schwarzenberg Palace is a major Renaissance landmark on Hradčany Square. Its right wing once contained a horse stable that later housed National Gallery study and archive functions.","50.089299","14.396821","420233081730","https://www.ngprague.cz/budova/schwarzenbersky-palac/","Út - Ne 10:00 - 18:00, St do 20:00","2026-02-01T12:22:11.757Z","2026-03-16T21:31:58.321Z","2026-03-16T21:31:58.422Z","The sgraffito-decorated Schwarzenberg Palace is a major Renaissance landmark on Hradčany Square. Its right wing once contained a horse stable that later housed National Gallery study and archive functions. Plans have been prepared to convert the former stable into a café to enliven the arcaded courtyard.",{"id":2048,"documentId":2049,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":2050,"hash":2071,"ext":70,"mime":73,"size":2072,"url":2073,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2074,"updatedAt":2075,"publishedAt":2074,"focalPoint":9},210,"ug6e4lxxdywd047saulk5rej",{"large":2051,"small":2056,"medium":2061,"thumbnail":2066},{"ext":70,"url":2052,"hash":2053,"mime":73,"name":1442,"path":9,"size":2054,"width":76,"height":77,"sizeInBytes":2055},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_4dc4349739.webp","large_A_4dc4349739",82.18,82184,{"ext":70,"url":2057,"hash":2058,"mime":73,"name":1448,"path":9,"size":2059,"width":84,"height":85,"sizeInBytes":2060},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_4dc4349739.webp","small_A_4dc4349739",25.1,25102,{"ext":70,"url":2062,"hash":2063,"mime":73,"name":1454,"path":9,"size":2064,"width":77,"height":92,"sizeInBytes":2065},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_4dc4349739.webp","medium_A_4dc4349739",51.43,51434,{"ext":70,"url":2067,"hash":2068,"mime":73,"name":1460,"path":9,"size":2069,"width":99,"height":100,"sizeInBytes":2070},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_4dc4349739.webp","thumbnail_A_4dc4349739",5.37,5366,"A_4dc4349739",276.19,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_4dc4349739.webp","2026-02-19T20:32:23.735Z","2026-06-14T11:43:51.540Z",{"id":2077},406,{"id":2079,"metaTitle":2034,"metaDescription":2080,"keywords":2081,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2082},144,"The sgraffito-decorated Schwarzenberg Palace is a major Renaissance landmark on Hradčany Square.","building, architecture, Hradčanské nám. 2, Prague, monument, history, horse",{"geo":2083,"url":2041,"name":2034,"@type":30,"image":2073,"address":2086,"@context":35,"description":2037,"additionalType":119},{"@type":27,"latitude":2084,"longitude":2085},50.089299,14.396821,{"@type":32,"streetAddress":2036,"addressCountry":33,"addressLocality":34},[2088],{"id":2089,"documentId":2033,"title":2090,"slug":2091,"shortTitle":9,"address":2036,"type":54,"description":2092,"latitude":2038,"longitude":2039,"phone":2040,"website":2041,"available":414,"availableDescription":2042,"createdAt":2093,"updatedAt":2094,"publishedAt":2095,"locale":46,"content":2096},2025,"Stáj Schwarzenberského paláce","staj-schwarzenberskeho-palace","Palácovou dominantou náměstí je bohatě sgrafitově zdobený Schwarzenberský palác, jedna z nejkrásnějších a nejvýznamnějších renesančních staveb Prahy. Popela z Lobkovic postavil architekt Agostino de Galli.","2026-02-01T12:22:11.741Z","2026-06-14T15:46:33.648Z","2026-06-14T15:46:33.750Z","\u003Cp>Lobkovicům za urážku majestátu palác zabavil císař Rudolf II. Následně byl v majetku Petra Voka z Rožmberka. Po rodu Rožmberků (konfiskace po bitvě na Bílé hoře) jej vlastnili Švamberkové, Eggenberkové a nakonec Schwarzenbergové. Ti byli majiteli od roku 1717 až do 1947, kdy byl palác protiústavně vyvlastněn. Paradoxem je, že v té době byl jeho majitelem Adam František ze Schwarzenbergu, kterému byla na majetek uvalena nucená správa gestapem za jeho protinacistické postoje. Schwarzenbergové pronajímali palác již od roku 1909 Národnímu technickému muzeu. V roce 1940 uprchl Adam František s rodinou do USA, ale po konci války mu již nebyl umožněn návrat do vlasti. Po komunistickém puči v roce 1948 bylo v paláci zřízeno Vojenské historické muzeum. V roce 2002 přešel palác do majetku Národní galerie a po rekonstrukci je v něm od roku 2008 umístěna stálá expozice Národní galerie.\u003C/p>\u003Cp>Barokní malířství ve sbírkách Národní galerie zastupují mistři jako Karel Škréta, Petr Brandl, Václav Vavřinec Reiner či Jan Kupecký a koně barokního typu jsou častým motivem. Barokní sochařství pak Matyáš Bernard Braun nebo Ferdinand Maxmilián Brokof. K tomu je nutno přidat část expozice zvané Rudolfínské umění s díly Hans von Aachena a především dvorního sochaře Rudolfa II Adriena de Vries, který je autorem unikátních soch koní umístěných dnes ve Valdštejnské zahradě (@sochy-adriena-de-vries-ve-valdstejnske-zahrade@ ). Součástí expozice paláce je i barokní umělecké řemeslo ze sbírek Uměleckoprůmyslového musea v Praze a v podkrovní umístěná výstava historických zbraní z 15. až 19. století nazvaná „Císařská zbrojnice\".\u003C/p>",{"id":2098,"documentId":2099,"title":2100,"slug":2101,"shortTitle":9,"address":2102,"type":2103,"description":2104,"latitude":2105,"longitude":2106,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":2107,"updatedAt":2108,"publishedAt":2109,"locale":18,"content":2110,"image":2111,"carousel":2144,"seo":2146,"localizations":2156},1912,"ddjr8ovpglw88ovvij1c5rwh","Equestrian racecourse Trojský ostrov","equestrian-racecourse-trojsky-ostrov","Císařský ostrov, Praha 7 , 170 00","Sportoviště","The history of Troja Island as an equestrian sports centre began in 1923, when the decision was made to build a riding arena in Prague. After two years of securing the army-owned land, architects František Strnad and Ladislav Machoň, both active riders, were commissioned to design it. Operations began in October 1927, with Marián Kovalevský on the horse Cromwell winning the first competition. A concrete grandstand was added in 1938. The facility fell into disrepair during the war but after resuming activities in 1946, the island's position as a centre of equestrian sport remained unshakeable for fifty years. Disaster struck with the 2002 flood, when water reached eight meters and completely destroyed the arena. Within three years the island was reconstructed, and in 2008 the European Junior Show Jumping Championships were held here. The final chapter came with another flood in 2013, after which the arena remained permanently closed to horses.","50.112563","14.418204","2026-02-01T12:22:12.664Z","2026-03-16T21:32:00.882Z","2026-03-16T21:32:00.986Z","\u003Cp>The history of the island of horses began in 1923, when it was decided to build a riding arena in Prague. For two years, efforts were made to gain space on Troja Island, which belonged to the army. Architects František Strnad and Ladislav Machoň, both active riders, were commissioned to design the equestrian arena. The amount of CZK 150,000 for the entire construction was collected by contributions from riders and equestrian associations, the Prague City Hall and the Ministry of National Defense. The opening of the centre on Troja Island was October 14 - 16, 1927. The winner of the first competition was Marián Kovalevský on a CROMWELL horse. The concrete tribune was built 11 years later in 1938. It was abandoned during the war and resumed after the war in 1946. During the 50 post-war years, the island's position as a centre of equestrian sport was completely unshakable. Although the Vltava occasionally flooded the place, but mild floods did not damage the arena. The disaster came in 2002, when a devastating flood swept through Prague, flooding large parts of the city. On the Troja Island, a rapid stream of water reached a height of eight meters. The equestrian arena and buildings were completely destroyed. Over the next three years, however, the island was reconstructed and the horses returned to the equestrian arena and stables. In 2008, the European Championships in show jumping for juniors were held here. The final point behind the hippological use of the island, without which generations of riders could not imagine Czechoslovak and Czech equestrianism, was caused by another flood that swept through Prague in 2013. After this catastrophe, the central breeding ground of the Czech Republic remained definitively closed to horses.\u003C/p>",{"id":1601,"documentId":2112,"name":2113,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":2114,"hash":2139,"ext":70,"mime":73,"size":2140,"url":2141,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2142,"updatedAt":2143,"publishedAt":2142,"focalPoint":9},"qmwqdkm0kjyo3tc4w0a48ata","IMG_0137.webp",{"large":2115,"small":2121,"medium":2127,"thumbnail":2133},{"ext":70,"url":2116,"hash":2117,"mime":73,"name":2118,"path":9,"size":2119,"width":76,"height":77,"sizeInBytes":2120},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_IMG_0137_1bfaef13db.webp","large_IMG_0137_1bfaef13db","large_IMG_0137.webp",153.28,153280,{"ext":70,"url":2122,"hash":2123,"mime":73,"name":2124,"path":9,"size":2125,"width":84,"height":85,"sizeInBytes":2126},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_IMG_0137_1bfaef13db.webp","small_IMG_0137_1bfaef13db","small_IMG_0137.webp",47.18,47176,{"ext":70,"url":2128,"hash":2129,"mime":73,"name":2130,"path":9,"size":2131,"width":77,"height":92,"sizeInBytes":2132},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_IMG_0137_1bfaef13db.webp","medium_IMG_0137_1bfaef13db","medium_IMG_0137.webp",96.84,96838,{"ext":70,"url":2134,"hash":2135,"mime":73,"name":2136,"path":9,"size":2137,"width":99,"height":100,"sizeInBytes":2138},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_IMG_0137_1bfaef13db.webp","thumbnail_IMG_0137_1bfaef13db","thumbnail_IMG_0137.webp",8.34,8340,"IMG_0137_1bfaef13db",384.87,"https://meaningful-wonder-ea78781290.media.strapiapp.com/IMG_0137_1bfaef13db.webp","2026-02-19T21:20:49.605Z","2026-06-14T12:00:51.942Z",{"id":2145},408,{"id":2147,"metaTitle":2100,"metaDescription":2148,"keywords":2149,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2150},148,"The history of the island of horses began in 1923, when it was decided to build a riding arena in Prague.","sports venue, sport, Císařský ostrov, Prague, monument, history, horse",{"geo":2151,"name":2100,"@type":30,"image":2141,"address":2154,"@context":35,"description":2104,"additionalType":2155},{"@type":27,"latitude":2152,"longitude":2153},50.112563,14.418204,{"@type":32,"streetAddress":2102,"addressCountry":33,"addressLocality":34},"https://schema.org/SportsActivityLocation",[2157],{"id":2158,"documentId":2099,"title":2159,"slug":2160,"shortTitle":9,"address":2102,"type":2103,"description":2161,"latitude":2105,"longitude":2106,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":2162,"updatedAt":2163,"publishedAt":2164,"locale":46,"content":2165},1911,"Jezdecké závodiště na Trojském ostrově","jezdecke-zavodiste-na-trojskem-ostrove","Historie Trojského ostrova jako centra jezdeckého sportu začala v roce 1923, kdy bylo rozhodnuto o vybudování kolbiště v Praze. Po dvou letech úsilí o získání pozemku od armády byli projektem pověřeni architekti František Strnad a Ladislav Machoň, oba aktivní jezdci. Provoz byl zahájen v říjnu 1927 a vítězem první soutěže se stal Marián Kovalevský na koni Cromwell. Betonová tribuna byla dostavěna v roce 1938. Za války areál zpustl, ale po obnovení činnosti v roce 1946 byla pozice ostrova jako centra jezdectví po padesát let neotřesitelná. Katastrofa přišla s povodní v roce 2002, kdy proud vody dosahoval výšky osmi metrů a kolbiště bylo zcela zničeno. Během tří let byl ostrov rekonstruován a v roce 2008 zde proběhlo mistrovství Evropy juniorů v parkurovém skákání. Definitivní tečku učinila další povodeň v roce 2013, po níž zůstalo kolbiště koním navždy uzavřeno.","2026-02-01T12:22:12.650Z","2026-03-16T21:31:59.519Z","2026-03-16T21:31:59.814Z","\u003Cp>Historie ostrova koní byla zahájena v roce 1923, kdy bylo rozhodnuto o vybudování jezdeckého kolbiště v Praze. Dva roky bylo usilováno o získání prostoru na Trojském ostrově, který patřil armádě. Projektem kolbiště byli pověřeni architekti František Strnad a Ladislav Machoň, oba aktivní jezdci. Částka 150 000,- Kč na celou stavbu byla shromážděna příspěvky jezdců a jezdeckých spolků, pražským magistrátem a ministerstvem národní obrany. Zahájení provozu střediska na Trojském ostrově bylo 14. - 16. října 1927. Vítězem první soutěže se stal Marián Kovalevský na koni CROMWELL. Betonová tribuna vybudována o 11 let později v roce 1938. Za války zpustlo a po válce obnovena činnost v roce 1946. V průběhu 50 poválečných let byla pozice ostrova jako centra jezdeckého sportu zcela neotřesitelná. Vltava sice občas místo zaplavila, ale mírné povodně kolbišti neškodily. Katastrofa přišla v roce 2002, kdy se Prahou přehnala zničující povodeň, která zaplavila rozsáhlé části města. Na Trojském ostrově dosahoval prudký proud vody až výšky osmi metrů. Kolbiště i stavby byly zcela zničeny. V průběhu dalších tří let však došlo k rekonstrukci ostrova a koně se na kolbiště a do stájí vrátili. V roce 2008 zde bylo uspořádáno ME v parkurovém skákání juniorů. Definitivní tečku za hipologickým využitím ostrova, bez kterého si generace jezdců nedokázaly československé a české jezdectví představit, udělala další povodeň, která se Prahou prohnala v roce 2013. Po této katastrofě zůstalo centrální kolbiště České republiky koním již definitivně uzavřeno.\u003C/p>",{"id":2167,"documentId":2168,"title":2169,"slug":2170,"shortTitle":9,"address":2171,"type":54,"description":2172,"latitude":2173,"longitude":2174,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":2175,"updatedAt":2176,"publishedAt":2177,"locale":18,"content":2178,"image":2179,"carousel":2207,"seo":2209,"localizations":2218},1914,"xudfyrw2y4pz4hf7f29mlt1p","Carousel na Letné","carousel-na-letne","Kostelní ul., Praha 7 - Letná, 170 00","Circular carousels for the amusement of adults and children originated from the aristocratic love of carousel festivities, where nobles rode around in indoor riding schools wearing costumes to demonstrate their connection to famous ancestors. The Czech Queen Maria Theresa was a great lover of these events. The mechanical carousel is documented in France as early as 1662. The Letná Carousel consists of a Neo-Renaissance wooden pavilion with a beam structure and a needle roof on a dodecagonal plan measuring twelve meters across. The carousel once included an Art Nouveau cabinet orchestrion, which was unfortunately stolen in 1994 along with a thirty-centimeter bell. Originally, the carousel was powered by people walking in circles beneath the floor. Later, the drive was replaced by a manual mechanism, and since the 1930s, an electric motor has provided the movement. The twelve arches of the carousel are now closed with blinds.","50.096582","14.425200","2026-02-01T12:22:12.690Z","2026-03-16T21:32:03.194Z","2026-03-16T21:32:03.312Z","\u003Cp>The round carousels for the amusement of adults and children were based on the aristocratic popularity of carousels. The nobles rode around mostly in indoor riding stables during these festivities. In costume, they then demonstrated belonging to important ancestors. The Empress and Czech Queen Maria Theresa was a great lover of carousels. The mechanical carousel is documented in France as early as 1662.\u003C/p>\u003Cp>The Letná carousel consists of a Neo-Renaissance wooden pavilion with a beam structure and a needle roof. It has a plan view of a dodecagon with a width of 12 meters. Blinds now close the twelve arches of the carousel. The carousel also included an Art Nouveau box orchestra, which was stolen in 1994, as well as a 30 cm bell. Originally, people walking around drove the carousel under the floor of the carousel. Later, the drive was replaced by a manual mechanism, and from the 1930s, the movement was provided by an electric motor.\u003C/p>",{"id":1741,"documentId":2180,"name":352,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":2181,"hash":2202,"ext":70,"mime":73,"size":2203,"url":2204,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2205,"updatedAt":2206,"publishedAt":2205,"focalPoint":9},"nzt5pk14n4q27z2viz966ij0",{"large":2182,"small":2187,"medium":2192,"thumbnail":2197},{"ext":70,"url":2183,"hash":2184,"mime":73,"name":357,"path":9,"size":2185,"width":76,"height":77,"sizeInBytes":2186},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_04_bb53e7e787.webp","large_04_bb53e7e787",74.45,74452,{"ext":70,"url":2188,"hash":2189,"mime":73,"name":363,"path":9,"size":2190,"width":84,"height":85,"sizeInBytes":2191},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_04_bb53e7e787.webp","small_04_bb53e7e787",28.29,28290,{"ext":70,"url":2193,"hash":2194,"mime":73,"name":369,"path":9,"size":2195,"width":77,"height":92,"sizeInBytes":2196},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_04_bb53e7e787.webp","medium_04_bb53e7e787",51.52,51520,{"ext":70,"url":2198,"hash":2199,"mime":73,"name":375,"path":9,"size":2200,"width":99,"height":100,"sizeInBytes":2201},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_04_bb53e7e787.webp","thumbnail_04_bb53e7e787",7.11,7114,"04_bb53e7e787",198.98,"https://meaningful-wonder-ea78781290.media.strapiapp.com/04_bb53e7e787.webp","2026-02-19T21:21:35.531Z","2026-06-14T12:01:15.415Z",{"id":2208},410,{"id":2210,"metaTitle":2169,"metaDescription":2211,"keywords":2212,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2213},152,"The round carousels for the amusement of adults and children were based on the aristocratic popularity of carousels.","building, architecture, Kostelní ul., Prague, monument, history, horse",{"geo":2214,"name":2169,"@type":30,"image":2204,"address":2217,"@context":35,"description":2172,"additionalType":119},{"@type":27,"latitude":2215,"longitude":2216},50.096582,14.4252,{"@type":32,"streetAddress":2171,"addressCountry":33,"addressLocality":34},[2219],{"id":2220,"documentId":2168,"title":2221,"slug":2222,"shortTitle":9,"address":2171,"type":54,"description":2223,"latitude":2173,"longitude":2174,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":2224,"updatedAt":2225,"publishedAt":2226,"locale":46,"content":2227},1913,"Letenský kolotoč","letensky-kolotoc","Kruhové kolotoče k pobavení dospělých i dětí vycházejí ze šlechtické obliby karuselů, slavností, při kterých šlechtici jezdili dokola v krytých jízdárnách a kostýmově demonstrovali příslušnost ke slavným předkům. Velkou milovnicí karuselů byla česká královna Marie Terezie. Mechanický karusel je ve Francii doložen již v roce 1662. Letenský kolotoč tvoří novorenesanční dřevěný pavilon s trámovou konstrukcí a jehlancovou střechou na půdorysu dvanáctiúhelníku o šířce dvanácti metrů. Součástí kolotoče byl i secesní skříňový orchestrion, který byl bohužel v roce 1994 ukraden spolu s třiceti centimetrovým zvonem. Původně byl kolotoč poháněn lidmi, kteří pod podlahou chodili dokola. Později byl pohon nahrazen ručním mechanismem a od třicátých let 20. století se o pohyb stará elektromotor. Dvanáct oblouků kolotoče je dnes uzavřeno roletami.","2026-02-01T12:22:12.676Z","2026-03-16T21:32:02.029Z","2026-03-16T21:32:02.136Z","\u003Cp>Kruhové kolotoče k pobavení dospělých i dětí vycházeli ze šlechtické obliby karuselů. Jednalo se o slavnosti, při kterých jezdili šlechtici dokola většinou v krytých jízdárnách. Kostýmově pak demonstrovali příslušnost k významným rodovým předkům. Velkou milovnicí karuselů byla císařovna a česká královna Marie Terezie. Mechanický karusel je ve Francii doložen již v roce 1662.\u003C/p>\u003Cp>Letenský kolotoč tvoří novorenesanční dřevěný pavilon s trámovou konstrukcí a jehlovou střechou. Má půdorys dvanáctiúhelníku s šířkou 12 metrů. Dvanáct oblouků kolotoče je nyní uzavřeno roletami. Součástí kolotoče byl i secesní skříňový orchestrion, který byl ovšem v roce 1994 ukraden, stejně jako 30 cm zvon. Původně byl kolotoč poháněn pod podlahou kolotoče dokola chodícími lidmi. Později byl pohon nahrazen ručním mechanismem a od 30. let 20. století se o pohyb staral elektromotor.\u003C/p>",{"id":2229,"documentId":2230,"title":2231,"slug":2232,"shortTitle":9,"address":2233,"type":54,"description":2234,"latitude":2235,"longitude":2236,"phone":2237,"website":2238,"available":414,"availableDescription":2042,"createdAt":2239,"updatedAt":2240,"publishedAt":2241,"locale":18,"content":2242,"image":2243,"carousel":2271,"seo":2273,"localizations":2281},1916,"hbhh6jeyq7yqvu5roqg374yt","Gallery Wallenstein Riding School","gallery-wallenstein-riding-school","Valdštejnská 3, Praha 1 - Malá Strana, 110 00","The Wallenstein Riding School is a historic covered riding hall at the entrance to the Wallenstein Palace complex. The riding hall later hosted famous Prague carousels during imperial visits and is now leased to the National Gallery for exhibitions.","50.091186","14.408924","420257073136","https://www.ngprague.cz/budova/valdstejnska-jizdarna/","2026-02-01T12:22:11.814Z","2026-03-16T21:32:05.587Z","2026-03-16T21:32:05.693Z","The Wallenstein Riding School is a historic covered riding hall at the entrance to the Wallenstein Palace complex. Albrecht of Wallenstein was famed for his love of horses and is said to have gathered up to 2,000 horses behind the palace walls. The riding hall later hosted famous Prague carousels during imperial visits and is now leased to the National Gallery for exhibitions.",{"id":2244,"documentId":2245,"name":423,"alternativeText":9,"caption":9,"width":2246,"height":2247,"formats":2248,"hash":2267,"ext":70,"mime":73,"size":1107,"url":2268,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2269,"updatedAt":2270,"publishedAt":2269,"focalPoint":9},218,"wai9zpe9c05qyb67sbnl4vs6",800,535,{"small":2249,"medium":2255,"thumbnail":2261},{"ext":70,"url":2250,"hash":2251,"mime":73,"name":434,"path":9,"size":2252,"width":84,"height":2253,"sizeInBytes":2254},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_1_938bb7f571.webp","small_1_938bb7f571",26.49,334,26494,{"ext":70,"url":2256,"hash":2257,"mime":73,"name":440,"path":9,"size":2258,"width":77,"height":2259,"sizeInBytes":2260},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_938bb7f571.webp","medium_1_938bb7f571",53.79,502,53792,{"ext":70,"url":2262,"hash":2263,"mime":73,"name":446,"path":9,"size":2264,"width":2265,"height":100,"sizeInBytes":2266},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_938bb7f571.webp","thumbnail_1_938bb7f571",6.63,233,6634,"1_938bb7f571","https://meaningful-wonder-ea78781290.media.strapiapp.com/1_938bb7f571.webp","2026-02-19T20:33:42.667Z","2026-06-14T11:44:33.814Z",{"id":2272},412,{"id":100,"metaTitle":2231,"metaDescription":2274,"keywords":2275,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2276},"The Wallenstein Riding School is a historic covered riding hall at the entrance to the Wallenstein Palace complex.","building, architecture, Valdštejnská 3, Prague, monument, history, horse",{"geo":2277,"url":2238,"name":2231,"@type":30,"image":2268,"address":2280,"@context":35,"description":2234,"additionalType":119},{"@type":27,"latitude":2278,"longitude":2279},50.091186,14.408924,{"@type":32,"streetAddress":2233,"addressCountry":33,"addressLocality":34},[2282],{"id":2283,"documentId":2230,"title":2284,"slug":2285,"shortTitle":9,"address":2233,"type":54,"description":2286,"latitude":2235,"longitude":2236,"phone":2237,"website":2238,"available":414,"availableDescription":2042,"createdAt":2287,"updatedAt":2288,"publishedAt":2289,"locale":46,"content":2290},2038,"Galerie Valdštejnská jízdárna","galerie-valdstejnska-jizdarna","Další do současnosti známou jízdárnou Prahy je Valdštejnská jízdárna. V tak velkorysém komplexu pochopitelně nemohla chybět krytá jízdárna.","2026-02-01T12:22:11.798Z","2026-06-14T15:46:58.882Z","2026-06-14T15:46:58.986Z","\u003Cp>Provoz tzv. jízdárny s sebou ale nesl značné náklady. Původní jezdecký účel stavby byl proto opuštěn. Palác byl od počátku 20. století rodinou Valdštejnů rekonstruován, ale po první světové válce byly v důsledku pozemkové reformy práce pozastaveny. Rodina Valdštejnů pak pronajala jízdárnu mladoboleslavské automobilové továrně Laurin & Klement. V roce 1926 toto nájemní právo přešlo na Akciovou společnost, dříve Škodovy závody v Plzni, po níž si budovu jízdárny pronajímaly další podniky automobilového průmyslu (roku 1928 Elka, výzbroj a opravy automobilů, s. s r.o. v Praze, a roku 1938 Akciová společnost pro automobilový průmysl).\u003C/p>\u003Cp>Pronájem jízdárny autodílnám pokračoval i po válce. Přibližně ve stejné době byla před jízdárnou zahájena výstavba nepříliš povedeného Výstavního pavilonu hlavního města Prahy, který později sloužil ministerstvu informací a v roce 1953 byl pronajat Československým krátkým filmem. V roce 1950 bylo naplánováno, že ve sklepích jízdárny vzniknou halové garáže, u zdí jízdárny a pavilonu měl vzniknout i výtah pro automobily. Nakonec však bylo rozhodnuto, že se jízdárna stane výstavní galerií. V souvislosti s výstavbou stanice metra Malostranská byla v roce 1974 budova přistaveného Výstavního pavilónu stržena a celý prostor před jízdárnou citlivě začleněna do systému pražského metra. Parková úprava je ozdobena barokními sochami Ferdinanda Maxmiliána Brokoffa, z kterého se vchází jak do galerie Valdštejnská jízdárna, tak do vestibulu pražského metra. V letních měsících lze projít vestibulem metra a po pravé straně vstoupit do Valdštejnské zahrady ozdobené sochami císařského sochaře Adriena de Vries (@sochy-adriena-de-vries-ve-valdstejnske-zahrade|sochy Adriena de Vries ve Valdštejnské zahradě@ ).\u003C/p>",{"id":2292,"documentId":2293,"title":2294,"slug":2295,"shortTitle":9,"address":2296,"type":54,"description":2297,"latitude":2298,"longitude":2299,"phone":2300,"website":2301,"available":1972,"availableDescription":2302,"createdAt":2303,"updatedAt":2304,"publishedAt":2305,"locale":18,"content":2306,"image":2307,"carousel":2336,"seo":2337,"localizations":2346},1918,"gscgdi28h3tus70zqxs19fo2","Wallenstein Palace","wallenstein-palace","Valdštejnské nám. 4, Praha 1 - Malá Strana, 118 00","was built in 1623–1630 by Albrecht Václav Eusebius of Wallenstein to rival Prague Castle in scale. His favourite horse, the bay Masceroni, was killed at the Battle of Lützen (1632) and was preserved; it is considered the oldest dermoplastic mount in the Czech lands.","50.090130","14.405684","420 257 072 316/275","https://www.senat.cz/informace/z_historie/palace/valdstejn.php","o víkendech a svátcích, jinak při objednaných prohlídkách","2026-02-01T12:22:11.843Z","2026-03-16T21:32:07.993Z","2026-03-16T21:32:08.090Z","\u003Cp>The complex was built between 1623 - 1630 by the most powerful nobleman of the time Albrecht Václav Eusebius from Valdstejn. The palace thanks to its size was to compete with the Prague Castle. Valdstejn's star has risen steeply thanks to the 30-year war. In the 1623 he became a prince, in 1627 he was appointed Duke of Frýdlant and in 1629 Duke of Mecklenburg. In 1625 he became generalissimo of imperial army. In 1634 he was proclaimed by the imperial decrees as a traitor of the empire and he was murdered by imperial officers in Cheb. His property was confiscated. As a chieftain, was Valdstejn almost always in the society of his horses. His favourite horse was a stud – bay horse MASCERONI. In his saddle is Valdstejn depicted in the first of the salons adjacent to the main hall. This horse fell under Valdstejn in the battle at Lützen (1632) and Valdstejn let his body to dissect in Bohemia. MASCERONI is the oldest dermoplastic preparation in the Czech Republic. Until the 1970s it was an obligatory part of the Vladstejn Palace, but it is located in the Valdstejn Museum in Cheb. The east part of the palace was reserved for stables. Approximately 40 horses were housed in the main stable, which is now the Meeting room of the Senate of the Czech Republic. Ties and troughs of the original Valdstejn Stables are still preserved in the part of the hall. It is said that the Duke was very devoted to his horses. Each horse, housed in the stable, had probably its own portrait with all breeding information.\u003C/p>\u003Cp>Andrea Spezza was considered as an architect of the palace for a long time. But Giovani Battista Pieroni is probably the builder and architect of the palace. Artistic decoration of the garden was entrusted by the Valdstejn to the former sculptor of Emperor Rudolf II., Adrian de Vries (@statues of Adrien de Vries in Valdstejn Garden.\u003C/p>\u003Cp>The dimensions of the palace complex, which is 340 meters long and the largest width of 172 meters, are impressive. The complex of buildings is divided into a main residential building with two courtyards. The palace continues along Valdštejnská Street with the wing of the stables with the adjoining third courtyard. The buildings are terminated by a one-storey Černín atrium with a courtyard, which is determined for the palace staff. There is a one-storey elongated wing in the direction to the Vladstejn Riding Hall. The south and southeast sides of the garden are 200 meters long and enclosed by a high wall with 52 arches. In the northeast, is the garden terminated by a riding hall Gallery of Vladstejn Riding Hall, with which neighbouring the former farm yard of the palace, now converted into a garden entrance to the underground station.\u003C/p>\u003Cp>The centre of the palace is the Knights' Hall. The ceiling fresco depicts Albrecht of Valdstejn as a god Mars on a war chariot. The Knight's Hall is 10.5 meters high and permeates both floors of the palace. With its dimensions of 24 × 12 meters it was the largest hall in Prague after the Spanish Hall of Prague Castle in the 17th century. Originally it served as the entrance area to the representative rooms. On December 18, 1996, the Constituent Meeting of the Senate of the Parliament of the Czech Republic was held in the Main Hall. Senators sat in this hall for two years until the reconstruction of the current Meeting room in the former Valdstejn Stables was completed. The main stables, now the Senate of the Parliament of the Czech Republic, ceased to serve its purpose in the middle of the 18th century and the entire space was rebuilt. Warehouses, pantry, kitchens and servants' rooms were located here. In 1944 the original layout was restored. The reconstruction of the hall into its current form was completed in 1998.\u003C/p>\u003Cp>Albrecht from Valdstejn did not enjoy from his residence for a long time. According to some references, from 1630, when the decoration of the palace was completed, he spent here only 80 days until his violent death in 1634.\u003C/p>\u003Cp>This short episode of life of the most powerful man after the emperor in the 17th century in the Habsburg monarchy is commemorated in the third courtyard by a bronze statue. Albrecht of Valdstejn, who holds in his hand marshal stick was cast in the workroom of the restorer Petr Dvořák according to a plaster sculpture, which was made by Ludvík Šimek, probably in 1873.\u003C/p>",{"id":2308,"documentId":2309,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":2310,"hash":2331,"ext":70,"mime":73,"size":2332,"url":2333,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2334,"updatedAt":2335,"publishedAt":2334,"focalPoint":9},240,"snoiw1zlz4nluy2dsz3o5ngv",{"large":2311,"small":2316,"medium":2321,"thumbnail":2326},{"ext":70,"url":2312,"hash":2313,"mime":73,"name":1442,"path":9,"size":2314,"width":76,"height":77,"sizeInBytes":2315},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_67ad6bfa07.webp","large_A_67ad6bfa07",119.24,119238,{"ext":70,"url":2317,"hash":2318,"mime":73,"name":1448,"path":9,"size":2319,"width":84,"height":85,"sizeInBytes":2320},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_67ad6bfa07.webp","small_A_67ad6bfa07",37.86,37862,{"ext":70,"url":2322,"hash":2323,"mime":73,"name":1454,"path":9,"size":2324,"width":77,"height":92,"sizeInBytes":2325},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_67ad6bfa07.webp","medium_A_67ad6bfa07",73.49,73494,{"ext":70,"url":2327,"hash":2328,"mime":73,"name":1460,"path":9,"size":2329,"width":99,"height":100,"sizeInBytes":2330},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_67ad6bfa07.webp","thumbnail_A_67ad6bfa07",8.96,8958,"A_67ad6bfa07",400.84,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_67ad6bfa07.webp","2026-02-19T20:42:50.721Z","2026-06-14T11:45:29.122Z",{"id":490},{"id":2338,"metaTitle":2294,"metaDescription":2339,"keywords":2340,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2341},160,"The complex was built between 1623 - 1630 by the most powerful nobleman of the time Albrecht Václav Eusebius from Valdstejn.","building, architecture, Valdštejnské nám. 4, Prague, monument, history, horse",{"geo":2342,"url":2301,"name":2294,"@type":30,"image":2333,"address":2345,"@context":35,"description":2297,"additionalType":119},{"@type":27,"latitude":2343,"longitude":2344},50.09013,14.405684,{"@type":32,"streetAddress":2296,"addressCountry":33,"addressLocality":34},[2347],{"id":2348,"documentId":2293,"title":2349,"slug":2350,"shortTitle":9,"address":2296,"type":54,"description":2351,"latitude":2298,"longitude":2299,"phone":2300,"website":2301,"available":1972,"availableDescription":2302,"createdAt":2352,"updatedAt":2353,"publishedAt":2354,"locale":46,"content":2355},2027,"Valdštejnský palác","valdstejnsky-palac","Palác měl svými rozměry konkurovat Pražskému hradu. Tento kůň pod Valdštejnem padl v bitvě u Lützenu (1632) a Valdštejn nechal jeho tělo v Čechách preparovat.","2026-02-01T12:22:11.826Z","2026-06-14T15:46:37.511Z","2026-06-14T15:46:37.613Z","\u003Cp>Dlouhou dobu byl za architekta paláce považován Andrea Spezza. Je ovšem velice pravděpodobné, že by pouze prováděcím stavitelem a vlastním architektem paláce byl Giovani Battista Pieroni. Uměleckou výzdobu zahrady svěřil Valdštejn bývalému sochaři císaře Rudolfa II. Adrianu de Vries (@sochy-adriena-de-vries-ve-valdstejnske-zahrade|sochy Adriena de Vries ve Valdštejnské zahradě@ ).\u003C/p>\u003Cp>Úctyhodné jsou rozměry areálu paláce, jehož délka činí 340 metrů a největší šířka celkem 172 metrů. Soubor budov je členěn na hlavní obytnou budovu se dvěma nádvořími. Ulicí Valdštejnskou pak palác pokračuje křídlem stájí s přilehlým třetím dvorem. Budovy jsou ukončeny jednopatrovým Černínským atriem s nádvořím určeným pro personál paláce. Směrem k Valdštejnské jízdárně stojí ještě jednopatrové protáhlé křídlo. Jižní a jihovýchodní strana zahrady je v délce 200 metrů uzavřena vysokou zdí s 52 oblouky. Na severovýchodě je zahrada ukončena jízdárnou (@galerie-valdstejnska-jizdarna@ ), se kterou sousedí bývalý hospodářský dvůr paláce, dnes upravený jako zahradní vstup do stanice metra.\u003C/p>\u003Cp>Centrem paláce je Rytířský sál. Na nástropní fresce je Albrecht z Valdštejna zobrazen jako bůh Mars na válečném voze. Rytířský sál je vysoký 10,5 metru a prostupuje obě patra paláce. Svými rozměry 24 × 12 metrů byl v 17. století po Španělském sále Pražského hradu největším sálem v Praze. Původně sloužil jako nástupní prostor k reprezentačním místnostem. 18. prosince 1996 se v Hlavním sále konala Ustavující schůze Senátu Parlamentu ČR. Senátoři v tomto sále zasedali dva roky do doby, než byla dokončena rekonstrukce současného Jednacího sálu v bývalé Valdštejnovi konírně.\u003C/p>\u003Cp>Hlavní konírna, nyní Jednací sál Senátu parlamentu ČR přestala sloužit svému účelu v polovině 18. století a celý prostor byl přestavěn. Umístěny zde byly sklady, spíže, kuchyně a pokoje služebnictva. V roce 1944 byla obnovena původní dispozice. Rekonstrukce sálu do stávající podoby byla završena v roce 1998.\u003C/p>\u003Cp>Albrecht z Valdštejna se ze svého sídla netěšil dlouho. Od roku 1630, kdy byla dokončována výzdoba paláce, do své násilné smrti v roce 1634 v něm strávil podle některých pramenů pouhých 80 dnů.\u003C/p>\u003Cp>Tuto krátkou životní epizodu po císaři nejmocnějšího muže habsburské monarchie 17. století tak připomíná na třetím nádvoří bronzová socha. Albrecht z Valdštejna v ruce s maršálskou holí byl odlit v dílně restaurátora Petra Dvořáka podle sádrové sochy Ludvíka Šimka, pravděpodobně z roku 1873.\u003C/p>",{"id":2357,"documentId":2358,"title":2359,"slug":2360,"shortTitle":9,"address":2361,"type":54,"description":2362,"latitude":2363,"longitude":2364,"phone":2365,"website":2366,"available":9,"availableDescription":2367,"createdAt":2368,"updatedAt":2369,"publishedAt":2370,"locale":18,"content":2371,"image":2372,"carousel":2409,"seo":2411,"localizations":2419},1920,"cr656654tkh2c23ew6fec3zn","Clam-Gallas Palace","clam-gallas-palace","Husova 20, Praha 1 - Staré město, 110 00","Clam‑Gallas Palace is a celebrated example of Viennese-style Baroque palace architecture, built from 1713 for Jan Václav Gallas. Its plans are linked to Johann Bernhard Fischer von Erlach, also known for the Hofburg riding hall in Vienna associated with the Spanish Riding School.","50.086331","14.417779","420236001111","https://www.prague.eu/cs/objekt/mista/926/clam-gallasuv-palac","uzavřen - rekonstrukce","2026-02-01T12:22:11.870Z","2026-03-16T21:32:10.599Z","2026-03-16T21:32:10.700Z","Clam‑Gallas Palace is a celebrated example of Viennese-style Baroque palace architecture, built from 1713 for Jan Václav Gallas. Its plans are linked to Johann Bernhard Fischer von Erlach, also known for the Hofburg riding hall in Vienna associated with the Spanish Riding School. The palace is currently closed for extensive reconstruction, but its courtyard and former carriage facilities can be viewed via a virtual tour.",{"id":2373,"documentId":2374,"name":2375,"alternativeText":9,"caption":9,"width":66,"height":2376,"formats":2377,"hash":2404,"ext":70,"mime":73,"size":2405,"url":2406,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2407,"updatedAt":2408,"publishedAt":2407,"focalPoint":9},241,"nb7yrjpv7wnpt77rwkbmdcqy","1. kolem roku 1825 H 060 795_018-001.webp",1460,{"large":2378,"small":2385,"medium":2391,"thumbnail":2397},{"ext":70,"url":2379,"hash":2380,"mime":73,"name":2381,"path":9,"size":2382,"width":76,"height":2383,"sizeInBytes":2384},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_1_kolem_roku_1825_H_060_795_018_001_e14a4a914b.webp","large_1_kolem_roku_1825_H_060_795_018_001_e14a4a914b","large_1. kolem roku 1825 H 060 795_018-001.webp",156.28,713,156284,{"ext":70,"url":2386,"hash":2387,"mime":73,"name":2388,"path":9,"size":2389,"width":84,"height":655,"sizeInBytes":2390},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_1_kolem_roku_1825_H_060_795_018_001_e14a4a914b.webp","small_1_kolem_roku_1825_H_060_795_018_001_e14a4a914b","small_1. kolem roku 1825 H 060 795_018-001.webp",36.93,36928,{"ext":70,"url":2392,"hash":2393,"mime":73,"name":2394,"path":9,"size":2395,"width":77,"height":2247,"sizeInBytes":2396},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_kolem_roku_1825_H_060_795_018_001_e14a4a914b.webp","medium_1_kolem_roku_1825_H_060_795_018_001_e14a4a914b","medium_1. kolem roku 1825 H 060 795_018-001.webp",87.68,87676,{"ext":70,"url":2398,"hash":2399,"mime":73,"name":2400,"path":9,"size":2401,"width":2402,"height":100,"sizeInBytes":2403},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_kolem_roku_1825_H_060_795_018_001_e14a4a914b.webp","thumbnail_1_kolem_roku_1825_H_060_795_018_001_e14a4a914b","thumbnail_1. kolem roku 1825 H 060 795_018-001.webp",7.27,219,7266,"1_kolem_roku_1825_H_060_795_018_001_e14a4a914b",738.23,"https://meaningful-wonder-ea78781290.media.strapiapp.com/1_kolem_roku_1825_H_060_795_018_001_e14a4a914b.webp","2026-02-19T20:43:09.696Z","2026-06-14T11:45:36.170Z",{"id":2410},416,{"id":145,"metaTitle":2359,"metaDescription":2412,"keywords":2413,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2414},"Clam‑Gallas Palace is a celebrated example of Viennese-style Baroque palace architecture, built from 1713 for Jan Václav Gallas.","building, architecture, Husova 20, Prague, monument, history, horse",{"geo":2415,"url":2366,"name":2359,"@type":30,"image":2406,"address":2418,"@context":35,"description":2362,"additionalType":119},{"@type":27,"latitude":2416,"longitude":2417},50.086331,14.417779,{"@type":32,"streetAddress":2361,"addressCountry":33,"addressLocality":34},[2420],{"id":2421,"documentId":2358,"title":2422,"slug":2423,"shortTitle":9,"address":2361,"type":54,"description":2424,"latitude":2363,"longitude":2364,"phone":2365,"website":2366,"available":9,"availableDescription":2367,"createdAt":2425,"updatedAt":2426,"publishedAt":2427,"locale":46,"content":2428},2039,"Clam-Gallasův palác","clam-gallasuv-palac","Tím mělo před palácem vzniknout rozsáhlé náměstí, které by nechalo vyniknout překrásnému průčelí. Spojením vzniklo jméno a rod Clam-Gallasů. ","2026-02-01T12:22:11.855Z","2026-06-14T15:47:00.913Z","2026-06-14T15:47:01.022Z","\u003Cp>Perla pražského baroka, jeden z nejkrásnějších pražských paláců je ukázkou vzácné čistě vídeňské palácové barokní stavby. Stavěl se od r. 1713 pro neapolského místokrále Jana Václava Gallase. Ten se rozhodl pro stavbu rozsáhlého palácového komplexu s příslibem asanace špalíčku budov na druhé straně Husovy ulice. Tím mělo před palácem vzniknout rozsáhlé náměstí, které by nechalo vyniknout překrásnému průčelí. Z dnešního pohledu „naštěstí“ však k tomuto bourání nikdy nedošlo. Palác stavěl Jan Dominik Canevalle podle plánů významného vídeňského architekta Jana Bernarda Fischera z Erlachu. Ten je pro hipologický svět známý především jako architekt barokní jízdárny ve vídeňském Hofburgu, ve které sídlí slavná Spanische Hochreitschule. V roce 1757 rod Gallasů vymřel a palác zdědil synovec Kristián Filip z Clamu. Spojením vzniklo jméno a rod Clam-Gallasů. Ve stejný čas se začala psát i historie usedlosti a anglického parku Klamovka (@casseluv-pomnik-na-prazske-klamovce@ ). V reprezentačních prostorách a sálech paláce se donedávna konaly výstavy a koncerty, ale momentálně je palác uzavřen a probíhá zde rozsáhlá rekonstrukce. Prostory tak lze prohlédnout pouze díky virtuální prohlídce na: \u003Ca href=\"http://www.clam-gallasuv-palac.pano3d.cz/\" target=\"_blank\" rel=\"noopener noreferrer\">http://www.clam-gallasuv-palac.pano3d.cz/\u003C/a>. Na ní můžete vidět především prostranství centrálního dvora s původními vraty kočároven.\u003C/p>\u003Cp>Podoba budovy byla motivována antickou mytologií. Palácový komplex je tvořen čtyřkřídlou dvoupatrovou budovou kolem čtvercového dvora s průčelím a dvěma portály. Jeho zadní křídlo zasahuje až na Malé náměstí přilehlé ke Staroměstskému náměstí. Budova paláce je dokonalým příkladem monumentální stavby v těsné středověké zástavbě. Průčelí paláce zdobí dva portály se sochami gigantů a výplněmi představujícími činy Herkulovy z dílny Matyáše Bernarda Brauna. Celá další sochařská výzdoba je z této dílny. Bohužel většina z původních třináct soch na atice paláce musela být pro špatný stav sejmuta již r. 1880. Velmi vyhledávaná je také socha Vltavy zvaná Terezka od Václava Práchnera, která je umístěna ve zdi u malé zahrady zřízené r. 1800 z bývalého hřbitova u kostelíka Panny Marie na Louži. Kostel stál v místě současné budovy Magistrátu hl. města Prahy a jeho název vznikl díky častému zaplavení náměstí při větších deštích. Dnes je socha přístupná z Mariánského nám.\u003C/p>\u003Cp>Výraznou freskovou výzdobu paláce provedl Carlo Inocenc Carlone. Na hlavním schodišti jsou zobrazena antická božstva (Chronos, Jupiter s orlem, Proserpina, Cerera, Mars, Venuše, Bakchus, Vulkán, Merkura a Luna) a na stropě nad schodištěm freska o rozloze 130 m2 Triumf boha Hélia. Přibližně v téže době byla provedena i štuková výzdoba schodiště a velkého Mramorového sálu. Tento ústřední sál paláce se zrcadly a křišťálovými lustry o velikosti 12,5 x 11 m sloužil jako taneční sál. V době největší slávy se zde konaly plesy a koncerty, které byly vyhledávány tehdejší smetánkou Prahy. Pobýval zde i Wolfgang Amadeus Mozart s ženou Konstancií a Josefinou Duškovou, která byla blízkou přítelkyní Clam-Gallasů. V paláci koncertoval Ludwig van Beethoven. Na přelomu 19. a 20. století začaly majitelům chybět prostředky na udržování objektu. Palác tak byl pronajat úřadům. Po právnických studiích zde jako praktikant pracoval i Franz Kafka. Potomci Clam-Gallasů žijí od r. 1945 v cizině. O majetek přišli na základě Benešových dekretů a tak palác nebyl zahrnut do restitučních nároků. Objekt nyní vlastní Magistrát hl. m. Prahy. V roce 1945 byl do paláce, po požáru Staroměstské radnice, přemístěn Archiv hl. m. Prahy. Od r. 1978 se areál postupně opravuje a momentálně je palác kvůli rozsáhlé rekonstrukce zcela uzavřen.\u003C/p>",{"id":2430,"documentId":2431,"title":2432,"slug":2433,"shortTitle":2434,"address":2435,"type":410,"description":2436,"latitude":2437,"longitude":2438,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":2439,"updatedAt":2440,"publishedAt":2441,"locale":18,"content":2442,"image":2443,"carousel":2481,"seo":2483,"localizations":2492},1922,"a1dbgroge8ly5xspad3ctx3q","St. Wenceslav","st-wenceslav","monument St. Wenceslav on the Venceslav´s square","Václavské náměstí, Praha 1-Nové město, 110 00","At the heart of Prague’s best-known square stands a monument to the Czech patron saints, dominated by an equestrian statue of St Wenceslas. The monument was unveiled in 1913 and has since become a key symbol of modern Czech history.","50.079798","14.429718","2026-02-01T12:22:10.488Z","2026-03-16T21:32:13.027Z","2026-03-16T21:32:13.134Z","\u003Cp>Josef Václav Myslbek had to fight hard for his work. When the thought of setting an equestrian sculpture of St. Wenceslas in front of the newly constructed National Museum matured, the Prague council first approached significant artist Bernard Seeling. His design gained support and a fundraising effort to create his sculpture took place between 1880 and 1886.\u003C/p>\u003Cp>Subsequently, Myslbek entered the game. An esteemed artist, a professor at the Academy of Fine Arts, he had already spent several years developing the St. Wenceslas theme and was ready for the work. We will never find out what allowed Myslbek to win over the contract to create the model of the sculpture, but he indeed received the order in 1887. In the meantime, works regarding the concept of the sculpture were already underway. Only the third Myslbek design was accepted, as it received a Gold Medal at an exhibition in Munich.\u003C/p>\u003Cp>Drawings of the monument show that Myslbek spent a great deal of time not just on the preparatory sketches but also on equestrian observation. The model for his first designs was a stud named Tigr, from the stables in Prague-Suchdol, owned by Alexandr Brandejs, a significant benefactor of sciences, culture and art. Myslbek also sought inspiration in ancient and Renaissance works. However, sculptures by Myslbek’s Parisian contemporaries, Emmanuel Frémiet and Paul Dubois, depicting Joan of Arc in a saddle were also influential.\u003C/p>\u003Cp>An unexpected complication arrived with the assignment of a part of the funding for completion of the sculpture by the Viennese Assembly. The Assembly decided to support the monument in January of 1894, but conditioned upon release of fund by issuing a public tender. After seven years of work, Myslbek had to fight for his lucrative order all over again.\u003C/p>\u003Cp>Nearly twenty artists entered the competition. However, the deadline for delivering a bronze model of the sculpture was short – closing on December 10, 1894. This gave Myslbek an advantage. Aside from Myslbek’s, only three designs arrived within the deadline, including models by Bohuslav Schnirch and František Rous.\u003C/p>\u003Cp>Rous’ sculpture appeared stiff, his horse standing on all four, with head arched to the chest, lacking elegance. Renowned sculpture Bohuslav Schnirch was a better-quality competitor, having just gained fresh reknown with an equestrian monument depicting King George of Poděbrady. He was also more popular, thanks to the designs of the three-horse chariots for the National Theater.\u003C/p>\u003Cp>The committee came to a cunning decision – on December 15, 1894, they announced two first-place winners and divided the award of three and two thousand guldens between Schnirch and Myslbek. Third place and a thousand guldens went to Rous. According to indications from those times, the committee put Myslbek’s design on the same level as Schnirch’s, likely under pressure. A key role among Myslbek’s protectors was played by the main donor among artistic circles of the time, the important benefactor Josef Hlávka. Thus, the competition failed to solve anything and the situation regarding the monument became a stalemate.\u003C/p>\u003Cp>Further development was affected by the eagerness with which Myslbek approached all his work, including the St. Wenceslas monument and defining its design. In 1895 the Land Committee asked Myslbek to produce another model, by which he would be officially appointed as the final creator of the work. At this time, the idea to accompany the St. Wenceslas monument with figures of important Czech saints also emerged.\u003C/p>\u003Cp>The period between 1896 and 1900 was spent defining the final appearance of the horse figure. Drawings for the monument show that Myslbek initially focused on the sculpture of the horse. His first model was a stud named Tigr from the farm in Prague-Suchdol owned by Alexandr Brandejs, an important benefactor of science, culture and arts. But the sculptor eventually found his model for Wenceslas’ horse in the Na Panenské military stables at Prague - Pohořelec. He selected Ardo, a stallion of the Lower-Saxony breed now known as the Oldenburg horse. Ardo was regularly brought to Myslbek’s atelier from the beginning of 1899.\u003C/p>\u003Cp>A year later, on January 31, 1900 the horse sculpture was completed. Yet Myslbek’s horse received much criticism. Professionals particularly blamed the artist for the lack of conceptual logic from an equestrian point of view for choosing a finely-bred modern horse from the end of the 19th century that failed to take into consideration the realistic appearance of horses during the St. Wenceslas period. Luckily, Myslbek successfully defended his approach. The horse was ready, but the works on the figure of St. Wenceslas continued. Myslbek changed the head of the patron alone nine times between 1902 and 1903. Yet works on the figures of the other saints continued at the same time.\u003C/p>\u003Cp>It took another six years before St. Wenceslas arrived in place. In Myslbek’s view, the saint is a decisive ruler, unafraid to stand up for his people, yet without a trace of aggression. The sculpture was originally intended as a part of the entry ramp of the National Museum, even a version with entry to today’s Washington Street was considered.\u003C/p>\u003Cp>In the end, St. Wenceslas was erected in the place that became the center of the most important moments in the history of Czechoslovak and later Czech state. Myslbek’s St. Wenceslas thus became the traditional witness of the most significant events of the 20th century.\u003C/p>",{"id":2444,"documentId":2445,"name":2446,"alternativeText":9,"caption":9,"width":2447,"height":66,"formats":2448,"hash":2475,"ext":2450,"mime":73,"size":2476,"url":2477,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2478,"updatedAt":2479,"publishedAt":2480,"focalPoint":9},6,"t7merqv829upg6wtwonslxfk","A. současnost.webp",1537,{"large":2449,"small":2456,"medium":2462,"thumbnail":2469},{"ext":2450,"url":2451,"hash":2452,"mime":73,"name":2453,"path":9,"size":2454,"width":77,"height":76,"sizeInBytes":2455},".JPG","https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_soucasnost_86e6276256.JPG","large_A_soucasnost_86e6276256","large_A. současnost.webp",64.05,64046,{"ext":2450,"url":2457,"hash":2458,"mime":73,"name":2459,"path":9,"size":2460,"width":85,"height":84,"sizeInBytes":2461},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_soucasnost_86e6276256.JPG","small_A_soucasnost_86e6276256","small_A. současnost.webp",25.04,25036,{"ext":2450,"url":2463,"hash":2464,"mime":73,"name":2465,"path":9,"size":2466,"width":2467,"height":77,"sizeInBytes":2468},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_soucasnost_86e6276256.JPG","medium_A_soucasnost_86e6276256","medium_A. současnost.webp",44.63,563,44630,{"ext":2450,"url":2470,"hash":2471,"mime":73,"name":2472,"path":9,"size":2473,"width":308,"height":100,"sizeInBytes":2474},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_soucasnost_86e6276256.JPG","thumbnail_A_soucasnost_86e6276256","thumbnail_A. současnost.webp",3.55,3554,"A_soucasnost_86e6276256",151.74,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_soucasnost_86e6276256.JPG","2026-02-08T09:53:36.644Z","2026-06-14T11:24:01.248Z","2026-02-08T09:53:36.645Z",{"id":2482},418,{"id":2484,"metaTitle":2432,"metaDescription":2485,"keywords":2486,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2487},168,"Josef Václav Myslbek had to fight hard for his work.","statue, sculpture, Václavské náměstí, monument St. Wenceslav on the Venceslav´s square, Prague, monument, history, horse",{"geo":2488,"name":2432,"@type":30,"image":2477,"address":2491,"@context":35,"description":2436,"additionalType":465},{"@type":27,"latitude":2489,"longitude":2490},50.079798,14.429718,{"@type":32,"streetAddress":2435,"addressCountry":33,"addressLocality":34},[2493],{"id":2494,"documentId":2431,"title":2495,"slug":2496,"shortTitle":2497,"address":2435,"type":410,"description":2498,"latitude":2437,"longitude":2438,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":2499,"updatedAt":2500,"publishedAt":2501,"locale":46,"content":2502},1921,"Pomník sv. Václava na Václavském náměstí","pomnik-sv-vaclava-na-vaclavskem-namesti","sv. Václav","Myslbek dokončil sousoší v roce 1907. Po dalších letech prací věnovaných architektuře pomníku byla socha v roce 1913 odhalena.","2026-02-01T12:22:10.443Z","2026-03-16T21:32:11.740Z","2026-03-16T21:32:11.845Z","\u003Cp>Josef Václav Myslbek si musel své dílo těžce vybojovat. Když dozrála myšlenka osadit prostor před nově budovaným Národním muzeem jezdeckou sochou sv. Václava, pražští radní nejprve oslovili významného umělce Bernarda Seelinga. Jeho návrh získal podporu a v letech 1880 až 1886 se na realizaci uskutečnila sbírka. Následně ale vstoupil do hry Myslbek. Vážený umělec a profesor na umělecko-průmyslové škole rozvíjel svatováclavský motiv již několik let a byl na práci připravený. Co Myslbekovi pomohlo, dnes nezjistíme, ale zakázku na vytvoření modelu sochy v roce skutečně 1887 získal. Tím byly zahájeny práce na pojetí sochy. S uznáním byl přijat až třetí Myslbekův návrh z roku 1888, který získal Zlatou medaili na výstavě v Mnichově.\u003C/p>\u003Cp>Kresby k pomníku dokládají, že se Myslbek důkladně věnoval nejen přípravným studiím, ale také hipologickému pozorování. Modelem prvních návrhů byl hřebec Tigr ze suchdolských stájí patřících významnému mecenáši vědy, kultury a umění Alexandru Brandejsovi. Myslbek hledal inspiraci v antických či renesančních dílech. Důležité byly ovšem i sochy Myslbekových pařížských současníků Emmanuela Frémieta či Paula Duboise znázorňující Johanku z Arku v koňském sedle.\u003C/p>\u003Cp>Nečekanou komplikací bylo přiznání části finančních prostředků na zhotovení sochy Vídeňským sněmem. Ten sice v lednu 1894 rozhodl o podpoře pomníku, jejich čerpání ale podmínil vypsáním veřejné soutěže. Po sedmi letech práce tak musel Myslbek o lukrativní zakázku bojovat od začátku. Na konkurz reagovala téměř dvacítka autorů. Termín dodání bronzového modelu sochy byl však krátký – do 10. prosince 1894. To přineslo Myslbekovi výhodu. Ve lhůtě se sešly pouze tři návrhy, kromě Myslbekova ještě od Bohuslava Schnircha a Františka Rouse. Rousova socha ale působila toporně – kůň stojící zapřen na čtyřech nohách s hlavou stočenou až na prsa, postrádal eleganci. Kvalitnějším soupeřem byl uznávaný sochař Bohuslav Schnirch, který právě prožíval čerstvou zkušenost s jezdeckým pomníkem Jiřího z Poděbrad. Na jeho straně stála i popularita, kterou mu vynesly návrhy sousoší trig pro Národní divadlo. Porota rozhodla šalamounsky: 15. prosince 1894 vyhlásila dvě první místa a Schnirchovi a Myslbekovi rozdělila finanční cenu tří a dvou tisíc zlatých. Třetí místo a tisíc zlatých získal Rousův návrh. Podle dobových indicií postavila komise Myslbekův návrh na roveň se Schnirchovým zřejmě pod nátlakem. Mezi Myslbekovými protektory hrál důležitou roli především hlavní donátor tehdejší umělecké obce a významný mecenáš Josef Hlávka. Konkurs tak mnoho nevyřešil a situace kolem pomníku se ocitla v patové situaci.\u003C/p>\u003Cp>Další vývoj ovlivnila Myslbekova urputnost, se kterou se pouštěl do každého díla včetně svatováclavského pomníku a hledání jeho podoby. V roce 1895 tak Zemský výbor vyzval Myslbeka k předložení dalšího modelu, a tím byl neoficielně uznán konečným tvůrcem díla. V té době také vznikla idea doprovodit pomník sv. Václava figurami významných českých světců. Období mezi lety 1896 a 1900 patřilo hledání konečné podoby figury koně. Kresby k pomníku dokládají, že se Myslbek se nejprve zaměřil na sochu koně. Prvním modelem byl hřebec Tigr ze suchdolských stájí patřících významnému mecenáši vědy, kultury a umění Alexandru Brandejsovi. Pravého představitele Václavova koně ale našel sochař v kasárnách Na Panenské Na Pohořelci. Stal se jím východofríský hřebec Ardo. Toho začali do Myslbekova ateliéru pravidelně vodit počátkem roku 1899. O rok později 31. ledna 1900 byl kůň hotov. Na Myslbekova koně se ale snesly výtky. Odborníci vyčítali umělci především hipologicky nesmyslnou koncepci ušlechtilého a moderního koně konce 19. století, která nebrala v úvahu reálnou podobu koní Václavovy doby. Naštěstí Myslbek své pojetí obhájil. Kůň byl hotov, ale pokračovaly práce na figuře samotného sv. Václava. Jen hlavu českého patrona změnil Myslbek v letech 1902 a 1903 devětkrát. Souběžně ale pokračovala práce na tvorbě figur světců.\u003C/p>\u003Cp>Dalších šest let trvalo než sv. Václav, v Myslbekově pojetí rozhodný vladař, který se nebojí zastat svého lidu, ovšem bez jakékoliv agresivity, dostal na své místo. Sousoší mělo původně být součástí vstupní rampy Národního muzea, ve hře se objevila i varianta umístění u vstupu do dnešní Washingtonovy ulice. Nakonec sv. Václav stanul tam, kde se odehrávaly zásadní momenty dějin československého a českého státu. Myslbekův sv. Václav je tak tradičním svědkem nejdůležitějších okamžiků 20. století.\u003C/p>",{"id":2504,"documentId":2505,"title":2506,"slug":2507,"shortTitle":2508,"address":2509,"type":410,"description":2510,"latitude":2511,"longitude":2512,"phone":2513,"website":2514,"available":414,"availableDescription":2515,"createdAt":2516,"updatedAt":2517,"publishedAt":2518,"locale":18,"content":2519,"image":2520,"carousel":2554,"seo":2556,"localizations":2565},1924,"nhhnh7aibzjkqherzppyj3tb","Jan Žižka from Trocnov at the National Memorial at Vítkov","jan-zizka-from-trocnov-at-the-national-memorial-at-vitkov","Jan Žižka","U Památníku 1900, Praha 3, 130 00","The equestrian statue depicting Jan Žižka of Trocnov is a notable Prague landmark. With its 9 meters in height, 9.6 meters length and 5 meters width, this is one of the largest equestrian sculptures in the world. Its location atop the Vítkov Hill is historically tied to the site of the famous victorious battle of a small Hussite army well outnumbered by the Crusaders that took place here on July 14, 1420. The sculpture was designed by Bohumil Kafka (1878-1942), a professor at the Academy of Fine Arts in Prague. His model was a Noriker stallion named Theseus. As is evident from the breeding records, Theseus was raised in the provincial stud farm in Tlumačov. Bohumil Kafka worked on the sculpture from 1931, completed it during the early years of WWII and then unexpectedly died in 1942. After the war, work on the construction of the monument gradually restarted and the sculpture was ceremonially unveiled on July 14, 1950, upon the 530th anniversary of the battle.","50.088449","14.449105","420224497607","https://www.nm.cz/navstivte-nas/objekty/narodni-pamatnik-na-vitkove","otvírací doba viz www.","2026-02-01T12:22:10.534Z","2026-03-16T21:32:15.403Z","2026-03-16T21:32:15.508Z","\u003Cp>The journey from an idea to adorn Vítkov Hill with a Jan Žižka sculpture until its execution took 69 years. An Association for the Construction of a Žižka Monument was founded in 1882. After WWI, the Vítkov Hill was selected as the location for the construction of the Liberation Monument and the decision was made to place the Jan Žižka sculpture there.\u003C/p>\u003Cp>However, the artist Bohumil Kafka had to seriously fight for his artistic vision. One reason for his opposition was an error that seems rather amusing from today’s perspective. A number of parliament members mistook the word “Noriker” for “Nordic.” At the time, increasing concerns about Nazi Germany caused the representatives to accuse the artist of disrupting national pride. An exhausted Kafka completed his plaster model in November 1941, but died a year later.\u003C/p>\u003Cp>The perspective and evaluation of the Hussite movement represented many points of view. In the mid-19th century, it was viewed romantically, relevant to the national revival movement. Others presented Hussites as the historic pinnacle of the population’s attempts to gain power. This ideological view was particularly promoted by the Communist regime, that viewed it as the first evidence of the victory of people over their masters.\u003C/p>\u003Cp>Yet the Vítkov Hill pantheon was built between 1928 and 1938 and was meant to serve as the permanent commemoration of the heroism of the Czechoslovak Legions during WWI, when they fought the Bolsheviks. Over the course of its construction, the idea emerged that the monument would become a glorious mausoleum of Czechoslovak Presidents. But neither one of these intents came to fruition.\u003C/p>\u003Cp>Our first President, Tomáš Garrigue Masaryk, hated pompousness and vehemently rejected the Vítkov pantheon as his burial place. The actual construction of the pantheon was then halted by WWII that shadowed the first war with even greater terrors. Additionally, shortly thereafter, Czechoslovakia experienced a Communist putsch. Inspired by the Lenin mausoleum in Moscow, the Communist regime turned the monument into a location to display the body of the first Communist President, Klement Gottwald, putting an end to all previous ideas about the function of the pantheon.\u003C/p>\u003Cp>Nonetheless, all this was preceded by honest artistic effort on part of Bohumil Kafka. Even so, his intent to create a monumental location became the subject of a pre-war political fight. For entire decades, Kafka continued to be attacked by various “consultants” who wanted to review his artistic vision. Among the opponents was Senator František Udržal, whose attacks filled both the national newspapers and many cartoons. They serve as evidence that many citizens failed to grasp the absurdity of the dispute. Unfortunately, Kafka was very exhausted by the constant need to defend his work. Many times it seemed the work would remain unfinished. Additionally, everything was further complicated by WWII.\u003C/p>\u003Cp>Despite this, in the early 1940s, Kafka delivered his plaster model of the sculpture (its bronze casting is available for viewing at the first floor of the monument). Unfortunately, he didn’t live to see his work completed in its monumental form and finally unveiled on July 14, 1950, commemorating the 530th anniversary of the Vítkov battle. Kafka died in the middle of WWII in 1942.\u003C/p>\u003Cp>Kafka’s notes show that his work was significantly influenced by the experiences of Josef Václav Myslbek. At the time, Kafka was working less than two decades after the construction of Myslbek’s St. Wenceslas statue on Wenceslas Square. Records of Kafka’s discussion with Myslbek’s plasterer, Victor Silvester, in 1931 are still available. Kafka’s interest focused particularly on technical solutions of the statue’s structural stability, as well as the method of producing clay templates for bronze castings of such a massive sculpture.\u003C/p>\u003Cp>For many decades, Jan Žižka has remained the symbol of the Vítkov monument and time has confirmed Kafka’s artistic authenticity. His Žižka is a tough and strong leader of an army, yet without a trace of pride or arrogance. Thanks to the statue, his Noriker horse, Theseus, also gained immortality. But for him, posing for one of the most famous Czechoslovak sculptures was only a small episode in life.\u003C/p>\u003Cp>Unfortunately, due to all the aspects of the monument we have discussed, the Vítkov sculpture lives a rather lonely life. It’s only admired by a few random visitors, although it would deserve to be standing in the very center of tourist interest.\u003C/p>",{"id":2521,"documentId":2522,"name":2523,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":2524,"hash":2549,"ext":2450,"mime":73,"size":2550,"url":2551,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2552,"updatedAt":2553,"publishedAt":2552,"focalPoint":9},22,"csprpyh4pi6ol9ijoz5s29u8","7. celkový pohled.webp",{"large":2525,"small":2531,"medium":2537,"thumbnail":2543},{"ext":2450,"url":2526,"hash":2527,"mime":73,"name":2528,"path":9,"size":2529,"width":76,"height":77,"sizeInBytes":2530},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_7_celkovy_pohled_9687e49bf0.JPG","large_7_celkovy_pohled_9687e49bf0","large_7. celkový pohled.webp",116.41,116412,{"ext":2450,"url":2532,"hash":2533,"mime":73,"name":2534,"path":9,"size":2535,"width":84,"height":85,"sizeInBytes":2536},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_7_celkovy_pohled_9687e49bf0.JPG","small_7_celkovy_pohled_9687e49bf0","small_7. celkový pohled.webp",35.32,35324,{"ext":2450,"url":2538,"hash":2539,"mime":73,"name":2540,"path":9,"size":2541,"width":77,"height":92,"sizeInBytes":2542},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_7_celkovy_pohled_9687e49bf0.JPG","medium_7_celkovy_pohled_9687e49bf0","medium_7. celkový pohled.webp",71.09,71092,{"ext":2450,"url":2544,"hash":2545,"mime":73,"name":2546,"path":9,"size":2547,"width":99,"height":100,"sizeInBytes":2548},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_7_celkovy_pohled_9687e49bf0.JPG","thumbnail_7_celkovy_pohled_9687e49bf0","thumbnail_7. celkový pohled.webp",7.03,7026,"7_celkovy_pohled_9687e49bf0",391.44,"https://meaningful-wonder-ea78781290.media.strapiapp.com/7_celkovy_pohled_9687e49bf0.JPG","2026-02-18T21:34:20.764Z","2026-06-14T11:26:29.237Z",{"id":2555},420,{"id":2557,"metaTitle":2506,"metaDescription":2558,"keywords":2559,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2560},172,"The journey from an idea to adorn Vítkov Hill with a Jan Žižka sculpture until its execution took 69 years.","statue, sculpture, U Památníku 1900, Jan Žižka, Prague, monument, history, horse",{"geo":2561,"url":2514,"name":2506,"@type":30,"image":2551,"address":2564,"@context":35,"description":2510,"additionalType":465},{"@type":27,"latitude":2562,"longitude":2563},50.088449,14.449105,{"@type":32,"streetAddress":2509,"addressCountry":33,"addressLocality":34},[2566],{"id":2567,"documentId":2505,"title":2568,"slug":2569,"shortTitle":2508,"address":2509,"type":410,"description":2570,"latitude":2511,"longitude":2512,"phone":2513,"website":2514,"available":414,"availableDescription":2515,"createdAt":2571,"updatedAt":2572,"publishedAt":2573,"locale":46,"content":2574},1923,"Jan Žižka z Trocnova u Národního památníku na Vítkově","jan-zizka-z-trocnova-u-narodniho-pamatniku-na-vitkove","Jezdecká socha Jana Žižky z Trocnova je dominantou Prahy a s výškou 9 metrů, délkou 9,6 metrů a šířkou 5 metrů patří k největším jezdeckým sochám světa. Její poloha na vrchu Vítkově je historicky spjata s místem slavné vítězné bitvy malého husitského vojska s přesilou křižáků 14. července 1420. Autorem sochy je profesor pražské Akademie výtvarných umění Bohumil Kafka (1878-1942). Předlohou koně se mu stal norický hřebec THESEUS. Ten byl odchován v zemském hřebčinci v Tlumačově, jak dokládá jeho plemenná karta. Bohumil Kafka pracoval na soše od roku 1931. Sochu dokončil v průběhu II. světové války v roce 1941 a záhy zemřel (Kavkův návrh sochy Jana Žižky). Po válce byly práce na dostavbě památníku postupně obnoveny a socha byla odhalena ve výroční den bitvy na Vítkově 14. července 1951.","2026-02-01T12:22:10.512Z","2026-03-16T21:32:14.262Z","2026-03-16T21:32:14.367Z","\u003Cp>Cesta od myšlenky ozdobit vrch Vítkov sochou Jana Žižky až po její realizaci trvala 69 let. Na počátku stálo v roce 1882 ustavení Spolku pro zbudování Žižkova pomníku. Po 1. světové válce byl Vítkov vybrán k vystavění Památníku osvobození a bylo rozhodnuto, že pomník Jana Žižky bude stát právě zde.\u003C/p>\u003Cp>Autor sochy Bohumil Kafka však musel o své umělecké pojetí pomníku tvrdě bojovat. Jednou z příčin nevole k jeho práci byl dnes již úsměvný omyl. Řada poslanců si spletla pojem „norický“ kůň s termínem „nordický“. V době zvyšující se obavy z nacistického Německa pak politici atakovali tvůrce jako narušitele národního cítění. Vyčerpaný Kafka dokončil sádrový model v listopadu 1941, ale o rok později zemřel.\u003C/p>\u003Cp>Pohled a hodnocení husitského hnutí prodělalo mnoho poloh. Od romanticky laděného pohledu poloviny 19. století, který byl poplatný národně obrozeneckému hnutí, přes prezentaci husitů jako historického završení snahy o uchopení moci lidem. Tento ideologický pohled razila především komunistická moc, která jej podávala jako první doklad o vítězství lidu.\u003C/p>\u003Cp>Pantheon na Vítkově byl vystavěn v letech 1928 až 1938 a měl sloužit jako věčná připomínka hrdinství československých legií v průběhu první světové války i v boji proti sovětským bolševikům. V průběhu výstavby dozrála i myšlenka, že se stane velkolepým mauzoleem československých prezidentů. Ani jeden ze záměrů se ale nenaplnil. Tomáš Garrigue Masaryk pompu nesnášel a pantheon na Vítkově jako místo svého posledního spočinutí důrazně odmítl. Samotnou výstavbu pantheonu pak zastavila 2. světová válka, která nejenom že svými hrůzami tu první zcela zastínila, ale navíc za nedlouho po ní proběhl v Československu komunistický převrat. Komunistická moc přeměnila památník, po vzoru mauzolea V. I. Lenina v Moskvě, na místo k vystavení mrtvoly prvního komunistického prezidenta Klementa Gottwalda. Tím byly veškeré původní představy o funkci pantheonu definitivně zničeny.\u003C/p>\u003Cp>Tomu všemu ovšem předcházelo umělecky poctivé snažení Bohumila Kafky. Jeho záměr k dotvoření monumentálnosti místa se ale stal předmětem předválečného politického boje. Kafka byl po celé desetiletí atakován mnoha „poradci“, kteří se chtěli k jeho uměleckému pojetí vyjádřit. V čele jeho odpůrců stál senátor František Udržal. Jeho útoky se staly náplní nejenom celostátní deníků, ale později i předmětem mnoha ilustrovaných vtipů. Ty dokládají, že si mnozí absurdnost sporu uvědomovali. Bohužel Kafku nepřetržitá nutnost obhajoby díla velmi vyčerpávala. Mnohokrát to vypadalo, že práce zůstane nedokončena. Vše navíc zkomplikovala světová válka. Přesto na počátku 40. let odevzdal Kafka sádrový model sochy (bronzový odlitek naleznete v prvním patře památníku). Její dohotovení ve skutečné monumentální podobě a i konečnému odhalení (14. 7. 1950 k 430 letému výročí bitvy na Vítkově) se ale nedožil. Zemřel uprostřed 2. světové války v roce 1942.\u003C/p>\u003Cp>Kafkovy zápisky dokazují, že při tvorbě sochy významně čerpal ze zkušeností Josefa Václava Myslbeka. V té době dělilo Kafku od stavby sochy sv. Václava jen necelé dvacetiletí. Z roku 1931 se dochovaly zápisy rozhovoru Kafky s Myslbekovým štukatérem Victorem Silvestrem. Zájem se soustředil především na technické řešení statiky sochy i způsobu výroby hliněných předloh pro bronzové odlitky tak obrovské sochy.\u003C/p>\u003Cp>Mnoho desetiletí je Jan Žižka symbolem památníku na Vítkově. Čas potvrdil Kafkovu uměleckou pravdu. Jeho Žižka je tvrdým a pevným vojevůdcem, ovšem bez jakékoliv pýchy a zpupnosti. Díky soše se nesmrtelnosti dostalo i norickému Theseovi. Pro něj bylo ovšem pózování pro jednu z nejslavnějších soch Československa jen malou životní epizodou.\u003C/p>\u003Cp>Bohužel díky všemu, co bylo řečeno o samotném památníku, žije socha na Vítkově svůj život osamoceně. Obdivována je jen malým počtem návštěvníků přesto, že by si zasloužila stát v samotném centru turistického zájmu.\u003C/p>",{"id":2576,"documentId":2577,"title":2578,"slug":2579,"shortTitle":9,"address":2580,"type":54,"description":2581,"latitude":2582,"longitude":2583,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":2584,"updatedAt":2585,"publishedAt":2586,"locale":18,"content":2587,"image":2588,"carousel":2622,"seo":2623,"localizations":2632},1926,"qntk03o1jmml8kexkf6vtkr1","Riding Hall V Cípu","riding-hall-v-cipu","V Cípu, Praha 1 - Nové město, 110 00","Prague street names around Senovážné Square recall the city’s former horse-dominated everyday life. Near Na Příkopě Street stands the Sylva‑Tarouca Palace complex, rebuilt in 1743–1751 and associated with Kilián Ignác Dientzenhofer and Anselm Lurago.","50.083756","14.426723","2026-02-01T12:22:11.048Z","2026-03-16T21:32:17.770Z","2026-03-16T21:32:17.871Z","\u003Cp>The palace complex derives its name from the last aristocratic owners represented by Arnošt Emanuel Silva-Tarouca. This Portuguese-Spanish family settled in the Habsburg monarchy in the 18th century and established the Austrian (Moravian) line there.\u003C/p>\u003Cp>Arnošt Emanuel Silva-Tarouca, a prominent botanist and founder of the dendrological garden in Průhonice, leased a number of buildings of the palace complex in the second half of the 19th century.\u003C/p>\u003Cp>At that time, the riding hall became the seat of the City Equestrian Guard. Its riders were the founders of the tradition of escorting significant state visits to the centre of Prague from the station of Emperor Franz Josef, which was the gateway to the Czech lands and Prague.\u003C/p>\u003Cp>With the V Cípu street is associated the name of the captain and commander of the c. and k. burgher squadrons Viktor Meisner, who founded the \"Meisner riding hall\" here in 1890. However, members of the Sokol Prague Equestrian Department association continued the tradition of accompanying visitors of Czechoslovakia from Wilsonovo nádraží. The riding hall served its purpose until 1959, when the more than 200-year-old hippological history of the building came to an end.\u003C/p>\u003Cp>Subsequently, it was transformed into a printing house of Mladá Fronta publishing house, which was resided here during the socialist era. After 1989, there was a significant Billiards club and now the building is waiting to be included in the complex of office buildings that should be built in the courtyard.\u003C/p>",{"id":2589,"documentId":2590,"name":2591,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":2592,"hash":2617,"ext":70,"mime":73,"size":2618,"url":2619,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2620,"updatedAt":2621,"publishedAt":2620,"focalPoint":9},113,"hxyywohrvhyusdxbwgmn0nzk","A průčelí paláce Sylva-Tarouca.webp",{"large":2593,"small":2599,"medium":2605,"thumbnail":2611},{"ext":70,"url":2594,"hash":2595,"mime":73,"name":2596,"path":9,"size":2597,"width":76,"height":77,"sizeInBytes":2598},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_pruceli_palace_Sylva_Tarouca_d0c55b2676.webp","large_A_pruceli_palace_Sylva_Tarouca_d0c55b2676","large_A průčelí paláce Sylva-Tarouca.webp",96.67,96670,{"ext":70,"url":2600,"hash":2601,"mime":73,"name":2602,"path":9,"size":2603,"width":84,"height":85,"sizeInBytes":2604},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_pruceli_palace_Sylva_Tarouca_d0c55b2676.webp","small_A_pruceli_palace_Sylva_Tarouca_d0c55b2676","small_A průčelí paláce Sylva-Tarouca.webp",31.75,31750,{"ext":70,"url":2606,"hash":2607,"mime":73,"name":2608,"path":9,"size":2609,"width":77,"height":92,"sizeInBytes":2610},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_pruceli_palace_Sylva_Tarouca_d0c55b2676.webp","medium_A_pruceli_palace_Sylva_Tarouca_d0c55b2676","medium_A průčelí paláce Sylva-Tarouca.webp",61.26,61264,{"ext":70,"url":2612,"hash":2613,"mime":73,"name":2614,"path":9,"size":2615,"width":99,"height":100,"sizeInBytes":2616},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_pruceli_palace_Sylva_Tarouca_d0c55b2676.webp","thumbnail_A_pruceli_palace_Sylva_Tarouca_d0c55b2676","thumbnail_A průčelí paláce Sylva-Tarouca.webp",7.15,7146,"A_pruceli_palace_Sylva_Tarouca_d0c55b2676",296,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_pruceli_palace_Sylva_Tarouca_d0c55b2676.webp","2026-02-19T19:59:50.386Z","2026-06-14T11:32:44.183Z",{"id":634},{"id":2624,"metaTitle":2578,"metaDescription":2625,"keywords":2626,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2627},176,"The palace complex derives its name from the last aristocratic owners represented by Arnošt Emanuel Silva-Tarouca.","building, architecture, V Cípu, Prague, monument, history, horse",{"geo":2628,"name":2578,"@type":30,"image":2619,"address":2631,"@context":35,"description":2581,"additionalType":119},{"@type":27,"latitude":2629,"longitude":2630},50.083756,14.426723,{"@type":32,"streetAddress":2580,"addressCountry":33,"addressLocality":34},[2633],{"id":2634,"documentId":2577,"title":2635,"slug":2636,"shortTitle":9,"address":2580,"type":54,"description":2637,"latitude":2582,"longitude":2583,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":2638,"updatedAt":2639,"publishedAt":2640,"locale":46,"content":2641},1925,"Jízdárna V Cípu","jizdarna-v-cipu","Těmto místům dominuje Senovážné náměstí a Senovážná ulice. V této ulici stojí jedna z nejkrásnějších barokně-rokokových staveb Prahy palác Sylva-Tarouca (později Silva-Tarouca).","2026-02-01T12:22:11.023Z","2026-03-16T21:32:16.582Z","2026-03-16T21:32:16.676Z","\u003Cp>Svůj název odvozuje palácový komplex od posledních šlechtických majitelů reprezentovaných Arnoštem Emanuelem Silva-Tarouca. Tento původem portugalsko-španělský rod se v 18. století usadil v habsburské monarchii a založil zde rakouskou (moravskou) linii.\u003C/p>\u003Cp>Arnošt Emanuel Silva-Tarouca, významný botanik a zakladatel dendrologické zahrady v Průhonicích ve druhé polovině 19. století řadu budov palácového komplexu pronajímal.\u003C/p>\u003Cp>V té době se jízdárna stala sídlem Městské jezdecké gardy. Její jezdci byli zakladateli tradice doprovodů význačných státních návštěv centrem Prahy z nádraží císaře Františka Josefa, které bylo vstupní branou Českých zemí a Prahy.\u003C/p>\u003Cp>S jízdárnou v ulici V Cípu pak spojil své jméno rytmistr a velitel c. a k. měšťanské švadrony Viktor Meisner, který zde v roce 1890 založil „Meisnerovu jízdárnu“. V tradici doprovodu návštěv Československa ovšem již z Wilsonova nádraží pokračovali členové spolku Jezdeckého odboru Sokola pražského. Svému účelu sloužila jízdárna až do roku 1959, kdy se více jak dvousetletá hipologická historie budovy uzavřela.\u003C/p>\u003Cp>Následně byla přeměněna na tiskárnu vydavatelství Mladá Fronta, které zde sídlilo za dob socialismu. Po roce 1989 zde byl významný Biliár klub a nyní budova čeká na začlenění do komplexu administrativních staveb, které mají ve vnitrobloku vzniknout.\u003C/p>",{"id":2643,"documentId":2644,"title":2645,"slug":2646,"shortTitle":9,"address":2647,"type":54,"description":2648,"latitude":2649,"longitude":2650,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":2651,"updatedAt":2652,"publishedAt":2653,"locale":18,"content":2654,"image":2655,"carousel":2689,"seo":2691,"localizations":2699},1928,"wk5kmhqhvqzxor5ch3rhj4tt","Prague Castle Ballroom","prague-castle-ballroom","Královská zahrada , Praha 1 - Letná, 118 00","This nearly eighty-meter-long Renaissance building in the Prague Castle complex has been plagued by disasters for centuries. In 1617, part of the structure collapsed into the Deer Moat due to poor foundations. It burned down in 1757, and after 1848, two floors of barracks were insensitively built inside. After the founding of Czechoslovakia it was partially restored, but in 1945 an artillery shell struck and it burned again. A fundamental reconstruction came only in 1952, when the rare 16th-century sgraffito covering the walls was repaired. Curiously, the building did not escape communist ideology, and a sgraffito emblem of the five-year plan was added in one of the arches. The northern wall is supported by eleven half-columns with Ionic capitals, and above the arches are allegories of virtues and the seven liberal arts. In front of the building stands an allegorical statue Night by Matthias Bernard Braun from 1735.","50.092561","14.401036","2026-02-01T12:22:12.611Z","2026-03-16T21:32:20.449Z","2026-03-16T21:32:20.555Z","\u003Cp>The construction of the Ballroom itself has been plagued by problems for centuries. First, in 1617, due to a poorly established structure, part of the building collapsed into the Jelení ditch. In 1757 the building burned down and after 1848, when it was to serve as a barracks, two floors were insensitively built into it. After the establishment of Czechoslovakia in 1918, it was reconstructed, but in 1945 it was hit by an artillery shell and burned down again. The year 1952 brought a fundamental reconstruction. Above all, the rare sgraffito was repaired. The bizarre of the 16th century building is that the communist ideology did not escape this building in the 1950s, and in one of the arches a sgraffito was added with the emblem of the communist five-year plan (gear and number 5 together with a sickle and hammer).\u003C/p>\u003Cp>The ballroom is almost 80 m long with a hip roof. The long walls are divided into ten fields, the southern wall on the edge of the Jelení ditch is secured by massive abutments. Northern to the Royal Garden is supported by 11 half-columns with ionic warheads. The surfaces of the walls are covered with ornamental and figural sgraffito from the end of the 16th century. Above the arches are allegories of virtues and the seven liberal arts. In front of the building itself is an allegorical statue Night made by Matthias Bernard Braun from 1735.\u003C/p>",{"id":2656,"documentId":2657,"name":352,"alternativeText":9,"caption":9,"width":66,"height":2658,"formats":2659,"hash":2684,"ext":70,"mime":73,"size":2685,"url":2686,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2687,"updatedAt":2688,"publishedAt":2687,"focalPoint":9},385,"r7iybcmsk2gzhyfqlhe9kloe",1312,{"large":2660,"small":2666,"medium":2672,"thumbnail":2678},{"ext":70,"url":2661,"hash":2662,"mime":73,"name":357,"path":9,"size":2663,"width":76,"height":2664,"sizeInBytes":2665},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_04_73f9f4c4d1.webp","large_04_73f9f4c4d1",70.14,641,70144,{"ext":70,"url":2667,"hash":2668,"mime":73,"name":363,"path":9,"size":2669,"width":84,"height":2670,"sizeInBytes":2671},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_04_73f9f4c4d1.webp","small_04_73f9f4c4d1",20.46,320,20458,{"ext":70,"url":2673,"hash":2674,"mime":73,"name":369,"path":9,"size":2675,"width":77,"height":2676,"sizeInBytes":2677},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_04_73f9f4c4d1.webp","medium_04_73f9f4c4d1",41.88,480,41884,{"ext":70,"url":2679,"hash":2680,"mime":73,"name":375,"path":9,"size":2681,"width":2682,"height":100,"sizeInBytes":2683},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_04_73f9f4c4d1.webp","thumbnail_04_73f9f4c4d1",5.54,244,5538,"04_73f9f4c4d1",266.11,"https://meaningful-wonder-ea78781290.media.strapiapp.com/04_73f9f4c4d1.webp","2026-02-19T21:19:35.612Z","2026-06-14T12:00:23.422Z",{"id":2690},424,{"id":955,"metaTitle":2645,"metaDescription":2692,"keywords":2693,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2694},"The construction of the Ballroom itself has been plagued by problems for centuries.","building, architecture, Královská zahrada, Prague, monument, history, horse",{"geo":2695,"name":2645,"@type":30,"image":2686,"address":2698,"@context":35,"description":2648,"additionalType":119},{"@type":27,"latitude":2696,"longitude":2697},50.092561,14.401036,{"@type":32,"streetAddress":2647,"addressCountry":33,"addressLocality":34},[2700],{"id":2701,"documentId":2644,"title":2702,"slug":2703,"shortTitle":9,"address":2647,"type":54,"description":2704,"latitude":2649,"longitude":2650,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":2705,"updatedAt":2706,"publishedAt":2707,"locale":46,"content":2708},1927,"Míčovna Pražského hradu","micovna-prazskeho-hradu","Stavbu tohoto téměř osmdesát metrů dlouhého renesančního objektu v areálu Pražského hradu pronásledovaly po staletí problémy. V roce 1617 se část budovy kvůli špatným základům zřítila do Jeleního příkopu. V roce 1757 vyhořela a po roce 1848 do ní byly necitlivě vestavěny dvě poschodí kasáren. Po vzniku Československa byla poněkud opravena, ale v roce 1945 ji zasáhl dělostřelecký granát a opět vyhořela. Zásadní rekonstrukce přišla až v roce 1952, kdy byla opravena vzácná sgrafita z konce 16. století pokrývající stěny. Kuriózně se budově nevyhnula komunistická ideologie a v jednom z oblouků přibyl sgrafitový znak pětiletky. Severní stěna se opírá o jedenáct polosloupů s iónskými hlavicemi a nad oblouky jsou alegorie ctností a sedmi svobodných umění. Před budovou stojí alegorická socha Noc od Matyáše Bernarda Brauna z roku 1735.","2026-02-01T12:22:12.597Z","2026-03-16T21:32:19.121Z","2026-03-16T21:32:19.234Z","\u003Cp>Samotnou stavbu Míčovny pronásledovaly po staletí problémy. Nejprve se v roce 1617 kvůli špatně založené stavbě část budovy zřítila do Jeleního příkopu. V roce 1757 budova vyhořela a po roce 1848, kdy měla sloužit jako kasárna, do ní byla necitlivě vestavěna dvě poschodí. Po vzniku Československa v roce 1918 byla sice poněkud rekonstruována, ale roku 1945 byla zasažena dělostřeleckým granátem a opět vyhořela. Zásadní rekonstrukci tak přinesl až rok 1952. Především byla opravena vzácná sgrafita. Bizarností stavby z 16. století je, že se jí nevyhnula komunistická ideologie 50. let a v jednom z oblouků došlo ke sgrafitovému doplnění o znak komunistické pětiletky (ozubené kolo a číslice 5 společně se srpem a kladivem).\u003C/p>\u003Cp>Míčovna je téměř 80 m dlouhá s valbovou střechou. Dlouhé stěny jsou členěny na deset polí, jižní stěna na okraji Jeleního příkopu je jištěna mohutnými opěrami. Severní do Královské zahrady je opřena o 11 polosloupů s iónskými hlavicemi. Plochy stěn jsou pokryty ornamentálními i figurálními sgrafity z konce 16. století. Nad oblouky jsou alegorie ctností a sedmi svobodných umění. Před samotnou budovou stojí alegorická socha Noc od Matyáše Bernarda Brauna z roku 1735.\u003C/p>",{"id":2710,"documentId":2711,"title":2712,"slug":2713,"shortTitle":9,"address":2714,"type":410,"description":2715,"latitude":2716,"longitude":2717,"phone":2718,"website":2719,"available":1972,"availableDescription":9,"createdAt":2720,"updatedAt":2721,"publishedAt":2722,"locale":18,"content":2723,"image":2724,"carousel":2759,"seo":2761,"localizations":2770},1930,"whf8by9gx8z63fug4jofelye","The statues of the trig at the National Theater","the-statues-of-the-trig-at-the-national-theater","Národní třída, Praha 1, 110 00","For more than a century, Prague’s National Theatre has been crowned by two sculptural groups of trigae—three-horse chariots—driven by the winged goddess Victoria. The concept was created in the 1880s by Bohuslav Schnirch; after his death, the work was completed by other sculptors, including Ladislav Šaloun. The secession (Art Nouveau) influence is visible in the final 1911 execution.","50.081309","14.413426","420224901506","https://www.narodni-divadlo.cz/cs/prohlidky","2026-02-01T12:22:10.575Z","2026-03-16T21:32:22.762Z","2026-03-16T21:32:22.872Z","\u003Cp>The first construction of the National Theater took place under the architectural guidance of Josef Zítek who created the monumental entry of the theater facing the National Street (Národní třída) then known as Ferdinand’s. Sculptural decoration was entrusted to Bohuslav Schnirch who designed ten sculptures of Apollo and the Muses for the balustrades, along with two sculptures of antique trigas. However, the trigas were only in the form of a plaster design and their installation was to take place later.\u003C/p>\u003Cp>The National Theater was first opened on June 11, 1881, to celebrate the visit of the Crown Prince Rudolph. Another 11 performances were played in it before the building was closed again to complete final works. In the midst of them, on August 12, 1881, a fire destroyed the copper cupola, and both the auditorium and the stage of the theater. Citizens saw this fire as a national catastrophe, causing an enormous new fundraising effort. A million guldens was collected in 47 days.\u003C/p>\u003Cp>After the fire, Josef Schulz took on the second construction of the National Theater in 1881, but he wasn’t keen on the trigas. The sculptures of Apollo and the Muses were on proud display during the ceremonial opening on November 18, 1883, but the balconies of the National Theater awaited their horses for another 28 years.\u003C/p>\u003Cp>The technically perfectly equipped building served its purpose without any major reconstruction for almost a hundred years. On April 1, 1977 the National Theater was closed for more than six years and its extensive reconstruction ended on the 100th anniversary of its opening, on November 18, 1983. The trigas were renovated several times over the course of the years. The most brutal intervention took place during WWII, when the horses were secured using concrete out of fear of possible bombing.\u003C/p>\u003Cp>Aside from their artistic value, as with all equestrian sculptures, this is a technically challenging artwork, which is apparent from Schnirch’s designs. The trigas may be viewed close-up directly from the terrace and are included in the tours of the National Theater. The terrace is also accessible during performance breaks.\u003C/p>",{"id":2725,"documentId":2726,"name":1437,"alternativeText":9,"caption":9,"width":2727,"height":2728,"formats":2729,"hash":2753,"ext":1303,"mime":73,"size":2754,"url":2755,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2756,"updatedAt":2757,"publishedAt":2758,"focalPoint":9},23,"pmumfwnzpwrn2bgl31te97hg",2000,1333,{"large":2730,"small":2736,"medium":2742,"thumbnail":2747},{"ext":1303,"url":2731,"hash":2732,"mime":73,"name":1442,"path":9,"size":2733,"width":76,"height":2734,"sizeInBytes":2735},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_e5e71ada5a.jpg","large_A_e5e71ada5a",90.24,666,90240,{"ext":1303,"url":2737,"hash":2738,"mime":73,"name":1448,"path":9,"size":2739,"width":84,"height":2740,"sizeInBytes":2741},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_e5e71ada5a.jpg","small_A_e5e71ada5a",28.01,333,28008,{"ext":1303,"url":2743,"hash":2744,"mime":73,"name":1454,"path":9,"size":2745,"width":77,"height":84,"sizeInBytes":2746},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_e5e71ada5a.jpg","medium_A_e5e71ada5a",54.11,54110,{"ext":1303,"url":2748,"hash":2749,"mime":73,"name":1460,"path":9,"size":2750,"width":2751,"height":100,"sizeInBytes":2752},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_e5e71ada5a.jpg","thumbnail_A_e5e71ada5a",8.09,234,8094,"A_e5e71ada5a",313.37,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_e5e71ada5a.jpg","2026-02-18T21:45:49.638Z","2026-06-14T11:26:34.796Z","2026-02-18T21:45:49.639Z",{"id":2760},426,{"id":2762,"metaTitle":2712,"metaDescription":2763,"keywords":2764,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2765},184,"For more than a century, Prague’s National Theatre has been crowned by two sculptural groups of trigae—three-horse chariots—driven by the winged goddess.","statue, sculpture, Národní třída, Prague, monument, history, horse",{"geo":2766,"url":2719,"name":2712,"@type":30,"image":2755,"address":2769,"@context":35,"description":2715,"additionalType":465},{"@type":27,"latitude":2767,"longitude":2768},50.081309,14.413426,{"@type":32,"streetAddress":2714,"addressCountry":33,"addressLocality":34},[2771],{"id":2772,"documentId":2711,"title":2773,"slug":2774,"shortTitle":2775,"address":2714,"type":410,"description":2776,"latitude":2716,"longitude":2717,"phone":2718,"website":2719,"available":1972,"availableDescription":9,"createdAt":2777,"updatedAt":2778,"publishedAt":2779,"locale":46,"content":2780},1929,"Sousoší trig na Národním divadle","sousosi-trig-na-narodnim-divadle","Trigy na ND","Mohutné římsy nad balustrádou historické budovy Národního divadla v Praze zdobí již přes 100 let pozoruhodná sousoší koní. Jedná se o antická trojspřeží - trigy, ve kterých byli koně zapřaháni vedle sebe. Dvě trigy na Národním divadle řídí okřídlené bohyně Viktorie. Základní autorskou ideu vdechl trigám v 80. letech 19. století Bohuslav Schnirch. Jeho návrhy byly ale zničeny při požáru Národního divadla a při jeho rekonstrukci přestal být o trigy zájem. Diskuze o trigách trvaly až do roku 1888, kdy původní myšlenka přeci jen zvítězila. Bohuslav Schnirch byl vyzván k obnovení prací. Práce však již nebyla dokončena, protože Schnirch v roce 1901 zemřel. Jeho dílo tak převzali v letech 1909 – 1911 sochaři Emanuel Hallman, František Rous a především Schnirchův žák Ladislav Šaloun. Jejich pojetí je proto významně ovlivněno secesí. V roce 1911, deset let po Schnirchově smrti, se tak Národní divadlo trig přeci jen dočkalo.","2026-02-01T12:22:10.553Z","2026-03-16T21:32:21.642Z","2026-03-16T21:32:21.752Z","\u003Cp>První stavba Národního divadla vznikala pod architektonickým vedením Josefa Zítka, který vytvořil monumentální vyústění divadla na tehdejší Ferdinandovu (Národní) třídu. Sochařská výzdoba byla svěřena Bohuslavu Schnirchovi, který pro balustrádu navrhnul deset soch Apolóna a Múz a dvě monumentální sousoší antických trig. Trigy však byly pouze v sádrovém návrhu a s jejich osazením se mělo pokračovat až později.\u003C/p>\u003Cp>Národní divadlo se poprvé otevřelo 11. června 1881 na počest návštěvy korunního prince Rudolfa. Odehrálo se v něm ještě dalších 11 představení, než se budova znovu uzavřela pro dokončovací práce. Uprostřed nich, 12. srpna 1881, došlo k požáru, který zničil měděnou kupoli, hlediště i jeviště divadla. Požár lidé chápali jako celonárodní katastrofu a vyvolal obrovské odhodlání pro nové sbírky. Za 47 dní se vybral milion zlatých.\u003C/p>\u003Cp>Po požáru divadla v roce 1881 se druhé výstavby Národního divadla ujal Josef Schulz, který ovšem trigám nepřál. Při slavnostním otevření Národního divadla 18. listopadu 1883 vévodily sice divadlu sochy Apolóna a Múz, ale na kopyta koní antických trig nad balkónem čekalo Národní divadlo dalších 28 let.\u003C/p>\u003Cp>Technicky dokonale vybavená budova sloužila bez velkých přestaveb skoro sto let. Až 1. dubna 1977 bylo Národní divadlo na víc než šest let uzavřeno. Generální rekonstrukce skončila v den 100. výročí otevření: 18. listopadu 1983. Trigy tak v průběhu let prošly několikrát renovací. Nejbrutálnějším zásahem bylo upevnění koní pomocí betonu v průběhu 2. světové války z obav před případným bombardováním.\u003C/p>\u003Cp>Vedle umělecké hodnoty se jako u všech hipologických sousoší jedná i o technicky náročné dílo, které dokumentují Schnirchovi grafické návrhy. Trigy lze spatřit zblízka přímo z terasy a jsou součástí prohlídek Národního divadla. Terasa je přístupná i během přestávek představení.\u003C/p>",{"id":2782,"documentId":2783,"title":2784,"slug":2785,"shortTitle":2786,"address":2787,"type":410,"description":2788,"latitude":2789,"longitude":2790,"phone":2791,"website":2792,"available":414,"availableDescription":9,"createdAt":2793,"updatedAt":2794,"publishedAt":2795,"locale":18,"content":2796,"image":2797,"carousel":2834,"seo":2836,"localizations":2845},1932,"oyb64eva2q5ai4665qqgzqnp","St. Wenceslav of Jana Jiřího Bendla","st-wenceslav-of-jana-jiriho-bendla","Bendl´s st. Wenceslav","V Pevnosti, Praha 2 - Vyšehrad, 128 00","Until 1879 the Horse Market was graced by a statute of St Wenceslas by Jan Jiří Bendl dating to the second half of the 17th century. The new statute of the famous saint, a patron of the Czech Lands, was to be a noble complement to the new landmark on the square, the National Museum.","50.065786","14.417316","420 241 410 348, 420 261 225 304","http://www.praha-vysehrad.cz/","2026-02-01T12:22:10.609Z","2026-03-16T21:32:25.100Z","2026-03-16T21:32:25.196Z","\u003Cp>Some two hundred years after placing the original statue at the Horse Market, Prague began to develop with a feverish tempo, the town traffic quickly becoming dense. The sculpture began to obstruct practical city life. After its first relocation, Bendl’s Wenceslas got to watch the national revival fights of 1848. He was the reason that on March 16, 1848, writer and politician Karel Havlíček Borovský proposed renaming of the Horse Market to Wenceslas Square.\u003C/p>\u003Cp>But a mere 30 years later, the sculpture was finally removed from the square. However, Wenceslas Square couldn’t remain without its namesake. The Prague council turned to Bernard Seeling (1850-1895), a Czech sculptor held in great esteem, as well as the creator of 16 figures featured at the Powder Tower. Seeling accepted the order and during his scholarship stay in Rome, created a monumental design. Both the nationally oriented artistic circles and the Prague council were pleased.\u003C/p>\u003Cp>The design gained immediate support and a fundraising effort to create the sculpture took place between 1880 and 1886. At the time, Josef Václav Myslbek, the creator of the current equestrian sculpture, came into focus. It is still a subject to much debate concerning how J. V. Myslbek managed to obtain the order for the new St. Wenceslas (see St. Wenceslas for more). It is likely that certain behind-the-scenes dealings of a significant donor, Josef Hlávka, had something to do with it. In any case, Seeling’s design disappeared and Wenceslas square today is adorned by a monumental sculpture by Josef Václav Myslbek.\u003C/p>",{"id":2798,"documentId":2799,"name":2800,"alternativeText":9,"caption":9,"width":2801,"height":2802,"formats":2803,"hash":2828,"ext":1303,"mime":73,"size":2829,"url":2830,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2831,"updatedAt":2832,"publishedAt":2833,"focalPoint":9},31,"rkuuad6a0663o4u376fxck72","A. Sv. Václav - Jan Jiří Bendl - Vyšehrad.webp",1224,1632,{"large":2804,"small":2810,"medium":2816,"thumbnail":2822},{"ext":1303,"url":2805,"hash":2806,"mime":73,"name":2807,"path":9,"size":2808,"width":77,"height":76,"sizeInBytes":2809},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_Sv_Vaclav_Jan_Jiri_Bendl_Vysehrad_d6ac2f9a83.jpg","large_A_Sv_Vaclav_Jan_Jiri_Bendl_Vysehrad_d6ac2f9a83","large_A. Sv. Václav - Jan Jiří Bendl - Vyšehrad.webp",169.99,169990,{"ext":1303,"url":2811,"hash":2812,"mime":73,"name":2813,"path":9,"size":2814,"width":85,"height":84,"sizeInBytes":2815},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_Sv_Vaclav_Jan_Jiri_Bendl_Vysehrad_d6ac2f9a83.jpg","small_A_Sv_Vaclav_Jan_Jiri_Bendl_Vysehrad_d6ac2f9a83","small_A. Sv. Václav - Jan Jiří Bendl - Vyšehrad.webp",50.64,50638,{"ext":1303,"url":2817,"hash":2818,"mime":73,"name":2819,"path":9,"size":2820,"width":92,"height":77,"sizeInBytes":2821},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_Sv_Vaclav_Jan_Jiri_Bendl_Vysehrad_d6ac2f9a83.jpg","medium_A_Sv_Vaclav_Jan_Jiri_Bendl_Vysehrad_d6ac2f9a83","medium_A. Sv. Václav - Jan Jiří Bendl - Vyšehrad.webp",106.24,106242,{"ext":1303,"url":2823,"hash":2824,"mime":73,"name":2825,"path":9,"size":2826,"width":308,"height":100,"sizeInBytes":2827},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_Sv_Vaclav_Jan_Jiri_Bendl_Vysehrad_d6ac2f9a83.jpg","thumbnail_A_Sv_Vaclav_Jan_Jiri_Bendl_Vysehrad_d6ac2f9a83","thumbnail_A. Sv. Václav - Jan Jiří Bendl - Vyšehrad.webp",5.77,5766,"A_Sv_Vaclav_Jan_Jiri_Bendl_Vysehrad_d6ac2f9a83",380.29,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_Sv_Vaclav_Jan_Jiri_Bendl_Vysehrad_d6ac2f9a83.jpg","2026-02-18T21:52:57.343Z","2026-06-14T11:27:19.271Z","2026-02-18T21:52:57.344Z",{"id":2835},428,{"id":2837,"metaTitle":2784,"metaDescription":2838,"keywords":2839,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2840},188,"Until 1879 the Horse Market was graced by a statute of St Wenceslas by Jan Jiří Bendl dating to the second half of the 17th century.","statue, sculpture, V Pevnosti, Bendl´s st. Wenceslav, Prague, monument, history, horse",{"geo":2841,"url":2792,"name":2784,"@type":30,"image":2830,"address":2844,"@context":35,"description":2788,"additionalType":465},{"@type":27,"latitude":2842,"longitude":2843},50.065786,14.417316,{"@type":32,"streetAddress":2787,"addressCountry":33,"addressLocality":34},[2846],{"id":2847,"documentId":2783,"title":2848,"slug":2849,"shortTitle":2850,"address":2787,"type":410,"description":2851,"latitude":2789,"longitude":2790,"phone":2791,"website":2792,"available":414,"availableDescription":9,"createdAt":2852,"updatedAt":2853,"publishedAt":2854,"locale":46,"content":2855},1931,"Sv. Václav Jana Jiřího Bendla","sv-vaclav-jana-jiriho-bendla","Bendlův sv. Václav","Od druhé poloviny 17. století až do roku 1879 zdobila Koňský trh, jak se v minulosti Václavské náměstí nazývalo, jezdecká socha sv. Se vzrůstajícím provozem musela být v roce 1827 přesunuta o několik metrů výše.","2026-02-01T12:22:10.589Z","2026-03-16T21:32:23.869Z","2026-03-16T21:32:23.976Z","\u003Cp>O více jak dvě stě let později po umístění sochy do středu Koňského trhu se ale Praha horečně rozvíjí. Městská doprava houstne. Socha začíná vadit praktickému životu města. Po prvním přemístění ještě zažije Bendlův Václav národně osvobozovacího boje v roce 1848. Právě on je příčinou, že 16. března 1848 navrhnul Karel Havlíček Borovský přejmenovat Koňský trh na Václavské náměstí.\u003C/p>\u003Cp>Ale o dalších 30 let později je socha z náměstí definitivně odstraněna. Václavské náměstí ovšem nemohlo zůstat bez sv. Václava. Pražští radní se proto obrátili na českého sochaře Bernarda Seelinga (1850-1895). Ten byl tvůrcem 16 figur na pražské Prašné bráně a těšil se značné úcty. Seeling zakázku přijal a při svém stipendijním pobytu v Římě také vytvořil monumentální návrh. Národnostně naladěná umělecká obec i pražští radní byli nadšeni. Návrh získal okamžitou podporu a mezi lety 1980 až 1886 proběhla sbírka na tvorbu sochy. V té době ovšem vstoupil do hry Josef Václav Myslbek tvůrce současné jezdecké sochy. Jakým způsobem se podařilo J. V. Myslbekovi zakázku na sv. Václava (viz sv. Václav) získat je dodnes příčinou mnoha dohadů. Pravděpodobně k tomu přispěla zákulisní jednání významného mecenáše Josefa Hlávky. V každém případě Seelingův návrh zmizel a Václavské náměstí je dnes spojeno s monumentálním sousoším Josefa Václava Myslbeka.\u003C/p>",{"id":2857,"documentId":2858,"title":2859,"slug":2860,"shortTitle":2861,"address":1627,"type":410,"description":2862,"latitude":2863,"longitude":2864,"phone":1631,"website":1632,"available":414,"availableDescription":1633,"createdAt":2865,"updatedAt":2866,"publishedAt":2867,"locale":18,"content":2868,"image":2869,"carousel":2899,"seo":2901,"localizations":2910},1934,"wcz2mz7pa9jamub2mcrsusgf","Przewalski's horse in Prague ZOO by Vincent Vingler","przewalskis-horse-in-prague-zoo-by-vincent-vingler","Przewalski's horse","Prague Zoo became a world leader in saving the critically endangered Przewalski’s horse, including keeping the international studbook. In 1966 the sculptor Vincenc Vingler installed a bronze Przewalski’s horse in the zoo; it now stands near the horse enclosure. It is one of the few publicly accessible sculptures by Vingler, who focused almost exclusively on animal themes.","50.117458","14.405263","2026-02-01T12:22:10.668Z","2026-03-16T21:32:27.512Z","2026-03-16T21:32:27.619Z","\u003Cp>The Prague ZOO has contributed to saving the Przewalski's horses. The species carries the name of Russian geographer Nikolay Mikhaylovich Przhevalsky (Przewalski), who first identified it. This horse species represents the kertak (kertag) morphological type. The name is derived from the expression kher tach, used by Kyrgyz hunters, meaning a dark horse. The major significance given to these horses is also apparent from the fact that the very word tach has a sacred meaning in Mongolian.\u003C/p>\u003Cp>These horses appeared in the Czech lands thanks to the efforts of horse expert Professor František Bílek, the head of the Institute of General and Specialized Animal Technology at the Faculty of Agricultural Engineering of the Czech Technical University. In 1921 he obtained a stud named Ali from the agricultural school in Halle, Germany, followed in 1923 by two mares. Although one of them, Minka, died, Ali managed to produce four offspring. The school farm in Netluky successfully raised three of them.\u003C/p>\u003Cp>The Przewalski's horses from Netluky were relocated to the new Prague ZOO in Troja in 1932. Hence, Prague ZOO was a significant breeder of Przewalski's horses back in the era of the First Republic, between World Wars. Aside from our breeding program, Przewalski's horses were also bred in Munich, Germany, and several places in the USA. The Ukrainian acclimation station, Askania Nova, was also a significant breeder. Nonetheless, the numbers of these animals in captivity prior to the world war were, at maximum, around 50 individuals. The entire breeding effort also suffered from being scattered and the in-breeding of relatives.\u003C/p>\u003Cp>WWII had a catastrophic effect on the breeding of Przewalski's horses. By 1945, only 31 horses remained in ZOOs worldwide.\u003C/p>\u003Cp>As far back as the 1960s, reports of the critical circumstances of wild horses continued coming from the Mongolian-Chinese border. Given the political situation, nothing could be done to help save the horses in the wild. Wild horses were last seen in Mongolia in May of 1968 and the last individual was recorded in 1969.\u003C/p>\u003Cp>Luckily, this horse breeds well in captivity and, thanks to the breeding efforts of the zoological gardens, we can now consider this species saved. The current population amounts to approximately 1,800 individuals. This enabled the launch of a program in 1988 that reintroduces these horses to places where they became extinct twenty years earlier. The amazing vitality of the species is apparent from the fact that all currently living individuals originate from a mere 13 horses.\u003C/p>\u003Cp>Luckily, the year 1989 ended the bipolar division of the world and by 1990, the Russian army left Mongolia. Untethered by any bureaucratic ideology, Mongols have an enormous interest in returning the Przewalski's horses onto their reservations.\u003C/p>\u003Cp>The acclimation station for horses from Europe was established in the very early 1990s in the Gobi B National Park at the Chinese-Mongolian border. The location, named Tachin Tal (Steppe of the Wild Horse), was very symbolically selected, a mere 40 km from the place where the last wild Przewalski's horse was seen in nature in 1969. The first transport of horses from Prague took place in May of 1998, consisting of three horses from the Dolní Dobřejov Breeding and Rehabilitation Station of the Prague ZOO.\u003C/p>\u003Cp>The course of the reintroduction to the wild that we have literally watched live over the past 30 years shows that mankind imposed upon horses another historic and perhaps even more challenging task – to become wild again.\u003C/p>",{"id":2870,"documentId":2871,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":2872,"hash":2893,"ext":70,"mime":73,"size":2894,"url":2895,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2896,"updatedAt":2897,"publishedAt":2898,"focalPoint":9},35,"p139jhrhcoozbfe06c9fxj1f",{"large":2873,"small":2878,"medium":2883,"thumbnail":2888},{"ext":70,"url":2874,"hash":2875,"mime":73,"name":1442,"path":9,"size":2876,"width":76,"height":77,"sizeInBytes":2877},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_d1ecd867db.webp","large_A_d1ecd867db",164.13,164128,{"ext":70,"url":2879,"hash":2880,"mime":73,"name":1448,"path":9,"size":2881,"width":84,"height":85,"sizeInBytes":2882},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_d1ecd867db.webp","small_A_d1ecd867db",45.38,45378,{"ext":70,"url":2884,"hash":2885,"mime":73,"name":1454,"path":9,"size":2886,"width":77,"height":92,"sizeInBytes":2887},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_d1ecd867db.webp","medium_A_d1ecd867db",95.8,95796,{"ext":70,"url":2889,"hash":2890,"mime":73,"name":1460,"path":9,"size":2891,"width":99,"height":100,"sizeInBytes":2892},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_d1ecd867db.webp","thumbnail_A_d1ecd867db",8.81,8814,"A_d1ecd867db",616.38,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_d1ecd867db.webp","2026-02-19T18:28:21.130Z","2026-06-14T11:27:43.399Z","2026-02-19T18:28:21.131Z",{"id":2900},430,{"id":2902,"metaTitle":2859,"metaDescription":2903,"keywords":2904,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2905},192,"The Prague ZOO has contributed to saving the Przewalski's horses.","statue, sculpture, U Trojského zámku 3/120, Przewalski's horse, Prague, monument, history, horse",{"geo":2906,"url":1632,"name":2859,"@type":30,"image":2895,"address":2909,"@context":35,"description":2862,"additionalType":465},{"@type":27,"latitude":2907,"longitude":2908},50.117458,14.405263,{"@type":32,"streetAddress":1627,"addressCountry":33,"addressLocality":34},[2911],{"id":2912,"documentId":2858,"title":2913,"slug":2914,"shortTitle":2915,"address":1627,"type":410,"description":2916,"latitude":2863,"longitude":2864,"phone":1631,"website":1632,"available":414,"availableDescription":1633,"createdAt":2917,"updatedAt":2918,"publishedAt":2919,"locale":46,"content":2920},1933,"kůň Převalského v ZOO Praha od Vincence Vinglera","kun-prevalskeho-v-zoo-praha-od-vincence-vinglera","kůň Převalského","Z její iniciativy byla v roce 1959 uspořádána Konference na záchranu koní Převalského, na které byla pražská ZOO pověřena vedením plemenné knihy. se tak stal pro Prahu důležitým zvířetem, které je zobrazováno i v grafice zahrady. V roce 1966 proto sochař Vincenc Vingler (1911-1981) umístil v pražské ZOO bronzovou sochu koně Převalského.","2026-02-01T12:22:10.631Z","2026-03-16T21:32:26.203Z","2026-03-16T21:32:26.308Z","\u003Cp>Pražská zoologická zahrada je místem, kde se podařilo zachránit koně Převalského. Druh nese název po ruském přírodovědci Nikolaji Michajloviči Przewalskym (Převalském), který jej jako první popsal. Kůň je představitelem morfologického typu kertak (kertag). Název je odvozen od výrazu kher tach, který používali kirgizští lovci a znamená - tmavý kůň. Jak velký význam byl koním přikládán, je vidět i na tom, že samotný výraz tach má v mongolštině význam posvátný. Do českých zemí se kůň Převalského dostal zásluhou hipologa prof. Františka Bílka, který byl přednostou Ústavu pro všeobecnou a sociální zootechniku fakulty zemědělského inženýrství ČVUT. V roce 1921 získal od zemědělské školy v Halle nejprve hřebce ALI a v roce 1923 i dvě klisny. Jedna z nich sice uhynula, ale se druhou (MINKA) zplodil hřebec ALI celkem čtyři hříbata. Na školním statku v Netlukách se podařilo odchovat tři z nich.\u003C/p>\u003Cp>Netlučtí koně Převalského byli v roce 1932 převezeni do nové zoologické zahrady v Praze - Troji. Pražská ZOO se tak již v době I. republiky stala významným chovatelem koní Převalského. Vedle našeho chovu, byli koně Převalského rozmnožováni ještě v mnichovském chovu a na několika místech v USA. Významným chovatelem byla také ukrajinská aklimatizační stanice Askania Nova. Přesto se stavy zvířat chovaných v zajetí pohybovaly před světovou válkou maximálně okolo 50 ks. Celý chov byl navíc poznamenán roztříštěností a příbuzenskou plemenitbou.\u003C/p>\u003Cp>Katastrofální dopad na chov koní Převalského měla 2. světová válka. V roce 1945 zůstalo ve světových zahradách pouze 31 koní.\u003C/p>\u003Cp>Již od počátku 60. let docházely z mongolsko-čínských hranic zprávy o kritické situaci volně žijících divokých koní. Vzhledem k politické situaci nebylo možné pro záchranu koní ve volné přírodě již nic udělat. Divocí koně byli v Mongolsku naposledy spatřeni v květnu roku 1968, poslední jedinec pak v roce 1969.\u003C/p>\u003Cp>Naštěstí se kůň v zajetí dobře rozmnožuje a díky chovatelské práci zoologických zahrad ho lze v současnosti považovat za zachráněného. Jeho populace čítá okolo 1 800 kusů. Díky tomu mohlo být v roce 1988 přikročeno k programu návratu koní do míst, kde byli před 20 lety vyhubeni. Neuvěřitelnou životaschopnost druhu dokládá skutečnost, že všichni v současnosti žijící jedinci pochází z pouhých 13 koní.\u003C/p>\u003Cp>Naštěstí v roce 1989 skončilo bipolární rozdělení světa a v roce 1990 ale odešla sovětská vojska i z Mongolska. Mongolové nesvázaní žádnou byrokratickou ideologií, mají o návrat koně Převalského do svých rezervací enormní zájem.\u003C/p>\u003Cp>Aklimatizační stanice pro koně z Evropy vznikla velmi záhy, hned na počátku 90. let v národním parku Gobi B na čínsko-mongolských hranicích. Zcela symbolicky bylo vybráno místo známé jako Tachin Tal (Step divokého koně), které leží pouhých 40 km od místa, kde byl v divoké přírodě v roce 1969 naposledy spatřen poslední žijící kůň Převalského. První transport koní z Prahy byly zahájeny v květnu 1998 a jednalo se o tři koně z chovu v Dolním Dobřejově (Chovná a rehabilitační stanice ZOO Praha).\u003C/p>\u003Cp>Průběh opětovného zdivočování koní, který sledujeme v posledních 30 letech doslova v přímém přenosu ukazuje, že člověk postavil ve svých hipologických dějinách před koně další a možná nejnáročnější úkol – stát se opět divokým.\u003C/p>",{"id":2922,"documentId":2923,"title":2924,"slug":2925,"shortTitle":9,"address":2926,"type":2103,"description":2927,"latitude":2928,"longitude":2929,"phone":2930,"website":2931,"available":414,"availableDescription":2932,"createdAt":2933,"updatedAt":2934,"publishedAt":2935,"locale":18,"content":2936,"image":2937,"carousel":2966,"seo":2968,"localizations":2977},1936,"pivb1d17i7w1c70h1o8yqu4s","Racecourse Velká Chuchle","racecourse-velka-chuchle","Radotínská 69/34, Praha 5 - Velká Chuchle , 159 00","The Velká Chuchle racecourse opened on 28 September 1906 with a 2,100‑metre oval track, inspired by England’s Newmarket. During the socialist era the operation was confined within the grounds, and in 1985 the original Art Nouveau stands were replaced by reinforced concrete. Despite later architectural changes, the track remains one of the best in Central Europe thanks to its dimensions and quality.","50.008964","14.390198","420242447031","https://www.velka-chuchle.cz","sezóna od dubna do října, jinak volně přístupné","2026-02-01T12:22:10.711Z","2026-03-16T21:32:30.047Z","2026-03-16T21:32:30.153Z","\u003Cp>The horse-racing sport began its journey across Europe in the 19th century. Before then, it was primarily developed on the British Islands where speed competition between two horses was popular among the local aristocracy. This was known as a match-race and supposedly the first to use this term was King Charles I.\u003C/p>\u003Cp>In Great Britain, this centuries-old passion for races brought about an entirely new breed, the English thoroughbred. This breed was developed since the 17th century on the basis of island mares and Arab stallions. The efforts to breed the fastest possible horse peaked with a daring statement of the British breeders who, through their speaker James Weatherby, claimed that it’s no longer possible to improve this horse with any further influence of new blood. Thus in 1791 they created the General Stud Book of the English Thoroughbred. From then on, only an individual with a complete pedigree ending in this basic stud book can claim their breed as an English thoroughbred. Horse races also became popular in the Austro-Hungarian Empire over the course of the 19th century.\u003C/p>\u003Cp>The first record of horse racing in the Czech lands dates to 1478, when Peter of Sternberg put one of his horses to a race against a horse of the Croatians. In 1561, chronicler Václav Břežan recorded a horse with a prize of four hundred thalers. The first English horses were probably imported to Czech lands by Count Ferdinand Kinský in 1760.\u003C/p>\u003Cp>The first horseracing association was founded in 1839- The Czech Racing Association for Bohemia and Moravia. The first Czech racetrack was built in Prague at Invalidovna, where races took place until 1865. Over time, all horseracing activities moved to the Imperial Meadow (Císařská louka) in Prague. According to a drawing by Hugo Šternberk from 1888, hurdle races were also organized here. However, the Imperial Meadow was subject to frequent flooding, leading to the construction of the racetrack in Velká Chuchle in 1906.\u003C/p>\u003Cp>The horseracing sport began to fully develop only after WWI with the founding of Czechoslovakia. The Czechoslovak Jockey Club was founded in 1919. The Czechoslovak Stud Books continued those maintained under the Austro-Hungarian Empire. This strict administration of breeds now continues with the Czech Stud Books.\u003C/p>\u003Cp>The racetrack in Chuchle was built in the era of Art-Nouveau and equipped with stands in the English style, as well as a scales building. These buildings then became symbolic for the Chuchle racetrack and, despite their decent conditions, were torn down in 1985. They were replaced by a steel-and-concrete bleachers building. This transformation of the entire complex is another instance of the barbaric urbanism of the Communist era.\u003C/p>",{"id":2938,"documentId":2939,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":2940,"hash":2961,"ext":70,"mime":73,"size":2962,"url":2963,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2964,"updatedAt":2965,"publishedAt":2964,"focalPoint":9},45,"plnh6nki6f7w2twr4lvn74bs",{"large":2941,"small":2946,"medium":2951,"thumbnail":2956},{"ext":70,"url":2942,"hash":2943,"mime":73,"name":1442,"path":9,"size":2944,"width":76,"height":77,"sizeInBytes":2945},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_0b32d2cdd4.webp","large_A_0b32d2cdd4",95.53,95534,{"ext":70,"url":2947,"hash":2948,"mime":73,"name":1448,"path":9,"size":2949,"width":84,"height":85,"sizeInBytes":2950},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_0b32d2cdd4.webp","small_A_0b32d2cdd4",27.64,27644,{"ext":70,"url":2952,"hash":2953,"mime":73,"name":1454,"path":9,"size":2954,"width":77,"height":92,"sizeInBytes":2955},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_0b32d2cdd4.webp","medium_A_0b32d2cdd4",57.51,57510,{"ext":70,"url":2957,"hash":2958,"mime":73,"name":1460,"path":9,"size":2959,"width":99,"height":100,"sizeInBytes":2960},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_0b32d2cdd4.webp","thumbnail_A_0b32d2cdd4",5.9,5898,"A_0b32d2cdd4",331.12,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_0b32d2cdd4.webp","2026-02-19T19:19:12.810Z","2026-06-14T11:28:38.113Z",{"id":2967},432,{"id":2969,"metaTitle":2924,"metaDescription":2970,"keywords":2971,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":2972},196,"The horse-racing sport began its journey across Europe in the 19th century.","sports venue, sport, Radotínská 69/34, Prague, monument, history, horse",{"geo":2973,"url":2931,"name":2924,"@type":30,"image":2963,"address":2976,"@context":35,"description":2927,"additionalType":2155},{"@type":27,"latitude":2974,"longitude":2975},50.008964,14.390198,{"@type":32,"streetAddress":2926,"addressCountry":33,"addressLocality":34},[2978],{"id":2979,"documentId":2923,"title":2980,"slug":2981,"shortTitle":9,"address":2926,"type":2103,"description":2982,"latitude":2928,"longitude":2929,"phone":2930,"website":2931,"available":414,"availableDescription":2932,"createdAt":2983,"updatedAt":2984,"publishedAt":2985,"locale":46,"content":2986},1935,"Dostihové závodiště Velká Chuchle","dostihove-zavodiste-velka-chuchle","Dostihové závodiště s oválnou dostihovou dráhou o délce 2100 m ve Velké Chuchli bylo otevřeno 28. září 1906. Bohužel v roce 1985 byly původní secesní tribuny strženy a otevřený prostor před dostihovou drahou zastavěn železobetonovou tribunou.","2026-02-01T12:22:10.688Z","2026-03-16T21:32:28.827Z","2026-03-16T21:32:28.931Z","\u003Cp>Dostihový sport zahájil svoji cestu Evropou a světem v 19. století. Do té doby byl rozvíjen především na britských ostrovech, kde bylo mezi šlechtou populární rychlostní měření dvou koní. Tento závod byl nazýván matchem a termín prý poprvé použil Karel I. V Británii vyvrcholila tato staletá obliba dostihů zrozením zcela nového plemene – anglický plnokrevník. Ten byl na základě ostrovních klisen a arabských hřebců šlechtěn již od 17. století. Snahy o vyšlechtění co možná nejrychlejšího koně vyvrcholily odvážným tvrzením britských chovatelů, kteří ústy svého mluvčího Jamese Weatherbyho prohlásili, že nového koně již nelze žádným dalším přílivem krve zlepšit. V roce 1791 tak vytvořili a uzavřeli Generální plemennou knihu anglického plnokrevníka. Od té doby se příslušností k plemeni anglický plnokrevník může pyšnit pouze jedinec, který má kompletní rodokmen končící právě v této základní plemenné knize. V průběhu 19. století se dostihy staly populární i v Rakousku-Uhersku.\u003C/p>\u003Cp>První zmínka o koňských závodech na našem území pochází z roku 1478, kde Petr ze Šternberka postavil na start jednoho ze svých koní proti koni Chorvatů. V roce 1561 zaznamenal kronikář Václav Břežan závod koní o čtyři sta tolarů. První koně z Anglie přivezl do Čech pravděpodobně hrabě Ferdinand Kinský již v roce 1760.\u003C/p>\u003Cp>V roce 1839 byl založen první dostihový spolek - Český závodní spolek pro Čechy a Moravu. První česká dráha byla v Praze na Invalidovně, kde se dostihy běhaly od roku 1865. Veškeré dění kolem dostihů se časem přesunulo na Císařskou louku v Praze, kde byly podle kresby Huga Šternberka v roce 1888 pořádány již i překážkové dostihy. Císařská louka však byla často zatopena a tak vzniklo v roce 1906 chuchelské závodiště.\u003C/p>\u003Cp>Dostihový sport se začal naplno rozvíjet až po první světové válce se vznikem Československa. V roce 1919 byl založen Československý Jockey Club. Na do té doby vedené plemenné knihy anglického plnokrevníka Rakouska-Uherska navázaly Československé plemenné knihy. V přísné administrativě plemene nyní pokračují České plemenné knihy.\u003C/p>\u003Cp>Chuchelské závodiště vznikalo v době secese a bylo vybaveno třemi dostihovými tribunami v anglickém stylu a budovou vážnice. Tyto budovy pak byly symbolem chuchelského závodiště až do roku 1985, kdy byly přes velmi slušný stav zbořeny a nahrazeny železobetonovou tribunou. Tato proměna celého areálu je jen dalším dokladem urbanistického barbarství doby socialismu.\u003C/p>",{"id":2988,"documentId":2989,"title":2990,"slug":2991,"shortTitle":9,"address":2992,"type":410,"description":2993,"latitude":2994,"longitude":2995,"phone":2996,"website":2997,"available":9,"availableDescription":2998,"createdAt":2999,"updatedAt":3000,"publishedAt":3001,"locale":18,"content":3002,"image":3003,"carousel":3038,"seo":3040,"localizations":3049},1938,"y0msx15gyldxcwsykfc4mcey","Sculptures by Adrien de Vries in the Wallenstein Garden","sculptures-by-adrien-de-vries-in-the-wallenstein-garden","Letenská 123/4, Praha 1 - Malá Strana, 118 00","Wallenstein Palace and its garden feature sculptures by Dutch master Adriaen de Vries, court sculptor to Rudolf II. The works illustrate the palace’s strong connections to courtly equestrian culture.","50.089938","14.406844","420257075707","https://www.senat.cz/informace/pro_verejnost/valdstejnska_zahrada/index.php","duben až říjen","2026-02-01T12:22:11.786Z","2026-03-16T21:32:32.281Z","2026-03-16T21:32:32.386Z","Wallenstein Palace and its garden feature sculptures by Dutch master Adriaen de Vries, court sculptor to Rudolf II. Among them are two horse sculptures: one, made around 1607, likely draws on the ‘Old Spanish’ horses favoured by Rudolf; the other (c. 1622) shows a horse battling a dragon. The works illustrate the palace’s strong connections to courtly equestrian culture.",{"id":3004,"documentId":3005,"name":147,"alternativeText":9,"caption":9,"width":3006,"height":66,"formats":3007,"hash":3032,"ext":70,"mime":73,"size":3033,"url":3034,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3035,"updatedAt":3036,"publishedAt":3037,"focalPoint":9},212,"g0224cy6eflg6dhu8rc236uq",1984,{"large":3008,"small":3014,"medium":3020,"thumbnail":3026},{"ext":70,"url":3009,"hash":3010,"mime":73,"name":152,"path":9,"size":3011,"width":3012,"height":76,"sizeInBytes":3013},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_2_7b8e0a2d3a.webp","large_2_7b8e0a2d3a",82.52,969,82518,{"ext":70,"url":3015,"hash":3016,"mime":73,"name":158,"path":9,"size":3017,"width":3018,"height":84,"sizeInBytes":3019},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_2_7b8e0a2d3a.webp","small_2_7b8e0a2d3a",37.63,484,37626,{"ext":70,"url":3021,"hash":3022,"mime":73,"name":164,"path":9,"size":3023,"width":3024,"height":77,"sizeInBytes":3025},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_2_7b8e0a2d3a.webp","medium_2_7b8e0a2d3a",61.84,727,61838,{"ext":70,"url":3027,"hash":3028,"mime":73,"name":170,"path":9,"size":3029,"width":3030,"height":100,"sizeInBytes":3031},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_2_7b8e0a2d3a.webp","thumbnail_2_7b8e0a2d3a",6.72,151,6716,"2_7b8e0a2d3a",187.53,"https://meaningful-wonder-ea78781290.media.strapiapp.com/2_7b8e0a2d3a.webp","2026-02-19T20:32:48.532Z","2026-06-14T11:44:04.233Z","2026-02-19T20:32:48.533Z",{"id":3039},434,{"id":3041,"metaTitle":2990,"metaDescription":3042,"keywords":3043,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3044},200,"Wallenstein Palace and its garden feature sculptures by Dutch master Adriaen de Vries, court sculptor to Rudolf II.","statue, sculpture, Letenská 123/4, Prague, monument, history, horse",{"geo":3045,"url":2997,"name":2990,"@type":30,"image":3034,"address":3048,"@context":35,"description":2993,"additionalType":465},{"@type":27,"latitude":3046,"longitude":3047},50.089938,14.406844,{"@type":32,"streetAddress":2992,"addressCountry":33,"addressLocality":34},[3050],{"id":3051,"documentId":2989,"title":3052,"slug":3053,"shortTitle":9,"address":2992,"type":410,"description":3054,"latitude":2994,"longitude":2995,"phone":2996,"website":2997,"available":9,"availableDescription":2998,"createdAt":3055,"updatedAt":3056,"publishedAt":3057,"locale":46,"content":3058},2026,"Sochy Adriena de Vries ve Valdštejnské zahradě","sochy-adriena-de-vries-ve-valdstejnske-zahrade","Adrian de Vries (1556 – 1626) byl od roku 1601 dvorním sochařem císaře Rudolfa II. Po jeho smrti (1612) zůstal v Praze a ke konci svého života zhotovil pro Albrechta z Valdštejna sochařskou výzdobu palácové zahrady.","2026-02-01T12:22:11.770Z","2026-06-14T15:46:35.482Z","2026-06-14T15:46:35.588Z","\u003Cp>Valdštejnská zahrada je rozlohou více než 14 tisíc metrů čtverečních druhou největší zahradou v centru Prahy. Měla dokládat postavení a význam svého majitele a velikostí palácového komplexu i zahrad konkurovat Pražskému hradu. Vznikla ve stylu italského manýristického parku a dochované dopisy sochaře Adriana de Vriese dokládají, že se na jejím vzhledu Albrecht sám podílel. Součástí zahrady je i sala terrena, před kterou stojí fontána se sousoším Venuše s Amorem. Ve druhé části zahrady je rozsáhlý bazén s umělým ostrovem a plastikou Herkula s kyjem. Tato vodní plocha je umístěna před Valdštejnskou jízdárnou (@galerie-valdstejnska-jizdarna@ ), která na této straně zahradu uzavírá. Většina soch ve Valdštejnské zahradě je dílem Adriana de Vriese. Ten v Praze zemřel a je pohřben nedaleko zahrady, v kostele sv. Tomáše na Malé Straně.\u003C/p>\u003Cp>Valdštejnský palác byl v roce 1648 vyrabován švédskými vojáky. Originály soch jsou v současnosti umístěné v muzeu de Vriese v zámku Drottningholm ve Stockholmu. Sochy ve Valdštejnské zahradě jsou kopiemi, které byly podle originálů vyrobeny na začátku 20. století.\u003C/p>",{"id":3060,"documentId":3061,"title":3062,"slug":3063,"shortTitle":9,"address":3064,"type":54,"description":3065,"latitude":3066,"longitude":3067,"phone":9,"website":9,"available":9,"availableDescription":3068,"createdAt":3069,"updatedAt":3070,"publishedAt":3071,"locale":18,"content":3072,"image":3073,"carousel":3106,"seo":3108,"localizations":3117},1940,"rtyxx3rmbt2anrpqnr1u23v3","Riding hall Na rejdišti","riding-hall-na-rejdisti","Na redišti, Praha 1 - Staré město, 110 00","The former Estates Riding School ‘Na rejdišti’ once stood where Prague’s Faculty of Law and Conservatory are today. Built in the mid‑17th century, it became a provincial riding school in 1660 and trained horses in combat exercises inspired by Vienna’s Spanish school.","50.090491","14.415214","neexistuje","2026-02-01T12:22:11.898Z","2026-03-16T21:32:34.599Z","2026-03-16T21:32:34.702Z","The former Estates Riding School ‘Na rejdišti’ once stood where Prague’s Faculty of Law and Conservatory are today. Built in the mid‑17th century, it became a provincial riding school in 1660 and trained horses in combat exercises inspired by Vienna’s Spanish school. Records describe the hall as 35.8 m long and 12.5 m wide, with an open arena, hayloft and stabling for six horses.",{"id":3074,"documentId":3075,"name":3076,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3077,"hash":3101,"ext":70,"mime":73,"size":3102,"url":3103,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3104,"updatedAt":3105,"publishedAt":3104,"focalPoint":9},242,"al4ol5vaet2z1jq1jnwura90","DSCN5136.webp",{"large":3078,"small":3084,"medium":3090,"thumbnail":3095},{"ext":70,"url":3079,"hash":3080,"mime":73,"name":3081,"path":9,"size":3082,"width":76,"height":77,"sizeInBytes":3083},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_DSCN_5136_d4d26bbaae.webp","large_DSCN_5136_d4d26bbaae","large_DSCN5136.webp",41.92,41924,{"ext":70,"url":3085,"hash":3086,"mime":73,"name":3087,"path":9,"size":3088,"width":84,"height":85,"sizeInBytes":3089},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_DSCN_5136_d4d26bbaae.webp","small_DSCN_5136_d4d26bbaae","small_DSCN5136.webp",15.71,15708,{"ext":70,"url":3091,"hash":3092,"mime":73,"name":3093,"path":9,"size":570,"width":77,"height":92,"sizeInBytes":3094},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_DSCN_5136_d4d26bbaae.webp","medium_DSCN_5136_d4d26bbaae","medium_DSCN5136.webp",27820,{"ext":70,"url":3096,"hash":3097,"mime":73,"name":3098,"path":9,"size":3099,"width":99,"height":100,"sizeInBytes":3100},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_DSCN_5136_d4d26bbaae.webp","thumbnail_DSCN_5136_d4d26bbaae","thumbnail_DSCN5136.webp",4.7,4696,"DSCN_5136_d4d26bbaae",120.91,"https://meaningful-wonder-ea78781290.media.strapiapp.com/DSCN_5136_d4d26bbaae.webp","2026-02-19T20:43:29.145Z","2026-06-14T11:45:41.798Z",{"id":3107},436,{"id":3109,"metaTitle":3062,"metaDescription":3110,"keywords":3111,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3112},204,"The former Estates Riding School ‘Na rejdišti’ once stood where Prague’s Faculty of Law and Conservatory are today.","building, architecture, Na redišti, Prague, monument, history, horse",{"geo":3113,"name":3062,"@type":30,"image":3103,"address":3116,"@context":35,"description":3065,"additionalType":119},{"@type":27,"latitude":3114,"longitude":3115},50.090491,14.415214,{"@type":32,"streetAddress":3064,"addressCountry":33,"addressLocality":34},[3118],{"id":3119,"documentId":3061,"title":3120,"slug":3121,"shortTitle":9,"address":3064,"type":54,"description":3122,"latitude":3066,"longitude":3067,"phone":9,"website":9,"available":9,"availableDescription":3068,"createdAt":3123,"updatedAt":3124,"publishedAt":3125,"locale":46,"content":3126},1939,"Jízdárna Na rejdišti","jizdarna-na-rejdisti","Jednou z již dnes stržených pražských jízdáren byla stavovská jízdárna „Na rejdišti“, která stávala v místech současné Právnické fakulty a Pražské konzervatoře. Patřila saskému vévodovi Janu Jindřichu a byla vystavěna v polovině 17. století.","2026-02-01T12:22:11.882Z","2026-03-16T21:32:33.477Z","2026-03-16T21:32:33.580Z","\u003Cp>V  jízdárně vystupovali i zahraniční jezdci. V roce 1776 třeba Angličan John Simson se svojí ženou, který zařadil Prahu do svého evropského turné a Pražany udivoval nevídanou akrobacií na koňském hřbetě. V galerii tehdejších jezdeckých artistů konce 18. století nacházíme i jméno „signor Marigiti“ v jehož souboru bylo 22 artistů a 22 koní, nebo „královský jezdec španělský Petr Mahyeu“. Dalším pak byl John Balp vystupující Na rejdišti v roce 1791. Ten je v historii jízdárny zapsán především proto, že jeho představení sledoval i habsburský monarcha, císař římský a český král Leopold II.\u003C/p>\u003Cp>Jízdárna sloužila široké veřejnosti i v průběhu 19. století a v jízdě na koni se zde cvičili i příslušníci české buržoazie. Dokládá to i příběh spojený s revolučním rokem 1848. Ve svých vzpomínkách zmiňuje jízdárnu Na rejdišti i mladý revolucionář Josef Václav Frič. Ten se v jízdárně učil jezdit na koni. Když vypukly revoluční události roku 1848, panoval v pražských ulicích značný chaos. Když bezvládí Josef Frič viděl, v jízdárně Na rejdišti si půjčil koně. V revolučním chaosu a zmatku byl jako jezdec okamžitě respektován jako revoluční vůdce a stal se důležitou figurou povstání. Jízdárna Na rejdišti byla stržena v roce 1875 při stavbě nábřeží a tím skončila její dvousetletá historie. Dnes ji připomíná již pouze název ulice spojující Dvořákovo nábřeží s ulicí 17. listopadu.\u003C/p>",{"id":3128,"documentId":3129,"title":3130,"slug":3131,"shortTitle":9,"address":3132,"type":54,"description":3133,"latitude":3134,"longitude":3135,"phone":1970,"website":9,"available":414,"availableDescription":9,"createdAt":3136,"updatedAt":3137,"publishedAt":3138,"locale":18,"content":3139,"image":3140,"carousel":3170,"seo":3172,"localizations":3180},1942,"d0d9hwnjq9qcr4v44y5yyrpm","Old royal post office on Maltese Square","old-royal-post-office-on-maltese-square","Maltézské náměstí 1/480/8, Praha 1 - Malá strana, 118 00","Regular postal service in the Czech lands is traced to the Prague–Vienna courier connection established in 1526 by Archduke Ferdinand. Over time Prague gained regular postal links with key cities in neighbouring countries and onward European networks.","50.086338","14.404929","2026-02-01T12:22:11.197Z","2026-03-16T21:32:36.949Z","2026-03-16T21:32:37.294Z","Regular postal service in the Czech lands is traced to the Prague–Vienna courier connection established in 1526 by Archduke Ferdinand. Ambrosio Taxis became chief postmaster for Bohemia, and relay stations were created along the route. Over time Prague gained regular postal links with key cities in neighbouring countries and onward European networks.",{"id":3141,"documentId":3142,"name":1981,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3143,"hash":3164,"ext":70,"mime":73,"size":3165,"url":3166,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3167,"updatedAt":3168,"publishedAt":3169,"focalPoint":9},99,"rve4tstmcm8pinhr3to678sl",{"large":3144,"small":3149,"medium":3154,"thumbnail":3159},{"ext":70,"url":3145,"hash":3146,"mime":73,"name":1986,"path":9,"size":3147,"width":76,"height":77,"sizeInBytes":3148},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_3_4d9bada6cc.webp","large_3_4d9bada6cc",92.36,92360,{"ext":70,"url":3150,"hash":3151,"mime":73,"name":1992,"path":9,"size":3152,"width":84,"height":85,"sizeInBytes":3153},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_3_4d9bada6cc.webp","small_3_4d9bada6cc",27.62,27618,{"ext":70,"url":3155,"hash":3156,"mime":73,"name":1998,"path":9,"size":3157,"width":77,"height":92,"sizeInBytes":3158},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_3_4d9bada6cc.webp","medium_3_4d9bada6cc",55.98,55976,{"ext":70,"url":3160,"hash":3161,"mime":73,"name":2004,"path":9,"size":3162,"width":99,"height":100,"sizeInBytes":3163},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_3_4d9bada6cc.webp","thumbnail_3_4d9bada6cc",6.27,6274,"3_4d9bada6cc",306.48,"https://meaningful-wonder-ea78781290.media.strapiapp.com/3_4d9bada6cc.webp","2026-02-19T19:55:11.726Z","2026-06-14T11:33:51.536Z","2026-02-19T19:55:11.727Z",{"id":3171},438,{"id":99,"metaTitle":3130,"metaDescription":3173,"keywords":3174,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3175},"Regular postal service in the Czech lands is traced to the Prague–Vienna courier connection established in 1526 by Archduke Ferdinand.","building, architecture, Maltézské náměstí 1/480/8, Prague, monument, history, horse",{"geo":3176,"name":3130,"@type":30,"image":3166,"address":3179,"@context":35,"description":3133,"additionalType":119},{"@type":27,"latitude":3177,"longitude":3178},50.086338,14.404929,{"@type":32,"streetAddress":3132,"addressCountry":33,"addressLocality":34},[3181],{"id":3182,"documentId":3129,"title":3183,"slug":3184,"shortTitle":3185,"address":3132,"type":54,"description":3186,"latitude":3134,"longitude":3135,"phone":1970,"website":9,"available":414,"availableDescription":9,"createdAt":3187,"updatedAt":3188,"publishedAt":3189,"locale":46,"content":3190},1941,"Stará královská pošta na Maltézském náměstí","stara-kralovska-posta-na-maltezskem-namesti","Stará pošta","Zprávu o svém zvolení českým králem 23. října 1526 obdržel za 36 hodin. Na poštovní trati vznikaly první poštovní přepřahací stanice ve Vratěníně, Slavonicích, Člunku, Samosolech, Soběslavi, Táboře, Voticích a Nespekách.","2026-02-01T12:22:11.181Z","2026-03-16T21:32:35.805Z","2026-03-16T21:32:35.914Z","\u003Cp>Od poloviny 16. století povolila rakouská pošta přijímat k poštovní přepravě za poplatek soukromou korespondenci a zásilky. Císař Rudolf II. pak následně povolil poštovní přepravu osob. Cestující si mohli pronajmout poštovní koně k jízdě nebo do zápřahu svých soukromých kočárů s možností jejich výměny za čerstvé po celé délce poštovní trati. Poštovní dopravu osob začaly postupně zajišťovat poštovní vozy a dostavníky.\u003C/p>\u003Cp>Pražský poštovní úřad byl centrem poštovnictví v českých zemích a byl, spolu s brněnským, povýšen v roce 1722 na vrchní poštovní úřad, který spravoval zemské poštovní stanice v Čechách. Od svého zřízení v r. 1527 až do r. 1849 byl umístěn na Malé Straně na dnešním Maltézském náměstí. Do nové budovy v Jindřišské ulici přesídlil po dokončení stavby v roce 1873 (viz. Hlavní pošta Praha 1 - Jindřišská ulice).\u003C/p>\u003Cp>Dům Staré královské pošty vznikl v letech 1539–42 na místě sladovny. Počátkem 17. století ho vlastnil Kašpar Luk z Bohuslavic, jemuž byl císařským rozhodnutím z roku 1622 zkonfiskován a prodán hlavnímu zemskému a pražskému poštmistrovi Ferdinandu Pruggerovi z Grünbergu (ve funkci 1610–17 a 1621–34) a dům se tak stal sídlem hlavního poštovního úřadu Království českého a poštovní stanice Praha.\u003C/p>\u003Cp>V prostorném domě s rozsáhlými stájemi a dvorem měl poštmistr Prugger i jeho následovníci ustájeny poštovní koně, vozy a ubytovanou čeleď i poštovní posly a postilióny. Pruggerovi však dům dlouho nepatřil. V květnu 1625 byl císařským rozhodnutím věnován řádu Maltézských rytířů pro umístění jejich konventu. K jeho zřízení ale nedošlo a dům nadále zůstal pronajat Pruggerovi pro potřeby poštovní stanice. Během vpádu saské armády do Prahy roku 1631 byl dům vypleněn a poškozen. Řád Maltézských rytířů poté dům prodal kováři Hanuši Graffovi a jeho manželce Marii. Tehdy již poštovní stanici vedl stejnojmenný syn předešlého poštmistra – Ferdinand Prugger z Grünbergu ml. (ve funkci 1634–48).\u003C/p>\u003Cp>Od roku 1666 vlastnil dům Jakub Schweizer, rovněž kovář. V té době byl hlavním zemským poštmistrem pro Čechy Jan Jindřich Lang (ve funkci 1656–70), kterého postupně vystřídali Jan Arnold z Bentzerad (1671–73), Jan František Brahier (1673–92), Jan Kašpar z Ickingu (1697–1710) a konečně Jan Petr Nell z Nellenberku (1710–43). Ten v domě sídlil až do roku 1723, kdy se vrchní poštovní úřad přestěhoval do nedalekého domu v Lázeňské ulici čp. 462/5. Stěhování souviselo s částečným postátněním poštovní správy a vznikem vrchního poštovního úřadu v Praze, které se uskutečnilo o rok dříve. Více než stoletá poštovní minulost domu však zůstala v povědomí malostranských obyvatel hluboko zapsaná, takže ještě ve 20. století se běžně užíval název dům „U staré pošty“, „Na staré poště“ či „Stará pošta“.\u003C/p>\u003Cp>V této tradici pokračuje současný provozovatel stylového hotelu s názvem Old Royal Post.\u003C/p>",{"id":3192,"documentId":3193,"title":3194,"slug":3195,"shortTitle":9,"address":3196,"type":54,"description":3197,"latitude":3198,"longitude":3199,"phone":1970,"website":9,"available":414,"availableDescription":415,"createdAt":3200,"updatedAt":3201,"publishedAt":3202,"locale":18,"content":3203,"image":3204,"carousel":3233,"seo":3235,"localizations":3243},1944,"uxwfchbw4cp3n9kp9f5dg1h8","Prague horse tramway","prague-horse-tramway","Šaldova 278, Praha 8 - Karlín, 186 00","Prague’s first horse-drawn tramway line opened on 23 September 1875, established by Belgian entrepreneur Édouard Otlet. By 1890 the system operated 117 cars and 528 horses, but it was bought in 1898 and converted to electric traction; the last regular horse‑tram ride ran on 12 May 1905.","50.095106","14.454656","2026-02-01T12:22:11.925Z","2026-03-16T21:32:40.511Z","2026-03-16T21:32:41.143Z","Prague’s first horse-drawn tramway line opened on 23 September 1875, established by Belgian entrepreneur Édouard Otlet. It ran from Emperor Francis I’s Chain Bridge area to Karlín’s Invalidovna, with stabling for dozens of horses near today’s Sokolovská–Šaldova junction. By 1890 the system operated 117 cars and 528 horses, but it was bought in 1898 and converted to electric traction; the last regular horse‑tram ride ran on 12 May 1905.",{"id":3205,"documentId":3206,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3207,"hash":3228,"ext":70,"mime":73,"size":3229,"url":3230,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3231,"updatedAt":3232,"publishedAt":3231,"focalPoint":9},250,"gmnego3135lr0a4zsfb2xpwu",{"large":3208,"small":3213,"medium":3218,"thumbnail":3223},{"ext":70,"url":3209,"hash":3210,"mime":73,"name":1442,"path":9,"size":3211,"width":76,"height":77,"sizeInBytes":3212},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_c0849acdc4.webp","large_A_c0849acdc4",64.9,64896,{"ext":70,"url":3214,"hash":3215,"mime":73,"name":1448,"path":9,"size":3216,"width":84,"height":85,"sizeInBytes":3217},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_c0849acdc4.webp","small_A_c0849acdc4",23.04,23040,{"ext":70,"url":3219,"hash":3220,"mime":73,"name":1454,"path":9,"size":3221,"width":77,"height":92,"sizeInBytes":3222},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_c0849acdc4.webp","medium_A_c0849acdc4",42.95,42946,{"ext":70,"url":3224,"hash":3225,"mime":73,"name":1460,"path":9,"size":3226,"width":99,"height":100,"sizeInBytes":3227},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_c0849acdc4.webp","thumbnail_A_c0849acdc4",6.03,6030,"A_c0849acdc4",202.23,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_c0849acdc4.webp","2026-02-19T20:45:03.266Z","2026-06-14T11:49:18.593Z",{"id":3234},440,{"id":3004,"metaTitle":3194,"metaDescription":3236,"keywords":3237,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3238},"Prague’s first horse-drawn tramway line opened on 23 September 1875, established by Belgian entrepreneur Édouard Otlet.","building, architecture, Šaldova 278, Prague, monument, history, horse",{"geo":3239,"name":3194,"@type":30,"image":3230,"address":3242,"@context":35,"description":3197,"additionalType":119},{"@type":27,"latitude":3240,"longitude":3241},50.095106,14.454656,{"@type":32,"streetAddress":3196,"addressCountry":33,"addressLocality":34},[3244],{"id":3245,"documentId":3193,"title":3246,"slug":3247,"shortTitle":9,"address":3196,"type":54,"description":3248,"latitude":3198,"longitude":3199,"phone":1970,"website":9,"available":414,"availableDescription":415,"createdAt":3249,"updatedAt":3250,"publishedAt":3251,"locale":46,"content":3252},1943,"Pražská koňka","prazska-konka","První pokus o vybudování koňské tramvaje v Praze spatřil světlo světa v roce 1873 kdy Bernard Kollman a Zdeněk hrabě Kinský založili Anglo-českou tramwayovou společnost. Elektrické podniky nakonec celou síť v roce 1898 odkoupily a převzatou koňku postupně přebudovaly na elektrickou tramvaj a novým potřebám přizpůsobily karlínskou vozovnu.","2026-02-01T12:22:11.909Z","2026-03-16T21:32:38.743Z","2026-03-16T21:32:39.145Z","\u003Cp>Koněspřežka – tzv. ,,koňka“ byl čtyřsedadlový krytý vůz tažený jedním či dvěma koňmi. Jízda po kolejích významně usnadňovala pohyb vozu, takže kůň dokázal utáhnout až 30x víc, než při zápřeži ve formanském voze. Někdy proto bylo zapřaženo i více vozů za sebou. Na kozlíku seděl kočí v uniformě, vůz obsluhoval průvodčí. Vůz se pohyboval rychlostí 10-15km/h.\u003C/p>\u003Cp>Do areálu první vozovny vedla jedna kolej, která pokračovala kolem lampárny do odstavné haly, kde se větvila k jednotlivým parkovacím stáním. V areálu se nacházela malá dílna, obytná budova, postrojovna, kovárna a samozřejmě stáje. Začátkem 90. let 19. století byla dřevěná kůlna na vozy zbořena a roku 1893 ji nahradila větší cihlová budova. Rozšíření se dočkaly i stáje a roce 1899 vzrostl počet ustájených koní na 113. Vozovna po rekonstrukci dokázala pojmout 25 vozů. Po převzetí tratě koňky 21. května 1900 Elektrickými podniky začaly rozsáhlé úpravy vozovny, stáje byly zbourány, zůstala pouze budova dílen. Téhož roku byla uvedena do provozu nová hala pro 29 elektrických vozů.\u003C/p>\u003Cp>Během 1. světové války vozovna sloužila k úschovně sanitních, později hlavně nákladních tramvají. Vozovna sloužila svému účelu až do 13. března 1951. Objekt byl dále využíván Dopravním podnikem pro garážování, údržbu a opravu vozů. Chátrající objekt by byl nejspíše zdemolován. Naštěstí o něj projevila zájem automobilka Mercedes, která zde má od roku 1998 svou prodejnu.\u003C/p>",{"id":3254,"documentId":3255,"title":3256,"slug":3257,"shortTitle":9,"address":3258,"type":54,"description":3259,"latitude":3260,"longitude":3261,"phone":9,"website":3262,"available":1972,"availableDescription":3263,"createdAt":3264,"updatedAt":3265,"publishedAt":3266,"locale":18,"content":3267,"image":3268,"carousel":3300,"seo":3302,"localizations":3311},1948,"oswdtc93fzixokr03xw1r44t","Fürstenberg garden","furstenberg-garden","Valdštejnská ulice, Praha 1 - Malá Strana, 118 00","The Original Vineyard is the easternmost terraced garden beneath Prague Castle, covering 1.55 hectares. Its Baroque terraced form was extensively rebuilt in the mid‑18th century, and the entrance buildings still show clear traces of stables and carriage houses.","50.091150","14.408399","www.spravazahradyvf.cz","duben - říjen 10:00 - 18:00","2026-02-01T12:22:11.984Z","2026-03-16T21:32:47.595Z","2026-03-16T21:32:47.714Z","The Original Vineyard is the easternmost terraced garden beneath Prague Castle, covering 1.55 hectares. Its Baroque terraced form was extensively rebuilt in the mid‑18th century, and the entrance buildings still show clear traces of stables and carriage houses. From the approach near Wallenstein Palace you can also glimpse Petra Vlachynská’s Lipizzaner sculptures through the embassy garden fence.",{"id":3269,"documentId":3270,"name":3271,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3272,"hash":3295,"ext":70,"mime":73,"size":3296,"url":3297,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3298,"updatedAt":3299,"publishedAt":3298,"focalPoint":9},255,"j21qb4pfenubvg8rtnnziq6y","2.webp",{"large":3273,"small":3279,"medium":3283,"thumbnail":3289},{"ext":70,"url":3274,"hash":3275,"mime":73,"name":3276,"path":9,"size":3277,"width":76,"height":77,"sizeInBytes":3278},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_2_525e5aac35.webp","large_2_525e5aac35","large_2.webp",108.04,108036,{"ext":70,"url":3280,"hash":3281,"mime":73,"name":3282,"path":9,"size":435,"width":84,"height":85,"sizeInBytes":436},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_2_525e5aac35.webp","small_2_525e5aac35","small_2.webp",{"ext":70,"url":3284,"hash":3285,"mime":73,"name":3286,"path":9,"size":3287,"width":77,"height":92,"sizeInBytes":3288},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_2_525e5aac35.webp","medium_2_525e5aac35","medium_2.webp",67.4,67404,{"ext":70,"url":3290,"hash":3291,"mime":73,"name":3292,"path":9,"size":3293,"width":99,"height":100,"sizeInBytes":3294},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_2_525e5aac35.webp","thumbnail_2_525e5aac35","thumbnail_2.webp",6.8,6804,"2_525e5aac35",347.45,"https://meaningful-wonder-ea78781290.media.strapiapp.com/2_525e5aac35.webp","2026-02-19T20:46:09.968Z","2026-06-14T11:49:51.034Z",{"id":3301},444,{"id":3303,"metaTitle":3256,"metaDescription":3304,"keywords":3305,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3306},220,"The Original Vineyard is the easternmost terraced garden beneath Prague Castle, covering 1.55 hectares.","building, architecture, Valdštejnská ulice, Prague, monument, history, horse",{"geo":3307,"url":3262,"name":3256,"@type":30,"image":3297,"address":3310,"@context":35,"description":3259,"additionalType":119},{"@type":27,"latitude":3308,"longitude":3309},50.09115,14.408399,{"@type":32,"streetAddress":3258,"addressCountry":33,"addressLocality":34},[3312],{"id":3313,"documentId":3255,"title":3314,"slug":3315,"shortTitle":9,"address":3258,"type":54,"description":3316,"latitude":3260,"longitude":3261,"phone":9,"website":3262,"available":1972,"availableDescription":3263,"createdAt":3317,"updatedAt":3318,"publishedAt":3319,"locale":46,"content":3320},1947,"Velká Fürstenberská zahrada","velka-furstenberska-zahrada","Původní vinice je nejvýchodněji položenou terasovitou zahradou pod Pražským hradem. Paliardimu (1737 – 1824).","2026-02-01T12:22:11.967Z","2026-03-16T21:32:46.102Z","2026-03-16T21:32:46.266Z","Původní vinice je nejvýchodněji položenou terasovitou zahradou pod Pražským hradem. Celková rozloha zahrady je 1,55 ha a bývala součástí Fürstenberského paláce, který je dnes pronajímám Polskému velvyslanectví. Velkorysou přestavbu barokní terasovité zahrady inicioval Václav Kazimír Netolický z Eisenberku v polovině 18. století. Do zahrady lze vstoupit dvěma způsoby. Z Malé Strany od Valdštejnského paláce (Valdštejnský palác) po straně uzavřené zahrady Fürstenberského paláce, přes jejíž plot můžeme obdivovat sochy lipicánů od Petry Vlachynské (Koně Petry Vlachynské na zahradě Fürstenberského paláce). Vstupním objektem do zahrady je původní budova hospodářského zázemí paláce, jejíž hipologický charakter (stáje a kočárovna) je dodnes jasně patrný. Druhým vstupem do zahrady je vyhlídkový pavilon zahrady přiléhající ke Starým zámeckým schodům. Autorství pavilonu s výraznými barokními rysy je někdy připisováno Ignáci J. N. Paliardimu (1737 – 1824).",{"id":3322,"documentId":3323,"title":3324,"slug":3325,"shortTitle":9,"address":3326,"type":54,"description":3327,"latitude":3328,"longitude":3329,"phone":1970,"website":3330,"available":414,"availableDescription":3331,"createdAt":3332,"updatedAt":3333,"publishedAt":3334,"locale":18,"content":3335,"image":3336,"carousel":3365,"seo":3367,"localizations":3376},1950,"ewjd3rbkm334jhs3gq1vb4t5","Restaurant by U labutí","restaurant-by-u-labuti","Hradčanské nám. 61/11, Praha 1 - Hradčany, 118 00","The passageway’s oak paving and width suggest carriage access, while ground-floor stable spaces and marble troughs survive inside today’s Restaurant U labutí. Decorative details, including triangular lunettes with crest motifs, remain in parts of the former stable area.","50.089873","14.396065","https://www.ulabuti.com/","denně 10:00 - 22:00","2026-02-01T12:22:12.012Z","2026-03-16T21:32:51.818Z","2026-03-16T21:32:52.694Z","House no. 61 on Hradčany Square retains visible traces of its former use for carriage and horse service. The passageway’s oak paving and width suggest carriage access, while ground-floor stable spaces and marble troughs survive inside today’s Restaurant U labutí. Decorative details, including triangular lunettes with crest motifs, remain in parts of the former stable area.",{"id":3337,"documentId":3338,"name":1089,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3339,"hash":3360,"ext":70,"mime":73,"size":3361,"url":3362,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3363,"updatedAt":3364,"publishedAt":3363,"focalPoint":9},257,"kjvm0osea4jeiecjd7rcwz7x",{"large":3340,"small":3345,"medium":3350,"thumbnail":3355},{"ext":70,"url":3341,"hash":3342,"mime":73,"name":1094,"path":9,"size":3343,"width":76,"height":77,"sizeInBytes":3344},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_1_cb25d52394.webp","large_1_cb25d52394",124.59,124594,{"ext":70,"url":3346,"hash":3347,"mime":73,"name":1100,"path":9,"size":3348,"width":84,"height":85,"sizeInBytes":3349},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_1_cb25d52394.webp","small_1_cb25d52394",41.04,41038,{"ext":70,"url":3351,"hash":3352,"mime":73,"name":1106,"path":9,"size":3353,"width":77,"height":92,"sizeInBytes":3354},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_cb25d52394.webp","medium_1_cb25d52394",80.01,80006,{"ext":70,"url":3356,"hash":3357,"mime":73,"name":1112,"path":9,"size":3358,"width":99,"height":100,"sizeInBytes":3359},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_cb25d52394.webp","thumbnail_1_cb25d52394",9.65,9646,"1_cb25d52394",368.07,"https://meaningful-wonder-ea78781290.media.strapiapp.com/1_cb25d52394.webp","2026-02-19T20:46:38.881Z","2026-06-14T11:50:08.331Z",{"id":3366},446,{"id":3368,"metaTitle":3324,"metaDescription":3369,"keywords":3370,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3371},224,"61 on Hradčany Square retains visible traces of its former use for carriage and horse service.","building, architecture, Hradčanské nám. 61/11, Prague, monument, history, horse",{"geo":3372,"url":3330,"name":3324,"@type":30,"image":3362,"address":3375,"@context":35,"description":3327,"additionalType":119},{"@type":27,"latitude":3373,"longitude":3374},50.089873,14.396065,{"@type":32,"streetAddress":3326,"addressCountry":33,"addressLocality":34},[3377],{"id":3378,"documentId":3323,"title":3379,"slug":3380,"shortTitle":9,"address":3326,"type":54,"description":3381,"latitude":3328,"longitude":3329,"phone":1970,"website":3330,"available":414,"availableDescription":3331,"createdAt":3382,"updatedAt":3383,"publishedAt":3384,"locale":46,"content":3385},1949,"Restaurace U labutí","restaurace-u-labuti","Již samotný vjezd hlubokým, poněkud skromně širokým průjezdem, odkazuje dubovou dlažbou na hipologické zaměření objektu. V samotných prostorách pak můžeme vidět řadu stájových míst s mramorovými žlaby.","2026-02-01T12:22:11.996Z","2026-03-16T21:32:49.872Z","2026-03-16T21:32:49.989Z","\u003Cp>První písemná zmínka o tomto místě a stavbách na něm stojících je z roku 1373. Při husitských nepokojích byly domy poškozeny a několikrát vyhořely. V renesanci zde vyrostly dva domy, které byly koncem 17. století spojeny v barokní palác. Dnešní podoba je dána především úpravami z poloviny 18. století, ale v suterénu je dochována původní gotická dispozice. Obdélná parcela je zastavěna čtyřkřídlým domem kolem obdélného dvora. Hlavní dvoupatrová budova se obrací do náměstí palácovou osmiosou fasádou. Dnes je dům v soukromém vlastnictví.\u003C/p>",{"id":3387,"documentId":3388,"title":3389,"slug":3390,"shortTitle":9,"address":3391,"type":54,"description":3392,"latitude":3393,"longitude":3394,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":3395,"updatedAt":3396,"publishedAt":3397,"locale":18,"content":3398,"image":3399,"carousel":3432,"seo":3434,"localizations":3443},1954,"e3frst98ixzdhg2523i0j7wv","Barracks - Na Panenské","barracks-na-panenske","Pohořelec, Praha 6 - Hradčany, 169 00","This site, now incredibly burdened by traffic, was an oasis of rural tranquility just a hundred years ago. The barracks Na Panenské got their name from the Panenská homestead, which stood in the middle of a large garden near the Malovanka estate. Of all these buildings, only the place names have survived today. The Prague Hunting Association cooperated with the cavalry barracks, organizing regular hunting rides following an artificial trail for its members. The hunts started at Bílá Hora (White Mountain) and the route led through the surroundings of the Hvězda game preserve. Soldiers on basic service regularly brought horses to the hunting company riders from these very barracks. The place was thus a vibrant centre of equestrian culture, where military training blended with the aristocratic tradition of hunting. Today, nothing recalls the era when riders on horseback set out from here toward Bílá Hora and the Hvězda game preserve.","50.0875","14.388129","2026-02-01T12:22:12.848Z","2026-03-16T21:32:59.772Z","2026-03-16T21:32:59.882Z","\u003Cp>Today, the place with an incredibly busy traffic was an oasis of rural tranquility 100 years ago. The barracks got their name from the Panenská homestead, which stood in the middle of a large garden near the Malovanka homestead. Of all these buildings, only topographical names have been preserved today. The Prague Hunting Association also cooperated with the equestrian barracks on Panenská. It organized regular hunting rides for his members for an artificial track. The hunts started on Bílá hora and the route was led around the park Hvězda. The soldiers of the basic service then regularly brought horses to the riders of the hunting company from the barracks on Panenská.\u003C/p>",{"id":2690,"documentId":3400,"name":3401,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3402,"hash":3427,"ext":70,"mime":73,"size":3428,"url":3429,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3430,"updatedAt":3431,"publishedAt":3430,"focalPoint":9},"l4fuee7zvb8m8e0klivrsz9n","P05.webp",{"large":3403,"small":3409,"medium":3415,"thumbnail":3421},{"ext":70,"url":3404,"hash":3405,"mime":73,"name":3406,"path":9,"size":3407,"width":76,"height":77,"sizeInBytes":3408},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_P05_5eb16077c1.webp","large_P05_5eb16077c1","large_P05.webp",74.11,74112,{"ext":70,"url":3410,"hash":3411,"mime":73,"name":3412,"path":9,"size":3413,"width":84,"height":85,"sizeInBytes":3414},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_P05_5eb16077c1.webp","small_P05_5eb16077c1","small_P05.webp",23.12,23118,{"ext":70,"url":3416,"hash":3417,"mime":73,"name":3418,"path":9,"size":3419,"width":77,"height":92,"sizeInBytes":3420},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_P05_5eb16077c1.webp","medium_P05_5eb16077c1","medium_P05.webp",45.39,45388,{"ext":70,"url":3422,"hash":3423,"mime":73,"name":3424,"path":9,"size":3425,"width":99,"height":100,"sizeInBytes":3426},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_P05_5eb16077c1.webp","thumbnail_P05_5eb16077c1","thumbnail_P05.webp",5.35,5348,"P05_5eb16077c1",282.09,"https://meaningful-wonder-ea78781290.media.strapiapp.com/P05_5eb16077c1.webp","2026-02-19T21:27:54.169Z","2026-06-14T12:04:12.412Z",{"id":3433},450,{"id":3435,"metaTitle":3389,"metaDescription":3436,"keywords":3437,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3438},232,"Today, the place with an incredibly busy traffic was an oasis of rural tranquility 100 years ago.","building, architecture, Pohořelec, Prague, monument, history, horse",{"geo":3439,"name":3389,"@type":30,"image":3429,"address":3442,"@context":35,"description":3392,"additionalType":119},{"@type":27,"latitude":3440,"longitude":3441},50.0875,14.388129,{"@type":32,"streetAddress":3391,"addressCountry":33,"addressLocality":34},[3444],{"id":3445,"documentId":3388,"title":3446,"slug":3447,"shortTitle":9,"address":3391,"type":54,"description":3448,"latitude":3393,"longitude":3394,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":3449,"updatedAt":3450,"publishedAt":3451,"locale":46,"content":3452},1953,"Kasárna Na Panenské","kasarna-na-panenske","Dnes dopravně neuvěřitelně zatížené místo bylo ještě před sto lety oázou venkovského klidu. Kasárna Na Panenské získala své jméno po usedlosti Panenská, která stála uprostřed rozlehlé zahrady nedaleko usedlosti Malovanka. ","2026-02-01T12:22:12.826Z","2026-03-16T21:32:58.234Z","2026-03-16T21:32:58.337Z","\u003Cp>Dnes dopravně neuvěřitelně zatížené místo bylo ještě před sto lety oázou venkovského klidu. Kasárna Na Panenské získala své jméno po usedlosti Panenská, která stála uprostřed rozlehlé zahrady nedaleko usedlosti Malovanka. Ze všech těchto budov se dnes dochovaly pouze místopisné názvy. S jezdeckými kasárnami spolupracoval Pražský honební spolek, který pro své členy organizoval pravidelné honební jízdy za umělou stopou. Hony začínaly na Bílé hoře a trasa vedla okolím obory Hvězda. Vojáci základní služby pak jezdcům honební společnosti pravidelně přiváděli koně právě z těchto kasáren. Místo tak bylo živým centrem jezdecké kultury, kde se prolínal vojenský výcvik s aristokratickou tradicí lovu. Dnes již nic nepřipomíná dobu, kdy se odtud rozjížděli jezdci na koních směrem k Bílé hoře a oboře Hvězda.\u003C/p>",{"id":3454,"documentId":3455,"title":3456,"slug":3457,"shortTitle":9,"address":3458,"type":9,"description":3459,"latitude":3460,"longitude":3461,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":3462,"updatedAt":3463,"publishedAt":3464,"locale":18,"content":3465,"image":9,"carousel":9,"seo":3466,"localizations":3475},1956,"ohud5o08h803tt718iiluakr","Trotting Stadium Letna","trotting-stadium-letna","Praha 7 - Letná, 170 00","Letná Plain once hosted not only major football grounds and Sokol gatherings, but also a trotting-race track around an athletics stadium built in the early 1920s. In 1930 the stadium was taken over by the Central Commission for the Breeding of Trotters.","50.095825","14.425314","2026-02-01T12:22:12.044Z","2026-03-16T21:33:01.863Z","2026-03-16T21:33:01.948Z","\u003Cp>The operation economy was very demanding. The organizers tried to revitalize the space in all possible ways and a tilted track for cycling races was built along the perimeter. Since the Jubilee Exhibition in 1891, visitors have been using the double-rail electric cableway to travel to Letná. It led from the bridge of Franz Joseph I (today Štefánikův Bridge) from the site of the current entrance to the Letná tunnel. Although the operation of cableway was terminated during the First World War, in 1926 movable electric stairs were put into operation in the cableway corridor. These escalators were also used by visitors of trotting racing days. The escalators were gradually dilapidated and with the decreasing load of Letná was their operation in 1935, as well as the operation of the race track, terminated. Only one thing commemorates escalators to this day, it is the rest of the retaining wall of the staircase corridor in the upper part of the Letná wold near the restaurant Letenský zámeček.\u003C/p>",{"id":3467,"metaTitle":3456,"metaDescription":3468,"keywords":3469,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3470},236,"Letná Plain once hosted not only major football grounds and Sokol gatherings, but also a trotting-race track around an athletics stadium built in the early.","Praha 7 - Letná, Prague, monument, history, horse",{"geo":3471,"name":3456,"@type":30,"address":3474,"@context":35,"description":3459},{"@type":27,"latitude":3472,"longitude":3473},50.095825,14.425314,{"@type":32,"streetAddress":3458,"addressCountry":33,"addressLocality":34},[3476],{"id":3477,"documentId":3455,"title":3478,"slug":3479,"shortTitle":9,"address":3458,"type":9,"description":3480,"latitude":3460,"longitude":3461,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":3481,"updatedAt":3482,"publishedAt":3483,"locale":46,"content":3484},1955,"Klusácký stadion na Letné","klusacky-stadion-na-letne","Vedle fotbalových stadiónů (sídlily zde dva největší pražské kluby Sparta i Slavie) a tenisových kurtů, které se dochovaly dodnes, se v tomto prostoru v letech 1895 až 1920 konalo i pět všesokolských sletů. V roce 1930 tak celý stadion převzala Ústřední komise pro chov klusáků.","2026-02-01T12:22:12.023Z","2026-03-16T21:33:00.826Z","2026-03-16T21:33:00.909Z","\u003Cp>Ekonomika provozu však byla velmi náročná. Pořadatelé se snažili prostor všemožně oživit a po obvodu byla vystavěna i klopená dráha pro cyklistické závody. K dopravě na Letnou využívali návštěvníci od roku Jubilejní výstavy v roce 1891 i dvoukolejnou elektrickou lanovku. Ta vedla od mostu Františka Josefa I. (dnes Štefánikův most) z míst současného vjezdu do Letenského tunelu. Provoz lanovky byl sice ukončen během 1. světové války, ale v roce 1926 byly v lanovkovém koridoru zprovozněny pohyblivé elektrické schody. Tyto eskalátory využívali i návštěvníci klusáckých dostihových dnů. Pohyblivé schody ale postupně chátraly a se snižujícím vytížením Letné byl jejich provoz v roce 1935, stejně jako provoz dostihové dráhy, ukončen. Jediným dokladem dochovaným do dnešních dob byl zbytek opěrné zdi schodišťového koridoru v horní části Letenské pláně poblíž restaurace Letenský zámeček. V roce 2020 bylo torzo koridoru zrekonstruováno a místo tak důstojně připomíná přes sto let starou historii.\u003C/p>",{"id":3486,"documentId":3487,"title":3488,"slug":3489,"shortTitle":9,"address":3490,"type":54,"description":3491,"latitude":3492,"longitude":3493,"phone":1970,"website":3494,"available":9,"availableDescription":9,"createdAt":3495,"updatedAt":3496,"publishedAt":3497,"locale":18,"content":3498,"image":3499,"carousel":3528,"seo":3530,"localizations":3538},1958,"kmlmqvurppm49i1l6o7t0ivg","Stables of the Nostitz Palace on Maltese Square","stables-of-the-nostitz-palace-on-maltese-square","Maltézské náměstí 292, Praha 1 - Malá Strana, 118 00","The riding hall included stabling for six horses and served for training horses and riders until 1964. These facilities underline how integral horsemanship was to aristocratic palace life.","50.086582","14.405132","https://www.konirna.eu/cs/","2026-02-01T12:22:11.525Z","2026-03-16T21:33:04.177Z","2026-03-16T21:33:04.286Z","Alongside the Nostic riding hall, additional horses were kept in stables within the Nostic Palace itself. The riding hall included stabling for six horses and served for training horses and riders until 1964. These facilities underline how integral horsemanship was to aristocratic palace life.",{"id":3500,"documentId":3501,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3502,"hash":3523,"ext":70,"mime":73,"size":3524,"url":3525,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3526,"updatedAt":3527,"publishedAt":3526,"focalPoint":9},170,"eiz5szmyrw6gxiz8arut3e8f",{"large":3503,"small":3508,"medium":3513,"thumbnail":3518},{"ext":70,"url":3504,"hash":3505,"mime":73,"name":1442,"path":9,"size":3506,"width":76,"height":77,"sizeInBytes":3507},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_508bc025bf.webp","large_A_508bc025bf",181.25,181250,{"ext":70,"url":3509,"hash":3510,"mime":73,"name":1448,"path":9,"size":3511,"width":84,"height":85,"sizeInBytes":3512},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_508bc025bf.webp","small_A_508bc025bf",54.54,54544,{"ext":70,"url":3514,"hash":3515,"mime":73,"name":1454,"path":9,"size":3516,"width":77,"height":92,"sizeInBytes":3517},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_508bc025bf.webp","medium_A_508bc025bf",110.8,110800,{"ext":70,"url":3519,"hash":3520,"mime":73,"name":1460,"path":9,"size":3521,"width":99,"height":100,"sizeInBytes":3522},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_508bc025bf.webp","thumbnail_A_508bc025bf",11.31,11314,"A_508bc025bf",618.32,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_508bc025bf.webp","2026-02-19T20:18:21.298Z","2026-06-14T11:39:56.540Z",{"id":3529},452,{"id":2308,"metaTitle":3488,"metaDescription":3531,"keywords":3532,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3533},"Alongside the Nostic riding hall, additional horses were kept in stables within the Nostic Palace itself.","building, architecture, Maltézské náměstí 292, Prague, monument, history, horse",{"geo":3534,"url":3494,"name":3488,"@type":30,"image":3525,"address":3537,"@context":35,"description":3491,"additionalType":119},{"@type":27,"latitude":3535,"longitude":3536},50.086582,14.405132,{"@type":32,"streetAddress":3490,"addressCountry":33,"addressLocality":34},[3539],{"id":3540,"documentId":3487,"title":3541,"slug":3542,"shortTitle":9,"address":3490,"type":54,"description":3543,"latitude":3492,"longitude":3493,"phone":1970,"website":3494,"available":9,"availableDescription":9,"createdAt":3544,"updatedAt":3545,"publishedAt":3546,"locale":46,"content":3547},1957,"Stáje Nostického paláce na Maltézském náměstí","staje-nostickeho-palace-na-maltezskem-namesti","Na jeho místě stály původně čtyři domy, které pro rodinu Nosticů zakoupil šlechtic Otto Nostic. Tato jízdárna sloužila jezdcům a koním až do roku 1964 (Jízdárna Nostického paláce).","2026-02-01T12:22:11.509Z","2026-03-16T21:33:03.026Z","2026-03-16T21:33:03.150Z","\u003Cp>V dobách rozsáhlého kultu koně na přelomu 17. a 18. století však kapacita těchto stájí nestačila pojmout koně rodiny Nosticů a proto byla využívána i další stáj, která stála v čele Maltézského náměstí. V těchto stájích je nyní restaurace Konírna, která je do podoby původních stájí stylově upravena.\u003C/p>",{"id":3549,"documentId":3550,"title":3551,"slug":3552,"shortTitle":9,"address":3553,"type":54,"description":3554,"latitude":3555,"longitude":3556,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":3557,"updatedAt":3558,"publishedAt":3559,"locale":18,"content":3560,"image":3561,"carousel":3591,"seo":3593,"localizations":3601},1960,"sr5sr2ei0fc24nqej0f4t9td","Equestrian staircase of the Vladislav Hall","equestrian-staircase-of-the-vladislav-hall","Nám. U Svatého Jiří 1, Praha 1 - Hradčany, 119 00","The Vladislav Hall at Prague Castle, built between 1490 and 1502 during the reign of Vladislav Jagiellon, was the largest non-ecclesiastical hall in the world at the time, measuring 62 by 16 meters. It was designed by the renowned architect Benedikt Rejt. The hall's vast floor area allowed for knightly tournaments, which is precisely why the equestrian staircase was built, enabling riders to enter the hall on horseback directly from St. George's Square. From the hall, there is access to Ludwig's Wing, from whose windows royal governors were thrown in 1618, sparking the Estates Revolt and the Thirty Years' War. For centuries the hall served for coronation ceremonies, a function preserved after the founding of Czechoslovakia and the Czech Republic as the inaugural venue for presidents. A condolence memorial for Václav Havel was held here, and the crown jewels are occasionally displayed.","50.090985","14.401858","2026-02-01T12:22:12.638Z","2026-03-16T21:33:06.733Z","2026-03-16T21:33:06.834Z","\u003Cp>From the hall there is access to Ludvík's wing (built during the reign of Vladislav's son Ludvík). It was the seat of the royal office and the royal governors were thrown out of its windows in 1618, and thus the uprising began. For centuries, the hall served for coronation ceremonies and its function was preserved even after the establishment of Czechoslovakia and the Czech Republic as the inaugural place of Czech presidents. It is also used on the most important occasions of the Czech statehood, or at ceremonial sessions of the Parliament. Coronation jewels are also on display here, and a condolence memory of the late Václav Havel was held here for the public.\u003C/p>",{"id":3562,"documentId":3563,"name":1228,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3564,"hash":3585,"ext":70,"mime":73,"size":3586,"url":3587,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3588,"updatedAt":3589,"publishedAt":3590,"focalPoint":9},387,"xa2mh2rj0nqvjsa79r7koxej",{"large":3565,"small":3570,"medium":3575,"thumbnail":3580},{"ext":70,"url":3566,"hash":3567,"mime":73,"name":1233,"path":9,"size":3568,"width":76,"height":77,"sizeInBytes":3569},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_01_fa92fa85ca.webp","large_01_fa92fa85ca",66.75,66752,{"ext":70,"url":3571,"hash":3572,"mime":73,"name":1239,"path":9,"size":3573,"width":84,"height":85,"sizeInBytes":3574},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_01_fa92fa85ca.webp","small_01_fa92fa85ca",24.82,24820,{"ext":70,"url":3576,"hash":3577,"mime":73,"name":1245,"path":9,"size":3578,"width":77,"height":92,"sizeInBytes":3579},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_01_fa92fa85ca.webp","medium_01_fa92fa85ca",44.33,44332,{"ext":70,"url":3581,"hash":3582,"mime":73,"name":1251,"path":9,"size":3583,"width":99,"height":100,"sizeInBytes":3584},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_01_fa92fa85ca.webp","thumbnail_01_fa92fa85ca",5.86,5858,"01_fa92fa85ca",184.72,"https://meaningful-wonder-ea78781290.media.strapiapp.com/01_fa92fa85ca.webp","2026-02-19T21:20:04.896Z","2026-06-14T12:00:33.677Z","2026-02-19T21:20:04.897Z",{"id":3592},454,{"id":2682,"metaTitle":3551,"metaDescription":3594,"keywords":3595,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3596},"From the hall there is access to Ludvík's wing (built during the reign of Vladislav's son Ludvík).","building, architecture, Nám. U Svatého Jiří 1, Prague, monument, history, horse",{"geo":3597,"name":3551,"@type":30,"image":3587,"address":3600,"@context":35,"description":3554,"additionalType":119},{"@type":27,"latitude":3598,"longitude":3599},50.090985,14.401858,{"@type":32,"streetAddress":3553,"addressCountry":33,"addressLocality":34},[3602],{"id":3603,"documentId":3550,"title":3604,"slug":3605,"shortTitle":9,"address":3553,"type":54,"description":3606,"latitude":3555,"longitude":3556,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":3607,"updatedAt":3608,"publishedAt":3609,"locale":46,"content":3610},1959,"Jezdecké schodiště Vladislavského sálu","jezdecke-schodiste-vladislavskeho-salu","Vladislavský sál na Pražském hradě, postavený v letech 1490 až 1502 za vlády Vladislava Jagellonského, byl ve své době největším necírkevním sálem světa s rozměry 62 krát 16 metrů. Stavitelem byl slavný architekt Benedikt Rejt. Rozlehlá plocha sálu umožňovala pořádání rytířských turnajů, a právě proto bylo vybudováno jezdecké schodiště, po němž se do sálu vstupovalo na koni přímo z Jiřského náměstí. Ze sálu vede přístup do Ludvíkova křídla, odkud byli v roce 1618 vyhozeni z oken královští místodržící, čímž bylo zahájeno stavovské povstání a třicetiletá válka. Po staletí sloužil sál pro korunovační ceremoniály a tato funkce přetrvala i po vzniku Československa a České republiky jako inaugurační místo prezidentů. Konala se zde i kondolenční vzpomínka nad rakví Václava Havla a příležitostně se vystavují korunovační klenoty.","2026-02-01T12:22:12.623Z","2026-03-16T21:33:05.303Z","2026-03-16T21:33:05.405Z","\u003Cp>Vladislavský sál na Pražském hradě je největší krytý prostor středověké části Pražského hradu. Pro České země má zcela výsadní postavení. Byl postaven za vlády Vladislava Jagellonského v letech 1490 až 1502 a je ústředním sálem Starého královského paláce. Stavitelem byl architekt Benedikt Rejt a prostor byl určen pro komunikaci šlechticů při sněmovních zasedání, která se konala v přilehlém bočním sále. Pozdně gotický sál má rozměry 62 x 16 m a ve své době to byl největší necírkevní sál světa. Jeho plocha tak v minulosti umožnila i pořádání rytířských turnajů. I proto se do sálu dalo z Jiřského náměstí vstoupit na koni po jezdeckém schodišti. Taková schodiště byla obvyklá ve sklepeních či patrech, kam bylo v minulosti nezbytné vstupovat s koňmi. Jezdecké schodiště Vladislavského sálu je ovšem díky místu nejproslulejší.\u003C/p>\u003Cp>Ze sálu je přístup do Ludvíkova křídla (vystavěno za vlády Vladislavova syna Ludvíka). To bylo sídlem královské kanceláře a z jeho oken byly v roce 1618 vyhozeni královští místodržící a tím bylo zahájeno stavovské povstání a 30letá válka. Po staletí sloužil sál pro korunovační ceremoniály a jeho funkce byla zachována i po vzniku Československa a České republiky jako inaugurační místo českých prezidentů. Využíván je i při nejdůležitějších příležitostech české státnosti, či při slavnostních zasedání Parlamentu. Bývají zde také vystaveny korunovační klenoty a pro veřejnost se zde konala kondolenční vzpomínka nad rakví zesnulého Václava Havla.\u003C/p>",{"id":3612,"documentId":3613,"title":3614,"slug":3615,"shortTitle":9,"address":3616,"type":54,"description":3617,"latitude":3618,"longitude":3619,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":3620,"updatedAt":3621,"publishedAt":3622,"locale":18,"content":3623,"image":3624,"carousel":3659,"seo":3661,"localizations":3670},1962,"ir5hsg6rlw3t8xdo4y3ejvjq","Storch's house","storchs-house","Staroměstské nám. 16, Praha 1 - Staré město, 110 00","Designed by Art Nouveau architect Friedrich Ohmann and built in 1896, it blends historicising elements with a modern decorative program. Aleš’s St Wenceslas on a 19th‑century warmblood horse became a prototype for many later building decorations.","50.087256","14.421983","2026-02-01T12:22:12.071Z","2026-03-16T21:33:09.009Z","2026-03-16T21:33:09.123Z","\u003Cp>The Štorch´s House on the Old Town Square (No. 552/16) is one of the most famous houses in Prague. Not only because of its location - directly on the busiest tourist route of Prague on the Royal Route, but it gained its fame thanks to the rich painting, which was made by Mikoláš Aleš. The house of the publisher and bookseller Alexander Štorch Jr. is one of the Prague buildings of the protagonist of the Prague Art Nouveau, the architect Friedrich Ohmann. The house was built by the builder František Tichna in 1896 on the place of a Gothic and Baroque building. The basic outline and some key elements of the building are still historic in the style of Vladislav Gothic, but the concept of painted decoration, which permeates the two floors of the facade, is already announced by the Art Nouveau requirement to connect decoration and architecture. Friedrich Ohmann originally designed the figure of St.Kryštof for decoration, but Mikoláš Aleš, to whom the builder entrusted the decoration of the building, promoted the Czech saint St. Wenceslas. Definitely especially with regard to the historical significance of the Old Town Square for the Czech nation. Mikoláš Aleš´s st. Wenceslas is a typical depiction of a Czech saint in the spirit of the national revival in the saddle of a modern warm-blooded horse of the 19th century. In the following years, the saint depicted in this way became a prototype for a number of other home decorations.\u003C/p>\u003Cp>The work on the frescoes was done by the painter Ladislav Novák according to the designs of Mikoláš Aleš. Next to St. Wenceslas on horseback also depicts Jan Ámos Komenský, a writing monk, a saint in a cloak, the emblem of the Czech Kingdom, the emblem of the capital city of Prague and the emblem of Štorch's publishing house, which is a stork. The work on the frescoes was completed in 1897. Mikoláš Aleš (1852 - 1913) is an important painter of the \"generation of the National Theater\". This work from the end of the 19th century documents his inclination towards Art Nouveau.\u003C/p>\u003Cp>The bookseller and publisher Alexandr Štorch Jr. (1851 - 1901) came from the publishing family of Alexander Štorch sr. (1816–1892), who came to Prague in 1842. In 1853, Štorch st. gained concession and, in addition to the antiquarian and bookstore, he also started a publishing business. He focused mainly on Slavic studies and literature for young people. Alexandr Štorch Jr. continued his work at the same time. In order to distinguish himself from his father's company, he used the brand A. Štorch - son. This brand we can find on the facade of the Štorch´s House. His publishing house published textbooks, children's books and translations of ancient authors. Alexandr Štorch Jr. participated in the establishment of the Association of Czech Booksellers and Publishers and the Gremial School of Booksellers, which was established in Prague in 1898.\u003C/p>\u003Cp>After his sudden death (50 years old), his wife Marie took over the management of the company, and a few years later his son Alexander the youngest joined. The publishing house was nationalized in 1948 and the bookstore from almost 100 years of tradition became the national enterprise Kniha.\u003C/p>\u003Cp>During the Prague Uprising at the end of the World War II, the house burned down and the frescoes were damaged. The first reconstruction took place in 1948 and subsequently the house was renovated in 1972, 1986-1987 and finally the reconstruction was completed in 1993.\u003C/p>",{"id":3625,"documentId":3626,"name":3627,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":3628,"hash":3653,"ext":70,"mime":73,"size":3654,"url":3655,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3656,"updatedAt":3657,"publishedAt":3658,"focalPoint":9},273,"awha0swf0biut4rmvoia9n38","DSCN4458.webp",{"large":3629,"small":3635,"medium":3641,"thumbnail":3647},{"ext":70,"url":3630,"hash":3631,"mime":73,"name":3632,"path":9,"size":3633,"width":77,"height":76,"sizeInBytes":3634},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_DSCN_4458_35ca33dfb8.webp","large_DSCN_4458_35ca33dfb8","large_DSCN4458.webp",96.56,96556,{"ext":70,"url":3636,"hash":3637,"mime":73,"name":3638,"path":9,"size":3639,"width":85,"height":84,"sizeInBytes":3640},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_DSCN_4458_35ca33dfb8.webp","small_DSCN_4458_35ca33dfb8","small_DSCN4458.webp",32.91,32908,{"ext":70,"url":3642,"hash":3643,"mime":73,"name":3644,"path":9,"size":3645,"width":92,"height":77,"sizeInBytes":3646},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_DSCN_4458_35ca33dfb8.webp","medium_DSCN_4458_35ca33dfb8","medium_DSCN4458.webp",62.58,62578,{"ext":70,"url":3648,"hash":3649,"mime":73,"name":3650,"path":9,"size":3651,"width":308,"height":100,"sizeInBytes":3652},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_DSCN_4458_35ca33dfb8.webp","thumbnail_DSCN_4458_35ca33dfb8","thumbnail_DSCN4458.webp",5.19,5192,"DSCN_4458_35ca33dfb8",279.64,"https://meaningful-wonder-ea78781290.media.strapiapp.com/DSCN_4458_35ca33dfb8.webp","2026-02-19T20:49:43.931Z","2026-06-14T11:51:42.786Z","2026-02-19T20:49:43.932Z",{"id":3660},456,{"id":3662,"metaTitle":3614,"metaDescription":3663,"keywords":3664,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3665},248,"The Štorch´s House on the Old Town Square (No. 552/16) is one of the most famous houses in Prague.","building, architecture, Staroměstské nám. 16, Prague, monument, history, horse",{"geo":3666,"name":3614,"@type":30,"image":3655,"address":3669,"@context":35,"description":3617,"additionalType":119},{"@type":27,"latitude":3667,"longitude":3668},50.087256,14.421983,{"@type":32,"streetAddress":3616,"addressCountry":33,"addressLocality":34},[3671],{"id":3672,"documentId":3613,"title":3673,"slug":3674,"shortTitle":9,"address":3616,"type":54,"description":3675,"latitude":3618,"longitude":3619,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":3676,"updatedAt":3677,"publishedAt":3678,"locale":46,"content":3679},1961,"Štorchův dům","storchuv-dum","Dům nakladatele a knihkupce Alexandra Štorcha mladšího je jednou z pražských staveb protagonisty pražské secese architekta Friedricha Ohmanna. Dům byl postaven stavitelem Františkem Tichnou v roce 1896 na místě gotického a barokního objektu.","2026-02-01T12:22:12.057Z","2026-03-16T21:33:07.884Z","2026-03-16T21:33:07.981Z","\u003Cp>Práci na freskách provedl podle návrhů Mikoláše Alše malíř Ladislav Novák. Vedle sv. Václava na koni je na domě vyobrazen ještě Jan Ámos Komenský, píšící mnich, světec v plášti, znak Českého království, znak hlavního města Prahy a emblém Štorchova nakladatelství, kterým je čáp. Práce na freskách byla dokončena v roce 1897. Mikoláš Aleš (1852 – 1913) je významným malířem „generace Národního divadla“. Tato práce ze sklonku 19. století dokumentuje jeho příklon k secesi.\u003C/p>\u003Cp>Knihkupec a nakladatel Alexandr Štorch mladší (1851 - 1901) pocházel z nakladatelské rodiny Alexandra Štorcha st. (1816–1892), který přišel do Prahy roku 1842. Roku 1853 získal Štorch st. koncesi a vedle antikvariátu a knihkupectví začal provozovat i nakladatelskou činnost. Zaměřoval se především na slavistiku a literaturu pro mládež. V jeho práci souběžně pokračoval Alexandr Štorch ml. Aby se od otcova podniku odlišil, používal značku A. Štorch – syn. Právě tu nalezneme na fasádě Štorchova domu. Jeho nakladatelství vydávalo učebnice, knihy pro děti a překlady antických autorů. Alexandr Štorch ml. se podílel na vzniku Spolku českých knihkupců a nakladatelů a Gremiální školy knihkupecké, která vznikla v Praze roku 1898.\u003C/p>\u003Cp>Po jeho náhlé smrti (50 let) se vedení podniku ujala jeho žena Marie, ke které se o několik let později připojil syn Alexandr nejmladší. Nakladatelství bylo v roce 1948 znárodněno a z knihkupectví z téměř 100 letou tradicí se stal národní podnik Kniha.\u003C/p>\u003Cp>Během Pražského povstání na konci 2. světové války dům vyhořel a fresky byly poničeny. První rekonstrukce proběhla v roce 1948 a následně byl dům obnovován v letech 1972, 1986-1987 a konečně rekonstrukce dokončena v roce 1993.\u003C/p>",{"id":3681,"documentId":3682,"title":3683,"slug":3684,"shortTitle":9,"address":3685,"type":11,"description":3686,"latitude":3687,"longitude":3688,"phone":9,"website":9,"available":9,"availableDescription":553,"createdAt":3689,"updatedAt":3690,"publishedAt":3691,"locale":18,"content":3692,"image":3693,"carousel":3721,"seo":3723,"localizations":3732},1964,"do2lch49riyxhj06vxkqb986","General bank in Holešovice","general-bank-in-holesovice","Dukelských hrdinů 693/37, Praha 7 - Holešovice, 170 00","Prague boasts an impressive collection of decorative facades from the Historicist and Art Nouveau periods, and this corner building in Holešovice is one of its finest examples. Built around 1895 as the seat of the General Bank, the house features an elaborate frieze depicting a battle with the Turks and scenes from the Thirty Years' War. The decoration has a surprising connection to the famous Rott House on Old Town Square. Painter Láďa Novák originally designed the battle composition for a model at the 1895 Ethnographic Exhibition. When different motifs were chosen for the actual Rott House facade, Novák reused his Turkish battle scene here in Holešovice. Together with Arnošt Hofbauer, he later helped decorate the Rott House itself and collaborated with Mikoláš Aleš on the famous Wiehl House on Wenceslas Square. Novák is credited with painting over one hundred building facades across the Czech Republic, a tradition that ended with the outbreak of World War I.","50.099682","14.433196","2026-02-01T12:22:12.098Z","2026-03-16T21:33:11.393Z","2026-03-16T21:33:11.501Z","\u003Cp>This painted decoration has a historical connection with the building of the famous Rott House on the Old Town Square. The motivation for a representative concept of the painted facade of the U Rotta house, designed by Mikoláš Aleš, was the Ethnographic Exhibition in Prague in 1895. Its important attraction was the model of the so-called Old Prague, imitating the development of the Small Square during the Renaissance. The model of the At three white roses house, on its foundations was built the Neo-Renaissance house U Rotta, was richly decorated. This model was subsequently the inspiration for the reconstruction of a real house on Malé náměstí, belonging to Ladislav Rott. However, the intended decoration on the exhibition model represented a battle with the Turks. During the actual realization of the decoration of Rott's house, motifs based on the profession of builder and owner of the famous hardware store were finally used.\u003C/p>\u003Cp>The author of the Turkish motif, the Czech artist and painter Láďa Novák, secondarily used the composition of the battle from the Ethnographic Exhibition in the decoration of the house in Holešovice. On the facade to the Dukelských hrdinů Street is shown the battle with the Turks, to Lt. Col. Sochora Street is shown a scene from the 30-year war.\u003C/p>\u003Cp>Láďa Novák (1865 - 1944) together with Arnošt Hofbauer subsequently became the decorator of the mentioned Rott's house in the Old Town. In addition to this work, Láďa Novák also collaborated with Mikoláš Aleš on the decoration of the famous Wiehl House on Wenceslas Square. In total, Láďa Novák is considered the author of more than a hundred facades of houses throughout the Czech Republic. This style of decoration ended with the beginning of World War I.\u003C/p>",{"id":3694,"documentId":3695,"name":352,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3696,"hash":3716,"ext":70,"mime":73,"size":3717,"url":3718,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3719,"updatedAt":3720,"publishedAt":3719,"focalPoint":9},277,"e5p0zkv6kfwqfpnze6htl3zf",{"large":3697,"small":3702,"medium":3707,"thumbnail":3712},{"ext":70,"url":3698,"hash":3699,"mime":73,"name":357,"path":9,"size":3700,"width":76,"height":77,"sizeInBytes":3701},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_04_f0df09e166.webp","large_04_f0df09e166",64.01,64008,{"ext":70,"url":3703,"hash":3704,"mime":73,"name":363,"path":9,"size":3705,"width":84,"height":85,"sizeInBytes":3706},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_04_f0df09e166.webp","small_04_f0df09e166",24.43,24426,{"ext":70,"url":3708,"hash":3709,"mime":73,"name":369,"path":9,"size":3710,"width":77,"height":92,"sizeInBytes":3711},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_04_f0df09e166.webp","medium_04_f0df09e166",42.71,42708,{"ext":70,"url":3713,"hash":3714,"mime":73,"name":375,"path":9,"size":1252,"width":99,"height":100,"sizeInBytes":3715},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_04_f0df09e166.webp","thumbnail_04_f0df09e166",6432,"04_f0df09e166",173.17,"https://meaningful-wonder-ea78781290.media.strapiapp.com/04_f0df09e166.webp","2026-02-19T20:50:40.089Z","2026-06-14T11:52:06.777Z",{"id":3722},458,{"id":3724,"metaTitle":3683,"metaDescription":3725,"keywords":3726,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3727},252,"This painted decoration has a historical connection with the building of the famous Rott House on the Old Town Square.","fresco, painting, art, Dukelských hrdinů 693/37, Prague, monument, history, horse",{"geo":3728,"name":3683,"@type":30,"image":3718,"address":3731,"@context":35,"description":3686,"additionalType":36},{"@type":27,"latitude":3729,"longitude":3730},50.099682,14.433196,{"@type":32,"streetAddress":3685,"addressCountry":33,"addressLocality":34},[3733],{"id":3734,"documentId":3682,"title":3735,"slug":3736,"shortTitle":9,"address":3685,"type":11,"description":3737,"latitude":3687,"longitude":3688,"phone":9,"website":9,"available":9,"availableDescription":553,"createdAt":3738,"updatedAt":3739,"publishedAt":3740,"locale":46,"content":3741},1963,"Všeobecná záložna v Holešovicích","vseobecna-zalozna-v-holesovicich","Praha nabízí působivý soubor dekorativních fasád z období historismu a secese, a tento rohový dům v Holešovicích je jedním z jeho skvostů. Vystavěn kolem roku 1895 jako sídlo Všeobecné záložny, dům zdobí výpravný vlys zobrazující bitvu s Turky a výjevy z třicetileté války. Výzdoba má překvapivou souvislost se slavným Rottovým domem na Staroměstském náměstí. Autor tureckého motivu, malíř Láďa Novák, původně navrhl bitevní scénu pro maketu na Národopisné výstavě v roce 1895. Když byla pro Rottův dům zvolena jiná tematika spojená s železářským obchodem majitele, Novák svou kompozici využil právě zde. Spolu s Arnoštem Hofbauerem se pak podílel i na výzdobě samotného Rottova domu a spolupracoval s Mikolášem Alšem na slavném Wiehlově domě na Václavském náměstí. Celkově je Novák považován za autora více než stovky malovaných fasád po celé České republice.","2026-02-01T12:22:12.083Z","2026-03-16T21:33:10.237Z","2026-03-16T21:33:10.339Z","\u003Cp>Praha nabízí významný soubor výzdoby pražských staveb z období historizujících slohů a secese. Jedním z nich je dům na rohu ulice Dukelských hrdinů a pplk. Sochora v Holešovicích (čp. 693). Ten byl vystavěn kolem roku 1895 a stavebníkem či investorem byla Všeobecná záložna v Holešovicích. Určitě i proto, že se dům nacházel na hlavní trase z centra na místo konání národopisných výstav na Holešovickém výstavišti, byly nově stavěné domy na konci 19. století zdobeny heroickými motivy z dějin českého národa. Rohový dům Všeobecné záložny dekoruje vlys s výpravnou narativní scénou představující bitvu s Turky a s výjevy třicetileté války.\u003C/p>\u003Cp>Tato malířská výzdoba má historickou souvislost s objektem známého Rottova domu na Staroměstském náměstí. Motivací k reprezentativnímu pojetí malované fasády domu U Rotta, provedené podle návrhů Mikoláše Alše, byla Národopisná výstava v Praze v roce 1895. Její důležitou atrakcí se stal model tzv. Staré Prahy, imitující zástavbu Malého náměstí v době renesance. Maketa domu U tří bílých růží, na jejíchž základech je novorenesanční dům U Rotta postaven, byla bohatě vyzdobena. Tato předloha byla následně inspirací při přestavbě skutečného domu na Malém náměstí, patřícího Ladislavu Rottovi. Zamýšlená výzdoba na výstavní maketě ovšem představovala bitvu s Turky. Při samotné realizaci výzdoby Rottova domu byly nakonec využity motivy, vycházející z profese stavebníka a majitele proslulého železářského obchodu.\u003C/p>\u003Cp>Autor tureckého motivu, český kreslíř a malíř Láďa Novák, kompozici bitvy z Národopisné výstavy druhotně využil při výzdobě domu v Holešovicích. Na průčelí do ulice Dukelských hrdinů je znázorněna bitva s Turky, do ulice pplk. Sochora pak výjev z 30leté války.\u003C/p>\u003Cp>Láďa Novák (1865 – 1944) se spolu s Arnoštem Hofbauerem stal následně realizátorem výzdoby zmiňovaného Rottova domu na Starém Městě. Vedle této práce spolupracoval Láďa Novák s Mikolášem Alšem i na výzdobě proslulého Wiehlova domu na Václavském náměstí. Celkově je Láďa Novák považován za autora více jak stovky fasád domů po celé České republice. Tento styl výzdoby skončil zahájením 1. světové války.\u003C/p>",{"id":3743,"documentId":3744,"title":3745,"slug":3746,"shortTitle":3747,"address":3748,"type":410,"description":3749,"latitude":3750,"longitude":3751,"phone":9,"website":3752,"available":414,"availableDescription":3753,"createdAt":3754,"updatedAt":3755,"publishedAt":3756,"locale":18,"content":3757,"image":3758,"carousel":3788,"seo":3790,"localizations":3800},1966,"p6yqjwfl3hlc61tmzy07jbhc","Equestrian statue of st. Wenceslas in the garden of Zbraslav Castle","equestrian-statue-of-st-wenceslas-in-the-garden-of-zbraslav-castle","St. Wenceslav on the Zbraslav","Zámecký park ve Zbraslavi, Praha 5 - Zbraslav , 156 00","A full-size cast of Josef Václav Myslbek’s St Wenceslas statue (295 cm) was made around 1902–1903. The placement was a joint effort of multiple institutions and the Prague‑Zbraslav municipal district.","49.977538","14.392511","http://zamekzbraslav.cz/","denně od 6:00 - do 18:00","2026-02-01T12:22:11.104Z","2026-03-16T21:33:13.701Z","2026-03-16T21:33:13.801Z","\u003Cp>The castle itself occupies an important place in Czech history. Originally it was a Cistercian monastery, which was mainly praised by Wenceslas II and Přemysl Otakar II. There was a burial place of Czech kings before it was transferred to the Cathedral of Sts. Vitus. In the 20th century the buildings were rebuilt into a castle thanks to Cyril Bartoň from Dobenín. During socialism, the National Gallery was located here and the current owners are again Bartoň from Dobenín, the property was returned to family thanks to restitution claims.\u003C/p>\u003Cp>The area also includes the Church of St. Jakub Větší with pictures by Baroque painters Karel Škréta and Petr Brandl.\u003C/p>\u003Cp>The garden is open daily from 6:00 am to 6:00 pm and offers the opportunity to see the unique equestrian statue of St. Wenceslas close up is worth a visit. The garden of Zbraslav Castle can be accessed from Bartoňova Street on the south side of the castle garden.\u003C/p>",{"id":3759,"documentId":3760,"name":423,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":3761,"hash":3782,"ext":70,"mime":73,"size":3783,"url":3784,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3785,"updatedAt":3786,"publishedAt":3787,"focalPoint":9},89,"rh8la4fxe1m2szd32rcr6x0p",{"large":3762,"small":3767,"medium":3772,"thumbnail":3777},{"ext":70,"url":3763,"hash":3764,"mime":73,"name":428,"path":9,"size":3765,"width":77,"height":76,"sizeInBytes":3766},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_1_72e25bf650.webp","large_1_72e25bf650",116.95,116952,{"ext":70,"url":3768,"hash":3769,"mime":73,"name":434,"path":9,"size":3770,"width":85,"height":84,"sizeInBytes":3771},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_1_72e25bf650.webp","small_1_72e25bf650",35.77,35770,{"ext":70,"url":3773,"hash":3774,"mime":73,"name":440,"path":9,"size":3775,"width":92,"height":77,"sizeInBytes":3776},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_72e25bf650.webp","medium_1_72e25bf650",71.26,71264,{"ext":70,"url":3778,"hash":3779,"mime":73,"name":446,"path":9,"size":3780,"width":308,"height":100,"sizeInBytes":3781},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_72e25bf650.webp","thumbnail_1_72e25bf650",4.97,4966,"1_72e25bf650",387.19,"https://meaningful-wonder-ea78781290.media.strapiapp.com/1_72e25bf650.webp","2026-02-19T19:54:15.333Z","2026-06-14T11:32:50.743Z","2026-02-19T19:54:15.334Z",{"id":3789},460,{"id":3791,"metaTitle":3792,"metaDescription":3793,"keywords":3794,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3795},256,"Equestrian statue of st. Wenceslas","The castle itself occupies an important place in Czech history.","statue, sculpture, Zámecký park ve Zbraslavi, St. Wenceslav on the Zbraslav, Prague, monument, history, horse",{"geo":3796,"url":3752,"name":3745,"@type":30,"image":3784,"address":3799,"@context":35,"description":3749,"additionalType":465},{"@type":27,"latitude":3797,"longitude":3798},49.977538,14.392511,{"@type":32,"streetAddress":3748,"addressCountry":33,"addressLocality":34},[3801],{"id":3802,"documentId":3744,"title":3803,"slug":3804,"shortTitle":3805,"address":3748,"type":410,"description":3806,"latitude":3750,"longitude":3751,"phone":9,"website":3752,"available":414,"availableDescription":3753,"createdAt":3807,"updatedAt":3808,"publishedAt":3809,"locale":46,"content":3810},1965,"Jezdecká socha sv. Václava na zahradě zámku Zbraslav","jezdecka-socha-sv-vaclava-na-zahrade-zamku-zbraslav","sv. Václav - Zbraslav","Komplikovaná cesta Josefa Václava Myslbeka na tvorbě pomníku sv. Václava na Václavském náměstí) byla završena odlitkem kompletní sochy ve skutečné velikosti (celková výška 295 cm) pravděpodobně v roce 1902 nebo 1903.","2026-02-01T12:22:11.069Z","2026-03-16T21:33:12.521Z","2026-03-16T21:33:12.649Z","\u003Cp>Samotný zámek zaujímá v českých dějinách důležité místo. Původně se jednalo o cisterciácký klášter, který byl veleben především Václavem II a Přemyslem Otakarem II. Bylo zde pohřebiště českých králů před tím, než bylo přeneseno do katedrály sv. Víta. Ve 20. století byly budovy přebudovány na zámek díky Cyrilu Bartoňovi z Dobenína. Za socialismu zde sídlila Národní galerie a současnými majiteli jsou opět Bartoňovi z Dobenína, kterým byl majetek v rámci restitučních nároků navrácen.\u003C/p>\u003Cp>Součástí areálu je i kostel sv. Jakuba Většího s obrazy barokních malířů Karla Škréty a Petra Brandla.\u003C/p>\u003Cp>Zahrada je přístupná denně mezi 6:00 až 18:00 a možnost prohlédnout si unikátní jezdeckou sochu sv. Václava zblízka stojí za návštěvu. Do zahrady Zbraslavského zámku lze vstoupit z Bartoňovy ulice na jižní straně zámecké zahrady.\u003C/p>",{"id":3812,"documentId":3813,"title":3814,"slug":3815,"shortTitle":9,"address":3816,"type":54,"description":3817,"latitude":3818,"longitude":3819,"phone":9,"website":9,"available":9,"availableDescription":553,"createdAt":3820,"updatedAt":3821,"publishedAt":3822,"locale":18,"content":3823,"image":3824,"carousel":3853,"seo":3855,"localizations":3864},1968,"ut0fl2o2u4os6wxikjbql74u","Municipal court of the town of Královské Vinohrady","municipal-court-of-the-town-of-kralovske-vinohrady","Varšavská 200/12, Praha 2 - Vinohrady, 120 00","The Municipal Court building in Královské Vinohrady, at the corner of Varšavská and Máchova streets, hides an unexpected equestrian detail. The sculptural horse heads adorning the side buildings are not mere decoration but reveal the original purpose of this 1898 structure. The building primarily housed the Královské Vinohrady fire station, which at the end of the 19th century necessarily meant stabling horses that were harnessed to mobile fire-fighting equipment. The stables that were part of every fire station are still recalled today by these horse heads on both corner buildings. Throughout the 19th century, great importance was placed on decorating urban structures, with sculptural elements often directly referencing the building's function. The constructor was likely the prominent building company Riedl & Co., but the true authorship of the horse heads will probably remain a mystery forever.","50.071680","14.440453","2026-02-01T12:22:12.157Z","2026-03-16T21:33:16.263Z","2026-03-16T21:33:16.372Z","\u003Cp>Throughout the 19th century, considerable importance was placed on the decoration of built town houses. Very often, the drawing or sculptural elements of the facades were combined with the purpose of the building. The building of the Municipal Court of the town of Královské Vinohrady is decorated with a plastic head of a horse. It does not only enliven the otherwise relatively dull facade of the building, but it also shows the way of its municipal use. The main purpose of the construction from 1898 was to locate in the Královské Vinohrady fire station. At the end of the 19th century, this was necessarily associated with the housing of horses, which were harnessed to mobile fire extinguishers in the event of a fire. Part of the fire station was consisted by stables, which to this day resembles the head of a horse on the corner building of Varšavská and Máchova streets. The constructor of the work is then important construction company Riedl a spol., But the real authorship of the horse's head will probably remain secret forever.\u003C/p>",{"id":3825,"documentId":3826,"name":1228,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3827,"hash":3848,"ext":70,"mime":73,"size":3849,"url":3850,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3851,"updatedAt":3852,"publishedAt":3851,"focalPoint":9},286,"v0uzxio8v35qkujeevy96hkq",{"large":3828,"small":3833,"medium":3838,"thumbnail":3843},{"ext":70,"url":3829,"hash":3830,"mime":73,"name":1233,"path":9,"size":3831,"width":76,"height":77,"sizeInBytes":3832},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_01_d2580f4bcd.webp","large_01_d2580f4bcd",81.54,81538,{"ext":70,"url":3834,"hash":3835,"mime":73,"name":1239,"path":9,"size":3836,"width":84,"height":85,"sizeInBytes":3837},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_01_d2580f4bcd.webp","small_01_d2580f4bcd",28.86,28860,{"ext":70,"url":3839,"hash":3840,"mime":73,"name":1245,"path":9,"size":3841,"width":77,"height":92,"sizeInBytes":3842},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_01_d2580f4bcd.webp","medium_01_d2580f4bcd",54.19,54188,{"ext":70,"url":3844,"hash":3845,"mime":73,"name":1251,"path":9,"size":3846,"width":99,"height":100,"sizeInBytes":3847},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_01_d2580f4bcd.webp","thumbnail_01_d2580f4bcd",7.12,7122,"01_d2580f4bcd",245.52,"https://meaningful-wonder-ea78781290.media.strapiapp.com/01_d2580f4bcd.webp","2026-02-19T20:52:44.322Z","2026-06-14T11:52:59.002Z",{"id":3854},462,{"id":3856,"metaTitle":3814,"metaDescription":3857,"keywords":3858,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3859},260,"Throughout the 19th century, considerable importance was placed on the decoration of built town houses.","building, architecture, Varšavská 200/12, Prague, monument, history, horse",{"geo":3860,"name":3814,"@type":30,"image":3850,"address":3863,"@context":35,"description":3817,"additionalType":119},{"@type":27,"latitude":3861,"longitude":3862},50.07168,14.440453,{"@type":32,"streetAddress":3816,"addressCountry":33,"addressLocality":34},[3865],{"id":3866,"documentId":3813,"title":3867,"slug":3868,"shortTitle":9,"address":3816,"type":54,"description":3869,"latitude":3818,"longitude":3819,"phone":9,"website":9,"available":9,"availableDescription":553,"createdAt":3870,"updatedAt":3871,"publishedAt":3872,"locale":46,"content":3873},1967,"Obecní dvůr města Královských Vinohrad","obecni-dvur-mesta-kralovskych-vinohrad","Budova Obecního dvora v Královských Vinohradech na nároží ulic Varšavská a Máchova skrývá nečekaný hipologický detail. Plastické hlavy koní zdobící postranní budovy nejsou pouhou dekorací, ale vypovídají o původním účelu stavby z roku 1898. Hlavním posláním objektu bylo totiž umístění hasičské zbrojnice Královských Vinohrad, což na konci 19. století nezbytně znamenalo ustájení koní zapřahovaných do mobilních hasicích zařízení. Součástí požárních zbrojnic tak byly stáje, které dodnes připomínají právě tyto koňské hlavy na obou nárožních budovách. Po celé 19. století se kladl velký důraz na výzdobu městských staveb, přičemž sochařské prvky často přímo odkazovaly na funkci budovy. Zhotovitelem díla byla pravděpodobně tehdejší významná stavební firma Riedl a spol., ale skutečné autorství koňských hlav zůstane zřejmě navždy záhadou.","2026-02-01T12:22:12.136Z","2026-03-16T21:33:14.823Z","2026-03-16T21:33:14.922Z","\u003Cp>Budova Obecního dvora v Královských Vinohradech na nároží ulic Varšavská a Máchova skrývá nečekaný hipologický detail. Plastické hlavy koní zdobící postranní budovy nejsou pouhou dekorací, ale vypovídají o původním účelu stavby z roku 1898. Hlavním posláním objektu bylo totiž umístění hasičské zbrojnice Královských Vinohrad, což na konci 19. století nezbytně znamenalo ustájení koní zapřahovaných do mobilních hasicích zařízení. Součástí požárních zbrojnic tak byly stáje, které dodnes připomínají právě tyto koňské hlavy na obou nárožních budovách.\u003C/p>\u003Cp>Po celé 19. století se kladl značný význam na výzdobu stavěných městských domů. Velmi často byly kresebné či sochařské prvky fasád spojeny s účelem stavby. Na budově Obecního dvora města Královské Vinohrady je zřetelně vidět hipologický charakter dvou postranních budov, které byly zřetelně stájemi. Obě zdobí plastické hlavy koní. Ty nejenom že oživují poměrně fádní, dnes navíc velmi zanedbané, průčelí objektů, ale především ukazují způsob jeho obecního využití. Hlavním účelem stavby z roku 1898 bylo umístění hasičské zbrojnice Královských Vinohrad. To na konci 19. století bylo nezbytně spojeno s ustájením koní, kteří byli v případě požáru zapřaháni do mobilních hasicích zařízení. Součástí požárních zbrojnic tak tvořily stáje, které dodnes připomínají na obou stavbách nárožní budovy ulic Varšavská a Máchova hlavy koní. Zhotovitelem díla je snad tehdejší významná stavební společnost Riedl a spol., ale skutečné autorství koňských hlav již zůstane pravděpodobně navždy utajeno.\u003C/p>",{"id":3875,"documentId":3876,"title":3877,"slug":3878,"shortTitle":9,"address":3879,"type":54,"description":3880,"latitude":3881,"longitude":3882,"phone":9,"website":9,"available":9,"availableDescription":553,"createdAt":3883,"updatedAt":3884,"publishedAt":3885,"locale":18,"content":3886,"image":3887,"carousel":3917,"seo":3919,"localizations":3927},1970,"a34q0fwyu9gx0v4s3wrqazzz","George of Podebrady in Smichov","george-of-podebrady-in-smichov","U Trojice 2, Praha 5 - Smíchov, 150 00","At the turn of the 19th and 20th centuries, Prague experienced a massive construction boom during which builders enthusiastically decorated their houses with motifs from the national revival. On a corner tenement house in Smíchov, at the intersection of U Trojice and Duškova streets, three key figures of Czech history come together. The central motif of the house, built around 1895, is George of Poděbrady depicted on horseback in a lunette beneath the emblem of the Czech lion. This Hussite king, famous as a diplomat who strove for peace in Europe, symbolizes Czech statehood and pride. The patriotic character of the decoration is complemented by smaller medallions of Jan Žižka and Jan Hus. The identity of both the builder and the artist remains unknown, which is typical for Prague houses of this period. The decoration stands as a valuable testament to an era when tenement house facades served as canvases for expressing patriotic sentiment.","50.071803","14.394135","2026-02-01T12:22:12.124Z","2026-03-16T21:33:18.829Z","2026-03-16T21:33:18.935Z","\u003Cp>The end of the 19th century in Prague was associated with the massive construction of residential houses. Reverberations of the popularity of building styles such as Neo-Renaissance, Neo-Baroque, floral Art Nouveau or the connection of these styles led many builders to decorate their houses with either painting or stucco. The topics were most often selected on the basis of the future purpose of the construction, or they were inspired by the personal motivation of the client. Motives associated with the national revival were very popular. Jan Žižka, Jan Hus or Jiří from Poděbrady are important and often portrayed decorative themes. All these figures of Czech history came together in the decoration of a tenement house in Smíchov on the corner of U trojice and Duškovy streets. The central motif of the house, built around 1895, is George from Poděbrady. In the saddle of a horse, it is set in the lunette symbolically under the emblem with the Czech lion. The national revival motifs of the unknown builder and author are also evidenced by the smaller medallions of Jan Žižka and Jan Hus.\u003C/p>",{"id":3888,"documentId":3889,"name":283,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":3890,"hash":3911,"ext":70,"mime":73,"size":3912,"url":3913,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3914,"updatedAt":3915,"publishedAt":3916,"focalPoint":9},283,"ffxrmxzxrk8s654qgise3sgo",{"large":3891,"small":3896,"medium":3901,"thumbnail":3906},{"ext":70,"url":3892,"hash":3893,"mime":73,"name":288,"path":9,"size":3894,"width":76,"height":77,"sizeInBytes":3895},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_03_c5433fb4f1.webp","large_03_c5433fb4f1",32.9,32898,{"ext":70,"url":3897,"hash":3898,"mime":73,"name":294,"path":9,"size":3899,"width":84,"height":85,"sizeInBytes":3900},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_03_c5433fb4f1.webp","small_03_c5433fb4f1",13.96,13958,{"ext":70,"url":3902,"hash":3903,"mime":73,"name":300,"path":9,"size":3904,"width":77,"height":92,"sizeInBytes":3905},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_03_c5433fb4f1.webp","medium_03_c5433fb4f1",23.24,23238,{"ext":70,"url":3907,"hash":3908,"mime":73,"name":306,"path":9,"size":3909,"width":99,"height":100,"sizeInBytes":3910},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_03_c5433fb4f1.webp","thumbnail_03_c5433fb4f1",4.33,4330,"03_c5433fb4f1",85.51,"https://meaningful-wonder-ea78781290.media.strapiapp.com/03_c5433fb4f1.webp","2026-02-19T20:52:07.670Z","2026-06-14T11:52:43.168Z","2026-02-19T20:52:07.671Z",{"id":3918},464,{"id":3920,"metaTitle":3877,"metaDescription":591,"keywords":3921,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3922},264,"building, architecture, U Trojice 2, Prague, monument, history, horse",{"geo":3923,"name":3877,"@type":30,"image":3913,"address":3926,"@context":35,"description":3880,"additionalType":119},{"@type":27,"latitude":3924,"longitude":3925},50.071803,14.394135,{"@type":32,"streetAddress":3879,"addressCountry":33,"addressLocality":34},[3928],{"id":3929,"documentId":3876,"title":3930,"slug":3931,"shortTitle":9,"address":3879,"type":54,"description":3932,"latitude":3881,"longitude":3882,"phone":9,"website":9,"available":9,"availableDescription":553,"createdAt":3933,"updatedAt":3934,"publishedAt":3935,"locale":46,"content":3936},1969,"Jiří z Poděbrad na Smíchově","jiri-z-podebrad-na-smichove","Na přelomu 19. a 20. století zažívala Praha mohutnou stavební vlnu, během níž stavebníci s nadšením zdobili své domy motivy národního obrození. Na nárožním domě na Smíchově v křižovatce ulic U Trojice a Duškovy se setkávají hned tři klíčové postavy českých dějin. Ústředním motivem domu postaveného kolem roku 1895 je Jiří z Poděbrad, vyobrazený v sedle koně v lunetě pod znakem s českým lvem. Tento husitský král, který se proslavil jako diplomat usilující o mír v Evropě, zde symbolizuje českou státnost a hrdost. Národně obrozenecký charakter výzdoby dotvářejí drobnější medailony Jana Žižky a Jana Husa. Identita stavitele i autora uměleckého díla zůstává neznámá, což je pro pražské domy tohoto období typické. Výzdoba je cenným dokladem doby, kdy se fasády činžovních domů stávaly plátnem pro vyjádření vlasteneckého cítění.","2026-02-01T12:22:12.109Z","2026-03-16T21:33:17.677Z","2026-03-16T21:33:17.787Z","\u003Cp>Na přelomu 19. a 20. století zažívala Praha mohutnou stavební vlnu, během níž stavebníci s nadšením zdobili své domy motivy národního obrození. Na nárožním domě na Smíchově v křižovatce ulic U Trojice a Duškovy se setkávají hned tři klíčové postavy českých dějin. Ústředním motivem domu postaveného kolem roku 1895 je Jiří z Poděbrad, vyobrazený v sedle koně v lunetě pod znakem s českým lvem. Tento husitský král, který se proslavil jako diplomat usilující o mír v Evropě, zde symbolizuje českou státnost a hrdost. Identita stavitele i autora uměleckého díla zůstává neznámá, což je pro pražské domy tohoto období typické. Výzdoba je cenným dokladem doby, kdy se fasády činžovních domů stávaly plátnem pro vyjádření vlasteneckého cítění.\u003C/p>\u003Cp>Konec 19. století byl v Praze spojen s mohutnou výstavbou obytných domů. Dozvuky obliby stavebních slohů jako je novorenesance, novobarok, florální secese či propojení těchto stylů vedly řadu stavebníků k výzdobě svých domů buď malbou, či štukovou výzdobou. Témata byla nejčastěji vybírána na základě budoucího účelu stavby, či je inspirovala osobní motivace zadavatele stavby. Velmi populární byly motivy spojené s národním obrozením. Významným a často ztvárněným zdobným tématem tak jsou Jan Žižka, Jan Hus či Jiří z Poděbrad. Všechny tyto figury českých dějin se sešly ve výzdobě nájemného domu na Smíchově na rohu ulic U trojice a Duškovy. Ústředním motivem domu vystavěném zhruba okolo roku 1895 je Jiří z Poděbrad. V sedle koně je zasazen v lunetě symbolicky pod znak s českým lvem. Národně obrozenecké motivy neznámého stavitele i autora dokládají i drobnější medailony Jana Žižky a Jana Husa.\u003C/p>\u003Cp> \u003C/p>",{"id":3938,"documentId":3939,"title":3940,"slug":3941,"shortTitle":3942,"address":3943,"type":410,"description":3944,"latitude":3945,"longitude":3946,"phone":3947,"website":3948,"available":414,"availableDescription":3949,"createdAt":3950,"updatedAt":3951,"publishedAt":3952,"locale":18,"content":3953,"image":3954,"carousel":3989,"seo":3991,"localizations":4000},1972,"qefifmuv49eq74meoj5iuohd","Lapidarium of the National Museum","lapidarium-of-the-national-museum","lapidarium NM","Výstaviště 422, Praha 7 - Holešovice, 170 00","The National Museum’s Lapidarium is located at the Prague Exhibition Grounds in Holešovice, created for the 1891 Jubilee Provincial Exhibition. The 1891 exhibition was followed by several major shows, shaping the site’s long exhibition tradition.","50.105627","14.431184","402702013372","https://www.nm.cz/navstivte-nas/objekty/lapidarium-narodniho-muzea","otevřeno od 1.  5. do 30. 11. viz www.","2026-02-01T12:22:11.163Z","2026-03-16T21:33:21.054Z","2026-03-16T21:33:21.160Z","The National Museum’s Lapidarium is located at the Prague Exhibition Grounds in Holešovice, created for the 1891 Jubilee Provincial Exhibition. The exhibition grounds, centred on the Industrial Palace, were built in just one year to designs by Bedřich Münzberger and Antonín Wiehl. The 1891 exhibition was followed by several major shows, shaping the site’s long exhibition tradition.",{"id":3955,"documentId":3956,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":3957,"formats":3958,"hash":3984,"ext":70,"mime":73,"size":3985,"url":3986,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3987,"updatedAt":3988,"publishedAt":3987,"focalPoint":9},96,"hvfr93mlb2p0ywamfzyqzt28",923,{"large":3959,"small":3965,"medium":3971,"thumbnail":3977},{"ext":70,"url":3960,"hash":3961,"mime":73,"name":1442,"path":9,"size":3962,"width":76,"height":3963,"sizeInBytes":3964},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_97366b0ad0.webp","large_A_97366b0ad0",55.92,451,55922,{"ext":70,"url":3966,"hash":3967,"mime":73,"name":1448,"path":9,"size":3968,"width":84,"height":3969,"sizeInBytes":3970},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_97366b0ad0.webp","small_A_97366b0ad0",17.75,225,17752,{"ext":70,"url":3972,"hash":3973,"mime":73,"name":1454,"path":9,"size":3974,"width":77,"height":3975,"sizeInBytes":3976},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_97366b0ad0.webp","medium_A_97366b0ad0",34.74,338,34742,{"ext":70,"url":3978,"hash":3979,"mime":73,"name":1460,"path":9,"size":3980,"width":3981,"height":3982,"sizeInBytes":3983},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_97366b0ad0.webp","thumbnail_A_97366b0ad0",5.46,245,110,5456,"A_97366b0ad0",180.44,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_97366b0ad0.webp","2026-02-19T19:54:58.122Z","2026-06-14T11:33:34.132Z",{"id":3990},466,{"id":3992,"metaTitle":3940,"metaDescription":3993,"keywords":3994,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":3995},268,"The National Museum’s Lapidarium is located at the Prague Exhibition Grounds in Holešovice, created for the 1891 Jubilee Provincial Exhibition.","statue, sculpture, Výstaviště 422, lapidarium NM, Prague, monument, history, horse",{"geo":3996,"url":3948,"name":3940,"@type":30,"image":3986,"address":3999,"@context":35,"description":3944,"additionalType":465},{"@type":27,"latitude":3997,"longitude":3998},50.105627,14.431184,{"@type":32,"streetAddress":3943,"addressCountry":33,"addressLocality":34},[4001],{"id":4002,"documentId":3939,"title":4003,"slug":4004,"shortTitle":4005,"address":3943,"type":410,"description":4006,"latitude":3945,"longitude":3946,"phone":3947,"website":3948,"available":414,"availableDescription":3949,"createdAt":4007,"updatedAt":4008,"publishedAt":4009,"locale":46,"content":4010},2033,"Lapidárium Národního muzea","lapidarium-narodniho-muzea","lapidárium NM","Sídlí v jednom z pavilonů Výstaviště Praha v Holešovicích, které vzniklo na území Královské obory (Stromovka) při příležitosti Jubilejní zemské výstavy v roce 1891. Jubilejní zemská výstava byla zahajovací akcí, po které ovšem následovaly další výstavy (Národopisná výstava českoslovanská 1895, Výstava architektury a inženýrství 1898, Jubilejní výstava Obchodní a živnostenské komory 1908 atd.).","2026-02-01T12:22:11.126Z","2026-06-14T15:46:49.218Z","2026-06-14T15:46:49.317Z","\u003Cp>V jedné z bočních budov lemující přístup k průmyslovému paláci sídlí dnes Lapidárium Národního muzea, které nabízí největší českou státní sbírku kamenné plastiky z období od 11. do 19. století.\u003C/p>\u003Cp>Součástí sbírek je i řada jezdeckých soch, jejichž kopie jsou nyní na různých místech Prahy. Součástí stálé expozice je kopie sochy sv. Jiří na III. nádvoří Pražského hradu (@sv-jiri-na-prazskem-hrade|sv. Jiří na Pražském hradě@ ), originál sochy Františka I. (@krannerova-kasna-s-jezdeckou-sochou-frantiska-i|Krannerova kašna s jezdeckou sochou Františka I.@ ) a originál sochy sv. Václava od Jana Jiřího Bendla, která stála na dnešním Václavském náměstí a nyní je její kopie umístěna na pražském Vyšehradě (@sv-vaclav-jana-jiriho-bendla|sv. Václav Jana Jiřího Bendla@ ).\u003C/p>",{"id":4012,"documentId":4013,"title":4014,"slug":4015,"shortTitle":9,"address":4016,"type":54,"description":4017,"latitude":4018,"longitude":4019,"phone":9,"website":9,"available":9,"availableDescription":553,"createdAt":4020,"updatedAt":4021,"publishedAt":4022,"locale":18,"content":4023,"image":4024,"carousel":4054,"seo":4056,"localizations":4065},1974,"or33ppr8ksq7lalmxal4boj2","George of Podebrady and St. Wenceslas in Nusle","george-of-podebrady-and-st-wenceslas-in-nusle","Oldřichova 5, Praha 2 - Vinohrady, 128 00","This tenement house on Oldřichova Street in Nusle exemplifies an era when Prague apartment building facades became carriers of national identity. At the turn of the 19th and 20th centuries, builders decorated their houses with motifs of key figures from Czech history, and in Nusle this tendency was particularly strong. The facade features the beloved figures of St. Wenceslas and George of Poděbrady, symbols of Czech statehood. For the patriotically minded Nusle community, it was typical that these motifs appeared in various forms on other local buildings including the national hall. The work from the turn of the century is probably by academic painter Julius Fischer, a pupil of Mikoláš Aleš, who became famous for numerous house frescoes. Fischer's greatest lifetime achievement was the decoration of Kokořín Castle between 1911 and 1918, carried out during its neo-Gothic reconstruction.","50.065684","14.425268","2026-02-01T12:22:12.212Z","2026-03-16T21:33:23.745Z","2026-03-16T21:33:23.844Z","\u003Cp>This tenement house on Oldřichova Street in Nusle exemplifies an era when Prague apartment building facades became carriers of national identity. At the turn of the 19th and 20th centuries, builders decorated their houses with motifs of key figures from Czech history, and in Nusle this tendency was particularly strong. The facade features the beloved figures of St. Wenceslas and George of Poděbrady, symbols of Czech statehood. For the patriotically minded Nusle community, it was typical that these motifs appeared in various forms on other local buildings including the national hall. The work from the turn of the century is probably by academic painter Julius Fischer, a pupil of Mikoláš Aleš, who became famous for numerous house frescoes. Fischer's greatest lifetime achievement was the decoration of Kokořín Castle between 1911 and 1918, carried out during its neo-Gothic reconstruction.\u003C/p>",{"id":1053,"documentId":4025,"name":4026,"alternativeText":9,"caption":9,"width":4027,"height":4028,"formats":4029,"hash":4048,"ext":70,"mime":73,"size":4049,"url":4050,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4051,"updatedAt":4052,"publishedAt":4053,"focalPoint":9},"gaxt32dl6r50otsj7gnsf27p","04. sv. Václav.webp",660,879,{"small":4030,"medium":4036,"thumbnail":4042},{"ext":70,"url":4031,"hash":4032,"mime":73,"name":4033,"path":9,"size":4034,"width":85,"height":84,"sizeInBytes":4035},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_04_sv_Vaclav_e62f87f5c6.webp","small_04_sv_Vaclav_e62f87f5c6","small_04. sv. Václav.webp",26.01,26006,{"ext":70,"url":4037,"hash":4038,"mime":73,"name":4039,"path":9,"size":4040,"width":2467,"height":77,"sizeInBytes":4041},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_04_sv_Vaclav_e62f87f5c6.webp","medium_04_sv_Vaclav_e62f87f5c6","medium_04. sv. Václav.webp",47.38,47384,{"ext":70,"url":4043,"hash":4044,"mime":73,"name":4045,"path":9,"size":4046,"width":308,"height":100,"sizeInBytes":4047},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_04_sv_Vaclav_e62f87f5c6.webp","thumbnail_04_sv_Vaclav_e62f87f5c6","thumbnail_04. sv. Václav.webp",3.77,3770,"04_sv_Vaclav_e62f87f5c6",70.51,"https://meaningful-wonder-ea78781290.media.strapiapp.com/04_sv_Vaclav_e62f87f5c6.webp","2026-02-19T21:15:24.125Z","2026-06-14T11:54:10.012Z","2026-02-19T21:15:24.126Z",{"id":4055},468,{"id":4057,"metaTitle":4014,"metaDescription":4058,"keywords":4059,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4060},272,"This tenement house on Oldřichova Street in Nusle exemplifies an era when Prague apartment building facades became carriers of national identity.","building, architecture, Oldřichova 5, Prague, monument, history, horse",{"geo":4061,"name":4014,"@type":30,"image":4050,"address":4064,"@context":35,"description":4017,"additionalType":119},{"@type":27,"latitude":4062,"longitude":4063},50.065684,14.425268,{"@type":32,"streetAddress":4016,"addressCountry":33,"addressLocality":34},[4066],{"id":4067,"documentId":4013,"title":4068,"slug":4069,"shortTitle":9,"address":4016,"type":54,"description":4070,"latitude":4018,"longitude":4019,"phone":9,"website":9,"available":9,"availableDescription":553,"createdAt":4071,"updatedAt":4072,"publishedAt":4073,"locale":46,"content":4074},1973,"Jiří z Poděbrad a sv. Václav v Nuslích","jiri-z-podebrad-a-sv-vaclav-v-nuslich","Nájemní dům v Oldřichově ulici v Nuslích je ukázkou doby, kdy se fasády pražských činžáků stávaly nositeli národního poselství. Na přelomu 19. a 20. století zdobili stavitelé své domy motivy klíčových postav české historie a v Nuslích byla tato tendence obzvláště silná. Průčelí tohoto domu pracuje s oblíbenými figurami sv. Václava a Jiřího z Poděbrad, symbolů české státnosti. Pro národně smýšlející nuselskou obec bylo příznačné, že tyto motivy se objevovaly v různých formách i na dalších místních stavbách včetně národního domu. Autorem díla z přelomu století je pravděpodobně akademický malíř Julius Fischer, žák Mikoláše Alše, který se proslavil jako autor řady domovních fresek. Fischerovým největším životním dílem se stala výzdoba hradu Kokořín z let 1911 až 1918, realizovaná při jeho novogotické rekonstrukci.","2026-02-01T12:22:12.196Z","2026-03-16T21:33:22.301Z","2026-03-16T21:33:22.413Z","\u003Cp>Konec 19. století byl v Praze spojen s mohutnou výstavbou obytných i obecních domů. Dozvuky stavebních slohů končícího století vedly často stavebníky k výzdobě svých domů štukovou výzdobou, či méně náročnou malbou. Témata výzdoby byla často poplatná budoucímu účelu stavby, či je inspirovala osobní motivace zadavatele stavby. V rozjitřené době vrcholící snahy o národní sebeurčení vítězily velmi často národnostní motivy důležitých postav české historie v čele se sv. Václavem a Jiřím z Poděbrad. Jejich oblibu dokazuje i nájemní dům v Oldřichově ulici č. 5 v Nuslích. Malířská výzdoba v průčelí pracuje právě s těmito dobově oblíbenými motivy. Pro národně smýšlející nuselskou obec bylo typické, že tyto a další motivy z českých dějin byly na počátku 20. století využívány v různých formách i na dalších stavbách, včetně místního národního domu. Autorem díly z přelomu století je pravděpodobně Julius Fischer (1869 – 1936). Mezi pedagogy tohoto akademického malíře, který je autorem řady domovních fresek, byl i Mikoláš Aleš. Největším životním dílem tohoto umělce je pak výzdoba hradu Kokořín z let 1911 – 1918 při jeho novogotické rekonstrukci Václavem Špačkem.\u003C/p>",{"id":4076,"documentId":4077,"title":4078,"slug":4079,"shortTitle":9,"address":4080,"type":679,"description":4081,"latitude":4082,"longitude":4083,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4084,"updatedAt":4085,"publishedAt":4086,"locale":18,"content":4087,"image":4088,"carousel":4117,"seo":4119,"localizations":4128},1976,"om1e8j4mvq4f65lpwiejrrsn","St. Wenceslas in Vrsovice","st-wenceslas-in-vrsovice","Kodaňská 23, Praha 10 - Vršovice, 100 00","A richly colored stucco relief with the popular motif of St. Wenceslas on horseback fills the gable of a tenement house on Kodaňská Street in Vršovice. Relief decoration of tenement houses was very popular in early 20th-century Prague, and St. Wenceslas was among the most frequent subjects. Since we do not know the builder of this 1909 building, it is impossible to judge whether the motif reflected the client's patriotic feelings or perhaps his first name Václav, as was often the case with Prague houses. An interesting detail is that St. Wenceslas is depicted here riding a bay horse rather than the usual white steed. The work was created by the firm Uttl and Prokop. This relief is one of many testimonies to an era when Prague streets were transformed into galleries of national art, and every new building was an opportunity to express the owner's patriotic pride or personal devotion.","50.071337","14.454097","2026-02-01T12:22:12.473Z","2026-03-16T21:33:25.993Z","2026-03-16T21:33:26.096Z","\u003Cp>A stucco relief with the popular motif of St. Wenceslas on horseback filled the gable of the tenement house in Kodaňská Street No. 559/23 in Vršovice. Relief decoration of tenement houses was very popular at the beginning of the 20th century. Because we do not know the builder of the building from 1909, it is not possible to judge whether the feelings of the client, or his first name, or his nationality were behind the use of the relevant motif. Richly colored relief of St. Wenceslas, this time on a bay horse, is the work of company Uttl and Prokop.\u003C/p>",{"id":4089,"documentId":4090,"name":1228,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":4091,"hash":4112,"ext":70,"mime":73,"size":4113,"url":4114,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4115,"updatedAt":4116,"publishedAt":4115,"focalPoint":9},339,"cnjzrhk7ji1s180ag21vyor6",{"large":4092,"small":4097,"medium":4102,"thumbnail":4107},{"ext":70,"url":4093,"hash":4094,"mime":73,"name":1233,"path":9,"size":4095,"width":76,"height":77,"sizeInBytes":4096},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_01_4f13f6ae97.webp","large_01_4f13f6ae97",111.95,111952,{"ext":70,"url":4098,"hash":4099,"mime":73,"name":1239,"path":9,"size":4100,"width":84,"height":85,"sizeInBytes":4101},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_01_4f13f6ae97.webp","small_01_4f13f6ae97",38.9,38900,{"ext":70,"url":4103,"hash":4104,"mime":73,"name":1245,"path":9,"size":4105,"width":77,"height":92,"sizeInBytes":4106},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_01_4f13f6ae97.webp","medium_01_4f13f6ae97",73.14,73138,{"ext":70,"url":4108,"hash":4109,"mime":73,"name":1251,"path":9,"size":4110,"width":99,"height":100,"sizeInBytes":4111},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_01_4f13f6ae97.webp","thumbnail_01_4f13f6ae97",9.15,9152,"01_4f13f6ae97",319.61,"https://meaningful-wonder-ea78781290.media.strapiapp.com/01_4f13f6ae97.webp","2026-02-19T21:04:14.150Z","2026-06-14T11:57:50.647Z",{"id":4118},470,{"id":4120,"metaTitle":4078,"metaDescription":4121,"keywords":4122,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4123},276,"A stucco relief with the popular motif of St. Wenceslas on horseback filled the gable of the tenement house in Kodaňská Street No.","relief, sculpture, Kodaňská 23, Prague, monument, history, horse",{"geo":4124,"name":4078,"@type":30,"image":4114,"address":4127,"@context":35,"description":4081,"additionalType":36},{"@type":27,"latitude":4125,"longitude":4126},50.071337,14.454097,{"@type":32,"streetAddress":4080,"addressCountry":33,"addressLocality":34},[4129],{"id":4130,"documentId":4077,"title":4131,"slug":4132,"shortTitle":9,"address":4080,"type":679,"description":4133,"latitude":4082,"longitude":4083,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4134,"updatedAt":4135,"publishedAt":4136,"locale":46,"content":4137},1975,"sv. Václav ve Vršovicích","sv-vaclav-ve-vrsovicich","Štít nájemního domu ve vršovické Kodaňské ulici vyplnil bohatě kolorovaný štukový reliéf s oblíbeným motivem sv. Václava na koni. Reliéfní zdobení nájemních domů bylo na počátku 20. století v Praze velmi populární a svatý Václav patřil k nejčastějším námětům. Protože stavebníka objektu z roku 1909 neznáme, nelze soudit, zda za využitím tohoto motivu stálo národnostní cítění objednavatele, nebo jeho křestní jméno Václav, jak tomu u mnoha pražských domů bývalo. Zajímavostí je, že sv. Václav je zde tentokrát zobrazen na hnědákovi, nikoli na obvyklém bělouši. Dílo vytvořila firma Uttl a Prokop. Tento reliéf je jedním z mnoha svědectví doby, kdy se pražské ulice proměňovaly v galerii národního umění a každý nový dům byl příležitostí vyjádřit vlasteneckou hrdost či osobní zbožnost majitele.","2026-02-01T12:22:12.456Z","2026-03-16T21:33:24.859Z","2026-03-16T21:33:24.960Z","\u003Cp>Štít nájemního domu ve vršovické Kodaňské ulici čp. 559/23 vyplnil štukový reliéf s oblíbeným motivem svatého Václava na koni. Reliéfní zdobení nájemních domů bylo na počátku 20. století velmi populární. Protože stavebníka objektu z roku 1909 neznáme nelze soudit, zda za využitím příslušného motivu stálo národností cítění objednavatele, nebo popřípadě jeho křestní jméno. Bohatě kolorovaný reliéf sv. Václava tentokrát na hnědákovi je dílem firmy Uttl a Prokop.\u003C/p>",{"id":4139,"documentId":4140,"title":4141,"slug":4142,"shortTitle":9,"address":4143,"type":54,"description":4144,"latitude":4145,"longitude":4146,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4147,"updatedAt":4148,"publishedAt":4149,"locale":18,"content":4150,"image":4151,"carousel":4180,"seo":4182,"localizations":4191},1978,"xdj4mlx1o20tciylqcozrcu0","St. Wenceslas in the street of lt. col. Sochor","st-wenceslas-in-the-street-of-lt-col-sochor","Pplk. Sochora 737/40, Praha 7 - Holešovice, 170 00","On a tenement house in Lt. Col. Sochor Street in Holešovice, visitors encounter the popular turn-of-the-century motif of St. Wenceslas on horseback. During the national revival, the most important Czech patron saint was the most frequent figure on Prague house facades, with investors demonstrating their patriotic feelings through such decoration. An intriguing aspect is the contemporary debate about the correct depiction of St. Wenceslas in the saddle. While Myslbek chose a helmet for his famous monument, historically the saint was often portrayed wearing a liturgical biretta. The biretta prevailed on this 1902 building, whose creators were possibly the firm Kareš, Kolka and Klac. St. Wenceslas is shown riding a noble horse reflecting 19th-century aesthetics, a breed that obviously would not have existed in the real Wenceslas's time. The house serves as a fascinating document of period disputes over historical accuracy in artistic depiction.","50.099970","14.430824","2026-02-01T12:22:12.241Z","2026-03-16T21:33:28.240Z","2026-03-16T21:33:28.344Z","\u003Cp>On a tenement house in Lt. Col. Sochor Street in Holešovice, visitors encounter the popular turn-of-the-century motif of St. Wenceslas on horseback. During the national revival, the most important Czech patron saint was the most frequent figure on Prague house facades, with investors demonstrating their patriotic feelings through such decoration. An intriguing aspect is the contemporary debate about the correct depiction of St. Wenceslas in the saddle. While Myslbek chose a helmet for his famous monument, historically the saint was often portrayed wearing a liturgical biretta. The biretta prevailed on this 1902 building, whose creators were possibly the firm Kareš, Kolka and Klac. St. Wenceslas is shown riding a noble horse reflecting 19th-century aesthetics, a breed that obviously would not have existed in the real Wenceslas's time. The house serves as a fascinating document of period disputes over historical accuracy in artistic depiction.\u003C/p>",{"id":4152,"documentId":4153,"name":352,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":4154,"hash":4175,"ext":70,"mime":73,"size":4176,"url":4177,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4178,"updatedAt":4179,"publishedAt":4178,"focalPoint":9},302,"f5l95mfqpd8ll95rxabg3pfb",{"large":4155,"small":4160,"medium":4165,"thumbnail":4170},{"ext":70,"url":4156,"hash":4157,"mime":73,"name":357,"path":9,"size":4158,"width":77,"height":76,"sizeInBytes":4159},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_04_243d11dcfb.webp","large_04_243d11dcfb",52.31,52312,{"ext":70,"url":4161,"hash":4162,"mime":73,"name":363,"path":9,"size":4163,"width":85,"height":84,"sizeInBytes":4164},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_04_243d11dcfb.webp","small_04_243d11dcfb",21.46,21456,{"ext":70,"url":4166,"hash":4167,"mime":73,"name":369,"path":9,"size":4168,"width":92,"height":77,"sizeInBytes":4169},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_04_243d11dcfb.webp","medium_04_243d11dcfb",35.88,35878,{"ext":70,"url":4171,"hash":4172,"mime":73,"name":375,"path":9,"size":4173,"width":308,"height":100,"sizeInBytes":4174},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_04_243d11dcfb.webp","thumbnail_04_243d11dcfb",3.61,3606,"04_243d11dcfb",139.17,"https://meaningful-wonder-ea78781290.media.strapiapp.com/04_243d11dcfb.webp","2026-02-19T20:55:53.729Z","2026-06-14T11:54:33.218Z",{"id":4181},472,{"id":4183,"metaTitle":4141,"metaDescription":4184,"keywords":4185,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4186},280,"On a tenement house in Lt. Sochor Street in Holešovice, visitors encounter the popular turn-of-the-century motif of St.","building, architecture, Pplk. Sochora 737/40, Prague, monument, history, horse",{"geo":4187,"name":4141,"@type":30,"image":4177,"address":4190,"@context":35,"description":4144,"additionalType":119},{"@type":27,"latitude":4188,"longitude":4189},50.09997,14.430824,{"@type":32,"streetAddress":4143,"addressCountry":33,"addressLocality":34},[4192],{"id":4193,"documentId":4140,"title":4194,"slug":4195,"shortTitle":9,"address":4143,"type":54,"description":4196,"latitude":4145,"longitude":4146,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4197,"updatedAt":4198,"publishedAt":4199,"locale":46,"content":4200},1977,"sv. Václav v ulici pplk. Sochora","sv-vaclav-v-ulici-pplk-sochora","Na činžovním domě v ulici pplk. Sochora v Holešovicích se setkáváme s oblíbeným motivem přelomu století, svatým Václavem na koni. V období národního obrození byl nejdůležitější český světec nejčastější figurou na fasádách pražských domů, přičemž investoři tím demonstrovali své vlastenecké cítění. Zajímavostí je tehdejší debata o správném zobrazení sv. Václava v sedle. Zatímco Myslbek ve svém slavném pomníku zvolil přilbici, historicky byl světec často znázorňován s liturgickou pokrývkou hlavy, biretem. Právě biret zvítězil i na tomto domě postaveném v roce 1902, jehož autorem je snad firma Kareš, Kolka a Klac. Sv. Václav je zde zasazen do sedla ušlechtilého koně odpovídajícího estetice 19. století, který pochopitelně nemohl být v době skutečného Václava k dispozici. Dům je tak zajímavým dokladem dobových sporů o historickou věrnost uměleckého ztvárnění.","2026-02-01T12:22:12.227Z","2026-03-16T21:33:27.098Z","2026-03-16T21:33:27.202Z","\u003Cp>Přelom 19.- 20. století byl typický rozsáhlou výstavbou činžovních domů, ve kterých se současně bydlení zajišťovali jejich investoři. Ti se pak rozsáhle podíleli na výzdobě svých domů a zcela v duchu již upevněného národního obrození využívali k uměleckému dotváření staveb významné dějinné momenty související s českým národním cítěním. Základní figurou splňující všechny tyto předpoklady je nejdůležitější český světec. Zajímavostí konce 19. století je, že se sv. Václav stále častěji objevuje v sedle koně. O vztah uměleckého pojetí s historicky předpokládanými reáliemi byly vedeny diskuze. Ty se týkaly především podoby koně. Zde převládlo ztvárnění sv. Václava v sedle ušlechtilého koně 19. století, který pochopitelně nemohl být v době Václavově k dispozici. Druhý sport se pak často vedl o pokrývku hlavy. V Myslbekově pojetí zvítězila přilbice, ale historicky byl sv. Václav znázorňován spíše s liturgickou pokrývkou hlavy biretem. Biret zvítězil i při ztvárnění sv. Václava neznámým autorem (snad firma Kareš, Kolka a Klac) na nájemním domě v ulici pplk. Sochora 737/40 (dříve Skuherská), který byl postaven v roce 1902.\u003C/p>",{"id":4202,"documentId":4203,"title":4204,"slug":4205,"shortTitle":9,"address":4206,"type":54,"description":4207,"latitude":4208,"longitude":4209,"phone":1970,"website":9,"available":414,"availableDescription":9,"createdAt":4210,"updatedAt":4211,"publishedAt":4212,"locale":18,"content":4213,"image":4214,"carousel":4243,"seo":4245,"localizations":4254},1980,"owa0brlepjlrdxeuxh1dm5zn","Postal station Běchovice","postal-station-bechovice","Českobrodská 1, Praha 9 - Běchovice, 190 11","The former post building in Běchovice—known as Stará pošta—served mainly as a relay station for changing postal horses. Daily mail-coach runs between capitals began on 5 August 1750, and from 1789 the coaches could also carry passengers.","50.081125","14.617158","2026-02-01T12:22:11.225Z","2026-03-16T21:33:32.147Z","2026-03-16T21:33:32.250Z","The former post building in Běchovice—known as Stará pošta—served mainly as a relay station for changing postal horses. Daily mail-coach runs between capitals began on 5 August 1750, and from 1789 the coaches could also carry passengers. The Běchovice station was founded on 1 May 1755 on the Prague–Vienna route via Kolín, Jihlava and Znojmo.",{"id":4215,"documentId":4216,"name":886,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":4217,"hash":4238,"ext":70,"mime":73,"size":4239,"url":4240,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4241,"updatedAt":4242,"publishedAt":4241,"focalPoint":9},104,"xk2vncrxrm8ym7e668t86zwu",{"large":4218,"small":4223,"medium":4228,"thumbnail":4233},{"ext":70,"url":4219,"hash":4220,"mime":73,"name":891,"path":9,"size":4221,"width":76,"height":77,"sizeInBytes":4222},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_3_4f393fbb2e.webp","large_3_4f393fbb2e",141.4,141402,{"ext":70,"url":4224,"hash":4225,"mime":73,"name":897,"path":9,"size":4226,"width":84,"height":85,"sizeInBytes":4227},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_3_4f393fbb2e.webp","small_3_4f393fbb2e",38.56,38558,{"ext":70,"url":4229,"hash":4230,"mime":73,"name":903,"path":9,"size":4231,"width":77,"height":92,"sizeInBytes":4232},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_3_4f393fbb2e.webp","medium_3_4f393fbb2e",83.68,83680,{"ext":70,"url":4234,"hash":4235,"mime":73,"name":909,"path":9,"size":4236,"width":99,"height":100,"sizeInBytes":4237},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_3_4f393fbb2e.webp","thumbnail_3_4f393fbb2e",7.38,7384,"3_4f393fbb2e",496.35,"https://meaningful-wonder-ea78781290.media.strapiapp.com/3_4f393fbb2e.webp","2026-02-19T19:55:44.416Z","2026-06-14T11:34:21.975Z",{"id":4244},474,{"id":4246,"metaTitle":4204,"metaDescription":4247,"keywords":4248,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4249},284,"The former post building in Běchovice—known as Stará pošta—served mainly as a relay station for changing postal horses.","building, architecture, Českobrodská 1, Prague, monument, history, horse",{"geo":4250,"name":4204,"@type":30,"image":4240,"address":4253,"@context":35,"description":4207,"additionalType":119},{"@type":27,"latitude":4251,"longitude":4252},50.081125,14.617158,{"@type":32,"streetAddress":4206,"addressCountry":33,"addressLocality":34},[4255],{"id":4256,"documentId":4203,"title":4257,"slug":4258,"shortTitle":4257,"address":4206,"type":54,"description":4259,"latitude":4208,"longitude":4209,"phone":1970,"website":9,"available":414,"availableDescription":9,"createdAt":4260,"updatedAt":4261,"publishedAt":4262,"locale":46,"content":4263},1979,"Poštovní stanice Běchovice","postovni-stanice-bechovice","Srdcem Běchovic je objekt bývalé pošty a proto se používá vžitý název Stará pošta. Poštovní správa habsburské monarchie zavedla pravidelné denní listovní jízdy poštovním vozem mezi hlavními městy 5. srpna 1750.","2026-02-01T12:22:11.209Z","2026-03-16T21:33:30.893Z","2026-03-16T21:33:31.001Z","\u003Cp>Poštovní stanice v Běchovicích se stala náhradou za zrušenou poštovní stanici v Jesenici. Ta byla nejprve přestěhována do Úval (1750–55) a následně pak do Běchovic.\u003C/p>\u003Cp>Klasicistní budova běchovické poštovní stanice vznikla později, pravděpodobně kolem roku 1775 (některé prameny uvádí kolem roku 1800). Základ poštovního dvora tvoří obdélný patrový objekt s mansardovou střechou. Z klenuté předsíně se vcházelo vlevo do šenkovny, vpravo do bytu šenkýře. Poštovní úřadovna byla spolu s bytem poštmistra a jeho rodiny umístěna v prvním patře.\u003C/p>\u003Cp>K hlavnímu objektu přiléhalo několik hospodářských budov včetně přístřešku pro kočáry a stájí pro několik desítek koní. Poštovní řád z 16. prosince 1748 totiž nařizoval, aby každý poštmistr vydržoval jednak koně, na něž dostával pravidelný plat, a jednak dalších alespoň šest dobrých koní, jež neměl kazit používáním k polním pracím. V případě stanic s větším provozem, bylo požadováno i více koní, povozů i služebního personálu. Posledního koně ve stáji nesmělo být nikdy použito k soukromé jízdě, nýbrž měl zůstat vyhrazen císařské poštovní službě. Pokud poštovní koně nestačili uspokojit potřeby, měli všichni měšťané a sedláci povinnost za stanovený poplatek koně poskytnout. Konec poštovního využívání koní ovšem způsobil v polovině 19. století rozvoj železnice.\u003C/p>\u003Cp>Ve druhé polovině 20. století objekt chátral. V roce 2013 byla vypsána soutěž na zpracování architektonického návrhu rekonstrukce. Nakonec byl nejúspěšnější návrh studentů Zahradnické fakulty Mendelovy univerzity Brno. Rekonstrukce byla dokončena v roce 2018 a vznikl rozsáhlý prostor umožňující pořadatelství kulturních akcí. Centrem obnoveného hospodářského dvora je sousoší čtyř koní v sestavě čtyřspřeží a několik kolejových oblouků připomínající historii koněspřežné dráhy, jakkoliv poštovní spřežení na trati Praha – Vídeň po kolejích nejezdila. Plastiku čtyř červených koní v centru dvora Staré pošty vytvořil sochař Karel Burian. Efekt jedoucího spřežení je navýšen využitím vodní mlhy mezi kolejnicemi za koňským spřežením, která má připomínat zdvižený prach za klusajícími koňmi. Spuštění vodní mlhy je možné přišlápnutím tlačítka v dlažbě za posledním párem koní. Areál Běchovické pošty je v majetku města a v hlavní budově v současnosti sídlí restaurace Běchovický dvůr.\u003C/p>",{"id":4265,"documentId":4266,"title":4267,"slug":4268,"shortTitle":9,"address":4269,"type":2103,"description":4270,"latitude":4271,"longitude":4272,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":4273,"updatedAt":4274,"publishedAt":4275,"locale":18,"content":4276,"image":4277,"carousel":4283,"seo":4285,"localizations":4294},1982,"mzbjq474qptu6v1916w8j6sq","Racecourse on the Císařská louka","racecourse-on-the-cisarska-louka","Císařská louka, Praha 5 - Smíchov, 150 00","Before Velká Chuchle, Prague’s earliest races took place on the military drill ground at Karlín’s Invalidovna. They later moved to Císařská louka on the Vltava opposite Vyšehrad.","50.062140","14.413791","2026-02-01T12:22:11.254Z","2026-03-16T21:33:34.595Z","2026-03-16T21:33:34.699Z","Before Velká Chuchle, Prague’s earliest races took place on the military drill ground at Karlín’s Invalidovna. They later moved to Císařská louka on the Vltava opposite Vyšehrad. Within Austria‑Hungary the venue was of provincial importance and survives mainly in a handful of photographs and paintings.",{"id":2938,"documentId":2939,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":4278,"hash":2961,"ext":70,"mime":73,"size":2962,"url":2963,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":2964,"updatedAt":2965,"publishedAt":2964,"focalPoint":9},{"large":4279,"small":4280,"medium":4281,"thumbnail":4282},{"ext":70,"url":2942,"hash":2943,"mime":73,"name":1442,"path":9,"size":2944,"width":76,"height":77,"sizeInBytes":2945},{"ext":70,"url":2947,"hash":2948,"mime":73,"name":1448,"path":9,"size":2949,"width":84,"height":85,"sizeInBytes":2950},{"ext":70,"url":2952,"hash":2953,"mime":73,"name":1454,"path":9,"size":2954,"width":77,"height":92,"sizeInBytes":2955},{"ext":70,"url":2957,"hash":2958,"mime":73,"name":1460,"path":9,"size":2959,"width":99,"height":100,"sizeInBytes":2960},{"id":4284},476,{"id":4286,"metaTitle":4267,"metaDescription":4287,"keywords":4288,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4289},288,"Before Velká Chuchle, Prague’s earliest races took place on the military drill ground at Karlín’s Invalidovna.","sports venue, sport, Císařská louka, Prague, monument, history, horse",{"geo":4290,"name":4267,"@type":30,"image":2963,"address":4293,"@context":35,"description":4270,"additionalType":2155},{"@type":27,"latitude":4291,"longitude":4292},50.06214,14.413791,{"@type":32,"streetAddress":4269,"addressCountry":33,"addressLocality":34},[4295],{"id":4296,"documentId":4266,"title":4297,"slug":4298,"shortTitle":4299,"address":4269,"type":2103,"description":4300,"latitude":4271,"longitude":4272,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":4301,"updatedAt":4302,"publishedAt":4303,"locale":46,"content":4304},2035,"Dostihové závodiště na Císařské louce","dostihove-zavodiste-na-cisarske-louce","Císařská louka","Již prvé polovině 19. stol. je zde vypisoval Pražský dostihový spolek. Dostihy se následně přesunuly na rovinu Císařské louky (vltavský polostrov naproti Vyšehradu podél Zlíchova).","2026-02-01T12:22:11.237Z","2026-06-14T15:46:53.267Z","2026-06-14T15:46:53.381Z","\u003Cp>Rivalita mezi feudály byla od dob středověku měřena i rychlostí jejich koní. V kolébce dostihového sportu v Anglii jsou závody dvou koní v rychlosti, zvané matche, popisovány již od 17. století. Zálibu v rychlých koních bychom ale vystopovali v hluboké historii a zprávy o nich máme již z antiky.\u003C/p>\u003Cp>Jednu z nejstarších zpráv o dostizích na našem území zaznamenává rožmberský archivář a kronikář Václav Březan již v roce 1561 na Krumlově, kde se běželo o 400 tolarů.\u003C/p>\u003Cp>Skutečné dostihy jsou ovšem mladšího data a v Anglii se zrodily v 18. století. S nimi pak i speciální rychlonohé plemeno anglický plnokrevník. Ten si rychle získal oblibu i v dalších zemích a dostihy se v průběhu 19. století rozšířily do celé Evropy.\u003C/p>\u003Cp>Pořadatelství dostihů bylo v těchto dobách však plně v rukách rakouské šlechty a v dobách národního obrození byla mezi německým a českým obyvatelstvem značná rivalita. Dostihy tak byly ze strany veřejnosti přehlíženy a sláva závodiště na Invalidovně (@zavodiste-na-invalidovne@ ) a Císařské louce počala hasnout. Organizátoři dostihů tak začali pomalu své aktivity opouštět a mezi důvody bylo většinou uváděno, že pražská nevzdělaná či hipologicky zaostalá veřejnost si zábavu tohoto druhu nezaslouží.\u003C/p>\u003Cp>Právě to ovšem zaktivizovalo pořadatele z řad pražského měšťanstva. Ve druhé části století tak pořádaly dostihy i měšťanské ozbrojené sbory dobrovolníků například c. a k. Měšťanský ostrostřelecký sbor v Praze, c. a k. Měšťanská jízda nebo Pražští granátníci. Tyto dostihy se naopak staly vyjádřením národní loajality a Pražané začali dostihy vyhledávat. Dostihy se tak záhy staly měšťanskou až lidovou zábavou. Centrem bylo závodiště na Císařské louce a mnoho dostihových dní se konalo pod záštitou pražského starosty. Dostihové závodiště na Císařské louce tak bylo počátkem projektu skutečného závodiště evropských parametrů ve Velké Chuchli (@dostihove-zavodiste-velka-chuchle@ ).\u003C/p>",{"id":3006,"documentId":4306,"title":4307,"slug":4308,"shortTitle":4309,"address":4310,"type":54,"description":4311,"latitude":4312,"longitude":4313,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":4314,"updatedAt":4315,"publishedAt":4316,"locale":18,"content":4317,"image":4318,"carousel":4352,"seo":4354,"localizations":4363},"kus5x10ib9tqspp97j2afw82","Racecourse on the Invalidovna","racecourse-on-the-invalidovna","Invalidovna","Invalidovna, Praha 8, 186 00","Karlín’s Baroque (1729–1740) was designed by Kilián Ignác Dientzenhofer after the model of Paris’s Invalides. Its scale helped attract the first organisers of Prague horse races in the early 19th century.","50.094751","14.462393","2026-02-01T12:22:11.314Z","2026-03-16T21:33:37.161Z","2026-03-16T21:33:37.268Z","Karlín’s Baroque Invalidovna (1729–1740) was designed by Kilián Ignác Dientzenhofer after the model of Paris’s Invalides. West of the building once lay a vast open field that later became a military drill ground. Its scale helped attract the first organisers of Prague horse races in the early 19th century.",{"id":2014,"documentId":4319,"name":4320,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":4321,"hash":4346,"ext":70,"mime":73,"size":4347,"url":4348,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4349,"updatedAt":4350,"publishedAt":4351,"focalPoint":9},"im0vd3n1m3llgub7roaca7ud","Invalidovna.webp",{"large":4322,"small":4328,"medium":4334,"thumbnail":4340},{"ext":70,"url":4323,"hash":4324,"mime":73,"name":4325,"path":9,"size":4326,"width":76,"height":77,"sizeInBytes":4327},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_Invalidovna_a5bea7564e.webp","large_Invalidovna_a5bea7564e","large_Invalidovna.webp",165.12,165118,{"ext":70,"url":4329,"hash":4330,"mime":73,"name":4331,"path":9,"size":4332,"width":84,"height":85,"sizeInBytes":4333},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_Invalidovna_a5bea7564e.webp","small_Invalidovna_a5bea7564e","small_Invalidovna.webp",44.42,44416,{"ext":70,"url":4335,"hash":4336,"mime":73,"name":4337,"path":9,"size":4338,"width":77,"height":92,"sizeInBytes":4339},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_Invalidovna_a5bea7564e.webp","medium_Invalidovna_a5bea7564e","medium_Invalidovna.webp",95.94,95940,{"ext":70,"url":4341,"hash":4342,"mime":73,"name":4343,"path":9,"size":4344,"width":99,"height":100,"sizeInBytes":4345},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_Invalidovna_a5bea7564e.webp","thumbnail_Invalidovna_a5bea7564e","thumbnail_Invalidovna.webp",8.52,8524,"Invalidovna_a5bea7564e",632.37,"https://meaningful-wonder-ea78781290.media.strapiapp.com/Invalidovna_a5bea7564e.webp","2026-02-19T20:11:53.112Z","2026-06-14T11:36:28.280Z","2026-02-19T20:11:53.113Z",{"id":4353},478,{"id":4355,"metaTitle":4307,"metaDescription":4356,"keywords":4357,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4358},292,"Karlín’s Baroque Invalidovna (1729–1740) was designed by Kilián Ignác Dientzenhofer after the model of Paris’s Invalides.","building, architecture, Invalidovna, Invalidovna, Prague, monument, history, horse",{"geo":4359,"name":4307,"@type":30,"image":4348,"address":4362,"@context":35,"description":4311,"additionalType":119},{"@type":27,"latitude":4360,"longitude":4361},50.094751,14.462393,{"@type":32,"streetAddress":4310,"addressCountry":33,"addressLocality":34},[4364],{"id":4365,"documentId":4306,"title":4366,"slug":4367,"shortTitle":4309,"address":4310,"type":54,"description":4368,"latitude":4312,"longitude":4313,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":4369,"updatedAt":4370,"publishedAt":4371,"locale":46,"content":4372},1983,"závodiště na Invalidovně","zavodiste-na-invalidovne","Barokní stavba karlínské Invalidovny vznikla v letech 1729 – 40 podle plánů Kiliána Ignáce Dienzenhofera podle vzoru pařížské Invalidovny. Původně zamýšlená stavba měla být čtyřnásobně větší, ale nakonec bylo od těchto plánů upuštěno.","2026-02-01T12:22:11.297Z","2026-03-16T21:33:35.703Z","2026-03-16T21:33:35.802Z","\u003Cp>Dostihy zde měly svoji premiéru 9. října 1839 a jednalo se o sázku dvou majitelů po vzoru anglických šlechticů nazývanou – match. Na jedné straně stál GAMABOY hraběte Oktaviána Kinského a na druhé HYPPOLIT hraběte Renarda. Dostih se běžel na dvě anglické míle a prvých 400 m šli koně pouze krokem a oba profesionální angličtí žokejové se vzájemně hlídali. Nakonec byl o tři délky úspěšnější Kinského GAMABOY. Oficiální dostihový mítink začal za tři dny 12. října 1839. Památkou na toto slavné prvenství byla žulová kašna na vodu s vytesaným letopočtem 1839. V roce 1950 byla ovšem při bourání starých stájí pravděpodobně zničena.\u003C/p>\u003Cp>Z dalších důležitých okamžiků prvopočátků dostihového sportu v Praze je nezbytné uvést data 29. října 1876 a 21. a 23. října 1877. V tyto dny se na závodišti na Invalidovně jako dvouletá a tříletá představila i legendární maďarská klisna KINCSEM, která nebyla nikdy poražena. Je tedy jasné, že i všechny její pražské starty skončili vítězně. Poslední start 23. října 1877 se tak stal již jen jakousi exhibicí. KINCSEM nenašla v tehdejších českých zemích nikoho, kdo by se jí chtěl postavit a tak běžela své závěrečné pražské vystoupení sama. Úspěchy při pražských dostizích slavili například Hektor Baltazzi, bratr zakladatele hřebčína v Napajedlích Aristida Baltazziho, či Nicky Esterhazi a Zdenko Kinský.\u003C/p>",{"id":4374,"documentId":4375,"title":4376,"slug":4377,"shortTitle":4378,"address":4379,"type":54,"description":4380,"latitude":4381,"longitude":4382,"phone":1970,"website":9,"available":414,"availableDescription":415,"createdAt":4383,"updatedAt":4384,"publishedAt":4385,"locale":18,"content":4386,"image":4387,"carousel":4415,"seo":4416,"localizations":4424},1986,"d5qem2z8agg6wbviil99vaax","Riding school of Josef barracks","riding-school-of-josef-barracks","Riding school Palladium","Na Poříčí 1142/3, Praha 1 - Nové město, 110 00","A covered riding hall on Na Poříčí Street was part of the Joseph Barracks complex, later renamed after George of Poděbrady. Today the former riding hall is part of the Palladium shopping centre, with small elements recalling its equestrian past.","50.089072","14.430300","2026-02-01T12:22:11.284Z","2026-03-16T21:33:39.705Z","2026-03-16T21:33:39.815Z","A covered riding hall on Na Poříčí Street was part of the Joseph Barracks complex, later renamed after George of Poděbrady. Horses left the barracks after horse power in artillery ended in the early 1950s; one of the last users was the Prague mounted police during WWII. Today the former riding hall is part of the Palladium shopping centre, with small elements recalling its equestrian past.",{"id":1943,"documentId":4388,"name":1437,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":4389,"hash":4410,"ext":70,"mime":73,"size":4411,"url":4412,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4413,"updatedAt":4414,"publishedAt":4413,"focalPoint":9},"wch19sj5dpew42q7oh0avkm7",{"large":4390,"small":4395,"medium":4400,"thumbnail":4405},{"ext":70,"url":4391,"hash":4392,"mime":73,"name":1442,"path":9,"size":4393,"width":76,"height":77,"sizeInBytes":4394},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_335fc7f6a6.webp","large_A_335fc7f6a6",103.91,103912,{"ext":70,"url":4396,"hash":4397,"mime":73,"name":1448,"path":9,"size":4398,"width":84,"height":85,"sizeInBytes":4399},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_335fc7f6a6.webp","small_A_335fc7f6a6",34.33,34334,{"ext":70,"url":4401,"hash":4402,"mime":73,"name":1454,"path":9,"size":4403,"width":77,"height":92,"sizeInBytes":4404},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_335fc7f6a6.webp","medium_A_335fc7f6a6",66.3,66304,{"ext":70,"url":4406,"hash":4407,"mime":73,"name":1460,"path":9,"size":4408,"width":99,"height":100,"sizeInBytes":4409},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_335fc7f6a6.webp","thumbnail_A_335fc7f6a6",7.7,7702,"A_335fc7f6a6",307.07,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_335fc7f6a6.webp","2026-02-19T20:11:05.026Z","2026-06-14T11:36:02.878Z",{"id":2676},{"id":2618,"metaTitle":4376,"metaDescription":4417,"keywords":4418,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4419},"A covered riding hall on Na Poříčí Street was part of the Joseph Barracks complex, later renamed after George of Poděbrady.","building, architecture, Na Poříčí 1142/3, Riding school Palladium, Prague, monument, history, horse",{"geo":4420,"name":4376,"@type":30,"image":4412,"address":4423,"@context":35,"description":4380,"additionalType":119},{"@type":27,"latitude":4421,"longitude":4422},50.089072,14.4303,{"@type":32,"streetAddress":4379,"addressCountry":33,"addressLocality":34},[4425],{"id":4426,"documentId":4375,"title":4427,"slug":4428,"shortTitle":4429,"address":4379,"type":54,"description":4430,"latitude":4381,"longitude":4382,"phone":1970,"website":9,"available":414,"availableDescription":415,"createdAt":4431,"updatedAt":4432,"publishedAt":4433,"locale":46,"content":4434},1985,"Jízdárna Josefských kasáren","jizdarna-josefskych-kasaren","Jízdárna Palladium","Kasárna sloužila svému účelu do roku 1993, ale to zde již koně pochopitelně nebyli. Vzpomínku na hipologické dějiny místa zprostředkovává dnes již pouze subtilní kašna či vodopád využívající nalezených mramorových žlabů a basreliéf Pocta koní od akademického sochaře Pavla Roučky.","2026-02-01T12:22:11.266Z","2026-03-16T21:33:38.468Z","2026-03-16T21:33:38.569Z","\u003Cp>Celé obchodní centrum Palladium se rozkládá na místě bývalého vojenského objektu. Objekt kasáren byl do podoby zachovaných budov rekonstruován mezi lety 1840 a 1861. Kasárna stála na místě chudinského špitálu a později kláštera. Ten zde v roce 1630 založili kapucíni. Roku 1636 byl následně položen základní kámen klášterního kostela sv. Josefa, který zde stojí dodnes.\u003C/p>\u003Cp>Za vlády Josefa II. byl klášter zrušen (1786) a jeho prostory upraveny pro vojenské účely jako vozatajská kasárna. Rozsáhlé hipologické využití bylo podpořeno blízkostí Senovážného náměstí, bývalého tržiště s pící, stejně jako Koňského trhu, dnes Václavské náměstí. Roku 1840 pak na ploše bývalé klášterní zahrady začala výstavba stájí, které sloužily jako nemocnice pro koně. Při rekonstrukci mezi lety 1857-1861 bylo ve stylu romantizujícího historismu dostavěno hlavní křídlo do Náměstí Republiky a v ulici Na Poříčí vybudována jízdárna. Tato budova je unikátní svým dřevěným krovem. Jedná se o konstrukci označovanou jako Ormeovy skruže, která je tvořena bez vazných trámů, hlavní oporu celému krovu tedy poskytuje 13 obloukových rámů. Kasárna plnila svojí vojenskou funkci až do roku 1993.\u003C/p>\u003Cp>V roce 1996 byla budova prodána soukromé firmě, která od začátku usilovala o její proměnu v obchodní centrum. Na základě protestů historiků byly budovy kasáren zapsány na seznam kulturních památek. Díky tomu byla i unikátní jízdárna s originálním dřevěným krovem zachována.\u003C/p>",{"id":4436,"documentId":4437,"title":4438,"slug":4439,"shortTitle":9,"address":4440,"type":54,"description":4441,"latitude":4442,"longitude":4443,"phone":9,"website":9,"available":9,"availableDescription":4444,"createdAt":4445,"updatedAt":4446,"publishedAt":4447,"locale":18,"content":4448,"image":4449,"carousel":4455,"seo":4457,"localizations":4466},1988,"ek1rwrj1eg3xp74qpmfxry2k","Riding Hall Na baště","riding-hall-na-baste","Hradčany, Praha 1, 110 00","Jízdárna Na Baště at Pohořelec was Prague’s last historic riding hall to operate until 1979. Originally military, it belonged to the Na Panenské barracks and later passed to civilian sports organisations.","50.090188","14.388278","uzavřeno","2026-02-01T12:22:11.344Z","2026-03-16T21:33:41.982Z","2026-03-16T21:33:42.089Z","Jízdárna Na Baště at Pohořelec was Prague’s last historic riding hall to operate until 1979. Originally military, it belonged to the Na Panenské barracks and later passed to civilian sports organisations. Today it serves as a depository for Prague Castle collections while still preserving the atmosphere of the city’s equestrian past.",{"id":3074,"documentId":3075,"name":3076,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":4450,"hash":3101,"ext":70,"mime":73,"size":3102,"url":3103,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":3104,"updatedAt":3105,"publishedAt":3104,"focalPoint":9},{"large":4451,"small":4452,"medium":4453,"thumbnail":4454},{"ext":70,"url":3079,"hash":3080,"mime":73,"name":3081,"path":9,"size":3082,"width":76,"height":77,"sizeInBytes":3083},{"ext":70,"url":3085,"hash":3086,"mime":73,"name":3087,"path":9,"size":3088,"width":84,"height":85,"sizeInBytes":3089},{"ext":70,"url":3091,"hash":3092,"mime":73,"name":3093,"path":9,"size":570,"width":77,"height":92,"sizeInBytes":3094},{"ext":70,"url":3096,"hash":3097,"mime":73,"name":3098,"path":9,"size":3099,"width":99,"height":100,"sizeInBytes":3100},{"id":4456},482,{"id":4458,"metaTitle":4438,"metaDescription":4459,"keywords":4460,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4461},300,"Jízdárna Na Baště at Pohořelec was Prague’s last historic riding hall to operate until 1979.","building, architecture, Hradčany, Prague, monument, history, horse",{"geo":4462,"name":4438,"@type":30,"image":3103,"address":4465,"@context":35,"description":4441,"additionalType":119},{"@type":27,"latitude":4463,"longitude":4464},50.090188,14.388278,{"@type":32,"streetAddress":4440,"addressCountry":33,"addressLocality":34},[4467],{"id":4468,"documentId":4437,"title":4469,"slug":4470,"shortTitle":9,"address":4440,"type":54,"description":4471,"latitude":4442,"longitude":4443,"phone":9,"website":9,"available":9,"availableDescription":4444,"createdAt":4472,"updatedAt":4473,"publishedAt":4474,"locale":46,"content":4475},1987,"Jízdárna Na baště","jizdarna-na-baste","Poslední historickou jízdárnou, která byla v Praze provozována až do roku 1979, byla . Tato jízdárna stojí na Pohořelci v těsném sousedství tramvajové tratě, naproti objektu Černínského paláce, či ještě lépe několik metrů pod hotelem Savoy.","2026-02-01T12:22:11.326Z","2026-03-16T21:33:40.838Z","2026-03-16T21:33:40.938Z","\u003Cp>Poslední historickou jízdárnou, která byla v Praze provozována až do roku 1979, byla jízdárna Na Baště. Tato jízdárna stojí na Pohořelci v těsném sousedství tramvajové tratě, naproti objektu Černínského paláce, či ještě lépe několik metrů pod hotelem Savoy. Tato jízdárna byla původně také vojenskou a byla součástí rozlehlých vojenských kasáren Na Panenské, která spolu se svými jezdeckými cvičišti, zabírala rozsáhlé území v okolí současného vjezdu do Strahovského tunelu. Tato jízdárna byla po zrušení vojenských kasáren předána k civilnímu používání Ústřednímu pražskému oddílu a až do posledního roku v ní sídlila tělovýchovná jednota Žižka Praha. I tato jízdárna je krásnou stavbou, která dodnes připomíná stopy hipologické minulosti Prahy. V současné době je v jízdárně zřízen depozitář sbírek Pražského hradu.\u003C/p>",{"id":4477,"documentId":4478,"title":4479,"slug":4480,"shortTitle":9,"address":4481,"type":11,"description":4482,"latitude":4483,"longitude":4484,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4485,"updatedAt":4486,"publishedAt":4487,"locale":18,"content":4488,"image":4489,"carousel":4520,"seo":4521,"localizations":4530},1990,"ssu906rqlicekswcv36flz70","Hunting motiv in Bubeneč","hunting-motiv-in-bubenec","Bubenčská 21, Praha 6 - Dejvice, 160 00","The distinctive decoration on the facade of a house on Bubenečská Street finds its justification in the iconography of the place, which was one of the main thematic areas in the decoration of Prague buildings. The hunting motif on the facade is no accident. Bubenečská Street is a direct connection between Prague Castle and the Royal Game Reserve, today known as Stromovka, which is historically linked to the hunting activities of the royal court. Horses and riders on the hunt naturally reflect centuries of tradition in this area. The house owner added the name Lánský after World War I, when he moved with his whole family to Lány, the presidential residence. The house exemplifies how Prague builders at the turn of the century drew inspiration from the history and character of their surroundings. The decoration is thus not merely an aesthetic element but a legible reference to the hunting past of this part of Prague.","50.099942","14.404114","2026-02-01T12:22:12.500Z","2026-03-16T21:33:44.523Z","2026-03-16T21:33:44.628Z","\u003Cp>He added the name Lánský to his name after the First World War, when he moved to Lány with his whole family. The distinctive decoration of the facade of the house in Bubenečská Street has its justification in the iconography of the place, which belonged to one of the main thematic areas in the decoration of Prague buildings of its time. Bubenečská Street, in which the house stands, is a direct connection between Prague Castle and the Royal Game Reserve (Stromovka), which is historically connected with the hunting activities of the Royal Court.\u003C/p>",{"id":179,"documentId":4490,"name":1228,"alternativeText":9,"caption":9,"width":4491,"height":4492,"formats":4493,"hash":4515,"ext":70,"mime":73,"size":4516,"url":4517,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4518,"updatedAt":4519,"publishedAt":4518,"focalPoint":9},"fez5b62b5r865560xvxm1o9r",1279,960,{"large":4494,"small":4500,"medium":4505,"thumbnail":4510},{"ext":70,"url":4495,"hash":4496,"mime":73,"name":1233,"path":9,"size":4497,"width":76,"height":4498,"sizeInBytes":4499},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_01_bb3a2db884.webp","large_01_bb3a2db884",85.71,751,85712,{"ext":70,"url":4501,"hash":4502,"mime":73,"name":1239,"path":9,"size":4503,"width":84,"height":85,"sizeInBytes":4504},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_01_bb3a2db884.webp","small_01_bb3a2db884",27.47,27474,{"ext":70,"url":4506,"hash":4507,"mime":73,"name":1245,"path":9,"size":4508,"width":77,"height":2467,"sizeInBytes":4509},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_01_bb3a2db884.webp","medium_01_bb3a2db884",54.66,54656,{"ext":70,"url":4511,"hash":4512,"mime":73,"name":1251,"path":9,"size":4513,"width":99,"height":100,"sizeInBytes":4514},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_01_bb3a2db884.webp","thumbnail_01_bb3a2db884",6.34,6340,"01_bb3a2db884",150.8,"https://meaningful-wonder-ea78781290.media.strapiapp.com/01_bb3a2db884.webp","2026-02-19T21:04:47.211Z","2026-06-14T11:58:05.934Z",{"id":3018},{"id":4522,"metaTitle":4479,"metaDescription":4523,"keywords":4524,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4525},304,"He added the name Lánský to his name after the First World War, when he moved to Lány with his whole family.","fresco, painting, art, Bubenčská 21, Prague, monument, history, horse",{"geo":4526,"name":4479,"@type":30,"image":4517,"address":4529,"@context":35,"description":4482,"additionalType":36},{"@type":27,"latitude":4527,"longitude":4528},50.099942,14.404114,{"@type":32,"streetAddress":4481,"addressCountry":33,"addressLocality":34},[4531],{"id":4532,"documentId":4478,"title":4533,"slug":4534,"shortTitle":9,"address":4481,"type":11,"description":4535,"latitude":4483,"longitude":4484,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4536,"updatedAt":4537,"publishedAt":4538,"locale":46,"content":4539},2023,"Lovecký motiv v Bubenči","lovecky-motiv-v-bubenci","Výrazná výzdoba průčelí domu v Bubenečské ulici má své opodstatnění v ikonografii místa, která patřila k jedněm z hlavních námětových okruhů ve výzdobě pražských staveb. Lovecký motiv na fasádě není náhodný. Bubenečská ulice je přímou spojnicí mezi Pražským hradem a Královskou oborou, dnes známou jako Stromovka, která je historicky spjata s loveckými aktivitami královského dvora. Koně a jezdci na lovu tak přirozeně odrážejí staletou tradici tohoto místa. Jméno Lánský si majitel domu přidal po první světové válce, kdy s celou rodinou přesídlil do Lán, prezidentského sídla. Dům je příkladem toho, jak pražští stavitelé na přelomu století čerpali inspiraci z historie a charakteru svého okolí. Výzdoba tak není jen estetickým prvkem, ale i čitelným odkazem na loveckou minulost této části Prahy.","2026-02-01T12:22:12.485Z","2026-06-14T15:45:54.055Z","2026-06-14T15:45:54.171Z","\u003Cp>Výrazná výzdoba průčelí domu v Bubenečské ulici má své opodstatnění v ikonografii místa, která patřila k jedněm z hlavních námětových okruhů ve výzdobě pražských staveb. Lovecký motiv na fasádě není náhodný. Bubenečská ulice je přímou spojnicí mezi Pražským hradem a Královskou oborou, dnes známou jako Stromovka, která je historicky spjata s loveckými aktivitami královského dvora. Koně a jezdci na lovu tak přirozeně odrážejí staletou tradici tohoto místa.\u003C/p>\u003Cp>Jméno Lánský si ke svému jménu přidal po 1. světové válce, kdy s celou rodinou přesídlil do Lán. Výrazná výzdoba průčelí domu v Bubenečské ulici má své opodstatnění v ikonografii místa, která patřila k jedněm z hlavních námětových okruhů ve výzdobě pražských staveb své doby. Bubenečská ulice, v níž dům stojí, je přímou spojnicí mezi Pražským hradem a Královskou oborou (Stromovka), která je historicky spjatá s loveckými aktivitami královského dvora.\u003C/p>",{"id":4541,"documentId":4542,"title":4543,"slug":4544,"shortTitle":9,"address":4545,"type":410,"description":4546,"latitude":4547,"longitude":4548,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":4549,"updatedAt":4550,"publishedAt":4551,"locale":18,"content":4552,"image":4553,"carousel":4582,"seo":4584,"localizations":4593},1992,"psw9ks4ddn6vmmnpcgy0fj8b","St. Wenceslav of David Černý - demolished myth","st-wenceslav-of-david-cerny-demolished-myth","Palác Lucerna, Praha 1, 110 00","Artist David Černý reinterpreted the St Wenceslas myth in his provocative 1999 sculpture showing the saint seated on the belly of a dead horse. The work was first placed at the lower end of Wenceslas Square and is now suspended under the glass roof of the Lucerna Palace.","50.081134","14.425793","2026-02-01T12:22:11.379Z","2026-03-16T21:33:47.197Z","2026-03-16T21:33:47.303Z","Artist David Černý reinterpreted the St Wenceslas myth in his provocative 1999 sculpture showing the saint seated on the belly of a dead horse. The work was first placed at the lower end of Wenceslas Square and is now suspended under the glass roof of the Lucerna Palace. According to the often-repeated note, it is meant to hang there until a constitutional monarchy is restored in the lands of the Bohemian Crown.",{"id":4554,"documentId":4555,"name":1437,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":4556,"hash":4577,"ext":70,"mime":73,"size":4578,"url":4579,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4580,"updatedAt":4581,"publishedAt":4580,"focalPoint":9},142,"w7mgf30tsx9aoxdss2jsagrj",{"large":4557,"small":4562,"medium":4567,"thumbnail":4572},{"ext":70,"url":4558,"hash":4559,"mime":73,"name":1442,"path":9,"size":4560,"width":77,"height":76,"sizeInBytes":4561},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_A_812f771fd3.webp","large_A_812f771fd3",95.29,95288,{"ext":70,"url":4563,"hash":4564,"mime":73,"name":1448,"path":9,"size":4565,"width":85,"height":84,"sizeInBytes":4566},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_A_812f771fd3.webp","small_A_812f771fd3",31.31,31314,{"ext":70,"url":4568,"hash":4569,"mime":73,"name":1454,"path":9,"size":4570,"width":92,"height":77,"sizeInBytes":4571},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_A_812f771fd3.webp","medium_A_812f771fd3",60.01,60006,{"ext":70,"url":4573,"hash":4574,"mime":73,"name":1460,"path":9,"size":4575,"width":308,"height":100,"sizeInBytes":4576},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_A_812f771fd3.webp","thumbnail_A_812f771fd3",4.96,4958,"A_812f771fd3",301.51,"https://meaningful-wonder-ea78781290.media.strapiapp.com/A_812f771fd3.webp","2026-02-19T20:13:13.406Z","2026-06-14T11:37:07.034Z",{"id":4583},486,{"id":4585,"metaTitle":4543,"metaDescription":4586,"keywords":4587,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4588},308,"Artist David Černý reinterpreted the St Wenceslas myth in his provocative 1999 sculpture showing the saint seated on the belly of a dead horse.","statue, sculpture, Palác Lucerna, Prague, monument, history, horse",{"geo":4589,"name":4543,"@type":30,"image":4579,"address":4592,"@context":35,"description":4546,"additionalType":465},{"@type":27,"latitude":4590,"longitude":4591},50.081134,14.425793,{"@type":32,"streetAddress":4545,"addressCountry":33,"addressLocality":34},[4594],{"id":4595,"documentId":4542,"title":4596,"slug":4597,"shortTitle":9,"address":4545,"type":410,"description":4598,"latitude":4547,"longitude":4548,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":4599,"updatedAt":4600,"publishedAt":4601,"locale":46,"content":4602},1991,"Sv. Václav Davida Černého - zbořený mýtus","sv-vaclav-davida-cerneho-zboreny-mytus","Významný současný umělec David Černý (*1967), který se nebojí ve svých dílech zcela neotřelých ztvárnění, zpracoval svatováclavský kult po svém. Václava z roku 1999 sice mnohé lidi dráždí, ale určitě je uměleckým osvěžením tradičního mýtu.","2026-02-01T12:22:11.357Z","2026-03-16T21:33:45.650Z","2026-03-16T21:33:45.760Z","\u003Cp>David Černý je známý jako tvůrce např. miminek na Žižkovském vysílači, cvičícího londýnského autobusu London Booster, který byl během OH v Londýně vystaven před Českým domem, či plastiky Entropa, která vzbudila vášně při českém předsednictví Radě Evropské unie v roce 2009. Jeho momentálně nejpopulárnějším dílem je kinetická hlava Franze Kafky před obchodním centrem Quadrio.\u003C/p>",{"id":4604,"documentId":4605,"title":4606,"slug":4607,"shortTitle":9,"address":4608,"type":54,"description":4609,"latitude":4610,"longitude":4611,"phone":4612,"website":4613,"available":9,"availableDescription":4614,"createdAt":4615,"updatedAt":4616,"publishedAt":4617,"locale":18,"content":4618,"image":4619,"carousel":4648,"seo":4650,"localizations":4658},2018,"jvxoftowqvjpqycz5nvzu0mg","Nostitz Palace","nostitz-palace","Nosticova 471/9, Praha 1 - Malá Strana, 118 00","The early-Baroque Nostitz (Nostic) Palace was completed in 1660 and is today the seat of the Czech Ministry of Culture. The complex also includes former stables, and a virtual tour is available online at https://www.mkcr.cz/minkultury2013/.","50.085500","14.405969","Ministerstvo kultury","https://www.mkcr.cz/minkultury2013/","virtuální prohlídka viz https://www.mkcr.cz/minkultury2013/","2026-02-01T12:22:11.468Z","2026-06-14T15:24:32.279Z","2026-06-14T15:24:32.419Z","The early-Baroque Nostitz (Nostic) Palace was completed in 1660 and is today the seat of the Czech Ministry of Culture. It is only occasionally open to the public; highlights include the chapel, galleries and an extensive library. The complex also includes former stables, and a virtual tour is available online at \u003Ca href=\"https://www.mkcr.cz/minkultury2013/\" target=\"_blank\" rel=\"noopener noreferrer\">https://www.mkcr.cz/minkultury2013/\u003C/a>.",{"id":4620,"documentId":4621,"name":147,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":4622,"hash":4643,"ext":70,"mime":73,"size":4644,"url":4645,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4646,"updatedAt":4647,"publishedAt":4646,"focalPoint":9},155,"qltn8gz99w4eqsga8fwtihn2",{"large":4623,"small":4628,"medium":4633,"thumbnail":4638},{"ext":70,"url":4624,"hash":4625,"mime":73,"name":152,"path":9,"size":4626,"width":77,"height":76,"sizeInBytes":4627},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_2_06b189bdf7.webp","large_2_06b189bdf7",128.56,128556,{"ext":70,"url":4629,"hash":4630,"mime":73,"name":158,"path":9,"size":4631,"width":85,"height":84,"sizeInBytes":4632},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_2_06b189bdf7.webp","small_2_06b189bdf7",41.78,41782,{"ext":70,"url":4634,"hash":4635,"mime":73,"name":164,"path":9,"size":4636,"width":92,"height":77,"sizeInBytes":4637},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_2_06b189bdf7.webp","medium_2_06b189bdf7",81.08,81078,{"ext":70,"url":4639,"hash":4640,"mime":73,"name":170,"path":9,"size":4641,"width":308,"height":100,"sizeInBytes":4642},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_2_06b189bdf7.webp","thumbnail_2_06b189bdf7",5.64,5642,"2_06b189bdf7",396.6,"https://meaningful-wonder-ea78781290.media.strapiapp.com/2_06b189bdf7.webp","2026-02-19T20:15:55.620Z","2026-06-14T11:38:26.077Z",{"id":4649},512,{"id":2253,"metaTitle":4606,"metaDescription":4651,"keywords":4652,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4653},"The early-Baroque Nostitz (Nostic) Palace was completed in 1660 and is today the seat of the Czech Ministry of Culture.","building, architecture, Nosticova 471/9, Prague, monument, history, horse",{"geo":4654,"url":4613,"name":4606,"@type":30,"image":4645,"address":4657,"@context":35,"description":4609,"additionalType":119},{"@type":27,"latitude":4655,"longitude":4656},50.0855,14.405969,{"@type":32,"streetAddress":4608,"addressCountry":33,"addressLocality":34},[4659],{"id":4660,"documentId":4605,"title":4661,"slug":4662,"shortTitle":9,"address":4608,"type":54,"description":4663,"latitude":4610,"longitude":4611,"phone":4612,"website":4613,"available":9,"availableDescription":4614,"createdAt":4664,"updatedAt":4665,"publishedAt":4666,"locale":46,"content":4667},2028,"Nostický palác","nosticky-palac","Celý komplex byl v majetku rodu Nosticů až do roku 1945, nyní je sídlem Ministerstva kultury České republiky. Největší zajímavosti paláce je kaple Nanebevzetí Panny Marie, kulečníkový sál, obrazová galerie a rozsáhlá knihovna, která dnes čítá přes 14 000 svazků.","2026-02-01T12:22:11.450Z","2026-06-14T15:46:39.409Z","2026-06-14T15:46:39.513Z","\u003Cp>V roce 2002 byly dokončeny rozsáhlé rekonstrukce Nostického paláce. Obě stáje tak jsou začleněny do současného chodu ministerstva kultury. Ve stáji pro 13 koní je prezentační stáj. Jeho součástí je socha koně v životní velikosti. Plastika byla vytvořena sochařem Karlem Neprašem a prostupuje zdí konírny, takže v místě přípravy kočárů a koní je jeho hlava a hrudní končetiny a v samotné stáji pak záď a pánevní končetiny. Ve druhé stáji, kde bylo místo pro osm koní je pak jídelna. V obou stájích jsou zachována stájová místa s mramorovými žlaby. Někdejší hospodářský dvůr je nyní zastřešen průsvitnou konstrukcí architekta Josefa Pleskota. Součástí Nostického paláce byly i další stáje (@staje-nostickeho-palace-na-maltezskem-namesti@ ) a Nostická jízdárna (@jizdarna-nostickeho-palace@ ).\u003C/p>",{"id":4669,"documentId":4670,"title":4671,"slug":4672,"shortTitle":4673,"address":3258,"type":410,"description":4674,"latitude":4675,"longitude":4676,"phone":9,"website":4677,"available":414,"availableDescription":4678,"createdAt":4679,"updatedAt":4680,"publishedAt":4681,"locale":18,"content":4682,"image":4683,"carousel":4712,"seo":4714,"localizations":4723},2019,"k8xbq7xm6yj1w6ssmcbuu4pq","Horses of Petra Vlachynská in the garden of the Fürstenberg Palace","horses-of-petra-vlachynska-in-the-garden-of-the-furstenberg-palace","Horses of Petra Vlachynská","Fürstenberg Palace in Malá Strana has been leased to the Polish Embassy since 1922, so its garden is not normally open to the public. The garden contains two bronze portraits of Lipizzaner mares by sculptor Petra Vlachynská (see https://www.vlachynska.com).","50.090837","14.407761","https://www.vlachynska.com","pohledově volně dostupné","2026-02-01T12:22:11.952Z","2026-06-14T15:24:34.468Z","2026-06-14T15:24:34.672Z","Fürstenberg Palace in Malá Strana has been leased to the Polish Embassy since 1922, so its garden is not normally open to the public. The garden contains two bronze portraits of Lipizzaner mares by sculptor Petra Vlachynská (see \u003Ca href=\"https://www.vlachynska.com\" target=\"_blank\" rel=\"noopener noreferrer\">https://www.vlachynska.com\u003C/a>). The sculptures highlight historic equestrian connections across European cultures and institutions.",{"id":4684,"documentId":4685,"name":1981,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":4686,"hash":4707,"ext":70,"mime":73,"size":4708,"url":4709,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4710,"updatedAt":4711,"publishedAt":4710,"focalPoint":9},253,"alz2axstdwqu0udk5dwco3hf",{"large":4687,"small":4692,"medium":4697,"thumbnail":4702},{"ext":70,"url":4688,"hash":4689,"mime":73,"name":1986,"path":9,"size":4690,"width":76,"height":77,"sizeInBytes":4691},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_3_e1c79a6839.webp","large_3_e1c79a6839",227.72,227722,{"ext":70,"url":4693,"hash":4694,"mime":73,"name":1992,"path":9,"size":4695,"width":84,"height":85,"sizeInBytes":4696},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_3_e1c79a6839.webp","small_3_e1c79a6839",61.89,61888,{"ext":70,"url":4698,"hash":4699,"mime":73,"name":1998,"path":9,"size":4700,"width":77,"height":92,"sizeInBytes":4701},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_3_e1c79a6839.webp","medium_3_e1c79a6839",135.3,135302,{"ext":70,"url":4703,"hash":4704,"mime":73,"name":2004,"path":9,"size":4705,"width":99,"height":100,"sizeInBytes":4706},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_3_e1c79a6839.webp","thumbnail_3_e1c79a6839",10.96,10956,"3_e1c79a6839",807.99,"https://meaningful-wonder-ea78781290.media.strapiapp.com/3_e1c79a6839.webp","2026-02-19T20:45:40.520Z","2026-06-14T11:49:39.012Z",{"id":4713},513,{"id":4715,"metaTitle":4673,"metaDescription":4716,"keywords":4717,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4718},335,"Fürstenberg Palace in Malá Strana has been leased to the Polish Embassy since 1922, so its garden is not normally open to the public.","statue, sculpture, Valdštejnská ulice, Horses of Petra Vlachynská, Prague, monument, history, horse",{"geo":4719,"url":4677,"name":4671,"@type":30,"image":4709,"address":4722,"@context":35,"description":4674,"additionalType":465},{"@type":27,"latitude":4720,"longitude":4721},50.090837,14.407761,{"@type":32,"streetAddress":3258,"addressCountry":33,"addressLocality":34},[4724],{"id":4725,"documentId":4670,"title":4726,"slug":4727,"shortTitle":4728,"address":3258,"type":410,"description":4729,"latitude":4675,"longitude":4676,"phone":9,"website":4677,"available":414,"availableDescription":4678,"createdAt":4730,"updatedAt":4731,"publishedAt":4732,"locale":46,"content":4733},2029,"Koně Petry Vlachynské na zahradě Fürstenberského paláce","kone-petry-vlachynske-na-zahrade-furstenberskeho-palace","Koně Petry Vlachynské","V roce 1920 palác získal československý stát, který jej od roku 1922 pronajímá polskému velvyslanectví. Jedná se o portrét lipicánských klisen Lindy (linie Conversano) a Majky (linie Maestoso), které velvyslanectví zapůjčil v roce 2016 soukromý vlastník.","2026-02-01T12:22:11.936Z","2026-06-14T15:46:41.678Z","2026-06-14T15:46:41.793Z","\u003Cp>V roce 1580 palácový pozemek získal císařský rada Václav Berka z Dubé a Lipé, který vystavěl původní palác a v následujících letech přikoupil i vinici na svahu hradního návrší. V roce 1714 odkoupila majetek rodina hraběte z Vrbna. Současnou podobu získal palác v polovině 18. století za majitelství Kazimíra Netolického z Eisenbergu. Roku 1822 přešla nemovitost do majetku knížete Karla Egona z Fürstenberku, jedné z důležitých osobností 19. století, který stál i u vzniku Národního muzea. Kníže Karel Egon byl nejenom vzdělancem, ale současně i významným průmyslníkem. V českých zemích zakládal slévárny a hutě a palác mu sloužil i jako sklad výrobků z jeho hutí v Nižboru. Tato činnost výrazně poničila zahradu, ale ta byla naštěstí na konci 19. století obnovena. Součástí původní zahrady byla i přilehlá vinice. Ta dnes již nepatří k paláci. Je veřejnosti přístupná a je jednou z nejkrásnějších terasových zahrad pod Pražským hradem známá jako Velká Fürstenberská zahrada. Do Velké Fürstenberské zahrady vstupujeme z Malé Strany přes původní hospodářský objekt Fürstenberského paláce, který má jasný hipologický charakter (@velka-furstenberska-zahrada@ ).\u003C/p>",{"id":4735,"documentId":4736,"title":4737,"slug":4738,"shortTitle":9,"address":4739,"type":410,"description":4740,"latitude":4741,"longitude":4742,"phone":9,"website":9,"available":414,"availableDescription":4743,"createdAt":4744,"updatedAt":4745,"publishedAt":4746,"locale":18,"content":4747,"image":4748,"carousel":4783,"seo":4784,"localizations":4793},2041,"xjd4u8hnz1mhl06resv4b3mo","Kranner's Fountain with the Equestrian Statue of Francis I","kranners-fountain-with-the-equestrian-statue-of-francis-i","Smetanovo nábřeží , Praha 1 - Staré město, 110 00","This neo-Gothic fountain crowned by an equestrian statue has a history as dramatic as the empire it commemorates. The rider is František I, the last Holy Roman Emperor, who dissolved the 844-year-old empire in 1806 under pressure from Napoleon.","50.082973","14.413533","Free to access ","2026-02-21T21:27:20.144Z","2026-06-14T15:47:04.563Z","2026-06-14T15:47:04.664Z","\u003Cp class=\"p1\">Sometimes there is confusion in František's name. This Hungarian and Czech king and Moravian margrave was elected emperor of the Holy Roman Empire of the German nation in 1792. In this role he accepted the name František II. The accession of his reign was marked by growing conflicts with Napoleon Bonaparte. He accepted the title of emperor in 1804, and in connection with this fact, František declared himself Austrian emperor. The conflict with Napoleon did not develop well for the Austrian Empire, and despite an alliance with the Russian Tsar Alexander I., the Austrians were crushed in 1805 in the Battle of the Three Emperors near Austerlitz.\u003C/p>\u003Cp class=\"p1\">This defeat initiated the creation of the Rhineland Association, which was joined by most states from the west of the Holy Roman Empire and later by a number of states in central and northern Germany. As a result of this situation, František II. renounced the crown of the Holy Roman Empire in 1806 and abolished the Roman imperial rank. He released the states of the Rhineland Association from obligations to him, as the Roman emperor. After 844 years, the Holy Roman Empire formally disappeared. Since then, František has used, in addition to his royal titles, only the title of Austrian Emperor named František I. The Napoleonic Wars ended with the defeat of Napoleon first at Leipzig (1813) and then at Waterloo (1815). In the Austrian monarchy, everything returned to the old order. The national revival efforts sown throughout Europe as a result of the French Revolution could no longer be destroyed. Thus, despite the declaration of the Czech Land Assembly in 1835 on the construction of a monument of František I, the foundation stone was laid only 1845. The monument was unveiled in May 1850. In patriotic circles, it was perceived as the servility of political power towards a representative of the suppression of national efforts. Karel Havlíček Borovský composed a mocking epigram to unveil the monument: All around the Czechs is boast and in the middle stands a fool. Immediately after the establishment of independent Czechoslovakia, the equestrian statue of František I. was taken down in 1919 and moved to the lapidary of the National Museum (@lapidarium-narodniho-muzea@). After 84 years, in 2003, in connection with the overhaul of the entire monument, a copy of the statue was returned back under the Neo-Gothic canopy thanks to initiative of the then mayor of Prague 1, Vladimír Vihan. Water was brought back to the fountain and in summer is the park a pleasant oasis in the centre of Prague.\u003C/p>",{"id":4749,"documentId":4750,"name":4751,"alternativeText":9,"caption":9,"width":67,"height":66,"formats":4752,"hash":4777,"ext":70,"mime":73,"size":4778,"url":4779,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4780,"updatedAt":4781,"publishedAt":4782,"focalPoint":9},70,"h4xlzenifb122iczd0gjmpip","1. 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Krannerova_kašna,_jezdecká_socha_Františka_I.webp",28.15,28154,{"ext":70,"url":4766,"hash":4767,"mime":73,"name":4768,"path":9,"size":4769,"width":92,"height":77,"sizeInBytes":4770},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_1_Krannerova_kasna_jezdecka_socha_Frantiska_I_0916e1ed31.webp","medium_1_Krannerova_kasna_jezdecka_socha_Frantiska_I_0916e1ed31","medium_1. Krannerova_kašna,_jezdecká_socha_Františka_I.webp",50.74,50736,{"ext":70,"url":4772,"hash":4773,"mime":73,"name":4774,"path":9,"size":4775,"width":308,"height":100,"sizeInBytes":4776},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_1_Krannerova_kasna_jezdecka_socha_Frantiska_I_0916e1ed31.webp","thumbnail_1_Krannerova_kasna_jezdecka_socha_Frantiska_I_0916e1ed31","thumbnail_1. Krannerova_kašna,_jezdecká_socha_Františka_I.webp",4.66,4658,"1_Krannerova_kasna_jezdecka_socha_Frantiska_I_0916e1ed31",203.5,"https://meaningful-wonder-ea78781290.media.strapiapp.com/1_Krannerova_kasna_jezdecka_socha_Frantiska_I_0916e1ed31.webp","2026-02-19T19:51:53.388Z","2026-06-14T11:30:54.451Z","2026-02-19T19:51:53.389Z",{"id":2247},{"id":4785,"metaTitle":4737,"metaDescription":4786,"keywords":4787,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4788},357,"This neo-Gothic fountain crowned by an equestrian statue has a history as dramatic as the empire it commemorates.","statue, sculpture, Smetanovo nábřeží, Prague, monument, history, horse",{"geo":4789,"name":4737,"@type":30,"image":4779,"address":4792,"@context":35,"description":4740,"additionalType":465},{"@type":27,"latitude":4790,"longitude":4791},50.082973,14.413533,{"@type":32,"streetAddress":4739,"addressCountry":33,"addressLocality":34},[4794],{"id":4795,"documentId":4736,"title":4796,"slug":4797,"shortTitle":4798,"address":4739,"type":410,"description":4799,"latitude":4741,"longitude":4742,"phone":9,"website":9,"available":414,"availableDescription":415,"createdAt":4800,"updatedAt":4801,"publishedAt":4802,"locale":46,"content":4803},2024,"Krannerova kašna s jezdeckou sochou Františka I.","krannerova-kasna-s-jezdeckou-sochou-frantiska-i","Krannerova kašna","Rakouskému v Praze pomník vznikl hned po jeho úmrtí v roce 1835. V Praze propuklo v roce 1848 a bylo násilně potlačeno generálem Alfrédem Windischgrätzem.","2026-02-01T12:22:10.882Z","2026-06-14T15:46:31.847Z","2026-06-14T15:46:31.963Z","\u003Cp>Občas dochází ke zmatení ve Františkově jméně. Tento král uherský i český a markrabě moravský byl v roce 1792 zvolen císařem Svaté říše římské národa německého. V této roli přijal jméno František II. Nástup jeho vlády byl ovšem poznamenán narůstajícími konflikty s Napoleonem Bonapartem. Ten v roce 1804 přijal titul císař a v návaznosti na tuto skutečnost se František prohlásil císařem rakouským. Konflikt s Napoleonem se ale pro Rakouské císařství nevyvíjel dobře a přes spojenectví s ruským carem Alexandrem I. byli Rakušané v roce 1805 drtivě poraženi v bitvě Tří císařů u Slavkova.\u003C/p>\u003Cp>Tato porážka iniciovala vznik Rýnského spolku, ke kterému se připojila většina států ze západu Svaté říše římské a později i řada států středního a severního Německa. V důsledku této situace se František II. zřekl v roce 1806 koruny Svaté říše římské a římskou císařskou hodnost zrušil. Vyvázal tím státy Rýnského spolku z povinností vůči sobě, jako římskému císaři. Po 844 letech tak Svatá říše římská formálně zanikla. Od této doby již František používal vedle svých královských titulů pouze titul císař rakouský se jménem František I.\u003C/p>\u003Cp>Napoleonské války skončili porážkou Napoleona nejprve u Lipska (1813) a následně u Waterloo (1815). V Rakouské monarchii se vše vrátilo ke starému pořádku. Národně obrozenecké snahy zaseté po celé Evropě v důsledku Francouzské revoluce ovšem se již zničit nepodařilo.\u003C/p>\u003Cp>A tak přes deklaraci Českého zemského sněmu z roku 1935 o výstavbě pomníku Františkovi I. byl základní kámen položen až v roce 1945. Pomník tak byl odhalen v květnu 1850. Ve vlasteneckých kruzích byl vnímán jako servilita politické moci vůči představiteli potlačování národních snah. Karel Havlíček Borovský tak k odhalení pomníku složil posměšný epigram: Kol dokola Čechů chlouba a uprostřed stojí trouba. Hned po vzniku samostatného Československa byla proto v roce 1919 jezdecká socha s Františkem I. sňata a přestěhována do lapidária Národního muzea (@lapidarium-narodniho-muzea@).\u003C/p>\u003Cp>Teprve po 84 letech, v roce 2003, byla v souvislosti s generální opravou celého pomníku, z iniciativy tehdejšího starosty Prahy 1 Vladimíra Vihana bez velké publicity kopie sochy pod novogotický baldachýn vrácena. Do kašny byla opět přivedena voda a v létě je tak parčík příjemnou oázou v centru Prahy.\u003C/p>",{"id":4805,"documentId":4806,"title":4807,"slug":4808,"shortTitle":9,"address":4809,"type":54,"description":4810,"latitude":4811,"longitude":4812,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4813,"updatedAt":4814,"publishedAt":4815,"locale":18,"content":4816,"image":4817,"carousel":4850,"seo":4852,"localizations":4860},2042,"blyjzsbspzdc98wsd5op72fe","Barracks in Karlín - U Sluncové","barracks-in-karlin-u-sluncove","U Sluncové, Praha 8 - Invalidovna, 186 00","A vast area in front of the Karlín barracks, now entirely occupied by the Na Invalidovně housing estate, once served for equestrian training. The territory's extent is evidenced not only by the fact that Prague's first horse races were held here, where the legendary undefeated mare Kincsem also competed, but also by numerous photographs from the prominent Austro-Hungarian photographer Bruno-Dvořák. Horses from these barracks were also used by the Hunting Company, which organized hunting rides following artificial trails in the eastern outskirts of Prague beyond the village of Kyje until the beginning of World War II in 1939. The Karlín barracks were thus one of the key centres of equestrian culture in Prague, where military training, racing sport, and the hunting tradition converged. Today, a concrete housing estate completely covers the former training ground, and only historical photographs recall the era when the hooves of hundreds of horses thundered here.","50.094774","14.467806","2026-02-01T12:22:12.876Z","2026-06-14T15:47:06.280Z","2026-06-14T15:47:06.399Z","\u003Cp>A large area in front of the barracks, which is now fully filled in the Na Invalidovně housing estate, served as equestrian training. The vastness of the territory is evidenced not only by the fact that the first Prague races took place here and the legendary invincible Kincs (@zavodiste-na-invalidovne@) also competed here, but also by a number of photographs by the important Austro-Hungarian photographer Bruno-Dvořák. From these barracks, horses were also used for the purposes of the Hunting Company, which used for hunting rides behind an artificial track until the beginning of World War II (1939) the eastern territory of the Prague outskirts behind the village of Kyje.\u003C/p>",{"id":2835,"documentId":4818,"name":4819,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":4820,"hash":4845,"ext":70,"mime":73,"size":4846,"url":4847,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4848,"updatedAt":4849,"publishedAt":4848,"focalPoint":9},"krpyefs5s45mknssvbtnqige","P01.webp",{"large":4821,"small":4827,"medium":4833,"thumbnail":4839},{"ext":70,"url":4822,"hash":4823,"mime":73,"name":4824,"path":9,"size":4825,"width":76,"height":77,"sizeInBytes":4826},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_P01_c59cededa8.webp","large_P01_c59cededa8","large_P01.webp",55.52,55524,{"ext":70,"url":4828,"hash":4829,"mime":73,"name":4830,"path":9,"size":4831,"width":84,"height":85,"sizeInBytes":4832},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_P01_c59cededa8.webp","small_P01_c59cededa8","small_P01.webp",17.16,17158,{"ext":70,"url":4834,"hash":4835,"mime":73,"name":4836,"path":9,"size":4837,"width":77,"height":92,"sizeInBytes":4838},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_P01_c59cededa8.webp","medium_P01_c59cededa8","medium_P01.webp",34.39,34390,{"ext":70,"url":4840,"hash":4841,"mime":73,"name":4842,"path":9,"size":4843,"width":99,"height":100,"sizeInBytes":4844},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_P01_c59cededa8.webp","thumbnail_P01_c59cededa8","thumbnail_P01.webp",4.18,4176,"P01_c59cededa8",189.79,"https://meaningful-wonder-ea78781290.media.strapiapp.com/P01_c59cededa8.webp","2026-02-19T21:28:35.593Z","2026-06-14T12:04:32.320Z",{"id":4851},536,{"id":717,"metaTitle":4807,"metaDescription":4853,"keywords":4854,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4855},"A large area in front of the barracks, which is now fully filled in the Na Invalidovně housing estate, served as equestrian training.","building, architecture, U Sluncové, Prague, monument, history, horse",{"geo":4856,"name":4807,"@type":30,"image":4847,"address":4859,"@context":35,"description":4810,"additionalType":119},{"@type":27,"latitude":4857,"longitude":4858},50.094774,14.467806,{"@type":32,"streetAddress":4809,"addressCountry":33,"addressLocality":34},[4861],{"id":4862,"documentId":4806,"title":4863,"slug":4864,"shortTitle":9,"address":4809,"type":54,"description":4865,"latitude":4811,"longitude":4812,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4866,"updatedAt":4867,"publishedAt":4868,"locale":46,"content":4869},2032,"Kasárna v Karlíně","kasarna-v-karline","Jezdeckému výcviku v karlínských kasárnách sloužila rozlehlá plocha před budovami, kterou dnes plně vyplňuje sídliště Na Invalidovně. Rozsáhlost území dokládá nejen skutečnost, že se zde konaly první pražské dostihy a závodila zde i legendární neporazitelná klisna Kincsem, ale i řada fotografií významného rakousko-uherského fotografa Bruno-Dvořáka. Z těchto kasáren byli koně používáni i pro účely Honební společnosti, která k honebním jízdám za umělou stopou využívala až do počátku druhé světové války v roce 1939 východní území pražské periferie za vesnicí Kyje. Kasárna v Karlíně tak byla jedním z klíčových center koňské kultury v Praze, kde se propojoval vojenský výcvik, dostihový sport a lovecká tradice. Dnes panelový sídliště zcela překrylo bývalý cvičební prostor a jen historické fotografie připomínají dobu, kdy zde duněla kopyta stovek koní.","2026-02-01T12:22:12.860Z","2026-06-14T15:46:47.388Z","2026-06-14T15:46:47.489Z","\u003Cp>Jezdeckému výcviku sloužila rozlehlá plocha před kasárnami, kterou dnes plně vyplňuje sídliště Na Invalidovně. Rozsáhlost území dokládá nejen to, že se zde konaly první pražské dostihy a závodila zde i legendární neporazitelná Kincsem (@zavodiste-na-invalidovne@), ale i řada fotografií významného Rakousko-Uherského fotografa Bruno-Dvořáka. Z těchto kasáren byli koně také používáni pro účely Honební společnosti, která k honebním jízdám za umělou stopou využívala do počátku II. světové války (1939) východní území pražské periferie za vesnicí Kyje.\u003C/p>",{"id":4871,"documentId":4872,"title":4873,"slug":4874,"shortTitle":9,"address":4875,"type":54,"description":4876,"latitude":4877,"longitude":4878,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4879,"updatedAt":4880,"publishedAt":4881,"locale":18,"content":4882,"image":4883,"carousel":4912,"seo":4914,"localizations":4923},2043,"fhl68hbi72bxq2mq3cuxjl48","Ramp for carriages near Rudolfinum","ramp-for-carriages-near-rudolfinum","Alšovo nábř. 12, Praha 1 - Josefov, 110 00","The Rudolfinum building has a remarkably varied past that mirrors the turbulent 20th-century history of Czechoslovakia. After the republic's founding in 1918, it was converted for sessions of the National Assembly, and President T. G. Masaryk regularly visited, being elected president here three times. During the Protectorate, the building returned to presenting art under German cultural interests. After the war, it became home to the Music Faculty of the Academy of Performing Arts and the Czech Philharmonic. The dramatic history is also reflected in the changing names of the adjacent square: Na Rejdišti, Empress Zita's Square, Smetana Square, Mozartplatz during the occupation, then Red Army Square, and finally after 1990, Jan Palach Square, honoring the student who burned himself on Wenceslas Square in 1969 to protest the Soviet occupation. Today, following a modern 1992 renovation, the Rudolfinum houses the Czech Philharmonic and the Rudolfinum Gallery.","50.089547","14.415834","2026-02-01T12:22:12.717Z","2026-06-14T15:47:08.062Z","2026-06-14T15:47:08.171Z","\u003Cp>The Rudolfinum building has a varied past. After the founding of Czechoslovakia in 1918, it was rebuilt for the sessions of the Czechoslovak National Assembly, and President T. G. Masaryk also visited this place regularly. He was repeatedly elected as a president of Czechoslovakia here in 1920, 1927 and 1934.\u003C/p>\u003Cp>After the establishment of the Protectorate of Bohemia and Moravia, the building returned to the presentation of art, but it was of course intended to serve German cultural interests. After the end of the war, the building became the seat of the Faculty of Music of the Academy of Performing Arts and the Czech Philharmonic. After 1990, the building was modernly renovated and since 1992 it has been used of the Czech Philharmonic and the Rudolfinum Gallery. The colorful history of Czechoslovakia in the 20th century is evidenced by the names of the square, which is dominated by this building. Until 1915, it was named after the public riding school in the neighborhood \"Na Rejdišti\" (@jizdarna-na-rejdisti@). From 1915 it was \"Empress Zita's Square\" and between 1919 and 1942 \"Smetana´s Square\". During the occupation during World War II \"Mozartplatz\" and after the liberation briefly again \"Smetana´s Square\". From the 1950s, concerts were held at the \"Krasnoarmějců Square\". Finally, after 1990, it was named \"Jan Palach Square\" in honor of the student who burned himself on Wenceslas Square in 1969 to protest against the Soviet occupation.\u003C/p>",{"id":4884,"documentId":4885,"name":492,"alternativeText":9,"caption":9,"width":66,"height":67,"formats":4886,"hash":4907,"ext":70,"mime":73,"size":4908,"url":4909,"previewUrl":9,"provider":105,"provider_metadata":9,"createdAt":4910,"updatedAt":4911,"publishedAt":4910,"focalPoint":9},397,"ip3v6w86n3wssfwjrcfhm5kj",{"large":4887,"small":4892,"medium":4897,"thumbnail":4902},{"ext":70,"url":4888,"hash":4889,"mime":73,"name":497,"path":9,"size":4890,"width":76,"height":77,"sizeInBytes":4891},"https://meaningful-wonder-ea78781290.media.strapiapp.com/large_P03_b3008769db.webp","large_P03_b3008769db",109.08,109076,{"ext":70,"url":4893,"hash":4894,"mime":73,"name":503,"path":9,"size":4895,"width":84,"height":85,"sizeInBytes":4896},"https://meaningful-wonder-ea78781290.media.strapiapp.com/small_P03_b3008769db.webp","small_P03_b3008769db",34.94,34944,{"ext":70,"url":4898,"hash":4899,"mime":73,"name":509,"path":9,"size":4900,"width":77,"height":92,"sizeInBytes":4901},"https://meaningful-wonder-ea78781290.media.strapiapp.com/medium_P03_b3008769db.webp","medium_P03_b3008769db",69,69000,{"ext":70,"url":4903,"hash":4904,"mime":73,"name":515,"path":9,"size":4905,"width":99,"height":100,"sizeInBytes":4906},"https://meaningful-wonder-ea78781290.media.strapiapp.com/thumbnail_P03_b3008769db.webp","thumbnail_P03_b3008769db",8.04,8038,"P03_b3008769db",357.16,"https://meaningful-wonder-ea78781290.media.strapiapp.com/P03_b3008769db.webp","2026-02-19T21:22:22.012Z","2026-06-14T12:01:33.528Z",{"id":4913},537,{"id":4915,"metaTitle":4873,"metaDescription":4916,"keywords":4917,"metaRobots":24,"metaViewport":9,"canonicalURL":9,"structuredData":4918},359,"The Rudolfinum building has a remarkably varied past that mirrors the turbulent 20th-century history of Czechoslovakia.","building, architecture, Alšovo nábř. 12, Prague, monument, history, horse",{"geo":4919,"name":4873,"@type":30,"image":4909,"address":4922,"@context":35,"description":4876,"additionalType":119},{"@type":27,"latitude":4920,"longitude":4921},50.089547,14.415834,{"@type":32,"streetAddress":4875,"addressCountry":33,"addressLocality":34},[4924],{"id":4925,"documentId":4872,"title":4926,"slug":4927,"shortTitle":9,"address":4875,"type":54,"description":4928,"latitude":4877,"longitude":4878,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4929,"updatedAt":4930,"publishedAt":4931,"locale":46,"content":4932},2040,"Nájezdová rampa pro kočáry u Rudolfina","najezdova-rampa-pro-kocary-u-rudolfina","Budova Rudolfina má mimořádně pestrou minulost, která odráží bouřlivé dějiny Československa 20. století. Po vzniku republiky v roce 1918 byla přestavěna pro zasedání Národního shromáždění a pravidelně sem zajížděl prezident T. G. Masaryk, který zde byl třikrát zvolen prezidentem. Za Protektorátu se budova vrátila k prezentaci umění v německém kulturním duchu. Po válce se stala sídlem Hudební fakulty Akademie múzických umění a České filharmonie. Dramatické dějiny dokládají i měnící se názvy přilehlého náměstí: Na Rejdišti, Náměstí císařovny Zity, Smetanovo náměstí, za okupace Mozartplatz, poté Náměstí Krasnoarmějců a konečně po roce 1990 Náměstí Jana Palacha na počest studenta, který se v roce 1969 upálil na protest proti sovětské okupaci. Dnes je Rudolfinum po moderní rekonstrukci z roku 1992 domovem České filharmonie a Galerie Rudolfinum.","2026-02-01T12:22:12.702Z","2026-06-14T15:47:02.710Z","2026-06-14T15:47:02.815Z","\u003Cp>Budova Rudolfina má pestrou minulost. Po vzniku Československa v roce 1918 byla přestavěna k zasedání československého Národního shromáždění a pravidelně sem zajížděl i prezident T. G. Masaryk. Ten zde byl v letech 1920, 1927 a 1934 opakovaně volen prezidentem Československa.\u003C/p>\u003Cp>Po vzniku Protektorátu Čechy a Morava se budova vrátila k prezentaci umění, ale měla pochopitelně sloužit německým kulturním zájmům. Po konci války se pak budova stala sídlem Hudební fakulty Akademie múzických umění a České filharmonie. Po roce 1990 byla budova moderně zrekonstruována a od roku 1992 je uživatelem Česká filharmonie a Galerie Rudolfinum. Pestré dějiny Československa 20. století dokládají názvy náměstí, jehož je budova dominantou. Do roku 1915 se jmenovalo podle veřejné jízdárny v sousedství „Na Rejdišti“ (@jizdarna-na-rejdisti@ ). Od roku 1915 to bylo \"Náměstí císařovny Zity\" a mezi lety 1919 až 1942 „Smetanovo náměstí“. V průběhu okupace za 2. světové války \"Mozartplatz\" a po osvobození nakrátko opět \"Smetanovo náměstí\". Od 50. let se pak na koncerty chodilo na \"náměstí Krasnoarmějců\". A konečně po roce 1990 se jmenuje na počest studenta, který se v roce 1969 na Václavském náměstí na protest proti sovětské okupaci upálil „Náměstí Jana Palacha“.\u003C/p>",{"id":4934,"documentId":4935,"title":4936,"slug":4937,"shortTitle":9,"address":481,"type":54,"description":4938,"latitude":4939,"longitude":4940,"phone":9,"website":9,"available":9,"availableDescription":9,"createdAt":4941,"updatedAt":4942,"publishedAt":4943,"locale":18,"content":4944,"image":4945,"carousel":4979,"seo":4981,"localizations":4989},2044,"snn5db98yr8olep7tqcq6o7m","Prague bollards","prague-bollards","Bollards along roads have been built since the days of ancient Rome. It is often suggested that these stones helped riders mount and dismount their horses. Since the ancient Romans did not use stirrups, this explanation seems plausible, though the stones likely served primarily as distance markers. The central Roman bollard was a gilded stone in the middle of the Forum Romanum, where all roads converged, giving rise to the saying that all roads lead to Rome. Prague's bollards are beautifully illustrated at the entrance to one of the finest Renaissance houses in the Old Town, the Granovský Palace. The passage also serves as the entrance to Ungelt, one of Prague's most beautiful locations, through which carriages passed for centuries. Prague's bollards are reminders of an era when horses and wagons were an integral part of city life and stone posts protected buildings from the impact of wheels.","50.088000","14.423081","2026-02-01T12:22:12.779Z","2026-06-14T15:47:09.926Z","2026-06-14T15:47:10.055Z","\u003Cp>Bollards have been built to mark roads since the time of ancient Rome. Today, it is very often hypothesized that these stones along the roads made it easier for riders to get on and off the horse. Because the ancient Romans did not use stirrups, this explanation might seem acceptable. Probably, however, this function was performed by some \"extra\" bollards. Their function for marking distances is significantly more plausible. The central Roman bollard was then the one in the middle of the Roman Forum, which was to be gilded. At this bollard, all the roads built by the Romans converged and therefore \"all roads lead to Rome\". To illustrate the Prague bollards, we offer an entrance to one of the most beautiful Renaissance houses in the Old Town, the Granovsky Palace. 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Dnes se velmi často vyskytuje hypotéza, že tyto kameny podél silnic usnadňovaly jezdcům nasedat a sesedat z koně. Protože staří Římané nepoužívali třmeny, mohlo by se toto vysvětlení zdát přijatelné. Pravděpodobně ale tuto funkci patníky plnily jaksi „navíc“. Výrazně věrohodnější je jejich funkce ke značení vzdáleností. Centrálním římským patníkem pak byl ten ve středu Fóra Romana, který měl být pozlacen. U tohoto patníku se pak všechny Římany postavené cesty sbíhaly a proto „vedou všechny cesty do Říma“. K ilustraci pražských patníků nabízíme vjezd do jednoho z nejkrásnějších renesančních domů Starého města, kterým je palác Granovských. 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